The Bubbles Festival Melbourne 2026

Feature-The Bubbles Festival Melbourne 2026

The Bubbles Festival – a celebration of all things sparkling – is back for 2026! The Festival is organised by The Bubbles Review, a multi-award-winning blog and website devoted to the enjoyment of drinking champagne and sparkling wine. Launched in October 2016 by Melbourne based entrepreneur and best-selling author Natalie Pickett, The Bubbles Review shares information on the people, history, tasting, techniques of making champagne and sparkling wine and creates events and tours so that followers can join in and indulge.

Our immensely popular blogs on sparkling wine really struck a chord, and it brought about the concept of launching The Bubbles Festival featuring a range of sparkling wines from Australia and around the world in one boutique event. The inaugural Bubbles Festival was held in Melbourne in April 2017, and after responding to demand to take the event to other states, since 2021 the festival has been cemented in the events calendar as a national series catering to sold out audiences across the country.

We are excited to be sharing the bubbly love once again. The first event in The Bubbles Festival national series is always Melbourne, we have so many people who came to our first event in 2017 and now come every year.

Our tasting list is different every year and in every city. In Melbourne we love the beautiful sparkling wines produced in Victoria and always seek to include some on our list, along with Aussie sparklings from around the country, and international sparklings including champagne. Each year we showcase favourites from previous years along with new bubbly discoveries.

Patrons purchase a ticket for a two-hour session which includes a chance to meet and engage with producers and distributors of sparkling wine and champagne, and enjoy bubbly tastings, paired with canapés, all at one stylish event. (A VIP upgrade can also be purchased giving extra bonuses and access to a special tasting. $5 from every VIP ticket is donated to our chosen charity in each city.)

Natalie Pickett, the Founder of The Bubbles Review provides an introduction on tasting appreciation. A RIEDEL Champagne tasting glass is given to each attendee, and a curated list of 10 or more tastings of sparkling wine are provided along with canapés and tasting notes.

Tickets are $139 + Booking Fee via Eventbrite. To be held in Melbourne – at Rivers Edge Events – 2 May 2026.
Ticket link: https://www.eventbrite.com/e/1981941795262

For more information: The Bubbles Festival – The Bubbles Review

There is also VIP Ticket upgrade available for $75 – this includes priority access with a private tasting of a special cuvee prior to doors opening and a RIEDEL Extreme Champagne glass Twin pack valued at $105. $5 from every VIP upgrade ticket is donated to our chosen charity which is the Dine with Heart program with Sacred Heart Mission for Melbourne.

Natalie says “I think that champagne and sparkling wine are one of the joys of life and something to be shared. We love bringing all of these superb sparkling wines together with our followers at The Bubbles Festival”.

There is no other wine event in Australia that showcases a range of sparkling wine in this way.

 

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Full Cast Announcement For Once The Musical!

Feature-ONCE The Musical

An exceptional Australian cast led by award-winning director and performer Mark Taylor, and The Voice finalist Sian Fuller, will bring the eight-time Tony award-winning characters from Once to life in this cleverly reimagined production under the stewardship of Melbourne’s critically acclaimed independent production company, AG Theatre. With rehearsals well underway, the cast is preparing to bring this global smash hit to Melbourne’s Chapel off Chapel stage, with preview performances starting from the 8th May. Renowned director Pip Mushin is at the helm of this much loved production, having enjoyed a stellar run with AG Theatre over the last 18 months including their recent sell out productions of Avenue Q and Mamma Mia.

Green Room Award-nominated creative Mark Taylor, who recently directed the recently nominated production of American Psycho, is stepping into the lead role of Guy. Playing alongside Mark is 2021 The Voice semi finalist and seasoned musician, Sian Fuller, who is taking on the lead role of Girl. Both of these incredible performers are joined by a stellar community of talent that includes the highly respected performer Donald Bridges as Da – who has just been announced as the recipient of The MEAA Equity Foundation’s 2026 Lifetime Achievement Award.

The production also stars Western Australian actor and multi instrumentalist Frazer Shephardson as Billy; VCA student, vocalist and violinist Rose Stephens as Reza; actor, singer, and multi-instrumentalist James Frampton as Andrej; star of ABC TV’s The Piano and up-and-coming theatre performer John Yanko as Svec; seasoned international performer of stage and screen William Lopez as the Bank Manager; talented recent graduate of Federation University Misha Gordon takes on the role of Ex-Girlfriend; seasoned Melbourne musician, actor and composer Bridget a’Beckett plays the role of Baruska; young performer and violinist Felix Star plays Eamon; young child stars Lila Colombi, Imogen Young, Emersyn Orchard will play the role of Ivonka. The rest of this talented cast includes Kaiyeesha Kim Tambakau (Kye Tamm) as Emcee; and Jackson Cross and Belinda Jenkin as swings.

Evolving from John Carney’s cinematic success in 2007 into a critically acclaimed stage production, Once has captivated theatregoers on Broadway and in London’s West End, thereby solidifying its distinguished position within the history of Western musical theatre. The production showcases the spell-binding score composed by Glen Hansard and Markéta Irglová, which notably features the Oscar-winning song, “Falling Slowly.” Once possesses the unique distinction of being the sole Broadway production whose musical composition has garnered the Academy Award, Grammy Award, Olivier Award, and Tony Award.

