Viva Vicious

Viva - Vicious

Viva – Vicious Rating

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VIVA Vicious by VIVA Melbourne is the adults-only experience you need to book for your next date night.

Secretly housed in a beautiful Cabaret room at the top of a warehouse at 64 Sutton Street, North Melbourne, VIVA Vicious and its troupe of amazing singers, dancers and, acrobats, creatively and tastefully capture “The art of suggestion” or, “The art of almost.”

While Marketing ‘Mandate’ Male Revue on King Street in the 90’s, I was safe to visit friends in the adult clubs next door. I noticed the gentlemen who came to see the female strippers were much more well-behaved than the Hen’s night ladies who came to see the males. It was a fun and bawdy time, and absolutely everything was on show.

This is not that.

Viva is the kind of nightclub show couples enjoyed in the 1950’s – dinner, drinks, dancing and, a floor show – only more naughty for the naughties.

Professionally and stylishly choreographed by Karlee Porritt, with a beautifully lit stage and interesting projections, Viva Vicious is both suggestive and sensational.

The show includes aerial acrobatics, popular music, beautiful costumes and humorous skits – males dressed as Nurses and French maids – dappling in virtual reality.

True to the mid-1800’s Burlesque shows, the VIVA men were often the comic relief between the provocative female performers. In this show, they also dance, play the saxophone and, assist in the aerial acrobatics.

Just like with ‘Moulin Rouge’ or ‘Crazy Horse’ in Paris, every performer is extremely fit and stunningly beautiful. Crazy Horse boasts of their show, “an ode to feminine beauty, combining eroticism and sophistication.” Viva in Melbourne certainly lives up to this boast.

 

The female body is a beautiful thing.

While enjoying VIVA Vicious, I remembered an old life-drawing teacher once told me, “What’s suggested is often more attractive than what is obvious.”

Unlike Moulin Rouge, where you’re practically sitting on the lap of the person next to you, the Viva Cabaret room is plush and comfortable. Couples and friends are seated in pairs at club tables on different levels, so every view is intimate, stimulating and, energetic. Even the opulent rest-rooms were exquisite!

Each Cabaret table is big enough to place two side plates and two sumptuous cocktails the Viva wait staff bring to you shortly after you’ve ordered. We tried the Chicken Karaage and the Salmon Sashimi. Both were visually pleasing, fresh and delicious.

The first performer on stage set the scene in a long sequined evening dress singing a Whitney Houston ballad, with precision. Now we find we’re in for Cabaret and, Burlesque.

She was followed by a Britney Spears number with many dancers in full-body tiger print outfits, topless.

A songstress mixes things up, singing a 50’s number sporting her Marilyn Monroe style dress.

There’s a Western number backed by the classic Ennio Morricone soundtrack, and plenty of ‘Honey Birdette’ designed lingerie.

Michael Jackson’s ‘Dirty Diana’ and Annie Lennox’s Sweet dreams perfectly back a sensual bed scene.

Things are spicy but never confronting.

Throughout, there were a few aerial acrobat spots, one with a spiral from the ceiling, another with silks, always with such skill. Loved the sexy Medusa track.

During a most enjoyable two-hour show, there are two Intermissions where you can go to the bar or, partake in a caviar bump and a vodka shot with a passing sexy server, to prepare you for the next show.

The troupe encourage you to hit the dance floor after the show.

Viva means “Long Live” in Italian and Spanish. I think we’ll return.

Viva Melbourne – Level 2, 64-90 Sutton Street, North Melbourne
Booking: https://vivamelbourne.com.au/events/

To book tickets to Viva – Vicious, please visit https://vivamelbourne.com.au/.

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The Comedy of Errors

Comedy of Errors

Comedy of Errors Rating

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Merrrigong Theatre Company’s Theatre Under the Stars presenting Sport for Jove’s ‘The Comedy of Errors’ opening night was a smash hit.

Outdoor theatre is always a good idea, and this performance showed exactly why. The staging, the technical elements, the beautiful lighting and abundance of excitement from the crowd (despite the high temperatures) created the most perfect atmosphere for an unconventional night at the theatre. Paper fans were provided by the staff to keep everyone cool and in high spirits until the sun set, which was a lovely and considerate touch. I’d recommend some sunscreen if you burn easily, as the seating area is uncovered, but the sunset is the perfect background as the plot begins to pick up and the lighting comes alive.

There was a lot to love about this show. As one of Shakespeare’s earliest and most fast-paced plays, ‘The Comedy of Errors’ is often not what first comes to mind when Shakespeare is brought up. This modern interpretation is the perfect blend of traditional and current humour and faux pas. It’s very easy to do Shakespeare badly, and incorporate too much or too little modernity, but Sport for Jove’s found that perfect balance that left the audience captivated and enjoying every minute.

The stunning voice of Naomi Belet has to be talked about. Her performance, whilst not a lead character, was an absolute standout. Her presence was abundant and whether she was in the background or centre stage, she was something to watch. She deserves all the applause, accolades and opportunities in her career.

 

 

The cast as a whole, were energetic and switched on, which makes any performance, but especially a comedy, just so much fun. Whether it was physical comedy or Shakesperean humour, or modern humour, it was just genuinely funny and not forced. It’s so easy to push the audience away with a comedy, and exasperate them with miscommunications and over-done jokes, but this was just perfect. You didn’t want to look away in case you missed anything as there were subtleties from supporting characters as well as the main action. They pushed through minor technical issues that made little impact as they could be heard from the back without their microphones on the odd occasion.

For those who describe themselves as “not Shakespeare” people, but enjoy a fun night out and a laugh, I would highly recommend this play. This is such peak Shakespeare in the way that you don’t need to understand every word to be able to follow along and enjoy the performance. It is such an accessible presentation that I urge everyone to buy a ticket and come alone. It is the least intimidating Shakespearean adaptation I’ve seen (and I have seen a lot of Shakespeare in my time) and it just opens up this little slice of history for anyone and everyone.

