Campfire @ Fringe World Perth

Campfire

Campfire Rating

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Campfire is a hilarious jump-scare comedy currently showing at Fringe World Perth. With a rich mix of physical theatre, clowning, acrobatics and floor work, it’s wildly entertaining. This show will delight every member of the family, so pack your bug spray, and let’s head deep into the bush for some hilarious and playful camping chaos.

The premise is simple and instantly relatable. Best mates Louis and Griffin head out on a camping trip, armed with enthusiasm but very little practical skill. They fumble through the basics, but they’re just so excited to be spending time together that doesn’t really matter. After a series of missteps – including a highly relatable moment involving a camping tent that made my day, and a rather awkward moment running out of water – they settle in for the night, toasting marshmallows by the fire. As darkness falls, the tone subtly shifts. A curious, lonely, animalistic bush spirit begins to follow their every move. What starts as intrigue soon becomes a fight for survival, as from sunrise to sunset the friends stumble through the wilderness, their survival skills, masculinity and friendship tested at every turn as the spirit causes escalating high jinks.

 

 

Created by Melbourne/Naarm collective Split Focus, Campfire is a confident showcase of multidisciplinary performance. The storytelling is driven almost entirely through the body, with dynamic acrobatics, aerial work, tumbling, floor work and clowning woven seamlessly into the narrative. The physical skill on display is impressive, with very movement serving the story.

The music and sound design build cinematic tension, while the clever use of lighting and shadow kept the audience on its toes as they are guided through moments of joy, fear and tenderness. I really enjoyed how the performance used clowning to move the audience through this story of hilarious emotional ups and downs. Performed in the close quarters of the Gold Digger tent, the audience is close enough to the action to feel every near-miss, every moment of trust, and every comic pause. There was raucous laughter, punctuated by audible gasps and soft “awws” during the more tender moments.

At its core, Campfire is a playful and generous exploration of friendship, vulnerability and connection, and, importantly, how to perfectly toast a marshmallow. This show is very well executed storytelling. It’s funny, impressively physical, and a joyful Fringe experience. By far one of the best shows I’ve seen at Fringe, pack your bug spray and join this trio into the bush.

To book tickets to Campfire, please visit https://fringeworld.com.au/whats-on/campfire-fw2026.

Photographer: Ven Tithing

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Funbelievable – Hypnotist Matt Hale

Funbelievable - Hypnotist Matt Hale

Funbelievable – Hypnotist Matt Hale Rating

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Matt Hale makes a triumphant return to his hometown of Perth with his feel-good, sing-along brand of hypnotism.

The Planet Royale Theatre, situated upstairs from its namesake bar/restaurant/arcade, is an ideal venue for a relaxed Fringe season, and certainly one that complements the 90s nostalgia of Hale’s show (Tip: Treat yourself to a burger and a round of pinball before the show).

Before Hale’s entrance, we are treated to a pre-show presentation featuring deep-fake versions of Hale as various 90s stars such as Mattdonna and Jamattroquai.

A big reservation I have with interactive performances, is the fear that I will be unwillingly called upon by the host. If you share a similar concern, fear not! Hale’s show relies on enthusiastic volunteers, as he prefaces that no one will ever be forced up on stage (“Why would I do that? I want you to want to be up here!”, he says).

Twenty chairs lined the stage, though more were brought on to accommodate the influx of volunteers. Modesty covers were also offered to some ladies wearing skirts and dresses, which was a subtle but appreciated detail that demonstrated the respect Hale has for the participants and their comfortability.

Hale has a knack for putting the participants at ease – so much so that I, watching safely from the audience, found myself breathing deeply along with the volunteers. He also prefaces not to take offense if participants are asked to return to your seat, stating “You will enjoy the show much better from the audience”.

 

 

The participants go through several trials of susceptibility and influence before being cast into starring roles of their own, varying from indulgent singalongs, to apologetic interruptions. The few that remained on stage until the end became micro-celebrities, being stopped and congratulated for their performances upon the show’s end.

I spoke to two stars from the show, Sarah and Yelda, and asked how they felt following their experiences. Yelda said they felt like they’d sunken into their chair and was extremely relaxed. “I’m also very susceptible – I fall for marketing stuff all the time!”
Sarah wowed audiences with her enthusiastic Macarena, to which her friends commented, “That’s how she normally dances!”

I would highly recommend volunteering yourself for a show. The worst that can happen is you are not easy to hypnotise, and are asked to sit down. Embarrassment is not the goal of Hale’s hypnotism.

