A Celebration Of All Things Sparkling!

The Bubbles Festival 2026

The Bubbles Festival 2026 Rating

Click if you liked this article

4

The Bubbles Festival Melbourne: A celebration of all things sparkling!

Natalie Pickett founded The Bubbles Review 10 years ago, when her first blog educated those who thought Moet was spoken like the end of the word, “ballet”, with a silent T, when really, it’s pronounced “Mo-wett.” Natalie should know. When working as a tour guide in Europe, on a guided trip to Moët et Chandon, she confirmed this exact fact.

Natalie’s ‘Bubbles Reviewers’ Club’ offers members monthly rewards, tasting technique masterclasses and more discoveries and invitations via www.thebubblesreview.com

I met some of her club members on Saturday, 2nd May, for Bubbles Festival Melbourne, at River’s Edge Events in the World Trades Centre – in a room with a stunning view of the Skyline Wheel and Polly Woodside. Holding our complimentary Riedel sparkling glasses (included in our tickets), we were all thirsty to begin when Natalie welcomed our group and spoke about some important terms to remember before sampling the bubbles on offer. She reminded everyone to hold their glass by the stem, as best to view the bubbles in the middle. We were advised to enjoy the experience of each sparkling with each of our five senses; even holding the glass to our ears – as though listening to a seashell on the beach – and to take in the scent with our noses, as far as they’ll go into the glass before tasting.

“Bubbles – Just like a hug in a glass” and “ABC = Always Bring Champagne” slogans called to us from TV screens around the room. After this, we would visit all the Exhibitor tables to indulge in the exquisite selection.

In between tastings, we were served trays of various Canapés – including Truffle and Mushroom Arancini. We also indulged in a succulent seafood station and a cheese station – perfect bubbly food companions.

Ian was the friendly host from Clover Hill. He poured my first tasting with CLOVER HILL TASMANIA EXCEPTIONELLE MULTI-VINTAGE, (59% Chardonnay, 35% Pinot Noir, 6% Pinot Meunier) – a light straw/green hue in the glass, vibrant citrus and stone fruits on the nose and crisp acidity on the palette.

My second tasting was the CLOVER HILL TASMANIA ROSÉ MULTI-VINTAGE (66% Chardonnay, 29% Pinot Noir, 5% Pinot Meunier) with fresh vibrant strawberry notes upfront on the nose. The palate was layered and creamy with red forest fruits, to a balanced, long finish. This one was sweeter than the first and a little too perfumed for my taste – still a lovely sparkling.

My third taste was the CLOVER HILL BLANC DE BLANCS MULTI-VINTAGE – Tasmania with 100% Chardonnay. This one reminded me a tad of the lovely Billiecart-Salmon Blanc de Blancs Grand Cru NV from France. It too, is characterized by aromas of citrus, white peach, and brioche with a creamy texture.

Tasmanian cool-climate sparkling wines are dominating at the moment, having taken out all the trophies at the 2025 Australian Sparkling Wine Show and Clover Hill is no exception, having been recognised by The Real Review as one of the best producers in the country. They are consistently ranked among Australia’s top producers with a 5-star Halliday rating.

Ian had a fourth offer in CLOVER HILL ROSÉ D’ASSEMBLAGE MULTI-VINTAGE (63% Chardonnay, 29% Pinot Noir, 8% Pinot Meunier), which I didn’t get to sample as I felt drawn to the French table while there was a lull in the crowd.

 

 

I met Jean Paul at the Philippe Fourrier table for a quick chat. Since 1847, this family Champagne house located in Baroville, is anchored in an exceptional terroir, the Côte des Bar, in the south of Champagne appellation area.

JP’s first French pour was the CHAMPAGNE PHILIPPE FOURRIER – ROSÉ DE SAIGNÉE (NV) (90% Pinot Noir, 10% Chardonnay) with a light red to deep rosé hue and orange reflections, its fine and persistent bubbles adding elegance in the glass. The nose opened with ripe raspberry and fresh red berry aromas.

JP’s second French pour was LOUIS PERDRIER FRENCH BRUT (NV) – Bordeaux – France (100% Chardonnay), an exceptional French Sparkling. Deliciously toasty notes melt into the scent of golden apples. Gentle and harmonious on the palate with some richness tempering the citrus finish. For me, this was the best sparkling of the day.

The third French pour was CHAMPAGNE PHILIPPE FOURRIER – PINOT MEUNIER BRUT (NV) – Champagne, France (100% Pinot Meunier), with a beautiful pale-yellow hue and fine bubbles bright in the glass. The nose offered fresh red fruit aromas of subtle blackberry, hints of peach and plum. This one seemed a tad light to me after the Brut.

