Dear Friend, I Am Writing To Tell You About This Horrid Man

She Loves Me

She Loves Me Rating

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Congratulations to Sheryl-Lee Secomb and Emma Erdis for a top class polished show. The Tin Shed in Beenleigh is home to the Phoenix Ensemble and on Saturday night what a pleasure it was to sit in the comfy seats and enjoy “She Loves Me”. No wonder this musical has won 3 Tony awards, it is delightful.

A love story of boy meets girl, boy dislikes girl, girl hates boy but wait there’s more. Will a connection happen or just lonely hearts. And who is writing those letters??? The story follows the lives of the shop clerks and their boss with beautiful costuming and impressive singing.

The main set was the interior shop of Maraczek’s Parfumerie with side aprons for smaller scenes, the layout meant plenty of room for singing and dancing and the cosiness of the theatre meant that all seats are close to the action and intimate.
Stand out singers …well … surprise … they were all wonderful to listen to. We had dragged along the friend who doesn’t like musicals and he had to admit how impressed he was by the talent.

Georg Nowack the lonely heart manager with the gentle Scottish brogue was enjoyable to listen to when speaking but man can he sing, costume on point, acting believable and so engaging to watch.

Chloe Evans as Amalia, the straight and direct clerk desperate for a job, classically trained and did she get to flex those vocal chords, again great acting, singing, we sat there a bit star struck.

 

Ilona aka Grace Clarke, you minx, those va va voom dresses, that confidence, it was so much fun watching her bring that vampish charm to the stage.

August Cocks, Mike Zarate and James Hogan can pat themselves on the back – singing, dancing the acting, they were all an integral part that just kept making the show better.

Joshua Brandon had to play the sweet little delivery boy, and he pulled off a cuteness that just made you smile and your heart melt, so much fun and stayed in character so well.

The ensemble also captured your attention with well performed choreography and great harmony, singing and dancing is no mean feat, you must train hard and be fitter than a normal actor. Very impressive.

Everyone was very welcoming and helpful which made the trip to Beenleigh even more memorable, in the most delightful way.
So, if you are a musical fan and like a polished professional performance then get to Beenleigh, before it closes on the 29th of August. Ticket prices mean you really will be getting the bargain of the century, a touch of Broadway in your own back yard, no airfare needed.

To book tickets to She Loves Me, please visit https://www.trybooking.com/events/landing/1507617.

Photographer: By Brit Creative

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84 Charing Cross Road

84 Charing Cross Road

84 Charing Cross Road Rating

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84 Charing Cross Road embraces the audience like a warm cup of tea. Upon entering the theatre (and after enjoying a complimentary drink), I was greeted with my first look at the detailed cosy set that perfectly introduced me to the atmosphere of the play. At first glance an untidy New York brownstone might not have much in common with an antique London store, however the two locations perfectly compliment each other as they have one major set dressing in common: an abundance of books. This play is a bibliophile’s dream and the set’s numerous piles of haphazardly stacked books and well stocked shelves beautifully reflect the script’s repeated references to classic and obscure literary titles.

After a few minutes of taking in the detailed set before me, actors entered and I was able to sit back and enjoy a show that I, unusually, had absolutely no prior knowledge of.

Set across two cities and two decades, 84 Charing Cross Road tells the story of a New York playwright who, after struggling to find nice copies of rare books in America, reaches out to an antique book store in London. Told entirely through letters, the play explores what becomes a very close friendship between the bookseller and the playwright.

 

Due to the nature of the script, essentially a large collection of monologues, this is a play that could very easily fall into the trap of being visually boring. However the emotional dedication of lead actors Helen Ellis and Andy Rigby, coupled with the stellar efforts of ensemble members Sarah Sundstrom, Stuart Daddo-Langlois, Bethany Backo, Rosemary Buchanan, Madeleine Brown and Tim Byron. The cohesion of the cast was phenomenal, from the many, many period accurate costumes to the easy nature with which they moved about the stage and the familiarity with which they interacted with each other.

Special props must be given to actress Helen Ellis who portrays wanderlust playwright Helene Hanff. Separated from her castmates by an ocean (and a wall of books), Ellis represents the New York half of the show alone, holding down a unique accent and maintaining a captivating stage presence despite having no one to interact with for the entirety of the play. The role requires a marathon of acting and Ellis performs it with apparent ease, fluidly welcoming both the bookstore and the audience into her little brownstone.

I would strongly recommend this heart tuggingly emotional, cosy little play to fans of theatre and literature alike.

To book tickets to 84 Charing Cross Road , please visit https://thebasintheatre.au/event/84-charing-cross-road-by-james-roose-evans/2026-08-09/.

