It’s simply MARVELous: A Risque Parody

MARVEL: A Risque Parody

MARVEL: A Risque Parody Rating

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The big energy opening number to MARVELous: A Risque Parody gave the audience a taste of what was to come. There were showgirls dressed in sexy red, white and blue outfits, high kicking, singing and dancing around a muscular square jawed Captain America, played by Luka Lea-Vestic holding up his big round shield.

It was reminiscent to a scene from Captain America named “The Star Spangled Man with a Plan” except director, creator and composer Samwise Holmes cleverly wrote a parody called “The Man with America’s Ass” with lyrics such as “Who’s got a glorious gluteus maximus? The vote for the world’s greatest bum is unanimous. A posterior that’s all class. The man with America’s Ass”!

From here I guessed that this was going to be a mix between a satirical musical, a flamboyant gathering of colourful costumes and cheeky burlesque dancing. What I didn’t foresee was another layer – one which involved not only raunchy strip dancing, but dancing in many different styles, including a ballet act, dancing using a whirlpole and a modern puppet master dance led by Scarlet Witch, played by Brea Holland. Added into the mix was a good dose of aerial and stage acrobatics, with risqué humour woven in. Listening to the audience’s reaction to the performances around the theatre, it was clear that MARVELous was hitting all the right notes!

Each performance involved a seperate Marvel character act, unique to them and was unrelated to others. There was not a storyline from start to finish, rather a series of acts where the Marvel characters embodied their character traits and special powers. They performed a particular dance, sometimes singing along to parodies of a well known scene from a movie. When they were not performing as their main Marvel character, the cast of 12 supported each other by playing other roles onstage.

One stand out performance was by Megan Wonfor, who played Black Widow. Her fight scene with two ninjas dressed head to toe in black was phenomenal. The three of them did a “dance fight” full of acrobatic tumbles and sharp acrobatic leaps, all in time to music. It was visually one of the most beautiful fight scenes I’ve ever seen!

Another performance I really enjoyed was from Fat Thor, played by Thomas Remaili, who used the pole in his routine and made climbing up it and hanging off at zig zag angles look easy, despite wearing croc slip on shoes and having his legs and arms covered, which left me wondering how he was able to grip the pole. His huge prosthetic belly didn’t hinder Fat Thor as he performed his routine, and his humour had the audience laughing and cheering him on.

Deadpool, played by Justin Wise, was the show’s sassy narrator. When he was onstage, his role as the storyteller appeared to be more of a stand up comedian and involved him bantering with the audience to bring the show to a more personal level.

The choreography of all the dance acts was so varied, and executed with precision by the actors. If all the dance routines were too similar, it would have been a lacklustre show. Choreographer Luka Lea-Vestic ensured that audiences would be treated to a mix of styles that captured our attention.

James Wallis’ lighting, in combination with the creative three-story cityscapes scaffolding set design by Dan Potra, was effective throughout the show to both elevate the vibrancy of the mood and to build the suspense in darkened scenes. In one performance Iron Woman, played by Lulani Rawson, led a multi woman lineup of Marvel characters in a dance, with each performer using her lights on her hands to create exciting paths of lights into the audience as the male performers lit them up from behind. This was a mesmerising scene.

Action Reaction Entertainment have brought a dynamic show to the Chatswood Concourse theatre for fans of the Marvel Cinematic Universe. There were cheers and laughter as they understood and appreciated the jokes and references throughout the performance. Even if you weren’t familiar with all the characters, there were acts which brought in parodies of some very well known musicals as well. Despite some opening night hiccups with the sound, the soundtrack paired with the casts’ high energy performances ensured the audience had plenty of laughs and a MARVELous night out.

MARVELous: A Risque Parody is playing at the Chatswood Concourse.
Be aware that it is an 18 + event.

Show Run: Friday 26 July – 10 August 2024
Tickets: from $59 – $125

www.marveloustheshow.com.au

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Children Are Stinky: Fart-tastic Circus Fun For All Ages

Children Are Stinky

Children Are Stinky Rating

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Are children really stinky? How many ‘bot bot’ jokes can you fit into a 45 minute show? And who enjoyed this jam packed, super fun extravaganza more? The adults or the kids? These are extremely important questions if you are aged 4-12 or a grown up who has surrendered to their inner child. In the spirit of ‘Children Are Stinky’, an exciting, award-winning children’s comedy by Circus Trick Tease, the answers ….. will be revealed at the end of this review. Spoiler Alert!

Jason and Kylie (not their real names) take an extra big and farty bow! You two rockstars managed to mesmerise a mob of 150 mini-humans without resorting to TikTok trickery, coolness, or screen time sorcery. Your old-school, analogue awesomeness has earned you a gold star in the annals of kid-entertainment history.

‘Children are Stinky’ dares young adventurers to be smart, imaginative and active. A joyful jamboree of giggles, grins, and triumphant high-fives in a crazy circus celebration of youthful exuberance and laughter.

How truly wonderful to see children bouncing and dancing in their seats, unable to tear their eyes away from the charm of this immensely silly and clever show. What is it about? Well…. nothing, but how nice it is to be alive, move your body and cackle until your bum drops off. It’s like they were stuck in a vortex of pure, unadulterated joy – and honestly, who can blame them? It’s a spectacle so awesomely absurd, you’ll be jiggling along with the kids in no time. Pure bliss erupted when a small but mighty voice cut through the chaos, triumphantly declaring ‘YOU licked it!’ (don’t panic – it was a blackboard) – a hilariously perfect moment that encapsulated the show and elements of audience participation.

