Yeah Nah Pavlova: The Laughs Keep Coming

Yeah Na Pavlova

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As the audience arrive into the cosy yet intimate venue that is Club Voltaire in North Melbourne, we are handed an ANZAC biscuit and asked to pick a side. Who invented the pavlova is the ultimate question.

Comedy duo Loud Jess (Jess Loudon) and Sandra Pace are immediately likeable, and the show hasn’t even started.

For one hour, they cover everything from politics to men, moving to New Zealand, rugby and the friendship between the two nations.

The main theme tying this show together is the age-old question: Who invented the Pavlova?

With audience participation that makes the show engaging, the duo are quick with their retorts, snappy one-liners, and they bounce off each other with incredible energy.

The women have great banter with each other, reminiscent of a young Gina Riley and Jane Turner ( Kath and Kim), and they’re incredibly comfortable in front of an audience. There’s no forced interactions, these two are naturally funny.

The show is dotted with dark humour. The subject of politics is candidly explored, and they look back on the era of Covid lockdowns, amongst other things, while talking about their lives in New Zealand – affectionately known as ‘ Across the ditch’.

The two have great energy, which is important in any comedy duo, but having a strong theme helps to tie the show all together, so it’s not just two loud girls rambling. It’s thought out, well-written and leaves just enough breathing room for improv and unplanned moments.

As for whether pavlova was invented in New Zealand or Australia, not to give away the ending, but we do get an answer as promised.

The comedy festival is wrapping up for another season, and before it goes, make sure to get down and have a laugh with Sandra and Jess. Their show is an hour of light-hearted comedy that never takes itself too seriously and is a refreshing reminder on why Australians and Kiwis love to give each other a hard time.

Yeah Nah Pavlova will be showing until April 20 at Club Voltaire in North Melbourne.

To book tickets to Yeah Nah Pavlova, please visit https://www.comedyfestival.com.au/browse-shows/yeah-nah-pavlova/.

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Maren May reads between no lines

Maren May Reads Between No Lines

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On a Monday night at Tasma Terrace, the after-work crowd could be seen getting ready for a night of comedy and laughs.

German comedian Maren May immediately captured the audience’s attention by introducing herself as the ‘unsure German’ – a character she has been told she plays very well (maybe….. because she isn’t playing a character at all, but just being herself). Reflecting on her most recent comedy shows, she was told by an audience member that he could offer her a free autism diagnosis as he was a psychiatrist.

Thus, set up the central premise of “reading between no lines”. May recounts pondering for days what is meant when a relative says to her “that’s a summery dress” at a wedding, before realising the relative meant that the dress wasn’t appropriate for a church. Later, she asks ChatGPT what this could possibly mean. The audience cracks up, agreeing with May – why can’t people just say what they actually mean?

May cleverly noted that although when navigating everyday life, she felt as though she was missing a script that everyone else had, she liked stand-up comedy as it meant she had a script to go off.

Throughout the show, May reflected on her family, love life, job, and interests with an endearing and joyful spin on even the most awkward stories. Her delightfully literal interpretations and neurodivergent lens were not only hilarious but refreshingly honest. Her stories touched on a cheating ex-boyfriend, an awkward date that felt like a scene straight out of Seinfeld, and weird habits her family has.

There was something uniquely charming about how May navigated her world— overthinking eye contact, and uploading her diary entries to Chat GPT (it’s less awkward than confiding in a therapist, who you may run into in person – whereas “ChatGPT doesn’t even own a bike!”). With just the right mix of awkwardness, wit, and heart, May’s set felt both deeply personal and universally relatable.

May delivered an audience-engaging set of observant and witty jokes, with clever call backs to earlier stories that tied in well together (such as mishearing the lyrics to the classic ABBA song Dancing Queen – “why are you kicking her?”). The show finished with a surprise guest appearance by someone we all know – ChatGPT.

Amidst the hustle and bustle of the Melbourne International Comedy Festival, Maren May delivered a delightful night of witty anecdotes and laugh-out-loud jokes. Make sure to check out this show and check out the many other comedians performing during the festival.

