Monty Python’s Spamalot Melbourne Season Extended

Feature-Monty Python’s Spamalot

Rehearsals are about to kick off in Melbourne at the end of August as Monty Python’s Spamalot prepares to open at the historic Athenaeum Theatre this September. Preview performances will begin on September 17 ahead of the official opening night on Saturday, September 19. The Tony Award-winning Best Musical has recently extended its Melbourne run through October 11, following extraordinary ticket sales and demand. Following the Melbourne season, the production will gallop into Sydney for two engagements: first at the Sydney Event Centre at The Star Sydney from October 15–18, followed by Western Sydney’s Coliseum Theatre from October 22–25, 2026.

The Melbourne season will see this incredibly diverse and talented cast take to the stage, led by Australian screen and television icon Stephen Curry, who will make his musical theatre debut, stepping into the regal shoes of King Arthur. Sharing the spotlight with Stephen will be powerhouse vocalist Jaz Flowers, who makes her highly anticipated return to the stage after a decade, as the enchanting Lady of the Lake for the Melbourne season.

Seasoned performer and Perth standout, Jamie Rolton will reprise the hilarious role of Patsy opposite Stephen Curry’s bumbling King Arthur. Joining them is a talented community of hilarious performers that includes rising stand-up comedian and Tik Tok sensation Nick White, tackling the formidable role of Man of Many Characters; NIDA Graduate and up and coming performer Gareth Isaac as Sir Robin; emerging star and WAAPA graduate Jesse Vasiliadas as Sir Lancelot; with Perth season alumni Noah Skape as Sir Galahad and Ethan Jones as Sir Bedevere respectively. Rounding out our talented ensemble is Grace Williams, Emily Huynh, Danielle Gibson, Jacinta Tsakalos, Will Basson, Jack Coyne, Dominique Hamilton and Ethan Churchill.

Producer/Director Drew Anthony said, “Following our sold-out critically acclaimed Perth season it is my absolute pleasure to be bringing this gem-of-a-show to Melbourne and Sydney. Not only is Spamalot a celebration of all things Monty Python it is also a wonderful love letter to the musical theatre genre. All of the characters and quotes from the source film will keep audiences laughing and wanting more.”

Monty Python’s Spamalot features Eric Idle’s book and lyrics alongside a score by Idle and John Du Prez, offering a hilarious and irreverent parody of musical theatre filled with show-stopping vocals and tap-dancing knights. A contemporary landmark, Spamalot won three Tony Awards after its 2005 Broadway debut.

Monty Python’s Spamalot will play at the Athenaeum Theatre from 16 September until 4 October. The show will play at the Sydney Event Centre at The Star Sydney from 15 – 18 October, before transferring to Coliseum Theatre in Western Sydney where it will play from 22 – 25 Oct 2026.

Tickets will go on sale to the general public for Melbourne on Friday 19 June and for Sydney on Monday 29 June via www.ticketmaster.com.au.

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Theatresports Celebrity Fun-Raiser: Comedy For A Cause – Enmore Theatre 27 Sept

Feature-Celebrity TheatreSports™ 2026

Teams of Impro legends mixed with celebrity guests go head-to-head in a battle of wits—competing for audience laughs and the judges’ scores. All in a quest to win the coveted Celebrity TheatreSports™ Cup …and support a wonderful cause, Canteen.

It’s Thank God You’re Here meets Whose Line Is It Anyway? You’ll see teams thrown in the deep end to play classic and audience-favourite TheatreSports™ games, comic scenes, songs, epic adventures and improvised musicals with a twist. See who can make the audience (and the judges) laugh loudest.

