mil-aa-qa

mil-aa-qa

mil-aa-qa Rating

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5

‘Mil-aa-qa’ is a live studio cooking show, written and performed by Jude Soussan at The Blue Room Theatre. It was a pleasantly different experience from beginning to end. Jude, being the main character of two, explores food, chronic illness, culture and self-love, through an intimate and deeply personal lens, while being filmed by camera operator and AV assistant, Alleyne Aviles. The show within a show, reflects on how cooking and sharing meals can become one of the purest expressions of care, especially when living with dietary restrictions like coeliac disease. If cooking is your love language, you will also resonate with this show.

‘Mil-aa-qa’ transformed the intimate performance space into a Lebanese domestic kitchen. The mood felt warm and homely, while ‘Aunty’ (Jude) sings ‘Al Bostah’ while cutting onions as we entered. Bowls of spices, vegetables and traditional cookware were on display and the wider set extended into a carefully curated family living area. Generations of family history and inherited tradition were on display as framed personal photographs, floral prints, spice racks, lace doilies and dark wooden cabinets gave the room that cosy atmosphere you’d expect in grandma’s kitchen.

 

 

Through stories of growing up Lebanese while navigating illness and the social pressures usually unappreciated in Lebanese culture, Jude reveals the emotional complexity of food – both nourishing and harmful. During ‘ad-breaks’, Jude interacts with the audience, treating them as part of the show. A discussion on the impact of coeliac disease, the comorbidities of depression associated with the disease and what constitutes respectful behaviours reveal that there is much opportunity to educate on this topic. Jude successfully provided that education without lecturing, giving layers to the show, being both entertaining and thought-provoking.

‘Mil-aa-qa’ created an intimate theatrical world that felt authentic, emotionally layered and quietly cinematic. The show celebrates resilience and the longing to preserve traditions of hospitality and shared meals with people you love, but also highlighting that when you are not being considered, that can quickly turn into resentment. Jude achieves maintaining her passion for food on her own terms by being more creative with her cooking. So what begins as struggle, transforms into healing and cultural reconnection.
When the show ends, do not run out the door like we almost did. The audience were delighted to be invited by producer, Anja Starkiss, to try a warm bowl of her delicious cooking in the foyer. I’d tell you what it is, but I think you’d better try it for yourself!

‘Mi-aa-qa’ is showing at The Blue Room Theatre until May 9th.

To book tickets to mil-aa-qa, please visit https://blueroom.org.au/events/%d9%85%d9%84%d8%b9%d9%82%d8%a9-mil-aa-qa/.

Photographer: Apurva Gupta

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2026 Performing Arts Wa Awards Announce Winners Celebrating Excellence In Live Performance From 2025

Feature-2026 Performing Arts WA Awards

The 2026 Performing Arts WA Awards Ceremony, held on Monday 20 April in the Heath Ledger Theatre, celebrated achievement in Western Australian professional live performance in 2025, covering both mainstage and independent performances. Opera Dead Man Walking by Freeze Frame Opera was the biggest winner for the night, taking home five awards, including Outstanding Direction, Outstanding Lighting Design and Best Production.

Black Swan State Theatre Company of WA’s co-production with Belvoir St Theatre August: Osage County by Tracy Letts and independent theatre show Shadow of Doubt by The Blue Room Theatre & Fine Comb Theatre were also popular productions, picking up four awards each.

After Freeze Frame Opera, Black Swan State Theatre Company of WA was the next most awarded company, taking home a total of five awards. The Blue Room Theatre maintained their reputation as a hub for excellent theatre, with 10 awards for shows at the venue. The Lifetime Achievement Award went to veteran stage manager Jenny Poh, for her tireless work within the industry.

The inaugural Ripple Effect Award winner was James Berlyn. James’ tireless and quiet contribution has had a ripple effect to make change and to impact others. In his acceptance speech, James announced the prize money would fund a new artist residency opportunity at his West Berlyn Studios.

The Ripple Effect Award is a new award, to honour the legacy of the late Georgia Malone. A true champion of the arts, her incredible career has left a lasting legacy for the world. With continued funding and support from DCITS and Arts & Culture Trust, the awards continue to be held at Heath Ledger Theatre at State Theatre Centre. The awards themselves featured live performances from MATRIARX and Pam Boland, and were hosted with comedic wit by performers Luke Joseph Ryan & Wyatt Nixon-Lloyd. With a 20+ year history of recognising professional theatre, the Awards include dance, musicals, opera and cabaret across WA. The Awards celebrate the professional live performing arts in Western Australia. They are hosted each year by Artist Relief Fund WA, a charity which supports arts workers experiencing hardship.

Musical Urinetown by Western Sky Projects received the most nominations, up for fourteen separate awards. After Western Sky Projects, Freeze Frame Opera was the most nominated company with 9 nominations. Other big nominees include Co3 Contemporary Dance & The Australian Chamber Orchestra’s dance work IN THE SHADOW OF TIME with eight nominations; The Blue Room Theatre & Tone Lists’s O,D,E also snared eight nominations.

