Where Little Stars Shine: Coach Mon’s Baby Wonderland

Coach Mon’s Baby Wonderland

Coach Mon’s Baby Wonderland Rating

★★★★★

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Up the stairs of the multi-story landmark Clocktower building in Moonee Ponds, I come upon a theatre studio lit up in bright primary colours, complete with a giant matted floor, and two rows of seats at the back. With prams parked downstairs in the entrance hall, hoards of parents gladly seat themselves criss-crossed in these roomy surroundings, with their babies and toddlers in tow, eagerly awaiting ‘Coach Mon’s Baby Wonderland’, a musical adventure for infant and tots, to begin.

Among the ohhhs and ahhhs, I am enamoured by a set decorated in pure Australiana. Encompassing a journey over land and sea, a tree is bedecked in thick foliage, representing the Australian bush. An underwater vista set piece is sitting upright, representing the Great Barrier Reef. And finally, a mountain-shaped cutout is brimming with sparkly perfection, representing the Snowy Mountains. A resounding set design, simple yet effective; not unlike ABC’s Playschool, or the imaginary magical kingdom set in Mr. Rogers Neighbourhood.

The show begins naturally, gaining the children’s attention with singer and musician Jackson Peele kneeling on the floor with a guitar in hand, dressed in a tracksuit in purple, green and blue hues. Beside him is the show’s star and co-creator, Coach Mon, played by Monique Warren, similarly dressed in a sports hat and uniform wearing green, red and purple. Together, they begin the show in an intuitive fashion, milling around and interacting with the mums, caregivers and toddlers as everyone is still walking in. Feeling as if we will be playing an active role in this upcoming adventure.

Once the door closes, Coach Mon and Jackson start singing a welcome song, pleasantly and gently, warming up the audience and harmonising well. They teach the children to wiggle their fingers and touch their toes. Coach Mon has a beautiful light and poppy voice, drawing the toddlers in with her animated facial expressions and fun, sharp choreography.

The story begins as Coach Mon and Jackson talk about the galaxy, and the stars that light up the night sky. ‘Twinkle Twinkle Little Star’ begins, and everyone joins in. Suddenly, a shooting star crash lands on the stage. They pick it up and a rendition of ‘Little Star’ is then sung, asking where she’s come from, and if she is lost. With a tinkling noise, we discover the star’s name is Stella, and in her fall, she has lost three missing pieces. Coach Mon decides to help Stella find them, so she can fly back out and shine once again in the universal skies.

 

So ‘off on an adventure’ we go, by singing ‘Walking in the bush’ to find her missing pieces. Where lovely bird sounds are heard, along with ‘Leaves blowing in the wind’, as Coach Mon grabs some bushes off the tree and bounds through the pathways of children – to rustle the bushes on the ground as she walks around.

Creating an exciting sensory experience, the children look up enthralled, as the Old MacDonald nursery rhyme begins to play, with the words updated to reflect the animals seen in the Australian bush: like Kangaroos, Wombats and Koalas. As ‘Ei-ei-oh’ is sung out, a little girl starts hopping up and down out front, as a toddler claps her little hands. As Coach Mon mimics each animal, the children are having an absolute ball. It is so heartwarming to see.

Suddenly? Behind the bush tree – they find a piece of the star. As they shake it, a sound tinkles. They put it back on Stella. But two more pieces are still missing.

And so we venture underwater, with Coach Mon cleverly adding swimming lesson movements. Suddenly, a large sheet of lightweight blue fabric is held by both Coach Mon and Jackson, who manage to float it above the children all around the room, as if the children are sitting under the waves of the ocean. Singing a classic underwater song, we are in the ‘Great Barrier Reef’. But that’s not all. For a surprise ensues, enlightening our morning audience with a huge sparkly jellyfish, who floats ever so gently around the room to an amazing effect. Then lastly? A fish is held blowing bubbles out, to great delight, encouraging the tots to pop the bubbles with their hands for further sensory joy, all under the guise of blue oceanic lights.

After another piece is found? We head up on a steep walk, to the Snowy Mountains, delightfully displayed by Coach Mon and Jackson, who pretend to climb up either side of the mountain cutout, two-by-two, with their fingers.

Suddenly, the temperature drops, and Coach Mon throws out netted white cloths to be used as snowflakes, encouraging parents and kids to wave these cloths up and down. Icy winds are blowing as they sing ‘I’m a little snowflake’ – asking toddlers to touch their face, nose and toes with the freezing snowflake. Then to count to 3, and ‘throw your snowflake back to me‘.

