One Call You Definitely Want To Answer

London Calling

London Calling Rating

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London Calling: Absolutely Brilliant

Host and MC Paul Dabek takes the audience on a nostalgic stroll through the London of his memories — and honestly, who doesn’t love a wander down memory lane? When that journey is punctuated by performers of this calibre, it becomes something truly special.

Framed around stories of a childhood train trip to visit his grandad and wide-eyed visits to London’s iconic landmarks, each anecdote is cleverly paired with a complementary act. The result is a show that feels cohesive rather than just a string of variety performances. And what performances they are! We’re treated to dizzying suitcase spinning, a breath-taking aerialist, juggling (with his mouth!), mesmerising hoop work — human slinky, anyone? — magic, illusion, and shadow puppetry that has absolutely no right to be that exciting. Seriously, highlight of the night.

 

 

The show is completely family-friendly… but learn from my mistake and maybe don’t bring your kids. Mine mocked me relentlessly while I cringed through audience participation and then finished me off by asking about the “old” references and music. Nothing like your children to humble you after an epic night out.

Having seen more than a few Fringe shows this season, London’s Calling is a genuine standout (thank you to the friend who told me to do myself a favour and book tickets — excellent life advice). The performers are immensely skilled, Dabek keeps the energy soaring, and the staging elevates the entire experience. The projected backdrop transforms ‘plastic chairs in a disused tennis court’ into faraway streets, effortlessly transporting the audience across the globe.

In short: clever, polished, and wildly entertaining — this is one call you definitely want to answer.

To book tickets to London Calling, please visit https://fringeworld.com.au/whats-on/london-calling-fw2026.

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Funbelievable – Hypnotist Matt Hale

Funbelievable - Hypnotist Matt Hale

Funbelievable – Hypnotist Matt Hale Rating

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Matt Hale makes a triumphant return to his hometown of Perth with his feel-good, sing-along brand of hypnotism.

The Planet Royale Theatre, situated upstairs from its namesake bar/restaurant/arcade, is an ideal venue for a relaxed Fringe season, and certainly one that complements the 90s nostalgia of Hale’s show (Tip: Treat yourself to a burger and a round of pinball before the show).

Before Hale’s entrance, we are treated to a pre-show presentation featuring deep-fake versions of Hale as various 90s stars such as Mattdonna and Jamattroquai.

A big reservation I have with interactive performances, is the fear that I will be unwillingly called upon by the host. If you share a similar concern, fear not! Hale’s show relies on enthusiastic volunteers, as he prefaces that no one will ever be forced up on stage (“Why would I do that? I want you to want to be up here!”, he says).

Twenty chairs lined the stage, though more were brought on to accommodate the influx of volunteers. Modesty covers were also offered to some ladies wearing skirts and dresses, which was a subtle but appreciated detail that demonstrated the respect Hale has for the participants and their comfortability.

Hale has a knack for putting the participants at ease – so much so that I, watching safely from the audience, found myself breathing deeply along with the volunteers. He also prefaces not to take offense if participants are asked to return to your seat, stating “You will enjoy the show much better from the audience”.

 

 

The participants go through several trials of susceptibility and influence before being cast into starring roles of their own, varying from indulgent singalongs, to apologetic interruptions. The few that remained on stage until the end became micro-celebrities, being stopped and congratulated for their performances upon the show’s end.

I spoke to two stars from the show, Sarah and Yelda, and asked how they felt following their experiences. Yelda said they felt like they’d sunken into their chair and was extremely relaxed. “I’m also very susceptible – I fall for marketing stuff all the time!”
Sarah wowed audiences with her enthusiastic Macarena, to which her friends commented, “That’s how she normally dances!”

I would highly recommend volunteering yourself for a show. The worst that can happen is you are not easy to hypnotise, and are asked to sit down. Embarrassment is not the goal of Hale’s hypnotism.

It is clear that Matt Hale holds a tremendous amount of respect for his participants, as they put their trust in him and are voluntarily vulnerable. To also have an audience who were largely return customers was also a great indicator of Hale’s abilities to charm a room and put on a show.

So if you Wannabe driven down memory lane by the Vengabus, Let Matt Entertain You with this hypnotically feel-good return to Fringe.

To book tickets to Funbelievable – Hypnotist Matt Hale, please visit https://fringeworld.com.au/whats-on/hypnotist-matt-hale-funbelievable-90s-rewind-fw2026.

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Ro Dahl’s Drag Race

Ro Dahl's Drag Race

Ro Dahl’s Drag Race Rating

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1

Ever since I lived a stone’s throw away from Sydney’s infamous Stonewall Hotel on Oxford Street in Darlinghurst, I’ve had a fascination with drag queens. Their makeup, their costumes, and the way they move has always mesmerised me.

So when I got the opportunity to review Ro Dahl’s Drag Show, I was curious to see if Perth’s drag scene could bring it like their Sydney sisters—and bring it they did.

