Smash-hit Musical The Lovers Opens In Sydney Next Week

Feature-The Lovers

Australian pop musical sensation The Lovers opens next week on 31 October at Sydney’s Theatre Royal for two weeks only. Those audiences looking for an extra special night out will also have the chance to celebrate Halloween at the very first performance in Sydney for a chance to win best dressed prizes, purchase exclusive merchandise and fall in love with the extraordinary superstar cast.

Romantic, rebellious and irresistibly fun, this tangled tale of love is written and composed by the acclaimed Laura Murphy and directed by Nick Skubij. The Lovers catapults Shakespeare’s A Midsummer Night’s Dream into the 21st century with a pulsating pop soundtrack, a powerhouse live band and a bold new twist on the timeless comedy — bursting with energy and heart.

Audiences and critics alike have fallen head over heels for The Lovers, most recently playing at Queensland Performing Arts Centre where the show received rapturous audience response with nightly standing ovations and rave reviews. The Courier Mail called it “Truly magical, a show that looks and feels like a big-budget Broadway import, yet pulses with fresh Australian energy,” and further emphasised “Mark my words: this is Australia’s next big musical.”

The Lovers’ star-studded cast includes Natalie Abbott (Muriel’s Wedding The Musical, Zombie! The Musical) as Helena, Jason Arrow (Hamilton, Guys and Dolls) as Demetrius, Jayme-Lee Hanekom (Tina The Tina Turner Musical, The Book of Mormon) as Puck, Loren Hunter (SIX The Musical, American Psycho) as Hermia, Stellar Perry (Jesus Christ Superstar, The Rocky Horror Show) as Oberon and Mat Verevis (Beautiful, Tina The Tina Turner Musical) as Lysander. Rounding out the cast are Indigo Hunt (Hamilton), Jenni Little (Titanique, Tina The Tina Turner Musical) and Nic Van Lits (Jesus Christ Superstar, The Rocky Horror Show).

Supporting them is a team of some of the country’s most revered creatives including Director Nick Skubij (Frankenstein), Choreographer Yvette Lee (Follies), Music Director Heidi Maguire (SIX The Musical), Designer Isabel Hudson (Dear Evan Hansen), Lighting Designer Trent Suidgeest (Frankenstein) and Tony® Award nominee David Bergman (The Picture of Dorian Gray) as Video and Sound Designer.

Get set for a totally modern love story — where nothing goes as planned, but everything happens for a reason.

Shake & Stir Theatre Co and John Frost for Crossroads Live present The Lovers A musical by Laura Murphy

Venue: Theatre Royal Sydney
Season: 31 October – 16 November
Performance Times: Tue 7pm, Wed 1pm & 7pm, Thu 7pm, Fri 7:30pm, Sat 2pm & 7.30pm, Sun 1pm
Prices: From $69 (Transaction fees apply)
Bookings: theloversmusical.com.au or 1300 163 808
Groups 8+ call 1300 163 808

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Macbeth in The Lounge

Macbeth

Macbeth Rating

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‘Come You Spirits’ Theatre Incorporated’s production of Macbeth is being performed in the intimate and engaging space of The Lounge at the Concourse Theatre Chatswood. It creates the perfect atmosphere for delivering a truly personable Shakespearean performance.

There was a lovely welcoming message from the cast and they also concluded the performance with a heartfelt message of thanks. Although the actors were not amplified, they were heard clearly due to their perfected voice projection and the nature of the small space. I really appreciated the clarity, articulation and dramatic delivery, which ensured a well-absorbed performance. Shakespeare can often be difficult to digest, as the script is comprehensive, and sometimes players tend to rush through the complex dialogue. However, this was definitely not the case during this presentation. It was engaging and delivered in a timely, dramatic fashion, which had me – and certainly the entire audience- enthralled. The entire cast of six was of the highest professional caliber and all gave a spectacular performance.

Macbeth and Lady Macbeth were played by Charles Mayer and Jo Bloom, who portrayed a natural connection and chemistry on stage. They both brought great emotional depth in their leading role characters and delivered a solid convincing performance.

Charles Mayer displayed the overly ambitious character of Macbeth with great conviction throughout. He showed passion, ambition and then later portrayed the tortured, battered soul of his character.