To the children and parent’s delight, the final piece is found, a child yells out, ‘great job’ – and the whole audience laughs uproariously.

As we wave goodbye, Stella is sent back up to the sky. A sweet and heartwarming finale to a great Australian adventure. Ending with a beautiful line, ‘Our friend Stella is now shining down on us.’

All in all, I would highly recommend any parent to bring their child along and be bedazzled by this sweet and delightful show. Hats-off to director and co-creator Laura Aldous for making this children’s production polished and professional, as it contained all the enchanting elements of toddlerdom combined. The children all bopped and danced in dreamy landscapes with smooth transitions, a classic warm up and goodbye song; sensory surprises; kids encouraged to sing and dance, and movement coached clearly throughout. What was especially lovely was the music and singing being so natural and gentle, with an acoustic guitar and no backing tracks. I also loved the Australian landmarks, animals, bush songs and references used across the show, making this production unique for parents, carers and children of all ages.

To book tickets to Coach Mon’s Baby Wonderland, please visit https://www.melbournefringe.com.au/whats-on/events/coach-mons-baby-wonderland.

Photographer: James Rush

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Alice In Wonderland Pantomime Takes Centre Stage In Melbourne’s South East

Alice In Wonderland

Tickets are on sale now as Mount Eliza’s beloved community pantomime returns for a spectacular new production across the weekend of 5 – 7 June

South East Melbourne audiences are in for a June long weekend of hilarity, fairytale characters, and plenty of joy, when the much-loved Mount Eliza community pantomime presents its latest production of “Alice in Wonderland.” As a cast and crew of more than 30 locals head into final rehearsals, excitement is building for what promises to be one of the group’s most entertaining shows yet. Now a firm annual tradition in its 6th year, the Mount Eliza pantomime regularly sells out, drawing audiences of all ages to its signature mix of comedy, music and interactive fun.

For those new to the tradition, pantomime is a playful style of originally British theatre filled with humour, familiar songs and plenty of audience participation – expect cheers, boos and “look behind you!” moments along the way.

This year’s production puts a fresh twist on the classic tale. While audiences might think they know Alice’s adventures in Wonderland, this version is anything but ordinary…

When Alice (Colette Cordes) follows a thieving White Rabbit (Paris Biggs) and Gardener Jack (Max Stockton) into a topsy-turvy Wonderland, she quickly discovers things aren’t quite as whimsical as they seem. With a fiery Queen of Hearts (Mandy Mannion) barking “Off with their heads!” and a world where nonsense rules, Alice must rely on her wits to retrieve her stolen belongings. Along the way, she meets the mischievous Cheshire Cat (Gemma Vowles), the unpredictable Mad Hatter (Archie Vaughn) and a host of delightfully peculiar personalities.

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With her loyal friends not far behind, whether they help or hinder is another matter, Alice’s journey becomes a whirlwind of chaos, comedy and surprises. Will she escape Wonderland in one piece, or will everything descend into complete and utter madness?

Director Robyn Walker said the production is a true celebration of community spirit both on and off the stage:

“This show is all about bringing people together for the love of theatre. Our cast includes performers of all ages and experience levels, from first-timers to seasoned performers, and that mix creates such a special energy.”

“Everything you see on stage has been created by our local community, from the props and set design to the costumes and live music performed by a full local band. It’s a real team effort, and that sense of camaraderie shines through in every moment.”

“We can’t wait to share the show with audiences and hope they have as much fun watching it as we’ve had creating it.”

Perfect for the whole family, this is one very important date you won’t want to be late for.

Tickets are on sale now HERE or find out more at the Mt Eliza Community Pantomime Facebook page HERE.

PERFORMANCE DATES
Friday 5 June: 7.30pm
Saturday 6 June: 2.00pm & 7.30pm
Sunday 7 June: 1.00pm & 4.00pm

LOCATION
Mount Eliza Community Hall
90–100 Canadian Bay Road, Mount Eliza

 

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Sleeping Beauty

Sleeping Beauty Pantomime

Sleeping Beauty Pantomime Rating

★★★★★

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Encore Theatre’s Sleeping Beauty is a joyful, high-energy pantomime that delights its youngest audience members while celebrating the enduring power of community theatre. With 28 years of producing local productions, Encore Theatre clearly understands how to create theatre that is welcoming, playful and full of heart.

From the moment the curtain rose, the children in the audience were completely engaged. This production leans enthusiastically into the traditions of pantomime, inviting participation at every turn. Young theatregoers eagerly danced along with the characters onstage, shouted warnings, and reveled in the call-and-response moments that make pantomime such a thrill. The atmosphere in the theatre was lively and loud in the best possible way.

