Comedy Legend Stephen Curry Is The King Of The Castle In Monty Python’s Spamalot!!!

Feature-MONTY PYTHON'S SPAMALOT

MELBOURNE & SYDNEY: Drew Anthony Creative is thrilled to reveal the sensational new cast for the upcoming east coast season of MONTY PYTHON’S SPAMALOT. Legendary Australian actor and comedian Stephen Curry will make his musical theatre debut, stepping into the regal shoes of King Arthur. Sharing the spotlight with Stephen will be powerhouse vocalist and theatre performer Jaz Flowers, who will star as the enchanting Lady of the Lake for the Melbourne season – while the celebrated musical theatre star Marney McQueen assumes the mystical role for the Sydney performances. The production will also feature the sharp comedic wit of rising stand-up comedian and Tik Tok sensation Nick White, tackling the formidable role of Man of Many Characters.

Stephen Curry is a household name in Australian entertainment, etched into the national psyche since his breakout role as Dale Kerrigan in the cinematic classic The Castle. A versatile and celebrated character actor, his recent screen triumphs include standout roles in Population 11, Bay of Fires, and Ten Pound Poms, as well as an appearance in the blockbuster Thor: Love and Thunder. His distinguished career across the small screen spans beloved titles such as Fisk, Rake, Cloudstreet, and The Secret Life of Us. Stephen’s masterful portrayal in The King earned him the trifecta of an AFI Award, a Silver Logie, and an ASTRA Award for Best Actor. Further accolades include a Film Critics Circle Award for his work in Hounds of Love and a prestigious 2024 Silver Logie nod for Bay of Fires.

Award winning performer, Jaz Flowers will take on the role of the mystical diva, The Lady of The Lake at Melbourne’s Athenaeum Theatre from September 16 until October 4. Jaz is best known for her Sydney Theatre Award-winning and Helpmann-nominated portrayal of Tracy Turnblad in Hairspray. Her stage career includes acclaimed roles as Veronica Sawyer in Heathers The Musical, Oz in We Will Rock You, and April in Hot Shoe Shuffle. Jaz’s other credits include a Helpmann-nominated performance in Fame The Musical, as well as roles in Shane Warne the Musical and Cabaret. She was also a featured artist on The Voice on Keith Urban’s team.

Charismatic Australian performer Marney McQueen, who recently delivered a stellar performance as Celine Dion in the hit show Titanique is widely regarded as one of Australia’s most versatile performers. For the season at the Sydney Event Centre at the Star Sydney from 15 – 18 October, and the Coliseum Theatre in Western Sydney from 22 – 25 October, Marney will bring her comedic and vocal prowess to the role of The Lady of The Lake. Marney’s extensive career has seen her tour the world in both musical theatre and comedy. Her theatrical credits include her debut in the Australian premiere of Priscilla Queen of the Desert – The Musical, starring as ‘Velma Von Tussle’ in Hairspray, and appearing as ‘Nina’ in Dreamlover alongside David Campbell.

One of the fastest-rising figures in Australian comedy, Nick White has built a massive following with his unique blend of sketch comedy, characters, and impressions making him an ideal choice for the demanding role of Man of Many Characters. After originally training as an architect, Nick transitioned to comedy full-time in 2022 and has since amassed an enormous following on social media, and performed at some of the world’s most iconic stand up comedy venues. This role will also be Nick’s musical theatre debut.

“I am absolutely thrilled to unveil such an exceptionally gifted company of performers. This production is both hilarious and inspiring, and this cast is perfectly poised to breathe life into these wonderful characters,” said producer/director Drew Anthony. “Following our stellar run in Perth, the initial reaction to this show on the east coast has been astounding. People are clearly looking for the brighter side of life right now! I encourage everyone to secure their seats soon as possible!”

Further cast announcements will be made in the coming weeks.

MONTY PYTHON’S SPAMALOT features Eric Idle’s book and lyrics alongside a score by Idle and John Du Prez, offering a hilarious and irreverent parodic of musical theatre filled with show-stopping vocals and tap-dancing knights. A contemporary landmark, SPAMALOT won three Tony Awards after its 2005 Broadway debut.