Jo Bloom delivered the greatest of sincerity to the ever-goading, ruthlessly ambitious, Lady Macbeth. Jo also doubled as the Second Witch and skillfully transitioned between the two contrasting characters.

 

 

Banquo was played by David Halgren, who gave a haunting and eerie rendition of his character. He also showed great skill in his theatrical movements leaping on and off the table and in his ghost-like manoeuvres.

Ciaran O’Riordan’s performance as Macduff was heartfelt and convincing. He portrayed Macduff with all the passion the character deserves.

I really appreciated the well-projected clarity and dramatic delivery of Willa King’s portrayal of the First Witch. Her
resonating, clear vocal tones were deeply impactful.

The homage to our traditional Aboriginal custodians was beautifully and seamlessly interwoven throughout the performance. Ella Havelka, who beautifully portrays the Third Witch, is an alumnus dancer with the Bangarra Dance Theatre and honoured her heritage as a member of the Wiradjuri people by flawlessly incorporating traditional influenced movements in her portrayal as the Third Witch.

The dimly lit setting created an eerie atmosphere for the supernatural elements, which constantly wove throughout the play.
I was particularly taken with the regal, gothic themed dining room staging, complete with lit candelabras, tablecloths and goblets. Also, the staging for the infamous “Double, double, toil and trouble” witches scene, presented with a smoking cauldron and appropriate props was equally striking.

The costuming was very impressive and gave authenticity to the period. It was brought to my attention that the costuming, sets and props were all predominantly sourced second-hand. This is a credit to the Art Director Letitia Hodgkinson who passionately sourced a suitable array of fabrics and materials. Her actions are most admirable and show a great commitment to environmental sustainability, while maintaining a high standard of creativity and artistic sense.

The musical compositions by Brandon Read, music composer and producer, elevated and intensified the performance. The recorded soundtrack was impactful and creatively accompanied the dramatic themes, providing a more full bodied performance.

I would also like to mention the fantastic work of the Lighting technician Adam Applebaum. He made splendid use of spotlights and coloured lighting to enhance themes and poignant moments as well as amplify the eerie scenes.

‘Come You Spirits’’ presentation of Shakespeare’s Macbeth is brilliant and captivating. Their rendition is condensed into a fast paced 90 minute performance centered around six main characters. A highly enjoyable performance with a stupendous professional cast.

To book tickets to Macbeth , please visit https://www.theconcourse.com.au/event/macbeth-in-the-lounge/.

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About The Show – Romeo & Juliet/Macbeth Double Bill

Romeo & Juliet/Macbeth Double Bill

G’day everyone! Today, we’re thrilled to have a yarn with the lead actor from the imaginative Romeo & Juliet/Macbeth Double Bill. These unique 90-minute musical adaptations shed a fresh light on the Bard’s timeless tales. Hang tight as we dive into this creative fusion and hear all about the joys and challenges of bringing such an intriguing performance to life.

About Romeo & Juliet/Macbeth Double Bill

What is this Production about?

This production is a double bill of 90-minute musical versions of Romeo and Juliet and Macbeth, with Australasian Indie-Folk and Bluegrass/Americana music, respectively. Music, Mischief, and Magic—It’s Shakespeare like you’ve never seen it.

What character are you playing, and what can you share with us about them?

The cast for both shows is the same, so all actors play roles across both shows. In this iteration of these shows, I play Romeo and Lady Macbeth. It’s been a lot of fun revisiting Romeo after a year away from the show, rediscovering all the little intricacies that made that character feel so special to me. Playing a gender-swapped Lady Macbeth was a daunting challenge, but one that has been so rewarding.

What’s challenging about bringing this script to life?

Bringing Shakespeare into a more modern context without losing what makes it such a timeless and special sort of show is always a challenge, especially when you throw musical elements into the mix, but I think we handle the material with just the right amount of revelry and rebellion all at once.

What sort of person is going to love this show?

We like to think that our shows are for everyone, whether you like the bard’s work or not, but it is always a particularly special moment when someone who before coming along would have said they categorically hated Shakespeare tells us after the show that they finally feel like they get why people love his works so much. So I would say, in particular, people who don’t like Shakespeare will love our Shakespeare.

Call someone out by name: who must come see this production?

I want to see any of the Australian musicians whose songs we use come along to the show. It’s been so special to get to connect with some of the Kiwi artists we’ve used music from, and I’d love to get that connection across the ditch as well! So that means I want to see: the band Dragon, the band Jet, The Dreggs, Divinyls, and Kyle Lionheart at the show!