The air was electric with squeals of delight, shouts of ‘Higher! Higher!’ as Jason balanced on his head or a chair or over a kid, Kylie dangled from a swing and they both trashed the stage with balloons, puppets, props and nonsense – all set to a soundtrack of upbeat jams. The Parramatta light rail staff on their 100th testing loop were probably scratching their heads, wondering if they’d missed a memo about a spontaneous kindergarten rave party breaking out nearby!

Parents beware – there will soon be a buyers rush and shortage of whoopee cushions. Stock up immediately. They are now more coveted than a selfie with a unicorn. And kids across Western Sydney will be driving their parents bonkers over the holidays as they try to master handstands, drop siblings on their heads (oops!), balance chair towers, juggle (kind of), and probably swing from the clothesline.

This show was perfect stinky holiday entertainment. Get ready to revel in the nostalgia of retro-rad fun and games, and inspire the kids to put down their screens and get playful too! Your kid will love it. You will love it. And let’s be real, the farts are just the cherry on top – don’t pretend you’re not excited!

Answers:
1. Yes, children ARE stinky. But they were ok with that because everyone else is stinky too.
2. How many farts? At least 54. I lost count, but the words and actions never lost impact.
3. Who enjoyed it more? As an ex-kindergarten teacher I can honestly say that apart from writing this review, it was the most fun I’ve had since I had a crush on Greg from that other kids show.

See https://www.circustricktease.com/children-are-stinky for the stinkiest tickets in town.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Diana McLaren is Defective

Diana McLaren is Defective

Diana McLaren is Defective Rating

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Wollongong Comedy Festival’s ‘Diana McLaren is Defective’ was a cozy affair in Wollongong’s Side Door Theatre. A hidden paradise for up-and-coming artists, the Side Door Theatre provided the perfect backdrop for Diana’s hour of comedy.

McLaren’s style of comedy relied mainly on her personal experiences, ranging from her journey with mental health, navigating the dating pool when emotionally unavailable, and circling back to specific and “weird” sex stories.

The quaint setting made for a very intimate evening without needing to undertake extensive crowdwork. Some audience members seemed disappointed at the prospect that they wouldn’t be randomly picked to talk, so they would do it when they felt they had something to contribute.

Diana’s section of her set that focused on mental health and therapy, whilst deeply personal, was an excellent display of further breaking down the taboos and stereotypes that surround diagnoses like ADHD and dysfunctional families.

She reminded us that even if we are in therapy or are thinking about going to therapy, that doesn’t mean that something is wrong or broken inside; it just means that you’ve decided to work on yourself.

I thoroughly enjoyed her analogy of driving a car that was clearly breaking down, making noises that it shouldn’t be making, the blinkers turning on the windshield wipers, and just generally being wholly unsafe and not roadworthy but saying, “This is fine! I’ll keep driving.”

Instead of going to a mechanic and getting it checked at the first sign of something not working the way it should. If you wouldn’t do that with a car, why do that to your brain?

It was a thoroughly enjoyable performance, and we hope to see Diana on stage again soon. Check-in here for more information about Diana Mclaren.

In addition, Wollongong Comedy Festival has many upcoming shows and events across July; check them out and treat yourself to an evening filled with laughter!

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Shrapnel

Shrapnel

Shrapnel Rating

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6

‘Shrapnel’, performed by Natalie Gamsu at Fortyfive Downstairs, is a distinctly charming recital depicting Gamsu’s life from being a young Jewish girl living in Namibia to performing in underground cabaret venues in Johannesburg to her life in Australia. Written by Natalie Gamsu and Ash Flanders and directed by Stephen Niccolazoo, the show is tastefully pertinent and yet totally unique.

The show runs a little over two hours without intermission, as Gamsu pulls the audience through a series of personal chronicles, beginning with her experience as a young Jewish girl dreaming to break free from the humdrum reality of her parents and the restrictive culture she was raised in.

In her opening ballad, Gamsu sets the scene – she is a hopeful young woman pursuing the world and all its wonders. The audience warms to Gamsu as she connects with every pair of eyes in the auditorium, one by one, before amusing the audience with tales of her love for exoticism through animated dialogue.

Gamsu bravely dives head first into describing experiences in matters often unspoken and outlawed as taboo. Her performance evocatively retells deeply personal experiences involving struggles with negative body image, her journey navigating a neurological health condition, and serious contemplations of suicide.

She recalls her experience being the daughter of a white Jewish family during South African apartheid, her love and loss of the black servants who raised her, and the diabolical persecution she witnessed within her community. Gamsu brings authenticity to her stories, which are so painstakingly well-written and delivered with a unique wit, allowing her audience to relax into her two-hour-long recital fully.

‘Shrapnel’ is performed in a way that dignifies Gamsu’s deepest secrets and induces the audience into bursts of laughter through a series of self-deprecating anecdotes and colourful descriptions of her favourite influential figures. Among the most memorable of these are her peculiar first casting agent in Cape Town and the eccentric directors of a cabaret club in Johannesburg.

As the recital nears a close, Gamsu describes a fond, long-awaited love from her mother amid her battle with dementia before closing her performance with ‘A Song For You’, affording herself a well-deserved and heart-felt standing ovation.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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