To book tickets to Maren May Reads Between No Lines, please visit https://www.comedyfestival.com.au/browse-shows/maren-may-reads-between-no-lines/.

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About The Production – Popera: Sex, Death & Politics

Uma Dobia

We caught up with the whirlwind behind Popera: Sex, Death & Politics to dive into a world where opera meets glitter, pop sass, and a hefty dose of feminist fire. With high notes, high drama, this cabaret gameshow turns tradition on its head.

About Popera: Sex Death and Politics

What is this Production about?

Popera: Sex, Death & Politics is an interactive cabaret gameshow that blends original pop and opera parody, all while tackling agesim and sexism in the performing arts — in silver sparkly boots and a red jumpsuit! It’s basically opera with Kath and Kim energy.

What character are you playing, and what can you share with us about them?

I play the gameshow host, a trained operatic soprano who hosts a gameshow that mixes pop and opera. But on the day of the show, her boyfriend/assistant Trevor doesn’t show up to work, and since the show must go on, she’s determined not to think about him…

What sort of person is going to love this show?

Anyone who loves pop, opera, divas — or honestly, anyone who loves a laugh! Popera has many…

What will the audience be thinking about in the car as they drive home after this show?

They’ll probably be singing “sex, death & politics! Popera! Popera!”… if you know, you know 😉

Call someone out by name: who must come see this production?

Opera singers! Opera students! Opera lovers! They’ll get every reference — or if they don’t, they’ll learn something new about the operas they love.

Who has the best costume?

Definitely me — knee-high silver, diamanted, stiletto boots, a tight red jumpsuit, a black tails jacket, a magnificent red robe, and a jaunty red circus hat?! Who could resist?

Is there anything else you’d like to add?

We’re doing an Auslan-interpreted and audio-described show (please bring your own device and headphones) on Sunday, April 13th!

Where can patrons purchase tickets to this production?

To book tickets to Popera: Sex Death and Politics, please visit https://www.comedyfestival.com.au/browse-shows/popera-sex-death-politics/.

Show Sessions run Sat 12 Apr & Sun 13 Apr: 4 pm and Sat 19 Apr & Sun 20 Apr: 4 pm at The Motley Bauhaus – Theatrette, 118 Elgin Street, Carlton.

Thank you for sharing your journey into the world of Popera with us! We can’t wait to see you dazzle in those knee-high silver boots and red jumpsuit. Best of luck with the show – it’s sure to be a night of laughter, glamour, and unforgettable tunes!

Other production interviews can be viewed here in our About The Production Series.

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Jeremy Dooley: Comedy’s Rising Star Brings the Laughs with Daddy Cool

Daddy Cool

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Melbourne Comic Jeremy Dooley brings his debut show Daddy Cool to Richmond for the Melbourne International Comedy Festival.

In an attic on Bridge Road, an intimate crowd gathers for Dooley’s stand up show. The lights are dim and the atmosphere is relaxed for this evening’s show.

Warming up the crowd is Canadian Richard Meneses who cracks jokes about being a backpacker, having left Canada to find himself. It’s a funny set that packs in a lot of laughs in a short time. Having cut his teeth on the Open Mic circuit Richard delivers a great set and performance that is memorable.

Lightly jogging onto the stage is the main act Jeremy Dooley, whose jokes are relatable and delivered perfectly with each punchline landing. He invites the audience to participate, which creates some very funny moments and makes for some great banter.

Being that this is a debut show, one could be mistaken for thinking Dooley has done the act before. He is comfortable being on stage, laughter comes easily, and he’s relaxed.

Dooley presents an hour of great storytelling, with some laugh-out-loud moments that captivate the audience. As the show winds up, Dooley has given the audience a solid hour of laughter and endearing moments that make for a fantastic show.

To book tickets to Daddy Cool, please visit https://www.comedyfestival.com.au/browse-shows/daddy-cool.

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