As I sat down in Perth’s iconic Connection Nightclub, I was whisked back to some blurry memories of visiting here as a younger woman. The audience was a diverse mix of ages, sexes, and ethnicities—everyone was welcome.

The show opened with our host for the night, the beautiful and elegant Moxie Heart as the glamorous Fantastic Mr Fox, instantly creating a warm and fun atmosphere. I must commend her impeccable drag queen voice—sweet, smooth, and polished. She treated us to an introductory dance flanked by the fantastic Peach Pit Crew; I felt like I was watching a Backstreet Boys music video from the ’90s—so much fun!

From that moment on, the smile was pasted on my face and didn’t leave for the entirety of this fabulous show. The joy the performers clearly exuded was contagious, with the audience clapping along throughout.

 

 

This group of showgirls is incredibly talented and endlessly entertaining. From watching Charlie Bucket (Jaxon Coke) twirl across the stage, flipping with outstanding acrobatics, to Veruca Salt (Veruca Sour) gracing us with her award-winning burlesque moves, the entertainment never stopped rolling.

The standout performance had to go to Sassie Cassie as the Witch. Her commitment to character is paramount, and she was definitely the performer who made me smile the most—nearly falling off my chair as she waltzed down the aisle during her act. Her makeup and costume were phenomenal. Knowing it can take her up to five hours to paint that beautiful face, I am in total awe of the dedication involved.

Special mention must also go to Beau Pash as Roly Poly Bird, a clearly seasoned drag queen who had the audience in fits of laughter. Brenda Wee as Matilda was absolutely adorable with clever costume reveals, and Bush Rat as Willy Wonka proved to be a highly talented dancer.

There is so much to love about this show—the energy, the extraordinary lip-syncing, the humour. It will leave you wanting more.

My 60-year-old mother, whom I took along, summed it up perfectly with her first comment: “When can we go again?” She truly enjoyed it immensely.

I implore you to get out of the house and see this Fringe show before you miss it. The art of drag is completely underrated, and I can guarantee you won’t go home disappointed—you’ll go home buzzing and wanting more.

To book tickets to Ro Dahl’s Drag Race, please visit https://fringeworld.com.au/whats-on/ro-dahl-s-drag-race-fw2026.

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Bev & Myrt and the Scrolling of Doom

Bev & Myrt and the Scrolling of Doom

Bev & Myrt and the Scrolling of Doom Rating

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6

Aliens, lesbians and eighties music: three surefire ways of getting me in a room. All three…together? Let’s just say I was first in line to catch the opening performance of ‘Bev & Myrt and the Scrolling of Doom’ at the Motley last night.

Presented by How Delightful Theatre, ‘Bev & Myrt’ follows a secret society of alien investigators defending the Hoddle Grid from extraterrestrial terrors: galactic parasites, sentient robots, conservative real estate agents. When AI threatens to absorb the minds of Melburnians, Bev (Jenny Lovel), Myrt (Amanda Owen) and their son Jamie (Jackson Eather) must take down evil tech conglomerates all the while navigating their own growing pains at home.

Writer and producer David Innes, producer and dramaturg Dr Stayci Taylor, and director Cale Dennis clearly had a distinct vision for the show. With a razor-sharp script and just enough fourth-wall stroking to keep things perfectly meta, ‘Bev & Myrt’ was an unapologetically nerdy and hilariously queer little slice of theatre. Think Douglas Adams meets ‘Ghostbusters’: irreverent, witty, weird, and so on the nose. It was quintessentially Melburnian too, so full of in-jokes the crowd spent more time laughing than not. With a runtime of an hour, ‘Bev & Myrt’ is a masterclass in short-form playwriting and I only wish it ran longer for my own selfish reasons.

 

 

Jenny Lovel, Amanda Owen and Jackson Eather were outstanding to watch as a unit, with brilliant chemistry on stage and some unforgettable physical comedy. Liliana Braumberger, Kitt Forbes, Alex Joy and Donna Prince effortlessly navigated several roles all the while puppeteering tentacled robots and throwing around props left right and centre. The sound and lighting design never missed a beat either, which is a testament to just how much work was put into this show by the entire cast and crew.

It would be easy to fall into all shenanigans and no substance in a show like this (especially given the short runtime) but I’m happy to report that wasn’t the case. ‘Bev & Myrt’ was fun all the way through, but it was the moments of queer love that resonated so personally in an otherwise unworldly story. It was at heart a celebration of our elder queer heroes: the people who loved and fought for us and the people we can hope to become ourselves—aliens or no.

You can catch ‘Bev & Myrt and the Scrolling of Doom’ at the Motley Bauhaus until the 8th of February!

To book tickets to Bev & Myrt and the Scrolling of Doom, please visit https://tickets.midsumma.org.au/event/396:1014/.

Photographer: Mark Gambino

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