A Bold, Witty, and Unflinchingly Honest Exploration of the Human Psyche in Musical Form

Initial Consult: Taking diet culture to therapy

Initial Consult: Taking diet culture to therapy Rating

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Charlotte Grimmer’s Initial Consult- Taking diet culture to therapy (2026 MICF) at The MC Showroom is a bold, witty, and unflinchingly honest exploration of the human psyche. Grimmer is a graduate of NIDA Acting program, a high school dance and drama teacher. Charlotte has performed this show in Edinburgh, Sydney and the Adelaide Fringe Festival.

Bursting straight through the waiting room, Charlotte Grimmer’s initial court-mandated therapy session begins-and we, the audience find ourselves cast as the therapist. This fresh and fearless musical invites us into a hilariously triggering session filled with tap, rap, dance, and masterful keyboards. Grimmer’s performance showcases her diverse vocals, sharp wit and impressive comedic skillset.

The shows engaging narrative grapples with mental health, diet culture, perfectionism and the messy nuances of how we cope. Charlotte works the packed audience brilliantly- making pointed uncomfortable and knowing eye contact with every “therapist” in the room in moments that are at once awkward, hilarious, and deeply relatable. One moment the audience squirms, triggered and defensive: the next, they erupt with applause and laughter.

 

 

The stage is set with minimalist flair: a chair, a keyboard, and a side table adorned with tissues, a plant, and a pot. By the end of the performance, it resembles the floor of a teenager’s bedroom. Each prop is purposefully placed and thoughtfully used. Grimmer’s inventive excellence is evident in every detail—every movement, and exaggerated facial expression, and lyric is meticulously placed—creating a remarkably clever and cohesive piece highlighting Grimmer’s inventive flair and keen attention to detail.

Sadly, Melbourne, Charlotte Grimmer has wrapped up her season and is heading back to Queensland. The MC Showroom is conveniently located near plenty of pubs and dining options and has a licensed bar for enjoying a drink during the performance —ideal for steadying one’s nerves before this funny therapeutic ride. Patrons should note that accessibility is limited, with 25 stairs and no all-access bathroom.

In a thoughtful touch, Grimmer acknowledges the show’s potentially triggering themes, directing audience members towards support organisations such as The Butterfly Foundation. This thought-provoking and playfully disarming performance will follow you home.

Deliciously daring, Initial Consult- Taking diet culture to therapy (2026 MICF) is the kind of performance that makes you laugh, wince, and reflect—sometimes all in the same breath. Side effects may include sore cheeks from smiling and the sudden urge to book a therapy session… or a tap class.

Love Aunty Kylie xo

To book tickets to Initial Consult: Taking diet culture to therapy, please visit https://www.themcshowroom.com/whatson/melbourne-international-comedy-festival-2026-initial-consult.

Photographer: Joel Devereux

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One Call You Definitely Want To Answer

London Calling

London Calling Rating

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London Calling: Absolutely Brilliant

Host and MC Paul Dabek takes the audience on a nostalgic stroll through the London of his memories — and honestly, who doesn’t love a wander down memory lane? When that journey is punctuated by performers of this calibre, it becomes something truly special.

Framed around stories of a childhood train trip to visit his grandad and wide-eyed visits to London’s iconic landmarks, each anecdote is cleverly paired with a complementary act. The result is a show that feels cohesive rather than just a string of variety performances. And what performances they are! We’re treated to dizzying suitcase spinning, a breath-taking aerialist, juggling (with his mouth!), mesmerising hoop work — human slinky, anyone? — magic, illusion, and shadow puppetry that has absolutely no right to be that exciting. Seriously, highlight of the night.

 

 

The show is completely family-friendly… but learn from my mistake and maybe don’t bring your kids. Mine mocked me relentlessly while I cringed through audience participation and then finished me off by asking about the “old” references and music. Nothing like your children to humble you after an epic night out.

