Due To Phenomenal Demand Bernie Dieter’s Club Kabarett Is Extending Their Season!!!

Bernie Dieter’s Club Kabarett

Due to overwhelming demand, the acclaimed international hit Club Kabarett has extended its current Melbourne season for an extra two weeks, producers Velvick confirmed today. The encore run, now playing through to Sunday, June 7th, at Melbourne’s iconic Meat Market, has proven to be a box office hit and has been met with widespread applause from critics and audiences alike. The production, a celebrated fixture on the international festival circuit with acclaimed seasons from London’s West End to Edinburgh, previously enjoyed a significant success in Melbourne in 2025, securing a Green Room Award for Outstanding Cabaret Ensemble and earning three nominations.

Creative director and producer Tom Velvick’s production design has been widely lauded for its incredible transformation of the Meat Market’s historic Cobblestone Pavilion. Velvick, who has also produced and designed Crown’s Pipers Playhouse this year – has breathed new life into the venue with an immersive design that gives the transformed Berlin club both grandeur and grit. Audiences are immediately immersed in a visceral experience, saturated in red light with stark black and crimson walls adorned with spray-painted German and English phrases.

WHEN: Extension to June 7th 2026
Meat Market, Blackwood Street, North Melbourne

Club Kabarett stars the deliciously salacious and wildly talented, Bernie Dieter, alongside her band of legendary misfits and mischief makers including show favourites, Soliana Erse, a world class contortionist whose moves defy the limits of the human body; the human heatwave known as Jacqueline Furey, a purveyor of the beautiful and bizarre, whether she is swallowing swords or breathing fire; the avante garde drag cabaret artiste, Iva Rosebud, whose work spans Cabaret, Musical Theatre, Drag, Burlesque and Performance Art; and the world renowned circus performer, Jarred Dewey, whose grace and skill as an aerialist have seen him perform on some of the most prestigious stages in the world. Joining this immensely talented group of Club Kabarett favourites in Melbourne this year will be international tap dancer Caleb Cameron, who has been dazzling the stages of the Crazy Horse in Paris with his astonishing dance moves; and the hair suspension viral TikTok sensation, Mel Lee, fresh from the stages of London’s West End.

Photography Jacinta Oaten

 

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Bernie Dieter’s Club Kabarett

Bernie Dieter’s Club Kabarett

Bernie Dieter’s Club Kabarett Rating

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Bernie Dieter returned to Melbourne with a troupe of talented and sexy performers in Club Kabarett. Housed by the Meat Market, Bernie created a bold environment in a beautiful space. Club Kabarett was atmospheric, with audience members dressed up like it was East Berlin in the early 30’s. The band began playing while the audience found their seats, creating a rowdy and excitable environment. The performers welcomed audience members to the cabaret with some preshow shenanigans.

Bernie and her whole team were dressed in interesting and beautiful costumes. The costumes both made a political statement and peaked my curiosity. Often the performers were scantily clad, or in the case of the drag queen, completely nude except for Chanel. The costumes teased the audience as much as the performances themselves, becoming progressively more risqué.

 

 

Bernie was bold and brave when she spoke to the audience. She emphasised that Club Kabarett was a place for the sexually free and open to let our freak flag fly. Bernie utilised the unique large space to create a wonderfully intimate moments engaging directly with audience members. Bernie’s punk attitude and punk music suited the distinctly alternative nature of the cabaret. Bernie hoped to create a space where we could all “let go and get intimate,” and she was successful in that endeavour! Bernie encouraged and asked the audience to touch her, in an attempted to break down barriers.

Bernie’s talented team of alternative performers included a scantily clad pole dancer, a fabulous drag queen, a trapeze artist and many more. Bernie sang with her live band while the different artists performed spectacles. The pole dancer had the audience engrossed by her wild athleticism and flexibility. The tap dancer embodied punk, breaking down expectations of the art form, as he continued to tap with a cigarette in his mouth and an oversized fur coat over his shoulders. The contortionist was impressive to watch. Her muscle and strength control was spectacular. The entire ensemble was serving sexy circus realness.

Bernie Dieter’s Club Kabarett awoke things in me, and made me proud of Bernie. Bernie was unapologetic in her opinions and her radical acceptance of others. Her choice to be so open about her beliefs created a safe and inviting space for the audience to enjoy the remarkable performances she had curated. The live band provided a soundtrack to every performer and act apart of the cabaret, and made sure the atmosphere remained engaging and interesting.

To book tickets to Bernie Dieter’s Club Kabarett, please visit https://meatmarket.org.au/event/club-kabarett/.

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A Bold, Witty, and Unflinchingly Honest Exploration of the Human Psyche in Musical Form

Initial Consult: Taking diet culture to therapy

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Charlotte Grimmer’s Initial Consult- Taking diet culture to therapy (2026 MICF) at The MC Showroom is a bold, witty, and unflinchingly honest exploration of the human psyche. Grimmer is a graduate of NIDA Acting program, a high school dance and drama teacher. Charlotte has performed this show in Edinburgh, Sydney and the Adelaide Fringe Festival.

Bursting straight through the waiting room, Charlotte Grimmer’s initial court-mandated therapy session begins-and we, the audience find ourselves cast as the therapist. This fresh and fearless musical invites us into a hilariously triggering session filled with tap, rap, dance, and masterful keyboards. Grimmer’s performance showcases her diverse vocals, sharp wit and impressive comedic skillset.