Once is truly a production that combines the infectious rhythm of Irish céili, an incredibly talented cast of actor-musicians, an Academy Award-winning soundtrack and a heart-warming story, following a Dublin-born busker and vacuum-fixer as he meets a young Czech mother with a faulty vacuum cleaner who reinvigorates his passion for music.

Tickets are available for purchase now at https://booktickets.com.au/

A pre-sale offer is currently available, with all tickets priced at $89 until March 30th.

Once The Musical will play at Chapel off Chapel from Wednesday to Sunday from May 8th, 2026 until May 30th, 2026.

CAST LIST:
Mark Taylor – Guy
Sian Fuller – Girl
Frazer Shepherdson – Billy
Rose Chambers – Reza
James Frampton – Andrej
John Yanko – Svec
Will Lopez – Bank Manager
Misha Eve Gordon – Ex-Girlfriend
Bridget a’Beckett – Baruska
Donald Bridges – Da
Felix Star – Eamon
Kaiyeesha Kim Tambakau – Emcee
Lila Colombi – Ivonka
Imogen Young – Ivonka
Emersyn Orchard – Ivonka
Jackson Cross – Swing
Belinda Jenkin – Swing

PRODUCTION TEAM:
Executive Producer: Andrew Gyopar
Director: Pip Mushin
Musical Director: Timothy John Wilson
Choreographer: Jamie White
Production Design: Abbey Stanway
Costume Design: Karen Spencer

Licensed exclusively by Music Theatre International (Australasia)
Music & Lyrics by Glen Hansard & Markéta Irglová
Book by Edna Walsh

DURATION
2hr 30 min with a 20-minute interval

 

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Les Misérables

Les Misérables

Les Misérables Rating

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Upstage Theatre Company have surely upstaged some here with their current amazing production of Les Misérables. It is certainly up there with the best I’ve seen.

https://www.upstagetheatrecompany.com

It may be difficult to find a better amateur production playing in suburbia right now and there are many excellent ones around. However you cannot go past the professionalism of this show. Highly skilled orchestra. Expertly designed and placed story-telling stage sets. Lighting working cohesively together with sound. Costuming complimenting every other aspect of the show. And, of course, an extensive cast who will have you feeling every ounce of the emotional turmoil lived in nineteenth century France.

Chains and crimes of the imprisoned and bleak futures of so many in peasantry are woven into a narrative for a musical like no other. A musical where everything is told by song. And such powerful songs at that. This is what theatre lovers simply call ‘Les Mis’

It goes unsaid Les Misérables is known the world over and back again. Step by step and song by song, settle down in your seat and take it all in…. This is live theatre at its best!

 

 

‘Jean Valjean’ is played by Ryan Purdy with instinct for his lead character magnificently realized on all levels. There’s no question when he opens with the words ‘What Have I Done?’ he’s got this!

Adrian Glaubert playing ‘Javert’ gives his ‘bucket list’ role everything, with noticeable presence on stage and depth in a psychological complexity required.

‘Fantine’ played by Jessica La Mari performs every inch of this coveted role superbly, her ‘I Dreamed a Dream’ gave me goose-bumps, and had the audience silenced before erupting in applause like there was going to be no other chance.

‘Eponine’ played by Alyssa Jandayan. Obvious young ambition here is going to see this girl on stages for a long time. Her ‘On My Own’ opening Act II nailed both song and expression.

‘Marius’ played by Nickolas Brown has really stepped up to greater heights since I saw him in his lead debut in The Pirate Queen; many more leads to come I think! Equally talented Olivia Falls playing ‘Cosette’ looked stunning with that famous long blonde crimped hair and again her costuming to compliment was spot on.

Felicity Eastwood as Madame Thenardier’ coupled with Matt Jakowenko as Thenardier’ are brilliant together, bloody brilliant!!! They’ll undoubtedly have you hating these loathsome characters, but their theatrics will have you in stitches.

Mike Armada gives ‘Enjolras’ a charismatic quality in one of his ‘dream roles’.

Accompanying roles played by Anthony Cirocco (Bishop/Fauchelevant) Daniel Chalmers (Foreman/Combeferre), Nick Sheridan (Courfeyrac), Joel Blashki (Joy/Jean Prouvaire), Chloe Neal (Claquesous), Brock Downie (Bamatbois/Montparnasse), Tom Acaro (Babet), Kenny Cheng (Brujon/Feuilly/Lesgles) are all very commendable and when paired with dramatic lighting effects, the fight scenes especially were well planned and executed.

It would be remiss not to mention the ensemble making the scenes extremely real and full of life, be it sad or happy, angry or tragic. Each individual wholly giving it their all in character all the time: Alannah Woods, Berny Hughes, Celeste Marinelli, Jessica Davy, Christine James, Stephanie Thao My Nguyen, Mia Knudson and Pippi Clarke whom I recognized immediately from her role in Upstage’s ‘Chicago’; there’s always incredible talent in the ensemble. Not just background actors, the ensemble make a show what it is on a grander scale and these people certainly did that 100 times over. ‘Master of the House’ for comedy and ‘Lovely Ladies’ for dancing were our favourites to watch you all – excellent!!