Photographer: Jason Triggs

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Kim Hardwick Directs Dixon And Daughters By Deborah Bruce At The Old Fitz Theatre

Feature-Dixon and Daughters

Tiny Dog Productions presents Dixon and Daughters by Deborah Bruce

“…if this house could speak.” An Australian premiere, Dixon and Daughters by Deborah Bruce comes from an acclaimed run at the National Theatre, co-produced with Clean Break Theatre in 2023. With a tight 90-minute run time and an all-female cast, Dixon and Daughters is a raw, compelling exploration of trauma, survival, and the bonds that tie family and in particular women together. When Mary returns home after serving time in prison, she wants to forget the past – intent on rebuilding her life, she walks into a household filled with hostility where her daughters are grappling with their past. Over a weekend, tensions simmer and truths emerge, exposing a history that has shaped their lives. Each woman must confront their past and what they’ve done to survive.

Balancing heartbreak with moments of surprising humour, this is a story about the courage it takes to confront pain, the complexity of forgiveness, and the possibility of breaking generational cycles. Fierce, moving and unflinchingly honest, Dixon and Daughters is a tribute to the strength of women and the painful path of healing.

Following Tiny Dog Productions’ 5-star co-production of The Children’s Hour at the Old Fitz Theatre in 2025 and their 4.5-star season of Monster by Duncan Macmillan at KXT on Broadway, we are pleased to be bringing this important story to the Old Fitz stage in September.

Cast: Vanessa Downing, Linda Nicholls-Gidley, Romney Hamilton, Sarah Jane Starr, Danette Potgieter, Rylea Eilis

Director: Kim Hardwick

Season and Performance Information:
Venue: The Old Fitz Theatre – 129 Dowling Street, Woolloomooloo NSW 2011, Australia
Season: 18 September – 3 October 2026
Performance Times: Tuesday – Saturday 7pm | Saturday Matinee 2pm | Sunday 5pm
Previews: Friday 18 September & Saturday 19 September 2026
Opening Night: Sunday 20 September 2026
Closing Night: Saturday 3 October 2026
Tickets: https://purchase.oldfitztheatre.com.au
Price: $34.50 – $86
Approximate Run Time: 90 minutes
Content Warnings: References to violence against women and girls including child sexual abuse and domestic violence, and depictions of alcohol abuse.

Creative Team highlights: Playwright Deborah Bruce; Assistant Director Jenni Russell; Producers Romney Hamilton & Celine Widjaya; Set & Props Designer Mia MacCormick; Lighting Designer Topaz Marlay-Cole; Composer & Sound Designer Nicky Pardesi; Costume & Props Designer Amelie Brown; Stage Manager Bianca Dreis; Dialect Coach Linda Nicholls-Gidley; Social Content Creator Chloe Callow; Photographer Campbell Parsons.

This production is generously supported by Darlo Drama and donors of our Australian Cultural Fund.

Tiny Dog Productions acknowledges the Gadigal people of the Eora Nation as the traditional custodians of the land on which we work. We pay our respects to Elders past and present and acknowledge that sovereignty has never been ceded. Always was, always will be Aboriginal land.

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Raise A Glass At The Choir Of Man This Summer

Feature-The Choir of Man

The Sydney Opera House honours our First Nations by fostering a shared sense of belonging for all Australians, and we acknowledge the Gadigal, traditional custodians of Tubowgule, the land on which the Opera House stands.

The Choir of Man opens at the Sydney Opera House this summer. The international smash hit returns to Australia after sold-out US and European tours and direct from a four-year West End run that welcomed more than 280,000 people across a thousand performances.

Set in an on-stage pub, an ensemble of nine multitalented instrumentalists combine foot-stomping singalongs and rollicking entertainment in this uplifting and celebratory production. Featuring classic rock, pub anthems and pop hits from artists such as Queen, Adele, Guns & Roses, Paul Simon, Avicii and Sia, this riotous night out is the greatest trip to “the local” you’ll ever have.

Cast highlights: Mark Loveday (Barman), Ifan Gwilym-Jones (Maestro), Cal T King (Beast), Conor Mellor (Joker), George Knapper (Handyman), Paul McArthur (Poet), Kristian Morse (The Hard Man), Tyler Orphe-Baker (Bore), Tristan Whincup (Romantic). Resident Director and Swing Norton James, with Alex Mallalieu and Bradley Walwyn as Swings.

Creator and Director Nic Doodson: “The Choir of Man is about individuality, generosity, humour and the joy of making music together. It’s a celebration of connection and belonging, brought to life by extraordinary voices and a soundtrack you already know and love.”

Sydney Opera House Head of Contemporary Performance Harry Prouse: “Brimming with joy, The Choir of Man is an incredible success story… It’s pure entertainment – equal parts pub night and live gig, all in an ode to friendship.”

KEY INFORMATION
WHAT: The Choir of Man
WHEN: From 11 December 2026
WHERE: Studio, Sydney Opera House
PRICES: From $69.90 + $8.95 booking fee
INSIDERS PRE SALE: 9am, Tuesday 11 August
WHAT’S ON: 9am, Wednesday 12 August
GENERAL PUBLIC ON SALE: 9am, Friday 14 August

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