Japan Jazz Nights: Celebrating 50 Years Of Australia–Japan Friendship; Tour Dates Announced!

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Discover the next generation of Japan’s thriving jazz scene with Japan Jazz Nights, a large-scale touring performance series that will take place across seven Australian cities in October 2026: Adelaide, Brisbane, Canberra, Hobart, Melbourne, Perth and Sydney.

Presented by The Japan Foundation (JF) and Eight Islands Co., Japan Jazz Nights is being held in celebration of the 50th anniversary of the Basic Treaty of Friendship and Cooperation between Japan and Australia. This exciting lineup features four groundbreaking Japanese artists at the forefront of the contemporary jazz scene: BIGYUKI, STEREO CHAMP, Tenors In Chaos and Misaki UMEI.

Japanese jazz has recently enjoyed a resurgence in popularity worldwide, with growing attention being paid to its contemporary scene. Starting with BIGYUKI’s performance at Melbourne International Jazz Festival, this extensive national tour gives Australians the rare chance to experience firsthand the creativity, diversity and vitality of contemporary Japanese Jazz.

Japan Jazz Nights will also include exciting collaborations with local Australian artists at performances throughout the tour. Through the universal language of music, this initiative aims to foster meaningful connections between Japan and Australia and strengthen cultural ties between the two countries.

For both longtime jazz lovers and newcomers to the genre, Japan Jazz Nights is an unmissable opportunity to experience these musical icons, as they showcase the beauty of their craft and shape the future sound of modern jazz.

Japan Jazz Nights Touring Schedule
Date: October 16, 2026 (Fri), Doors 8pm
Venue: Max Watt’s (Melbourne)
Performers: BIGYUKI
Event: Melbourne International Jazz Festival
Event Website / Tickets: BIGYUKI – Melbourne International Jazz Festival

Date: October 17, 2026 (Sat), 1pm – 5pm
Venue: Fed Square (Melbourne)
Performers: BIGYUKI
Event: Melbourne International Jazz Festival
Event Website: Free Jazz at Fed Square – Melbourne International Jazz Festival
Admission: Free

Date: October 18, 2026 (Sun), 7pm
Venue: Oddio (Adelaide)
Performers: BIGYUKI
Event: Adelaide International Jazz Festival
Event Website: TBA
Tickets: AIJF Presents: Japan Jazz Nights – BIGYUKI

Date: October 19, 2026 (Mon)
City: Sydney
Details: TBA

Date: October 22, 2026 (Thur), 7pm
Venue: Chapel Off Chapel (Melbourne)
Performers: Tenors In Chaos, STEREO CHAMP, Misaki UMEI
Event: Melbourne International Jazz Festival
Event Website / Tickets: Tenors in Chaos + Stereo Champ + Misaki Umei – Melbourne International Jazz Festival

Date: October 23, 2026 (Fri) 10pm
Venue: Liberty Theatre (Perth)
Performers: BIGYUKI
Event: Perth International Jazz Festival
Event Website: BIGYUKI (JPN) • Perth International Jazz Festival
Tickets: Megatix – BIGYUKI (JPN)

Date: October 23, 2026 (Fri)
City: Brisbane
Details: TBA

Date: October 23, 2026 (Fri)
Venue: Molly (Canberra)
Performers: STEREO CHAMP
Details: TBA

Date: October 24, 2026 (Sat)
Venue: Canberra Nara Peace Park (Canberra)
Performers: STEREO CHAMP
Event: Canberra Nara Candle Festival
Event Website: Canberra Nara Candle Festival | Canberra Nara Candle Festival
Admission: Free

Date: October 25, 2026 (Sun), 7pm
Venue: Liberty Theatre (Perth)
Performers: Tenors In Chaos, UMEI Misaki
Event: Perth International Jazz Festival
Event Website: Japan Jazz Nights • Perth International Jazz Festival
Tickets: Megatix – Japan Jazz Nights