This production has talented youngsters among the cast too. I saw Maggie Lord as ‘Young Cosette’. This is a special role and I fondly remember my own daughter learning ‘Castle on a Cloud’ so it brought tears to my eyes watching Maggie sing it so beautifully – thankyou. I love how live theatre can do this and that personal re-visit made my day! (No doubt Daphne Tchantcho sharing the Young Cosette role also gives a memorable performance). Adding Alexis Hill to the junior cast as ‘Young Eponine’ she gave compelling confidence acting it out with her onstage mum, and 11year old Reuben Koronczyk was definitely the right fit to play ‘Gavroche’; funny, naughty and herosome all in one show! Shining as young ensemble members are Helayna Cirocco, Oscar Cirocco and Noah Glaubert – must be great to be amongst the stars in a show with your Dads on the same stage. Theatre gives children unique opportunities.

Congratulations to Director Cody Riker and team, Lana Kleesh (Movement Director), Anna Castle (Vocal Director), Scott J Hili (Prod Designer, Set and Costumes), Sam Victoria (Lighting), Malcolm McCaffery (Conductor), Simone Lim (Properties), Pete Oliver (Sound) – you have all produced a MUST-SEE!

As said by Upstage Theatre Company’s President Tim Warren-Smith, thank you for supporting community theatre. It truly means the world!

Ticket link: https://www.upstagetheatrecompany.com/

ON NOW: 10 – 19 April 2026

Les Misérables is playing at the impressive Tony Sheumack Centre, Beaconhills College, a huge relatively new school theatre with fantastic viewing from well tiered seats. I was grateful the Upstage welcoming team had someone guiding us from carpark and offered a free tea or coffee straight away on arrival coming in from the dismal rainy day outside – so thoughtful, and they had a great canteen for snacks.

Upstage Theatre Company’s next production is Jesus Christ Superstar in Sept/Oct. Auditions and information: Instagram @upstagetheatreco

To book tickets to Les Misérables, please visit https://www.upstagetheatrecompany.com/.

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A Bold, Witty, and Unflinchingly Honest Exploration of the Human Psyche in Musical Form

Initial Consult: Taking diet culture to therapy

Initial Consult: Taking diet culture to therapy Rating

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Charlotte Grimmer’s Initial Consult- Taking diet culture to therapy (2026 MICF) at The MC Showroom is a bold, witty, and unflinchingly honest exploration of the human psyche. Grimmer is a graduate of NIDA Acting program, a high school dance and drama teacher. Charlotte has performed this show in Edinburgh, Sydney and the Adelaide Fringe Festival.

Bursting straight through the waiting room, Charlotte Grimmer’s initial court-mandated therapy session begins-and we, the audience find ourselves cast as the therapist. This fresh and fearless musical invites us into a hilariously triggering session filled with tap, rap, dance, and masterful keyboards. Grimmer’s performance showcases her diverse vocals, sharp wit and impressive comedic skillset.

The shows engaging narrative grapples with mental health, diet culture, perfectionism and the messy nuances of how we cope. Charlotte works the packed audience brilliantly- making pointed uncomfortable and knowing eye contact with every “therapist” in the room in moments that are at once awkward, hilarious, and deeply relatable. One moment the audience squirms, triggered and defensive: the next, they erupt with applause and laughter.

 

 

The stage is set with minimalist flair: a chair, a keyboard, and a side table adorned with tissues, a plant, and a pot. By the end of the performance, it resembles the floor of a teenager’s bedroom. Each prop is purposefully placed and thoughtfully used. Grimmer’s inventive excellence is evident in every detail—every movement, and exaggerated facial expression, and lyric is meticulously placed—creating a remarkably clever and cohesive piece highlighting Grimmer’s inventive flair and keen attention to detail.

Sadly, Melbourne, Charlotte Grimmer has wrapped up her season and is heading back to Queensland. The MC Showroom is conveniently located near plenty of pubs and dining options and has a licensed bar for enjoying a drink during the performance —ideal for steadying one’s nerves before this funny therapeutic ride. Patrons should note that accessibility is limited, with 25 stairs and no all-access bathroom.

In a thoughtful touch, Grimmer acknowledges the show’s potentially triggering themes, directing audience members towards support organisations such as The Butterfly Foundation. This thought-provoking and playfully disarming performance will follow you home.

Deliciously daring, Initial Consult- Taking diet culture to therapy (2026 MICF) is the kind of performance that makes you laugh, wince, and reflect—sometimes all in the same breath. Side effects may include sore cheeks from smiling and the sudden urge to book a therapy session… or a tap class.

Love Aunty Kylie xo

To book tickets to Initial Consult: Taking diet culture to therapy, please visit https://www.themcshowroom.com/whatson/melbourne-international-comedy-festival-2026-initial-consult.

Photographer: Joel Devereux

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