The villainous Arachne proved to be a highlight, drawing enthusiastic boos from the crowd whenever she appeared. In contrast, the heroic fairy godmothers, Princess Kate and Prince William were met with cheers, clapping and unwavering support from the audience. These clear character archetypes made it easy for children to follow the story and confidently join in, reinforcing the fun, interactive nature of the show.

 

 

While the production doesn’t aim for complexity, it doesn’t need to. Its strength lies in its sense of fun and inclusivity. The performers clearly relished engaging with the audience, and their energy helped sustain the excitement throughout the show. Laughter, movement and participation were constant, ensuring even the youngest audience members remained entertained.
Sleeping Beauty is, above all, a good time. The children enjoyed themselves immensely, which is ultimately the measure of success for a pantomime of this kind.

Encore Theatre’s production is a fantastic introduction to live theatre for little ones, offering a positive, memorable first experience that encourages curiosity, confidence and a love of performance. For families seeking an entertaining and accessible theatre outing, this Sleeping Beauty delivers exactly what it promises.

To book tickets to Sleeping Beauty Pantomime, please visit https://encoretheatre.com.au/season-1/.

Photographer: Dave Swann

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The Wizard of Oz – A Traditional Christmas Pantomime

The Wizard of Oz - A Traditional Christmas Pantomime

The Wizard of Oz – A Traditional Christmas Pantomime Rating

★★★★★

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Zealous Productions yearly pantomime must be Perth’s best kept secret and this year’s The Wizard of Oz is no exception. Housed at Subiaco’s Regal Theatre and in their fifth year – I’m surprised that this show is not getting more press!

I can’t sing high enough praises for this team who are all West Australians; seeing a show like this makes my job easy as a theatre reviewer. It made me proud to be a West Australian and see the home grown, grass roots creativity they are bringing to our stages. What I also loved while reading the 16 strong casts biographies was that many themselves are also creating their own work, which I believe is a must as a performer. They are not merely pawns who are part of an industry but passionate performers who are creating with their heart and soul.

As the curtains raised, I knew that the show was going to be good when I heard the claps and shouts from their loyal and yearly returning audience. It was clear that the audience knew what was coming and they were just as excited as the performers to be part of this year’s pantomime. We were encouraged to cheer for goodies and boo for the baddies and oh was it fun!

Audience involvement in a pantomime is such a necessity and Zealous Productions nailed this. There was a point in the production that they had literally everyone (yes everyone!) in the audience on their feet dancing to the Time Warp. It felt like I was at a family party yet I was really in a theatre with over 500 other strangers. There is nothing like the energy and connectivity cultivated by artisan performers and it leaves you so invigorated and buzzing.

Their cast was truly a strong cohesive team not to mentioned incredibly professional and talented. With most graduates of NIDA, WAAPA, VCA or with substantial experience, it was unsurprising how perfect this production was. Director Brendan Hanson had a talented team to work with but there was no doubt he is just as talented with a spectacular final product.

 

 

Special mentions go to Maree Cole as the awful Wicked Witch. I know Maree’s work and as someone who has been around for years – she is like a fine wine – she keeps getting better with age!

In her professional theatre debut Jayda D’Agostino was impeccable as Dorothy. Vocally beautiful to listen to, she was equally mesmerising to watch with her bright and sunny characterisation.

My seven year old daughter’s favourite character was the Scarecrow played by Noah Connelly. I can see why – with his amazing physicality; cartwheeling, jumping and flopping across the stage he was a spectacle to be watched.

Of course a favourite of all pantomimes is when we have a cross dressing character. Aunty Em/Glinda played by Chris Gerrish did not let us down. Incredibly quick witted and sharp with his jokes, I loved his hilarious vocalisation and overall big stage presence.

Another highlight was the tap dancing ensemble – how wonderful to see this on stage. Something you rarely see these days – especially not in Perth! It made me want to take up tap lessons again and maybe I just will!

Overall this production exceeded my expectation again and again. They really were at such a high and professional level with everything from the sets (the use of projection was really clever and visually very pleasing), use of a live band (this always tops a production for me) and the bright and fun costuming.

Zealous’ pantomime really should be apart of your yearly Christmas tradition, because if it’s not your missing out!

The Wizard of Oz runs from December 12 – 24th 2025 at the Regal Theatre in Subiaco.

To book tickets to The Wizard of Oz – A Traditional Christmas Pantomime, please visit https://premier.ticketek.com.au/shows/show.aspx?sh=OZXMAS25.

Photographer: Stephen Heath Photography

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