Date: October 25, 2026 (Sun), 7pm – 8:30pm
Venue: The Barn (Hobart)
Performers: BIGYUKI
Event: CJF Presents
Event Website: BIGYUKI (JPN/USA) – Rosny Farm
Tickets: Tickets for CJF Presents 2026

Date: October 29, 2026 (Thur) 7pm – 10pm
Venue: Heaps Normal Health Club (Sydney)
Performers: UMEI Misaki, Cracked Suzies
Event: Sydney International Women’s Jazz Festival
Event Website: Misaki Umei x Cracked Suzies | SIMA
Tickets: Tickets for Misaki Umei & Cracked Suzies + Dorka

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ÁRRU

Hurtigruten Nordic Film Festival Opening Night Reception And Premiere Screening of ÁRRU

Hurtigruten Nordic Film Festival Opening Night Reception And Premiere Screening of ÁRRU Rating

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What happens when the person you rely on to save almost everything you know and love also turns out to be a monster? Can you walk away? How do you negotiate the constant challenges to life and culture? Do the young want to carry on the flame? These are some of the core questions in Árru, Elle Sofe Sara’s striking debut feature focusing on the lives and culture of the Sami people that inhabit the Sápmi region of Norway, Sweden, and Finland. What better film to represent the unified yet separate cultures showcased at the 2026 Nordic Film Festival.

Using a mixture of genre styles, from surreal cinema, family drama, to musical, Árru starts in white snows of winter covering a vast, almost empty landscape. After the bloody miscarriage of a reindeer, traditional herder Maia (Sara Mariell Gaup Beaska) buries the tiny body in the snow. Together with her brother Danel (Simon Issát Marainen) and daughter Ailin (Ayla Garen Nutti), they continue the rustic life of the Sami, tending to their reindeer, killing and butchering them for meat and clothing. After the snow retreats for summer, the vast grasslands of summer form the backdrop of the narrative drama. We learn that a mining conglomerate is planning to build a large copper mine, reducing the grazing land available. This will force a mass culling of the reindeer and with it the destruction of Maia’s livelihood and her way of life.

 

 

Leading the fight is Maia’s charismatic lawyer brother Lemme (Mikkel Gaup), who successfully campaigned against a similar situation in Canada. As he rallies the community through protest and song, Maia and Danel remain wary around Lemme. This reluctance to embrace their possibly saviour and Lemme’s grip of power over his family and the town threatens Maia’s relationship with Ailin, one of his strongest advocates. The film then slowly reveals Lemme’s real character. First, Ailin discovers that Lemme is not as trustworthy as she first believed, and then a drunken confession by Danel at a celebration of culture reveals a dark past that shatters the community. They need Lemme to save their way of life, but can they still allow him to live amongst them.

Sara uses music and song throughout to connect Maia with her ancestors and home, and is clearly an important life of Sami culture. Musical numbers sometimes break the dramatic flow of the film, but remaining beautiful and interesting. During one of the protests, however, traditional song turns into a music video style dance number that seemed like an odd stylistic choice and a bold contrast to the grounded realism of the drama. But that wasn’t enough to pull me out. The performances were authentic and powerful, especially Simon Issát Marainen, who at first seemed brooding and surly but then when we discover why, draws from us empathy and understanding. And while the dramatic narrative forms the core structure of the film and provides plenty of intrigue and conflict, the most appealing part of the film for me was just spending time with the last remaining indigenous group in Europe.

Árru can be seen as part of the Nordic film festival playing nation wide at Palace Cinemas.

To book tickets to Hurtigruten Nordic Film Festival Opening Night Reception And Premiere Screening of ÁRRU, please visit https://nordicfilmfestival.com.au/films/nor26-arru.

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The Good Food and Wine Show

Good Food and Wine Show

Good Food and Wine Show Rating

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The Good Food and Wine show returned to the Perth Convention and Exhibition Centre (PCEC) for another fabulous year of tastings, cooking demos and a chance to experience the best our beautiful state, and others, have to offer.