Where can patrons purchase tickets to this production?

The production runs from 27 May – 1 June at Chapel Off Chapel. To book tickets to the Romeo & Juliet/Macbeth Double Bill, please visit https://chapeloffchapel.com.au/show/the-barden-party-shakespeare-double-bill/.

Thank you so much for sharing your insights and excitement for the Romeo & Juliet/Macbeth Double Bill. Wishing you all the best for the upcoming performances – may they be filled with all the music, mischief, and magic that makes Shakespeare unforgettable! Break a leg!

Other production interviews can be viewed in our About The Production Series.

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Witches, Daggers, And Dark Ambition: Macbeth Takes The Stage

Macbeth

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Director John Grinston delivers a compelling interpretation of Shakespeare’s shortest tragedy, Macbeth, which follows the dark and ambitious rise of a Scottish general who murders his way to the throne, spurred on by his equally ruthless wife.

The production’s minimalist set – featuring a cloudy backdrop and simple, unchanging props – places the focus squarely on the actors and the power of Shakespeare’s words. While this approach demands strong performances to maintain audience engagement, the cast largely succeeded in bringing energy and verve to their roles.

Shakespearean dialogue, with its dense 11th-century language, can be notoriously difficult to render fluently. However, several actors navigated it with skill, making the text feel natural and immersive. Dimitri Armatas (Banquo) was particularly outstanding, delivering a consistently engaging and authentic performance. A standout moment came from Micah Doughty as Seyton, who stumbled in from a drunken night, weaving through the audience before joining his companions onstage. His delivery, in full Shakespearean fluency, was both amusing and believable, offering a rare moment of levity in the otherwise dark narrative.

 

As Macbeth, Jack Taylor handled the immense demands of the role well, especially considering this was his first Shakespearean performance. He had moments of true greatness, portraying Macbeth’s descent into tyranny with conviction.

Yvette Gillies played Lady Macbeth with admirable command, though her casting opposite a much younger Macbeth was an interesting choice. Indeed, some productions have depicted Lady Macbeth as older, emphasising her ambition, influence, and almost maternal guidance over her husband. Gillies’ Scottish accent was a welcome addition, lending authenticity to her portrayal, though it did contrast sharply with the rest of the cast, who spoke in more neutral tones.

Veteran actors David Stewart-Hunter (King Duncan) and John Benjamin (Doctor) added a seasoned presence to the production, bringing gravitas to their roles. Meanwhile, the trio of witches – Jasna Mars, Poppy Cozens, and Julie Burns – delivered some of the most engaging scenes of the night. Their cauldron scene, revealing the fateful prophecy that “no man born of woman can defeat him,” was particularly well-executed, creating an eerie, mystical atmosphere that resonated with the audience.

The Audience and Venue:
Opening night drew a predominantly older crowd, with more than half of attendees appearing to be over 50 or 60 – perhaps due to the presence of the actors’ families and longtime Genesian patrons. Shakespearean theatre may have a stronger appeal to older audiences, but productions like this have the potential to engage younger viewers as well.

 

More young people should experience Shakespearean theatre, as Macbeth remains strikingly relevant. While language and idioms have evolved, human nature has not, and the themes of unchecked ambition, moral corruption, and fate still captivate modern audiences. For students studying Macbeth, seeing it performed live provides an invaluable perspective on the play’s intricate dynamics.

The Genesian Theatre, at 2B Gordon Street, Rozelle, offers a viewing experience with well-tiered seating ensuring clear sightlines. The venue is air-conditioned (with two split systems), making for a pleasant atmosphere, as long as they remain on. The bathroom facilities are well-maintained, and the bar is excellent. Parking in the surrounding streets can be challenging, so allow extra time to find a spot.

Final Verdict:
This Macbeth was an enjoyable and well-executed production with a commendable cast and crew. While some moments could have benefited from greater consistency in fluency and intensity, the strong performances – particularly from Banquo, Lady Macbeth, and the witches – made for an engaging evening of theatre. Grinston’s direction, combined with Shakespeare’s enduring themes, ensured that Macbeth still has the power to thrill and unsettle, centuries after it was first performed.

To book tickets to Macbeth, please visit https://genesiantheatre.com/

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