The Good Food and Wine Show

Good Food and Wine Show

Good Food and Wine Show Rating

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The Good Food and Wine show returned to the Perth Convention and Exhibition Centre (PCEC) for another fabulous year of tastings, cooking demos and a chance to experience the best our beautiful state, and others, have to offer.

Western Australia is known for its wine regions, with the Swan Valley just a hop, skip and a jump for most of us to reach and of course the stunning Margaret River and surrounds where you will find most of Perth as soon as a long weekend pops up on the calendar. While several WA wineries were on display this year, those who can’t quite justify the exorbitant flight prices east were in for a treat, with tastings from South Australia’s best across the Barossa, McLaren Vale and Clare Valley.

My taste in wine has usually leaned towards whites and the occasional rosé, but in recent years I’ve become partial to a lightweight red to complement a meal. The Barossa is known for its Shiraz, so it was the perfect chance to sample a few. Wine not your thing? Never fear. The growing number of distilleries was exciting to see, with my unofficial award for prettiest display (and best name) going to Billy Stitch Distillery. The most unexpected pop-up had curious customers sipping peanut butter whisky, which I’m still not quite sure about.

There’s something for everyone, with general admission from $49.95 and the option to add a tasting glass. Serious foodies and winos could upgrade to one (or several) of a large selection of masterclasses, or the cooking school. The ultimate experience on offer, though, would have to be the VIP Lounge presented by Singapore Airlines. At $185 it includes a three course lunch inspired by their First and Business Class menus, five glasses of wine plus a bottle to take home. For those of us who dream of sitting at the pointy end of the plane, this might be the closest we get.

 

 

Just making the most of the included offerings? The cooking stage, aka The Good Food Kitchen, was the place to be, with standing room only for Miguel Maestre. You never know what you’re going to get from Miguel, and he did not disappoint. From wielding a samurai sword as part of his food prep to a musical interlude on a toy saxophone backed by a drummer, you didn’t want to look away. And don’t get me started on the mouthwatering katsu sandwiches he was making… yum!

The SmoothFM Drinks Lab was a popular, calmer option, with complimentary 30-minute tasting sessions showcasing different regions and a Spirit Lovers Masterclass to end the day. Sessions were walk-in only, so you had to be quick. We sadly weren’t, but still enjoyed listening in.

You can spot the seasoned attendees a mile off, wheely trolleys at the ready. Those without the boot space, or who came in on the train, could wander over to Australia Post’s Pick and Pack to have their wine home delivered. Spotting this early on felt seriously dangerous, removing any excuse of “we can’t carry all this”.

Those just there for the food could graze between stalls offering tastings of cheese, nuts and even water drops (which I had no idea was a thing).

The Good Food and Wine Show may be over for another year, but I’m sure most attendees headed home with more than a couple of bottles of a new favourite wine, or like me, a dish they’re determined to recreate. Although I think I’ll leave the samurai sword to Miguel.

To book tickets to Good Food and Wine Show, please visit https://goodfoodshow.com.au/perth-show-26/.

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The Shawshank Redemption On Stage Across Australia In 2027

Feature-The Shawshank Redemption

The celebrated stage adaptation of one of the most popular and enduring films of all time, The Shawshank Redemption, is coming to Australia. Direct from its acclaimed UK tour, The Shawshank Redemption will play in Sydney, Melbourne, Perth and Adelaide from January next year, with other cities to be revealed. Waitlist now at ShawshankLive.com.au to be first in line to purchase tickets and receive the latest news including casting announcements, exclusive behind-the-scenes content and tour updates.

The Shawshank Redemption is a powerful stage production that places you just metres from the action. Raw, intimate and deeply moving, this is theatre at its most compelling – where every moment unfolds live before your eyes. Based on Stephen King’s celebrated novella, this gripping adaptation tells an unforgettable story of hope, friendship and the resilience of the human spirit.

Wrongly convicted of the brutal murders of his wife and her lover, Andy Dufresne is sentenced to life imprisonment in the notorious Shawshank prison. As he navigates the harsh realities of incarceration, he forms an unlikely friendship with fellow inmate Red, discovering that even in the darkest of places, hope can endure. But when the corrupt Warden seeks to exploit Andy’s talents for his own gain, a quiet and daring plan begins to emerge, one that will challenge the very walls of Shawshank itself.

“Electrifying – it truly is a must see show” – The Observer
“This production has nailed it … Gripping live theatre” – Broadway World

“The Shawshank Redemption has captivated audiences around the world because it speaks to something universal, the enduring power of hope. We’re honoured to bring this extraordinary story to Australian stages and share an unforgettable theatrical experience with audiences across the country,” said producer Craig Donnell. “Great theatre doesn’t just entertain; it stays with you long after you’ve left the auditorium. The Shawshank Redemption is one of those rare stories that continues to resonate across generations, a story of hope, courage and perseverance, and I can’t think of a more important story to share with audiences today.”

Adapted for the stage by Owen O’Neill and Dave Johns, and directed by David Esbjornson who directed Angela Lansbury and James Earl Jones in the Australian tour of Driving Miss Daisy, this acclaimed production captures the emotional power and humanity that have made The Shawshank Redemption one of the world’s most enduring stories.

The 1994 film adaptation, nominated for seven Academy Awards, has become one of cinema’s most beloved classics. Now, experience a story of hope, friendship and redemption brought vividly to life in an unforgettable live theatrical event.