Western Australia is known for its wine regions, with the Swan Valley just a hop, skip and a jump for most of us to reach and of course the stunning Margaret River and surrounds where you will find most of Perth as soon as a long weekend pops up on the calendar. While several WA wineries were on display this year, those who can’t quite justify the exorbitant flight prices east were in for a treat, with tastings from South Australia’s best across the Barossa, McLaren Vale and Clare Valley.

My taste in wine has usually leaned towards whites and the occasional rosé, but in recent years I’ve become partial to a lightweight red to complement a meal. The Barossa is known for its Shiraz, so it was the perfect chance to sample a few. Wine not your thing? Never fear. The growing number of distilleries was exciting to see, with my unofficial award for prettiest display (and best name) going to Billy Stitch Distillery. The most unexpected pop-up had curious customers sipping peanut butter whisky, which I’m still not quite sure about.

There’s something for everyone, with general admission from $49.95 and the option to add a tasting glass. Serious foodies and winos could upgrade to one (or several) of a large selection of masterclasses, or the cooking school. The ultimate experience on offer, though, would have to be the VIP Lounge presented by Singapore Airlines. At $185 it includes a three course lunch inspired by their First and Business Class menus, five glasses of wine plus a bottle to take home. For those of us who dream of sitting at the pointy end of the plane, this might be the closest we get.

 

 

Just making the most of the included offerings? The cooking stage, aka The Good Food Kitchen, was the place to be, with standing room only for Miguel Maestre. You never know what you’re going to get from Miguel, and he did not disappoint. From wielding a samurai sword as part of his food prep to a musical interlude on a toy saxophone backed by a drummer, you didn’t want to look away. And don’t get me started on the mouthwatering katsu sandwiches he was making… yum!

The SmoothFM Drinks Lab was a popular, calmer option, with complimentary 30-minute tasting sessions showcasing different regions and a Spirit Lovers Masterclass to end the day. Sessions were walk-in only, so you had to be quick. We sadly weren’t, but still enjoyed listening in.

You can spot the seasoned attendees a mile off, wheely trolleys at the ready. Those without the boot space, or who came in on the train, could wander over to Australia Post’s Pick and Pack to have their wine home delivered. Spotting this early on felt seriously dangerous, removing any excuse of “we can’t carry all this”.

Those just there for the food could graze between stalls offering tastings of cheese, nuts and even water drops (which I had no idea was a thing).

The Good Food and Wine Show may be over for another year, but I’m sure most attendees headed home with more than a couple of bottles of a new favourite wine, or like me, a dish they’re determined to recreate. Although I think I’ll leave the samurai sword to Miguel.

To book tickets to Good Food and Wine Show, please visit https://goodfoodshow.com.au/perth-show-26/.

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A Pride-full Celebration Of Unprecedented Talent! Happy Pride!

Homo Grown

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Imagine crossing the rainbow street and walking into Qtopia on the first day of Pride month, only to be greeted by the one and only Kala Gare’s and Kala’s incredibly beautiful, smiling face! Well, I don’t have to imagine, because that’s how this year’s Homo Grown kicked off for me.

Home Grown Australia, are pioneers championing new theatre and musical theatre works in Australia. What started as a backyard pub meeting, now has the backing of MTIA and the Australian Government. Founded by Nick Hedger and Ben Nicholson, Home Grown have nurtured beloved Australian new works such as My Brilliant Career, FANGIRLS and A Trans Woman On The Internet, Crying.

Homo Grown is a Pride-full celebration of queer Aussie new works to be produced, to come and in progress. The queer celebration in the room was electric, not least of all because the multi-talented Kala Gare was guiding the ship.

Kala kicked us off with an original “Hello” that speaks to “Letting freedom flow”, which was a great set up for the night. Kala’s skillful piano along with an incredible voice and sharp, relatable lyrics had us strapped in for “a wild ride, to say the least.”