Here are just some of our celebrity guests taking up the challenge*:
Andrew Redmayne (Socceroos goalkeeper – “The Grey Wiggle”), Rob ‘Millsy’ Mills (Australian Idol, Wicked, star of stage/screen), Susan Prior (The Rover, award-winning film/theatre/TV actor), Joji Malani (aka Pei, original legendary guitarist, Gang Of Youths), Adam Spencer (maths geek, comedian, radio/TV presenter), Genevieve Hegney (Colin From Accounts, Logie winner), James Galea (award-winning magician, writer, producer), Harry Jun (comedian, cartoonist), Gary Eck (comedian, actor & writer: Happy Feet 2), Felix Williamson (Underbelly; actor/writer), Daniel Cordeaux (Thank God You’re Here; world impro champion), Elliot Ulm (Graphic Design Live; TheatreSports champion; comedian), Ryan Atkins (‘Gen Y Ry’ from Gold101.7 Jonesy & Amanda).
Directed/produced by Julie Dunsmore & Michael Gregory.

Starring TheatreSports™/Impro legends: Jacqui Bramwell, David Callan, Ewan Campbell, Kate Coates, Sophie Douglas, Murray Fahey, John Knowles, Steve Lynch, Sophea Op, Charlie Papps, Amy Tustian, Linette Voller.

Plus weird and wonderful audio challenges for the teams from: Kitty Flanagan, Amanda Keller, Rove McManus, Susie Youssef, Cameron Daddo and more.
(*Cast subject to change without notice)

“A wit-walloping, brain-scrambling, spectacle of comedic genius!” – What’s On Sydney

*Canteen supports young people (aged 12–25) when cancer turns their world upside down.

Celebrity TheatreSports™ promotes the vital work of this youth-led organisation, raising awareness of the unique challenges young people face and how Canteen has helped in navigating the impacts on their lives.

Celebrity TheatreSports – Sun 27 Sept, 4pm
Enmore Theatre, 118 Enmore Rd, Newtown
Tickets: $35–$70 plus booking fee
Bookings: www.ticketek.com.au or Enmore Theatre Ph: 9550 3666

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Sessions On The Pier With Sydney Chamber Choir: Time & Tide

Feature-Sessions on the Pier: Time & Tide

Now in its 3rd edition, Sydney Chamber Choir’s much-loved concert series fusing classical, jazz and popular song returns – this time welcoming Spring & celebrating the beauty of the changing seasons.

Presented in the intimate surrounds of The Neilson at Walsh Bay on Pier 2/3 by the harbour, this program invites audiences to experience the year’s cycle through music of warmth, reflection & joy.

Led by Sam Allchurch as well as Naomi Crellin and Nick Begbie (from the award-winning a cappella ensemble The Idea of North), the Choir joins forces with a superb jazz trio to explore the shifting moods of nature and time.

Benjamin Britten’s radiant The Succession of the Four Sweet Months and Joe Twist’s On the Night Train capture the poetry of the natural world in timeless choral writing. These are paired with imaginative arrangements of beloved favourites, including the Beatles’ Here Comes the Sun, the Beach Boys’ Their Hearts Were Full of Spring, Gershwin’s Summertime from Porgy and Bess, and the jazz classic Autumn Leaves, made famous by Nat King Cole.

Blending elegance, swing and lyrical beauty, Time & Tide offers a captivating evening where genres meet, voices shimmer, and the turning of the year is celebrated in music of light, colour and grace.

Artistic director and conductor Sam Allchurch said the choir had hugely enjoyed bringing audience a new way of experiencing the Sydney Chamber Choir in jazz-infused programs brought together by the ‘incomparable’ Naomi Crellin.

“Time and Tide is our latest instalment, exploring the different seasons of our lives in the intimate atmosphere of the Nielson on Pier 2/3. Naomi has arranged some of the best jazz classics with witty and beautiful twists which sit alongside some moments of a cappella stillness.”

Naomi Crellin added: “This program is close to my heart as it marries my first love of classical choral harmony with my evolution into the lush expression of jazz harmony. The repertoire demands a deeper connection to lyric and intent, and gives the choir the freedom to express itself on a different level. Having the opportunity to direct this fine ensemble and be trusted to guide them outside their comfort zone is a great privilege.”

