MARVELous The Show

MARVELous

MARVELous Rating

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If you’re a Marvel fan, you’ll want to get to the National Theatre in St Kilda this week. MARVELous has hit Melbourne for one week only.

But you don’t just have to be a Marvel fan to enjoy the evening of dancing, singing, acrobatics, stunts, and a variety of hilarious parodies that draw reference to a range of pop culture songs and movies outside of the Marvel franchise.

The audience were a-buzz on opening night, and lapped up the high energy, risqué performances (there is nudity, so keep the kids at home!).

Deadpool and his interaction with the audience kept everyone engaged throughout the show. And each of the individual parody skits were captivating and entertaining to watch.

The show definitely entertained the audience; a wonderful way to escape the real world for a couple of hours and have a good laugh and enjoy the spectacle on stage. There is a great mix of both Marvel-specifc and -non-specific pop culture references along the way to cater for a wide range of tastes.

There is some serious talent in the cast, with amazing dancing, vocals, and acrobatics on show.

 

The show was let down at times with some very slow, silent set changes, which disrupted the flow of the show and could have easily been filled with something as simple as some music, or even just some more character interaction time with the audience, which was in itself a great feature of the show in general.

Several technical issues with sound, lighting, and wardrobe unfortunately drew the attention away from the performances at times too, and it seemed that seating location played a big part in the sound issues too, with those seated towards the back of the audience having the most issues with hearing the cast members at all in the first half. Along with the technical issues, a bit more tightening up of the show in terms of transitions between sets and even the movements of cast within scenes would push the show into presenting as a much more professional category of shows that it deserves to be seen as.

MARVELous the show, really is quite a unique, entertaining, high-energy, and very clever concept. Hopefully, the technical glitches were just some opening-night cobwebs (ah the joys of live theatre!) in what was otherwise an incredibly fun, and extremely funny and enjoyable night out.

Make sure to keep the kids at home for this one, as it’s adults only (well, 15 plus) with lots of partial nudity and plenty of risqué moments.

Get in quick to see MARVELous at the National Theatre in St Kilda 6th – 10th November 2024. Book your tickets now before this marvellous show ends @ https://marveloustheshow.com.au/

Photographer: Ben DIngley

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Maybe He’s Born With It Maybe It’s ADHD

Maybe He's Born With It Maybe It's ADHD

Maybe He’s Born With It Maybe It’s ADHD Rating

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Do you need an emotional rollercoaster of a show that will make you laugh and cry and then, upon further thought, inevitably question all of your actions as possibly neurodivergent?

Yeah, neither did I, and yet I find myself wanting to go back for more!

Upon entering the theatre (and having no previous knowledge of Colin Ebsworth, my assumptions were a comedy show with probable laughs and maybe some relatable content. Little did I know that I would be crying both from laughter and sadness by the end.

Ebsworth is (in short) an insanely talented comedian and wordsmith who managed to convey so many different emotions of relatability, anguish, confusion, satire, wittiness and much more as we are walked through his experience as a neurodivergent child. As someone who has Autism (of which there is a lot of cross-over with ADHD), I found it refreshing to find someone who had some of the same issues as me growing up and was able to articulate it accurately.

All whilst sitting on a stool on a stage in a spotlight with a remote and a few lagers.

 

I also genuinely enjoyed the creative use of both vocal effects and music to enhance the story. And so did the audience! I took my best friend (who is ADHD incarnate) with me and her reactions were vivid and similar to mine. As were the rest of the attendees. We all gasped together, laughed together and felt deeply together. It is no mean feat to be able to create an atmosphere where everyone is invested both individually and as a collective audience.

This show is so important not just for those that are neurodivergent, but also for those that have neurodivergent individuals in their life. It’s content of this show will only continue to become more and more valuable as time goes on.

So, even though this show for Melbourne Fringe is sold out, I would unquestionably recommend that you keep an eye out for Colin Ebsworth and any of his future shows. I cannot wait to see what he comes up with next and will be attending prepared to feel the full range of emotions next time!

For further information about Colin Ebsworth, please follow: https://linktr.ee/colinebsworth

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Colin Ebsworth – Me, My Cult & I: Bold Storytelling

Colin Ebsworth - Me My Cult & I

Colin Ebsworth – Me, My Cult & I Rating

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Colin Ebsworth’s show at the Melbourne Fringe Festival was held at the Trades Hall, the festival’s bustling hub. The show, titled Colin Ebsworth – Me, My Cult & I, takes the audience on an intense, multi-layered journey through Ebsworth’s life, family, and the cult that brought them together.

Ebsworth was raised in a South Korean-led religious movement, the Unification Church, commonly called the Moonies. In the 1980s, Reverand Moonie, a man who claimed to be the reincarnation of Jesus Christ, married Ebsworth’s parents at a mass wedding in Madison Square Garden. From this extraordinary beginning, Colin unfolds a complex and deeply personal story.