MONTY PYTHON’S SPAMALOT will play at the Athenaeum Theatre from 16 September until 4 October. The show will play at the Sydney Event Centre at the Star Sydney from 15 – 18 October, before transferring to Coliseum Theatre in Western Sydney where it will play from 22 – 25 Oct 2026.

Tickets will go on sale to the general public for Melbourne on Friday 19 June and for Sydney on Monday 29 June via www.ticketmaster.com.au.

This production is recommended for audiences 12 years +.

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Fun! Laughs! Good Times!

Sweet Charity

Sweet Charity Rating

★★★★★

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Opening night of Sweet Charity at Chapel Off Chapel, Friday, 19th June, 2026.

Heirlume Productions presents the iconic Bob Fosse musical, Sweet Charity, with support from Forest Collective, the award-winning Australian arts organisation founded in 2009 by composer and conductor Evan Jay Lawson. Playing at Chapel Off Chapel from 18 to 28 June, this production brings together Heirlume’s theatrical vision with Forest Collective’s musical expertise in a successful and masterful collaboration.

Sweet Charity, written by Broadway legend, Neil Simon, with a great score by Cy Coleman and lyrics by Dorothy Fields, has always been a musical fan favourite.

Taken from the plot of a 1957 Italian film about a streetwalker, Nights of Cabiria (Le notti di Cabiria), Simon’s musical rendition kept four of the film’s landmark moments. Conceived, staged, directed and choreographed by Bob Fosse for his wife, the irrepressible Gwen Verdon, Sweet Charity premiered on Broadway, New York, in 1966 and was nominated for nine Tony Awards with a win for Fosse’s unmistakeable quirky and technical choreography. Let’s just say, Fosse made it his own.

So, no surprise the opening night audience at Chapel Off Chapel were bustling with excitement ready to soak in its many hit songs and, to experience that fabulous Fosse feeling, however, we were not prepared for how tight, fabulous and professional this production and its cast were going to be.

Director, Madison Lee, has reinvigorated the beloved characters and legendary score with a “queer love story and a tale of self-acceptance.” In her Program Director’s Note, Madi reminds us that “Charity Hope Valentine is a woman who wants to be loved completely resisting against a world that has given her very little reason to keep believing….” Except for, “…her chosen family, the people who hold us when we get back up and remind us who we are when the world tries to tell us otherwise.”

 

 

Lee has directed a female ensemble so strong and diverse, most playing multiple parts, I haven’t seen the likes of together in years:

Experienced VCA graduate, Erica Wild, fresh back from West End, U.K., embodies Charity Hope Valentine with honesty and sweetness. Wild is hardly ever offstage but gives everything she has to this role, with all her innocence and energy. She is easy to love.

Producer, Heirlume founder and Productions Artistic Director, Manda Rozen-Flannery, says of Charity, “…something feels inherently neurodivergent … about her.” Wild captures this perfectly.

Wild is supported by second leads, Madeline Pratt as Nickie and Hannah Gutierrez Cañon as Helene, playing two seasoned dance hall girls weathered and baffled by Charity’s naivety.

Choreographer and educator, Pratt is powerful in singing, acting and dancing.

For Cabaret performer and former National Latin dance Champion, Cañon, new to the Musical Theatre industry, her dance expertise is obvious.

As is the dance talent of Tyler-Rose Shattock, who charmed us as an excellent Frug Girl in the nightclub scene. Shattock also stands out with all her other characters.

Extremely talented and versatile Sara-Louise Younger plays both the Herman and Daddy characters. Her version of ‘Rhythm of Life’ along with the whole cast, was simply transformational. Singing gospel one minute and opera the next, her range and voice is unique to Australia.

Supported by Alessandra Negro as Ursula, Eden Holmes as Carmen, Lisa-Marie Coad as Betsy and Bridie Erwin-Keirl as Rosie, all playing multiple other roles, the hard work and camaraderie of the whole troupe beams and was just a pleasure to watch.

Clancy Enchelmaier plays the only three male roles, from Charity’s bad choice of boyfriend at the start to movie star, Vittorio, to romantic lead, Oscar. His distinguished voice and range is strong.