Next up was Phoebe Rodger with the title song from upcoming “Phoebs, You’re A Lesbian” on June 10th – 12th at QTopia. Described as “a letter to my younger self”, this song was earnest, clever, cute, hilarious and relatable. Much like Phoebe. The second song was from a “yet to come” musical, it took us on a humorous journey of Phoebe’s ideal career discovery through a career’s test.

Cassie Hamilton and Nic Prior then took to the stage for a snippet from Afterglow by Sheanna Parker Russon & Lillian M. Hearne which will be showing at the Belvoir and is described as a “Barbershop rom-com”. Lillian introduced the piece and began to play, while Nic tore us into their deep, tender and sombre beginning. Cassie joined in and the duet echoed the lyrics “With you I fit”. Nic’s tender fragility of emotion is in stark contrast to the power of their voice, while Cassie’s sombre moments are only magnified by the reality of her powerhouse vocals. Cassie took to a solo called “Normal Michael” in which we got more of that voice, and what I can only describe as four seasons in one face, as we join the emotional journey of the character Cassie is embodying.

Matt Hawke then took us into their song from upcoming “Beautiful Lies” on June 11th-14th at the Substation Qtopia. Described as one of the lies unpacked in therapy, we deep dive into Matt’s 20 year old identity exploration wrapped in self-deprecating humour. None of us saw the sharp turn from this jaunty piano-pleaser into an acoustic guitar heartwrenching homage to Matt’s deceased dog. It left the majority of the room in tears, and awe at its beauty.

 

 

Robbie Alexander and Alex Gonzales had to wipe away tears and reset for their performance from “Twenty-Something”. Alex played the character, Charlie’s Mum, deadpanning that “I’m wearing a cardigan so you know I’m a mum.” and meeting a lot of laughter. Alex performed “Long Story Short” with power, emotion and a lot of talent. Robbie performed “Delightfully Gay”, showing us the tug of war between Angel and devil on the shoulder and reinforcing the lyrics “There’s no such thing as ‘a little bit much’!”

Lincoln Elliot joined forces with Kala, Natalie Abbott, Gracie Rowland, Nead Cristaudo, Alex Gonzales, and friends for a snippet from the “yet to be announced” emo-rock heist. The performance of “Creativity Is An Island showcased exceptional musicianship and a palpable musical love and collaboration between the group.

Kurt Kansley and Oli Lidert were missing in action, enjoying their time in Moulin Rouge, but Katie Staddon did them proud and then some with “More Than Words On A Page”. Katie’s vocal range is beyond comprehension, the melodies sublime. The swift shift from deep soul to angelic was out of this world.

Meg Rob took us on a solemn and sincere ride with “Step Into Infinity”, showcasing an ability to embody the characteristics of an introvert grappling with personal trauma, while knocking our socks of with some big belts. Those who saw Meg in Jagged Little Pill will be familiar with this ability to take an audience on a wonderful and surprising ride. Catch Meg’s show “Make It Queer” 25th-26th June at Loading Dock, Qtopia.

We finished with the cast and creatives from Nails 25th-27th June at The Eternity Playhouse. Created by Sophie Davis and Laura McDonald, and composer Harry Collins. This netball based comedic musical has a lot of balls (see what I did there?). Nead Cristaudo had us captivated as the coach, mixing brilliant comedic timing with powerful vocals.

Then the large ensemble cast and creatives from Nails finished us off on a high with Natalie’s gorgeous voice and some epic harmonies being the highlights of this final piece. It was an incredible finish to a night of unprecedented talents and not-to-be-missed new works! Make sure you catch these and as many Pridefest shows as you can this month. More than ever, we need to join together and support each other. Happy Pride!

To book tickets to Homo Grown, please visit https://tickets.qtopiasydney.com.au/Events/Homo-Grown.

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