Lastly, I met Kathy at the Sutherland Estate stand – a small, second-generation family-owned enterprise located at a picturesque location in Dixon’s Creek, a mountainous area, past Yarra Glen in the Yarra Valley. Her first pour was SUTHERLAND ESTATE – 2021 BLANC DE BLANC SPARKLING – Yarra Valley (100% Chardonnay). Made from 100% Chardonnay in the Méthode Traditionelle, with secondary fermentation and ageing in the bottle.

Kathy’s second pour was her SUTHERLAND ESTATE – 2023 SPARKLING TEMPRANILLO (100% Tempranillo.). This renowned sparkling red is unique because we don’t often see a Tempranillo here in Australia. Sutherland have been making it for more than 12 years, and it’s all grown onsite. It has spent twelve months in seasoned barriques before undergoing secondary fermentation on lees in the bottle made Méthode Traditionelle, having a powerful burst of mid-palate fruit of berries, dark cherries, a bit of liquorice, with peppery spice and earthy undertones to finish. The palate is medium-bodied and well structured, with fine tannins and a persistent bead. A great match with cheese and charcuterie. It had the power of a sparkling Shiraz and I’m keen to visit their Cellar Door for more.

I tried the SUTHERLAND ESTATE – 2025 SPARKLING ROSÉ (with 100% hand-picked Pinot Noir). Whole bunches of Pinot are harvested from the vineyard and come into the winery and straight into the press immediately leading to the gorgeous pale salmon colour. The aromas are bright and enticing with rose petal, strawberry and perfume. On the palate were strawberries and cream. A delightful summer’s drink, but for the last glass of the day, I had to return for one last taste of the Sparkling Temperanillo.

Illustrator, Susan Kerian, who some recognised from her work with retailer, ‘Blue Illusion’, returned to showcase her original illustrations – perfect for ‘Emily In Paris’ fans and Francophiles.

All sparkling wines and Susan’s artwork could be purchased on the day so, I happily departed with my order for delivery of four of the LOUIS PERDRIER FRENCH BRUT (NV) from Bordeaux, two of the CHAMPAGNE PHILIPPE FOURRIER – PINOT MEUNIER BRUT (NV) – from Champagne in France and six of the SUTHERLAND ESTATE – 2023 SPARKLING TEMPRANILLO from the Yarra Valley, because according to F. Scott Fitzgerald, “Too much of anything is bad, but too much Champagne is just right.” Well, that’s my excuse and I’m sticking to it!

All of the exhibitors offered great deals for purchasing on the day. I’ve never understood why tastings sometimes don’t allow that, but at Bubbles Festival, you could take the wine with you on the day, or get it delivered later, which was ideal.
$5 from each ticket went to the Sacred Heart Mission, St Kilda. Natalie chooses a different charity to donate to in each of her state’s events.

It was a sunny 25degree day in Melbourne and I tasted some new and exciting Sparklings and Champagnes, met like-minded and vivacious souls, feeling the fresh bubble of life, therefore, I thoroughly recommend attending the Bubbles Festival.

Here are the other states’ Bubbles Festivals, coming soon:

Brisbane – 9 May 2026 – Get your tickets here!
Sydney – 22 & 23 May 2026 – Get your tickets here!
Adelaide – 6 June 2026 – Get your tickets here!
Perth – 20 June 2026 (TBC) – Join waitlist here!

To book tickets to The Bubbles Festival 2026, please visit https://thebubblesreview.com/the-bubbles-festival/.

Spread the word on your favourite platform!

A Bold, Witty, and Unflinchingly Honest Exploration of the Human Psyche in Musical Form

Initial Consult: Taking diet culture to therapy

Initial Consult: Taking diet culture to therapy Rating

Click if you liked this article

1

Charlotte Grimmer’s Initial Consult- Taking diet culture to therapy (2026 MICF) at The MC Showroom is a bold, witty, and unflinchingly honest exploration of the human psyche. Grimmer is a graduate of NIDA Acting program, a high school dance and drama teacher. Charlotte has performed this show in Edinburgh, Sydney and the Adelaide Fringe Festival.

Bursting straight through the waiting room, Charlotte Grimmer’s initial court-mandated therapy session begins-and we, the audience find ourselves cast as the therapist. This fresh and fearless musical invites us into a hilariously triggering session filled with tap, rap, dance, and masterful keyboards. Grimmer’s performance showcases her diverse vocals, sharp wit and impressive comedic skillset.

The shows engaging narrative grapples with mental health, diet culture, perfectionism and the messy nuances of how we cope. Charlotte works the packed audience brilliantly- making pointed uncomfortable and knowing eye contact with every “therapist” in the room in moments that are at once awkward, hilarious, and deeply relatable. One moment the audience squirms, triggered and defensive: the next, they erupt with applause and laughter.