This show is also excellent creatively:

The audience was delighted with Jesse Matthews’ choreography. He is resident performer and choreographer for Forest Collective. Matthews paid tribute to Fosse’s unmistakeable 60’s style keeping the line of the classic number, ‘Big Spender’ while adding a touch of difference.
Even in this smaller production, the choreography shines and was one of the highlights of this show.

The iconic dance scene from the Sweet Charity movie, titled, “The Aloof” is a perfect blend of elegance, satire, and stylistic brilliance in storytelling. There is no expression on any of the dancers’ faces in “The Aloof”, however, in this production, Matthews / Lee have decided to arm Shattock’s Frug girl with sexiness and smiles, energising us into the vibe of a nightclub, also switching us away from the dim of the dance hall.

Forest Collective Artistic Director, contemporary composer, singer and conductor, Evan J Lawson, and Composer, Pianist and Musical Director, Max Kielly are co-musical directors on Sweet Charity and are sharing time in the conducting of the orchestra, with Orchestrator, Shanon Whitelock. It’s obvious this has been a very successful collaboration.

An energetic score that is usually undertaken by a full orchestra has been executed with precision by this award winning and versatile crew of six musicians, Thomas English on woodwind, Bodhi Scott-Jones on trumpet, Max Kielly on keys,
Felix Gilmour on percussion, Benjamin Lamb on guitar and Ian Crossfield on upright & electric bass.

The shows’ Costume Designer, Zachary Dixon, has pieced together items that tell a story throughout each scene, from Charity’s gingham print summer dress – she probably wore from her hick town into the big city dance hall for work – to Nickie and Helene’s Lingerie variations, to Daddy’s hippie church group collections, the costumes are colourful and timely in the best way.

Lighting Designer, Ruben Laine, Sound Designer, Lukas Battey and stage manager, Samara Louise have connected all of these dots seamlessly to present to us a stage of scaffolding representing the dance hall above and the dressing rooms below, as well as the highs and the lows of their lifestyle.

I enjoyed this show so much, I may attend once more.
If you can get tickets, hurry up and get them now before they sell out.
This show is not to be missed.

@heirlume.productions
@evanjlawson
@itsmadilee
@erica_wild
@manda.rozenflannery
@madeline.pratt
@chacha_chilena
@tylerrose_shattock
@slyoungerparker
@clancy.ench
@jesse_matthews99
@maxkielly
@shannondw

To book tickets to Sweet Charity, please visit https://chapeloffchapel.com.au/show/sweet-charity/.

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A Queer Little Manslaughter?

A Queer Little Murder

A Queer Little Murder Rating

★★★★★

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My favourite thing about Pride Fest so far is no two shows I’ve seen have been even remotely alike and Savannah Hankinson’s “A Queer Little Murder” was no exception to this. In fact, it was super different from anything I’ve seen recently. The concept is a whodunnit Agatha Christie type murder mystery but everyone is gay. No seriously, Hankinson plays six different, lesbian characters and the whole thing is VERY gay. I loved it.

New York resident, Hankinson, has also trained in London and Russia. As such, her accent and character work were impressive and if she ever messed up switching between all of these, she was able to correct herself in the voice of the narrator and protagonist named ‘Try-Hard’. She mentioned at the start that she had just finalised and printed a new script that day, and I guess that’s Fringe* baby! This was a very meta, intellectual exercise which was a little bit more like going to a script reading crossed with a one woman show. However, there were parts that came more naturally when Hankinson really got into the flow, and these were super fun.

 

 

There were some very funny lines and lots of queer references which made for an enjoyable Tuesday night outing. I usually go into shows without reading much into them, or the performers, so I’ve only just now looked into Hankinson’s bio. She has taken this show to a very impressive list of Fringe festivals including in Hollywood, San Diego and soon she is going to Edinburgh! I see that it has sometimes been a full length play and sometimes the plot has been different, I wonder how often it changes? It would be cool to see Hankinson go script free to really connect with the audience and utilise the space more. Maybe in future shows she will.