With a mix of rapid-fire storytelling, music, and a PowerPoint presentation, Ebsworth passionately recounts growing up in a cult and grappling with undiagnosed ADHD. There’s a lot to unpack here, and while the show was sometimes overwhelming with its myriad storylines, it was also packed with poignant moments and humour.

Ebsworth’s narrative darts between his parents’ arranged marriage, their move from the US to Australia, and the emotional isolation they experienced due to the cult’s restrictive nature. The disconnection from his father’s family in Perth because they weren’t part of the church added layers of complexity to the story.

 

The show isn’t just about the cult, though. It’s about belief systems, family dynamics, and the ongoing search for identity and hope.

Ebsworth’s delivery is fast-paced and almost breathless, and as an audience member, you need to be fully attentive or risk missing important details. It’s a challenging ride that feels meaningful, as different sections of the story will resonate with different people. The overarching theme does emerge: while we can’t undo the past, we can still move forward.

There’s no doubt that Colin is a gifted storyteller. Still, his choice to cover so many intricate layers made it hard to resolve everything cleanly. That said, his passion and energy kept the audience engaged throughout. It’s the kind of show that leaves you with much to think about and will spark conversation afterwards. I’d like to see how this performance evolves in the future as Colin continues to live and tell his story.

Overall, it’s an insightful and enjoyable show full of witty observations and heartfelt reflections. It’s definitely worth checking out if you enjoy performances that make you think and challenge your perceptions.

For tickets, book @ https://melbournefringe.com.au/event/colin-ebsworth-me-my-cult-i/

Dates 09 – 13 Oct – Time 7:00pm, 6:00pm (60 minutes)

For further information about Colin Ebsworth, please follow: https://linktr.ee/colinebsworth

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Karate Man – A Brilliantly Clever Interactive Live Action Comedy

Karate Man

Karate Man Rating

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If you have ever played a video game, you’d feel the excitement of pressing a combination of different buttons on the controller and moving your character around the screen – to fight villains, explore different rooms and make decisions. The game always has a goal, often several, with riddles and various quests to complete before the goals are met, before you finally win the game. Perhaps it has taken hours to play. Imagine this. You know what I mean. Now think about the characters jumping out of the screen and are standing right now in front of you, swaying from one foot to the other, patiently waiting for you to give them a command on your controller. Your game has come to life – and you get to make decisions about what happens next. This is what happens in this comedic show Karate Man.

Co-creators and directors Bruno Dubosarsky and Daniel Scarratt have produced a truely unique and hilarious interactive play…and play we did! All audience members participated and became immersed into the story, by taking turns with the controller and pushing buttons, directing Karate Man to do what they wanted in response to the story’s many challenges.

The buttons were typical gaming commands such as kick, throw, punch, jump, grab as well as move left / right/ down and up, all of which Karate Man had to do immediately on command as soon as the it was read out by the game’s narrator. The sound effects added to the authenticity of a video game, complete with repeating sounds when the characters were waiting to be directed what to do.

 

This video game character was portrayed perfectly by Bruno Dubosarsky and done with such robotic fluidity that it was believable, his movements imitating the basic gaming commands of the 1980’s video games. As you can imagine, the fight between Karate Man, moving in a step by step controlled fashion (eg “right, right, jump, right, kick. Left, left, down, punch”) and his arch enemy Ross Roundkick, played with cheeky wickedness by Daniel Scarratt in the year 198X was hilarious and one of the highlights of the show for me. I was laughing so much as poor Karate Man was directed to move in ridiculous excess due to the audience still getting used to using the controls at the beginning of the show – it would have been exhausting for Bruno. At one stage, Karate Man was directed by the controller “left, left, left, left, left” right off the stage – the audience was crippled with laughter! I had never been to a Choose Your Own Adventure show like this before, and I loved it.

The story of Karate Man takes us into the lives of Karate Man and his wife Kara. Her name being half of his name seemed to be on purpose, and added to the cheesy charm of the show. Kara was played by Stephanie Ryan and her mannerisms of a video game character were spot on. Karate Man had to complete some challenges in this game and the audience was given three choices which led to different scenes and more goals to achieve. As the audience were making the decisions about where Karate Man was going to go next in our rendition of the play, I could see how the show would completely change on different nights. It would be interesting to return to experience another scenario and set of goals.

 

The supporting cast, Tim Dunk as the Time Fish, Juliet Rae Timmerman as Alex Coober and Maddie Atkins lent keen exaggeration into their video game characters and were very entertaining. All of the actors at different times were so funny, and I believe that some lines may have been impromptu.

The script was clever and contained some references to pop culture embedded. Prop designer Stephanie Ryan kept the stage simple. A few painted large posters were used, as well as a few other props, and was all this show needed as it was more reliant on the physical comedy and the script.

Shown as part of the Sydney Fringe Festival 2024, Karate Man was spectacularly funny and one of the most original interactive shows to hit the stage! Instead of playing video games at home, head out to the PACT Centre for Emerging Artists in Erskineville to have your own personalised adventure with Karate Man.

Show run: 17-21 September 2024
Tickets: $30 – $38
www.sydneyfringe.com/events/karate-man-a-live-action-video-game

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