In all honesty, I think this may be one of, if not, the best, performance I have had the pleasure to review. I cannot recommend this enough to everyone. It would be a shame to miss this, so make sure you grab a ticket, bring a picnic, check the weather and plan accordingly, and have an amazing night out! ‘The Comedy of Errors’ runs until the 22nd of February at the University of Wollongong’s Koolobong Oval.

To book tickets to Comedy of Errors, please visit https://www.sportforjove.com.au/the-comedy-of-errors-2025.

Photographer: Grant Leslie

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Campfire @ Fringe World Perth

Campfire

Campfire Rating

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Campfire is a hilarious jump-scare comedy currently showing at Fringe World Perth. With a rich mix of physical theatre, clowning, acrobatics and floor work, it’s wildly entertaining. This show will delight every member of the family, so pack your bug spray, and let’s head deep into the bush for some hilarious and playful camping chaos.

The premise is simple and instantly relatable. Best mates Louis and Griffin head out on a camping trip, armed with enthusiasm but very little practical skill. They fumble through the basics, but they’re just so excited to be spending time together that doesn’t really matter. After a series of missteps – including a highly relatable moment involving a camping tent that made my day, and a rather awkward moment running out of water – they settle in for the night, toasting marshmallows by the fire. As darkness falls, the tone subtly shifts. A curious, lonely, animalistic bush spirit begins to follow their every move. What starts as intrigue soon becomes a fight for survival, as from sunrise to sunset the friends stumble through the wilderness, their survival skills, masculinity and friendship tested at every turn as the spirit causes escalating high jinks.

 

 

Created by Melbourne/Naarm collective Split Focus, Campfire is a confident showcase of multidisciplinary performance. The storytelling is driven almost entirely through the body, with dynamic acrobatics, aerial work, tumbling, floor work and clowning woven seamlessly into the narrative. The physical skill on display is impressive, with very movement serving the story.

The music and sound design build cinematic tension, while the clever use of lighting and shadow kept the audience on its toes as they are guided through moments of joy, fear and tenderness. I really enjoyed how the performance used clowning to move the audience through this story of hilarious emotional ups and downs. Performed in the close quarters of the Gold Digger tent, the audience is close enough to the action to feel every near-miss, every moment of trust, and every comic pause. There was raucous laughter, punctuated by audible gasps and soft “awws” during the more tender moments.

At its core, Campfire is a playful and generous exploration of friendship, vulnerability and connection, and, importantly, how to perfectly toast a marshmallow. This show is very well executed storytelling. It’s funny, impressively physical, and a joyful Fringe experience. By far one of the best shows I’ve seen at Fringe, pack your bug spray and join this trio into the bush.

To book tickets to Campfire, please visit https://fringeworld.com.au/whats-on/campfire-fw2026.

Photographer: Ven Tithing

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Piper’s Playhouse

Piper’s Playhouse

Piper’s Playhouse Rating

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From the moment guests step inside Piper’s Playhouse, it is clear this is not simply a show. It is a fully realised world.

Greeted warmly by the irrepressible Jimi the Kween and the razor-sharp Valerie Hex, audiences are ushered through an immersive maze, complete with bubble artist, hilarious peep shows and confession booths. From the start, you can tell that whimsy and risqué will walk hand in hand for the evening. The space itself is a triumph of design. Deep red velvets, glowing table lamps, light haze and a central podium create a Parisian cabaret atmosphere that feels both transportive and inviting rather than themed or contrived.

A full house on the night I attended generated a buzzy energy, with a broad mix of ages (strictly over 18) proving the experience is as accessible as it is sophisticated. Gorgeous tables, attentive costumed hosts and slick service reinforce the sense that every detail has been carefully considered. Even the delivery of the first glass of champagne becomes theatre in a moment of surprise that perfectly captures the spirit of the night.

On stage, a stunning jazz band provides the heartbeat of the room. Their playing is effortlessly virtuosic, loud enough to shape the atmosphere yet perfectly balanced so conversation can flow. It is cabaret accompaniment at its finest: tight, relaxed and deeply stylish.

 

 

Valerie Hex proves a brilliant MC, working the room with effortless comedy and razor wit that never comes at the expense of the audience. Meanwhile, Jimi the Kween commands attention with a spectacular voice that moves seamlessly from power to nuance, all delivered with uproarious humour.

Headliner Diesel Darling demonstrates exactly why she sits in the Burlesque Hall of Fame. Titillating and playful, her connection with the audience is magnetic.

The supporting acts are equally compelling. Becky Bubble is captivatingly inventive, elevating the medium of bubble art into something quietly magical. Soliana Ersie leaves the crowd audibly gasping with contortion work that borders on the impossible, while hand balancer Naz Alexander delivers feats of strength with undeniable flair. Magician Sebastian Rideaux impresses both onstage and during close-up performances between sets, his charming patter guiding audiences from laughter to cheers of delight in seconds.

Importantly, the troupe feels like exactly that, a troupe. Performers weave through the audience, support one another’s moments and contribute to an atmosphere that is welcoming, inclusive and joyfully celebratory.

Add excellent food, fast and friendly table service and a late-night, post-show piano bar led by the high-energy Trevor Jones, and the result is an evening that refuses to let the party end quietly.

The attention to detail is immaculate. The care for the audience experience is unmistakable. Piper’s Playhouse is an immersive feast for the senses, a masterclass in modern cabaret and the kind of night you can’t wait to tell your friends about.

To book tickets to Piper’s Playhouse , please visit https://www.crownmelbourne.com.au/bars/pipers-playhouse.

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