My main gripe, as a lawyer, is that the murder was more like manslaughter and the evidence is not assessed very carefully. The whole thing wraps up quite quickly, and I wanted more depth and less background…

The set and lighting were fairly simple, but effective for telling the story as was Hankinson’s costume as ‘Try-Hard’ a pandering softmasc lesbian. There was quite a small crowd on Tuesday night at Qtopia, but everyone was gripped and willing to participate. It was marked as audience participation, so I was mentally prepared for this but honestly there could have been more!

Overall, Hankinson was a wonderful performer and I really liked the concept. A must see for anyone who loves crime shows and/or is gay.

*/Fringe adjacent festivals like Pride Fest

To book tickets to A Queer Little Murder, please visit https://tickets.qtopiasydney.com.au/Events/A-Queer-Little-Murder.

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Monty Python’s Spamalot Is Bound For Australia!

Feature-Monty Python's Spamalot

THE SHOW THAT SET BROADWAY BACK 1,000 YEARS IS BOUND FOR AUSTRALIA! THE TONY AWARD–WINNING BEST MUSICAL COMEDY – LOVINGLY RIPPED OFF FROM THE MOTION PICTURE MONTY PYTHON AND THE HOLY GRAIL

The legendary search for the Holy Grail is officially headed for Australia! After a spectacular season at Perth’s Planet Royale in May, Drew Anthony Creative has today announced that the Tony Award–winning Best Musical, MONTY PYTHON’S SPAMALOT, will gallop into Melbourne and Sydney for a limited engagement during September and October this year.

This riotous retelling of the adventures of King Arthur and his loyal Knights features a book and lyrics by Monty Python’s very own Eric Idle, with a celebrated score by John Du Prez and Idle. The hilarious and clever production ruthlessly—and affectionately—parodies the staples of musical theatre, showcasing a truly unique blend of powerful Broadway-style vocals, tap-dancing knights, and even the occasional flying cow!

Since its 2005 Broadway debut, where it garnered 14 Tony Award nominations and secured three wins including Best Musical, MONTY PYTHON’S SPAMALOT has established itself as a landmark of contemporary musical theatre. Renowned for its anarchic comedic style and sharp absurdity, the production features a legendary score with infectious classics such as “Find Your Grail,” “The Song That Goes Like This,” and the iconic “Always Look on the Bright Side of Life”.

This highly anticipated run will commence at Melbourne’s Athenaeum Theatre before travelling to Sydney for performances at the Sydney Event Centre and the Sydney Coliseum Theatre.

“After celebrating 20 years since the original production last year, it is a great honour to restore MONTY PYTHON’S SPAMALOT’s place on Australian shores for fans who have longed for its return and for new audiences to meet the Knights of the Round Table for the first time,” said producer Drew Anthony. “I’m thrilled to bring this hilarious show to audiences at a time when we all need to look on the bright side of life!”

“Camp, comical, and bursting with talent, this is a show not to be missed.” Out in Perth

“It’s a very entertaining night out whatever your favourite flavour of theatre.” Broadway World

“Monty Python devotees will undoubtedly love Spamalot and have a joyous time reliving the hilarious and timeless scenes from the movie.” Australian Arts Review

“Lovingly ripped off” from the 1975 cinematic masterpiece Monty Python and the Holy Grail, the award winning musical offers everything a theatregoer could desire – French taunters, killer rabbits, fish slapping, and the magnificent Lady of the Lake.

While casting and further creative details are to be shared at a later date, the arrival of this beloved classic promises an unforgettable theatrical experience for east coast audiences.

MONTY PYTHON’S SPAMALOT will play at the Athenaeum Theatre from 16 September until 11 October. The show will play at the Sydney Event Centre from 15 – 18 October, before transferring to Coliseum Theatre, Rooty Hill where it will play from 22 – 25 Oct 2026.

Audiences can sign up for the waitlist for both Melbourne and Sydney here.

Tickets will go on sale to the general public for Melbourne on Friday 19 June and for Sydney on Monday 29 June via www.ticketmaster.com.au. This production is recommended for audiences 12 years +.

 

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