The shows engaging narrative grapples with mental health, diet culture, perfectionism and the messy nuances of how we cope. Charlotte works the packed audience brilliantly- making pointed uncomfortable and knowing eye contact with every “therapist” in the room in moments that are at once awkward, hilarious, and deeply relatable. One moment the audience squirms, triggered and defensive: the next, they erupt with applause and laughter.

 

 

The stage is set with minimalist flair: a chair, a keyboard, and a side table adorned with tissues, a plant, and a pot. By the end of the performance, it resembles the floor of a teenager’s bedroom. Each prop is purposefully placed and thoughtfully used. Grimmer’s inventive excellence is evident in every detail—every movement, and exaggerated facial expression, and lyric is meticulously placed—creating a remarkably clever and cohesive piece highlighting Grimmer’s inventive flair and keen attention to detail.

Sadly, Melbourne, Charlotte Grimmer has wrapped up her season and is heading back to Queensland. The MC Showroom is conveniently located near plenty of pubs and dining options and has a licensed bar for enjoying a drink during the performance —ideal for steadying one’s nerves before this funny therapeutic ride. Patrons should note that accessibility is limited, with 25 stairs and no all-access bathroom.

In a thoughtful touch, Grimmer acknowledges the show’s potentially triggering themes, directing audience members towards support organisations such as The Butterfly Foundation. This thought-provoking and playfully disarming performance will follow you home.

Deliciously daring, Initial Consult- Taking diet culture to therapy (2026 MICF) is the kind of performance that makes you laugh, wince, and reflect—sometimes all in the same breath. Side effects may include sore cheeks from smiling and the sudden urge to book a therapy session… or a tap class.

Love Aunty Kylie xo

To book tickets to Initial Consult: Taking diet culture to therapy, please visit https://www.themcshowroom.com/whatson/melbourne-international-comedy-festival-2026-initial-consult.

Photographer: Joel Devereux

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Lots of Pop – Just Not Enough Snap or Crackle

The Breakup Variety Hour

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Ariana & the Rose arrives at the Melbourne International Comedy Festival with The Breakup Variety Hour – a wry cabaret-style journey through the six stages of romantic recovery and she brings with her genuine charm, vocal talent and the kind of infectious energy that makes you root for her from the moment she walks on stage. The Trades Hall, with its intimate rooms and slightly scuffed historic charm, is a fitting venue for a show about the unglamorous business of losing love.

The show’s structure is clever: six stages, neatly framed, moving from the wreckage of a relationship toward something that resembles wisdom. Ariana guides us through each with a mix of comedy banter, personal anecdotes and occasional audience participation, the familiar toolkit of the solo festival show. But it’s in the final stage – a philosophical, even quietly spiritual, reflection on what breakups really reveal about us – that the show finds its most resonant ground. It was a genuinely satisfying way to close, offering unexpected psychological depth after the performance and pizzazz, leaving the audience with something to carry home beyond the glitter.

Where The Breakup struggles is in finding its identity. The original songs, (written by Ariana herself and available to buy on CD), are genuinely good and surprisingly moving but they are almost at odds with the rest of the show. They don’t quite gel with the comedy banter surrounding them and the collision between the two never quite resolves. We found ourselves watching what felt like two shows running in parallel – a moderately entertaining comedy set and a mini pop concert – each quietly undermining the other’s momentum. The songs, which we expected to be more snippy, funny comedic offerings instead spoke of genuine feeling and heartache; the comedy parts were too brief and held the audience at too much of a distance. Holding these two different styles at once is a difficult ask of any audience and on the night we attended, it created a sense of awkwardness that the show never fully settled.

 

 

Comedy, as anyone in the industry will tell you, is brutally hard work. The hours behind a single hour of stage time are extraordinary – the writing, the refining, the killing of darlings, the courage required to simply show up and do your thing in front of strangers and hope it lands. The fact that The Breakup has sold out in Ariana’s native New York and toured major international festivals, including our own Melbourne Comedy Festival, speaks to a genuine audience connection that is clearly working somewhere. On the night we attended, the crowd was small and a little cool and she handled it with professionalism and grace, working the room with warmth even when it didn’t quite warm back.

But for those of us who came hungry for laughs, the show could lean further into personal storytelling – the messy, specific, mortifying anecdotes of dating life that make comedy truly land. What we got felt, at times, more like a vehicle for the music than a cabaret style comedy show. The personal glimpses Ariana did share were genuinely engaging, we simply wanted more of them. More of that rawness, more of those stories – the ones that make an audience wince in recognition and laugh in relief and then the balance would tip in a way that could make this genuinely special. It probably didn’t help that in our audience most people were happily coupled, so for a comedy that’s all about break-ups and needs to bounce of the singletons in the room, it wasn’t quite able to find its mark. Nonetheless, the bones of something very funny are here. They just need more flesh on them.

As it stands The Breakup is an enjoyable, well-intentioned romp through familiar romantic territory, performed by someone with good stage presence, a strong voice and a lot to offer. Ariana & the Rose is a performer still shaping her show into its fullest form – and if the philosophical heart of that final act is any indication of where she’s heading, the best may well be yet to come.

To book tickets to The Breakup Variety Hour, please visit https://www.comedyfestival.com.au/browse-shows/the-breakup-variety-hour/.

Photographer: Sidewalk Killa

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