Artists
Sydney Chamber Choir | Sam Allchurch, Conductor | Naomi Crellin Co-Director | Nick Begbie Co-Director | Kevin Hunt Jazz Trio

Program includes
Benjamin Britten: The Succession of the Four Sweet Months
Dan Forrest: Good Night, Dear Heart
George Gershwin: Summertime
Dave Grusin/Alan Bergman & Marilyn Bergman (arr. Crellin): When Summer Turns to Snow
George Harrison (arr. Crellin): Here Comes the Sun
Joseph Kosma/Johnny Mercer (arr. Connolly and Crellin): Autumn Leaves
Richard Rodgers/Oscar Hammerstein: It Might as Well Be Spring
Sigmund Romberg/Oscar Hammerstein (arr. Crellin): Softly, As in a Morning Sunrise
Bobby Troup: Their Hearts Were Full of Spring
Joe Twist: On the Night Train
Tommy Wolf/Fran Landesman (arr. Crellin): Spring Can Really Hang You Up the Most

Sydney Chamber Choir: Sessions on the Pier – Time & Tide
Sat 19 Sept 5pm & 8pm at The Neilson, ACO on the Pier, Pier 2/3 Hickson Rd, Walsh Bay
Tickets: $30-$110 | Bookings: www.sydneychamberchoir.org.au

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After Dinner

After Dinner

After Dinner Rating

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After Dinner took us back to the 1980s with decor, fashion, black stockings and not a mobile phone in sight. The scene was set in a dining/entertainment venue with apricot tablecloths and chairs with touches of gold. With echoes of the television series, Kath and Kim and a little of The Office, the cast threw themselves into a by-gone era of dancing and romancing.

The audience first meets Gordon played by Oliver Wilson. He is a world-weary and sad man in a baggy 1980s suit recently separated from his wife. As he waits for two office colleagues, two women appear at a nearby table. Dympie played by Chantal Harrison enters with a classic 1980s side ponytail and wearing a blue satin dress and stockings. Paula, played by Noa Besser, dressed in what appears to be a genuine padded 1980s ensemble in purple is Dympie’s friend. Immediately it appears that Dympie is one of those people where her life is ‘my way or the highway’. Having no real social intelligence, she rearranges the table to suit her needs. Paula wants to be up close to the band but Dympie is having none of that and chooses a table at the back. Paula reluctantly gives in. They are absolute opposites.

Later, another colleague, Monica, played by Claire Gandy, joins as a grieving widow. At first, social etiquette tries to skirt around death with some funny moments and comments during an awkward conversation. Claire plays the role with enthusiasm and great comedic timing. We are there for her and the audience responded laughing at the intimate and embarrassing details of a mundane marriage. Her two colleagues listen in horror with Dympie shutting down the conversation only focusing on her hunger.

 

There are funny moments during ordering dinner as the throwback to 1980s menus and drinks is explained. All agree that they only order a carafe of white wine, either dry or not too sweet as they haven’t a clue. Claire unravels at the table with Gordon overhearing the drama. He is joined by his colleague Stephen, played convincingly by Nicholas Berthold. Stephen is looking for women and is a clichéd 1980s banker and ‘women’s man’. The outpouring of men’s issues between Gordon and Stephen is funny and revealing and acted with suitable embarrassment regarding ‘men’s talk’.

As the evening develops, in one of the best scenes of the play, Claire Gandy portrays the most genuine, angry and frustrated woman who is all pathos and suppression, seeking answers about wasting her life. She reveals all in a hilarious authentic monologue. The men become involved and with great comedic timing we see the fumbling and bumbling of both sexes.

With 1980s music reminiscent of a pub band in the background, the third male colleague never appearing and the desperate need for any of them to pair off, the conversations are both funny and bittersweet. Not one person was scrolling, trolling or texting, it was all about the language and social comments about dating, dancing and finding love.

To book tickets to After Dinner, please visit https://lanecovetheatrecompany.com.au/.

Photographer: Jim Crew, Lane Cove Creative Photography

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