The event was supported by funders and sponsors: DCITS and Arts & Culture Trust WA, Steamworks Arts, CircuitWest, Architecture of Movement, George Kingsley, Media Entertainment & Arts Alliance, Moore Creative Artists, Perth Institute of Contemporary Art, Pigface Books; plus hospitality partners Otherside Brewing and West Cape Howe Wines. More information: www.performingartswaawards.com

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Secret Life of Humans

Secret Life of Humans

Secret Life of Humans Rating

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6

Secret Life of Humans is an award-winning play by David Byrne that explores six million years of human history through the lens of a personal family mystery. Directed by Audrey Poor, the Joondalup Encore Theatre Society launched their first show last night to an intimate but captivated audience at the St. Stephens Theatre.

The story follows Jamie Bronowski (played by Jash Kapoor), the grandson of the famous scientist and broadcaster Dr. Jacob Bronowski (Oliver Rogers) known for the Ascent of Man). In the present day, Jamie goes on a Tinder date with Ava (Melissa Humphries), a research scientist who is secretly an expert on his grandfathers work.

Ava introduces the show by speaking directly to the audience, where we sit as students in a lecture room. The plot unfolds as Ava takes us back two weeks-on a Tinder date. She fakes an interest in Jamie, in order to retrieve his grandfather (Dr. Bronowski’s) secret files, hidden in his old family house which Jamie is conveniently staying at. Locked since 1949, they now discover documents revealing Bronowski’s hidden role in World War 2. The shocking revelation exposes Bronowski, as a significant influence in the deaths of hundreds of thousands of innocent civilians due to his work calculating the mathematics behind ‘saturation bombing’ to maximise civilian casualties, the opposite of his public image as a humanistic, progressive scientist.

 

 

Oliver was brilliant in capturing the essence Jacob in his younger years, a mid-century mathematician, supported by his colleague, George (Zai Cook) and wife, Rita (Leila Le Map). The trio danced around a subtle side story that moved attention away from the impact of the conflict and more towards possible secrets of his personal life. Due to the turning point of the story it begged to question, which revelation was more threatening for his grandson, Jamie? It poses questions on the morality and ethics of the human condition.

The staging beautifully captures The Secret Life of Humans as a collision between intellect, memory, and lived experience, all cleverly put together by before-mentioned, Audrey Poor.

The set is split into three distinct worlds, all existing at once. Upstage, the raised platform functions as a professor’s study or scientific archive, with a formal desk, globe, bookshelves, and a blackboard-like wall covered in equations and symbols. It suggests the space of the deepest thinking intellectuals, on the cusp of answering life’s great questions, leading the modern day human into the new world.

It contrasts with downstage, representing today, and more familiar territory, a smaller kitchen-style table used for reading, working, drinking coffee. The scattered storage boxes bridging the two levels feel symbolic of memories, generations and stories yet to unpack.

Together, along with the performers standing in different times, create a visual metaphor for the many layers of human existence—the personal, the intellectual, and the social. The wide open central floor becomes a space where these worlds can intersect and eventually does. It’s a thoughtful, atmospheric design that feels perfectly aligned with a show about what it means to be human.

To book tickets to Secret Life of Humans, please visit https://www.taztix.com.au/event/jets/.

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The Friendships We Let Go

For The Best

For The Best Rating

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3

For The Best, playing at the Melville Main Hall, is a heartbreaking, yet relatable piece of verbatim theatre created by Jeffrey Jay Fowler, Mark Storen, and Georgia King. The show focuses on friendships from the community that have fallen apart in one way or another. From the minute the show began, I knew that it would be relatable in more ways than one and really had me thinking about who my close friends are. The set is simple with three performers sitting at the front of the theater, with only music stands for their scripts and microphones, which allows you to focus on the stories. A handful of chairs were lined up on either side of the performers with the musician, Luke Dux, amongst them. Soft live music compliments the stories but isn’t overpowering and the lighting is simple but effective. The house lights never fully go out. From the minute you sit down, you feel as though you are a part of the show, that you are listening to a friend. We are asked to think of a friend we no longer know.

The performers, Mark Storen, Georgia King, and Alexandra Nell do a fantastic job embodying different characters convincingly. If you were to close your eyes, you wouldn’t realize that there were only three performers. Their tones offer humor when necessary that had the audience chuckling. The stronger lines are said in sync by the performers, reflecting how well the stories have been rehearsed. You begin to feel even closer to the performers when they tell their own personal stories of betrayal and lost friendships. During the intense parts of the stories, the music intensifies with the performers’ words. The stories are little heartaches that will make you feel for the people they belong to.

 

 

It is also made clear of how much research went into collecting the stories. It was said that in a lifetime, a person has 150 stable relationships but only three to five close relationships. Interviews were held at the Melville Library and a trend was quickly set: Women were more clearly confident with their stories, like they had told their story multiple times while men sometimes hadn’t realized that a friendship had ended until they sat down and thought about it. After the show, we were invited to the foyer, where the performers would collect stories for the following performance.

This show will truly make you think about who your close friends are. It is a profound and thought provoking piece of theatre that will leave you thinking about your own friendships and relationships. This is a story that stays with you long after you leave the venue.

To book tickets to For The Best, please visit https://www.thelastgreathunt.com/.

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