Having seen more than a few Fringe shows this season, London’s Calling is a genuine standout (thank you to the friend who told me to do myself a favour and book tickets — excellent life advice). The performers are immensely skilled, Dabek keeps the energy soaring, and the staging elevates the entire experience. The projected backdrop transforms ‘plastic chairs in a disused tennis court’ into faraway streets, effortlessly transporting the audience across the globe.

In short: clever, polished, and wildly entertaining — this is one call you definitely want to answer.

To book tickets to London Calling, please visit https://fringeworld.com.au/whats-on/london-calling-fw2026.

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Club D’Amour: Encore

Club D'Amour: Encore

Club D’Amour: Encore Rating

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Club D’Amour is not a show that eases you in — from the very first beat, you’re swept up in a delicious whirlwind of sound, sparkle, and joyous excess. This is Fringe at its most indulgent: part party, part performance, and entirely committed to giving the audience a night they won’t forget.

First up, the choreography —it’s bold, precise, and bursting with attitude. Add staging, music, and sound design, and you’ve got a magnificent space where circus, drag, burlesque, and knockout live vocals collide in the best possible way.

And then there’s hostess Fay Rocious — quite simply, the most mostess. Commanding, charismatic, and wickedly funny, she steers the evening with effortless confidence, making the audience feel both welcome and just a little bit mischievous.

 

 

The cast? Ridiculously good. Matthew Pope, Melina Mall, Nat Oakes, Wade Ryder, Tom McKinnon, and Antonia Sassine deliver a feast of swinging, flying, spinning, and contorting that borders on hypnotic. The physicality alone is mesmerising, but Club D’Amour refuses to settle for just one flavour of spectacle. Instead, it launches headfirst into themed performances that blend silliness with cheekiness, comedy with spectacle, and more than a few surprises.

Bubbles, flames, cowboys — the show is gloriously full-throttle from the get-go. It’s bold, playful, and just the right amount of outrageous. Club D’Amour doesn’t just invite you to watch; it dares you to surrender to the fun. Resistance, frankly, is futile.

To book tickets to Club D’Amour: Encore, please visit https://fringeworld.com.au/whats-on/club-d-amour-encore-fw2026.

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Briefs: The Works

Briefs: The Works

Briefs: The Works Rating

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4

Briefs: The Works

Whenever I ask for recommendations on what to see at the FRINGEWORLD Festival, Briefs is always on the list. It’s a fan favourite for good reason, and there’s a reason people return season after season to see the new show. This year is no exception — and it absolutely does not disappoint.

In 2026, Briefs celebrates its 18th birthday, with 13 of those years right here in Perth. The Works is a celebration of that journey, bringing together and reimagining some of their most loved elements to create a bold, brand-new show.

What you get is Briefs’ unmistakable blend of sparkle and sass; risky and risqué; oh my god and Oh. My. God! (IYKYK).

 

 

The show begins the moment you step into the venue. Performers roam the space, interacting with the audience and setting the tone for what’s to come — and oh my goodness, what does come. How do you sum up Briefs in 300-ish words? Think jaw-dropping strength, grace, and power from the aerialists; flawless acrobatics paired with pitch-perfect mime; the hairiest man I have ever seen (and oh my goodness did we see a lot of him!) dancing en pointe — and jumping en pointe (my toes hurt just watching). Add the grossest thing I’ve ever seen done with a balloon, fire nipple tassels, audience interaction, and, of course, the infamous splash zone and you get a bit of an idea of what Briefs – The Works has to offer.

I cannot say enough good things about this show — but a word of warning: this is not one to take your young children to, and there is a lot of swearing. If bad language or adult content offends you, this isn’t for you. But if you’re up for a wildly entertaining night out filled with aerials, acrobatics, drag, sequins, and unapologetic attitude, this show will absolutely fill your cup.

Briefs: The Works is showing for the entire FRINGEWORLD season (except Mondays). If, like me, you’ve been hearing about Briefs for the last 13 years and wondering whether you should book a ticket, take this as your sign — book now.

More information:
https://fringeworld.com.au/whats-on/briefs-the-works-fw2026

To book tickets to Briefs: The Works, please visit https://fringeworld.com.au/whats-on/briefs-the-works-fw2026.

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