It is clear that Matt Hale holds a tremendous amount of respect for his participants, as they put their trust in him and are voluntarily vulnerable. To also have an audience who were largely return customers was also a great indicator of Hale’s abilities to charm a room and put on a show.

So if you Wannabe driven down memory lane by the Vengabus, Let Matt Entertain You with this hypnotically feel-good return to Fringe.

To book tickets to Funbelievable – Hypnotist Matt Hale, please visit https://fringeworld.com.au/whats-on/hypnotist-matt-hale-funbelievable-90s-rewind-fw2026.

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How To Stay Married Without Exploding!

How To Stay Married Without Exploding!

How To Stay Married Without Exploding! Rating

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Do you remember that trapped feeling we had while in lockdown during the pandemic? Well, imagine being confined not only to your house, but to less than a square metre in your living room for 10 years. This unlucky predicament is exactly what Francis Molloy found himself in when forced to stand with both feet on top of an unexploded landmine in his living room.

Set in Berlin in 1955, Francis turns this strange turn of events into content by creating the reality TV show “How to Stay Married Without Exploding!” It’s the 400th episode, and it’s auspicious because his wife, Annette, plans to make her debut during this episode. Given the circumstances, you would think that marriage would be the least of Francis’ concerns.

This one-man production raises so many questions. Some answers are organically revealed, and others, the audience asks while acting as the TV audience. It’s the kind of show requiring a certain degree of suspended disbelief, and I challenge you to ask a question that Francis doesn’t have an answer to.

 

 

Played by the American-born theatre-maker Matthew J. Young, with further development, this has the makings of being transformed into a podcast or YouTube channel.

If you’ve ever felt trapped in any facet of life or relationship, you’ll relate. Performed at three historic venues, including Julio’s Italian Restaurant, the character-filled settings are the perfect backdrop to this nostalgic performance. It’s only fitting to order a martini as you cheer Francis along on his dark journey of self-discovery.

“How to stay married without exploding!” Plays from Friday 23rd January to Friday 13th February at Julio’s Italian, Midland Junction Arts Centre and Mahogany Inn and Distillery.

To book tickets to How To Stay Married Without Exploding!, please visit https://fringeworld.com.au/whats-on/how-to-stay-married-without-exploding-fw2026.

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Peter Rowsthorn – Keen

Peter Rowsthorn - Keen

Peter Rowsthorn – Keen Rating

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If you’re like most Australians and Kath & Kim has been part of your regular viewing over the years, then Peter Rowsthorn is undoubtedly a household name. He’s the kind of person you instantly want to be friends with. Warm, familiar, and effortlessly charming, even if you’ve never met him.

From the moment he stepped on stage at the beautifully refurbished Rechabite Hall (updated in 2019), Peter put the audience completely at ease. Endearing, relatable, and unpretentious, he’s as lovable and bubbly as you’d expect. The way he casually throws around the f-bomb just adds to that feeling that he’s your best mate from way back.

This was the first time Peter had performed as part of The Perth Comedy Festival since the ’80s, and it was an absolute treat. I wasn’t surprised to hear he was one of the few acts at the Perth Comedy Festival open to being reviewed. A reflection of his humility and openness to feedback.

He kicked things off with a relaxed ‘chat’ to the first few rows (yes, I was in the splash zone), which was a great way to break the ice and set the tone. These casual interactions cleverly led into off-the-cuff stories, ranging from accidentally running over his dog to his father choosing euthanasia. That he can make an audience laugh through such heavy material is a true mark of a comedy master.

Peter’s physical comedy was a real standout. It’s not a technique all stand-ups use, but he executed it with a flair that had the audience in stitches. His dance routines were hilarious throwbacks to his iconic Kath & Kim character, Brett, and his behind-the-scenes stories about working with stars like Kylie Minogue and Shane Warne were crowd-pleasers. I loved the insider scoop!

If there was one area that could use refinement, it would be the structure of the show. At times, the transitions felt a bit loose, and a comedic director might have helped shape the flow for a more cohesive experience. While the energy and content were strong, a bit more structure would have made the journey feel more grounded for both Peter and the audience.

That said, Peter is so incredibly likeable and naturally funny that, honestly, he could have done anything and the crowd would have loved it. He had Perth eating out of the palm of his hand, and I have no doubt any future shows would sell out in a flash.

I’d tell you to run and grab a ticket, but sadly, it was a one-night-only event!

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