THE SHAWSHANK REDEMPTION
Adapted for the stage by Owen O’Neill and Dave Johns, based on the novella Rita Hayworth and Shawshank Redemption by Stephen King
Directed by David Esbjornson
Produced by Impresario Productions, by arrangement with Bill Kenwright Limited
By arrangement with Knight Hall Agency Ltd in association with Paradigm Talent Agency

SEASON DETAILS
Theatre Royal Sydney – From 2 January 2027
Playhouse, Arts Centre Melbourne – From 4 February 2027
Regal Theatre, Perth – From 12 March 2027
Her Majesty’s Theatre, Adelaide – From 1 April 2027
Other venues still to be announced

Waitlist for all cities now at ShawshankLive.com.au

 

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Limelight Theatre Presents: Aladdin

Collage of a vibrant stage show with performers in colorful costumes across four scenes.

Aladdin Rating

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5

Fun for the whole family, Limelight Theatre’s production of ‘Aladdin’ is full of toe-tapping tunes, witty one-liners, and colourful characters throughout.

The pantomime pokes fun at the popular Disney adaption, telling the story of an ambitious young man, Aladdin (Jake Libbis) discovering a magic lamp and using its resident genie to win the heart of Princess Jasmine (Emily Patterson).

An unsuspecting crowd favourite comes in the form of Aladdin’s friend Wishy Washy played with gusto by Mutiara Libbis who embodied the goofy character well and had a beautiful voice, though unfortunately did not get many opportunities to show it off. Equally a highlight was Limelight debutante Ana Fernandez as the glittering genie of the lamp who showed great flair and was a pleasure to watch.

Earning the bellowing ‘boos’ from the crowd was the wicked Abanazar portrayed by Matt Winter. Though the show’s antagonist, he rightfully earnt his final applause for his energetic and charismatic performance.

Peter Giles has the joyful job of bringing to life the Dame, which in this story takes root in Aladdin’s dithering mother Widow twankey, offering plenty of laughs. While Sarah Mcdonald, Chris Juckes, Gordon Park and Christine Smith round out the featured cast as Noddy, the Emperor, Sergeant Ping and PC Pong respectively.

 

 

A highlight of the production is Gwen and Dave Browning’s set, largely dominated by a beautifully painted mural that brings to life the ancient town in which the story takes place. The cleverly designed laundry room made the scene with Noddy particularly fun to watch, while the effects throughout were also a surprising treat.

Though several well-known songs were used across the performance, I do think some of the song selection was slightly odd or dated at times. Though well performed, I felt both duets between Aladdin and the Princess could’ve benefited from alternate selections, with one leaning more friendly than romantic and the other seemingly unknown to audience members sitting in my vicinity.

In the case of a pantomime, where half the fun is in picking the music, I do also think it’s important to consider the vocal abilities of your cast members. I couldn’t help but feel several female characters were under-utilised in cases where they were left to sing songs that sat quite low in their register, due to the songs being originally written and performed by men.

It was fabulous to see people of all ages taking to the stage, with Fiona Scott and Madison Allen’s choreography doing well to accommodate all dance abilities. Though it could have been cleaner in parts, a special mention must go to Kyra Havel and her acrobatic abilities as well as the four featured tappers in We’re in the Money, with this avid theatre-goer recognising the familiar costuming and props from seasons past.

A great school holiday outing for the young ones, congratulations to all involved.

To book tickets to Aladdin, please visit https://www.taztix.com.au/event/limelight/.

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Rules of Summer

Rules of Summer

Rules of Summer Rating

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Spare Parts Puppet Theatre’s Rules of Summer, adapted from Shaun Tan’s celebrated picture book, is less a conventional narrative and more an imaginative journey of childhood friendship. Following two boys through summer, the story centres around a mysterious set of rules such as ‘Never step on a snail’, ‘Never leave a red sock on the clothesline’, and ‘Never be late for a parade’. It is not known who and why these rules are created but they are displayed to the audience through shadow play.

The rules themselves are never fully explained, which gives the production a surreal quality consistent with Tan’s original work. Each scene feels like a living illustration, brought to life through puppetry, sound, movement and design. The show encourages viewers to interpret meaning for themselves, much like reading a picture book where the images carry as much weight as the words.

Rather than relying on a clear storyline, the show embraces atmosphere, visual and sensory detail. The result is an immersive and interactive puppetry experience. The puppeteers are much more involved than expected. They step in as the characters themselves in instances when the puppets are not being used. Communicating only through a duck whistle instead of speech. They communicate not only with each other but also directly with the audience inviting kids to take part and be part of the narrative. This included blowing bubbles and being in the puppet parade.

 

 

The puppetry is inventive and cleverly designed. Founded in 1981 in Fremantle, Spare Parts Puppet Theatre is Western Australia’s longest-running theatre company. In addition to holiday performances, the company runs community workshops and educational programs. They also sell merchandise such as Do-it-Yourself Puppet Packs, books, Shadow Puppets and Finger Puppets which were all available to purchase prior and after the show. They also have a range of puppets that people can have a go at puppetry.

A particularly enjoyable feature of the performance came at the end of the show, when the audience was invited to ask questions of the puppeteers. This added a charming element to the experience, especially as many of the questions from the younger audience members were wonderfully unexpected and amusing. The puppeteers’ responses were equally entertaining, offering insight into how the production was created. This post-show exchange gave the audience a deeper appreciation of the craft behind the puppetry.

Currently showing at Centenary Pavillion at the Claremont Showground, Rules of Summer is a visually rich production that honours Shaun Tan’s style. While it does not offer a conventional storyline, it succeeds as a multi-sensory theatrical experience.

To book tickets to Rules of Summer, please visit https://aupuppet.sales.ticketsearch.com/sales/salesevent/160770.

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