 

 

The stage is set with minimalist flair: a chair, a keyboard, and a side table adorned with tissues, a plant, and a pot. By the end of the performance, it resembles the floor of a teenager’s bedroom. Each prop is purposefully placed and thoughtfully used. Grimmer’s inventive excellence is evident in every detail—every movement, and exaggerated facial expression, and lyric is meticulously placed—creating a remarkably clever and cohesive piece highlighting Grimmer’s inventive flair and keen attention to detail.

Sadly, Melbourne, Charlotte Grimmer has wrapped up her season and is heading back to Queensland. The MC Showroom is conveniently located near plenty of pubs and dining options and has a licensed bar for enjoying a drink during the performance —ideal for steadying one’s nerves before this funny therapeutic ride. Patrons should note that accessibility is limited, with 25 stairs and no all-access bathroom.

In a thoughtful touch, Grimmer acknowledges the show’s potentially triggering themes, directing audience members towards support organisations such as The Butterfly Foundation. This thought-provoking and playfully disarming performance will follow you home.

Deliciously daring, Initial Consult- Taking diet culture to therapy (2026 MICF) is the kind of performance that makes you laugh, wince, and reflect—sometimes all in the same breath. Side effects may include sore cheeks from smiling and the sudden urge to book a therapy session… or a tap class.

Love Aunty Kylie xo

To book tickets to Initial Consult: Taking diet culture to therapy, please visit https://www.themcshowroom.com/whatson/melbourne-international-comedy-festival-2026-initial-consult.

Photographer: Joel Devereux

Spread the word on your favourite platform!

One Call You Definitely Want To Answer

London Calling

London Calling Rating

Click if you liked this article

London Calling: Absolutely Brilliant

Host and MC Paul Dabek takes the audience on a nostalgic stroll through the London of his memories — and honestly, who doesn’t love a wander down memory lane? When that journey is punctuated by performers of this calibre, it becomes something truly special.

Framed around stories of a childhood train trip to visit his grandad and wide-eyed visits to London’s iconic landmarks, each anecdote is cleverly paired with a complementary act. The result is a show that feels cohesive rather than just a string of variety performances. And what performances they are! We’re treated to dizzying suitcase spinning, a breath-taking aerialist, juggling (with his mouth!), mesmerising hoop work — human slinky, anyone? — magic, illusion, and shadow puppetry that has absolutely no right to be that exciting. Seriously, highlight of the night.

 

 

The show is completely family-friendly… but learn from my mistake and maybe don’t bring your kids. Mine mocked me relentlessly while I cringed through audience participation and then finished me off by asking about the “old” references and music. Nothing like your children to humble you after an epic night out.

Having seen more than a few Fringe shows this season, London’s Calling is a genuine standout (thank you to the friend who told me to do myself a favour and book tickets — excellent life advice). The performers are immensely skilled, Dabek keeps the energy soaring, and the staging elevates the entire experience. The projected backdrop transforms ‘plastic chairs in a disused tennis court’ into faraway streets, effortlessly transporting the audience across the globe.

In short: clever, polished, and wildly entertaining — this is one call you definitely want to answer.

To book tickets to London Calling, please visit https://fringeworld.com.au/whats-on/london-calling-fw2026.

Spread the word on your favourite platform!

Club D’Amour: Encore

Club D'Amour: Encore

Club D’Amour: Encore Rating

Click if you liked this article

Club D’Amour is not a show that eases you in — from the very first beat, you’re swept up in a delicious whirlwind of sound, sparkle, and joyous excess. This is Fringe at its most indulgent: part party, part performance, and entirely committed to giving the audience a night they won’t forget.

First up, the choreography —it’s bold, precise, and bursting with attitude. Add staging, music, and sound design, and you’ve got a magnificent space where circus, drag, burlesque, and knockout live vocals collide in the best possible way.

And then there’s hostess Fay Rocious — quite simply, the most mostess. Commanding, charismatic, and wickedly funny, she steers the evening with effortless confidence, making the audience feel both welcome and just a little bit mischievous.

 

 

The cast? Ridiculously good. Matthew Pope, Melina Mall, Nat Oakes, Wade Ryder, Tom McKinnon, and Antonia Sassine deliver a feast of swinging, flying, spinning, and contorting that borders on hypnotic. The physicality alone is mesmerising, but Club D’Amour refuses to settle for just one flavour of spectacle. Instead, it launches headfirst into themed performances that blend silliness with cheekiness, comedy with spectacle, and more than a few surprises.

Bubbles, flames, cowboys — the show is gloriously full-throttle from the get-go. It’s bold, playful, and just the right amount of outrageous. Club D’Amour doesn’t just invite you to watch; it dares you to surrender to the fun. Resistance, frankly, is futile.

To book tickets to Club D’Amour: Encore, please visit https://fringeworld.com.au/whats-on/club-d-amour-encore-fw2026.

Spread the word on your favourite platform!