A Midsummer Nights Dream Come True

A Midsummer Nights Dream

A Midsummer Nights Dream Rating

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3

It’s a scorching 38-degree day, the sun is beating down fire-like rays, and I cannot stop sweating, and yet, when I am welcomed into Williamstown Botanic Gardens, everything feels a little bit cooler. Leaves en masse create dappled shade, and as I am guided on where to put my seat, my body temperature drops ever so slightly as my excitement rises.

I am here today to see Ozacts Midsummer Night’s Dream and, as an avid Shakespeare lover and student of the performing arts myself, this little clearing in these gardens suits me perfectly. A stretch of rope lines off the stage of gravel and grass, and shortly after, the play begins!

There truly is no better play well suited to a clearing in the gardens than a Midsummer Night’s Dream, and this company made full use of the different entrances and exits that were allowed in this setting. It truly felt as if the audience were a birds’ eye into the forest where all this beautifully comedic mayhem took place.

The beauty of this stage was that, apart from some pillows and blankets, the set design was stunningly simplistic and fully allowed the actors to tell the story without getting caught up in props and tidbits.
There was an attempt at sound and music, but as it was a rather open space, this got slightly lost. However, when heard, it created an ambience that further told the story in all its glory.

I want to give a (virtual) round of applause to every actor in this show. Each character had such a solid foundation, and I felt like I knew who they were. As an ensemble, each joke, each moment, and each word bounced superbly between both them and the audience. It was truly something magnificent to behold.

However, a special mention must go out to a few of this magic ensemble. LYSANDER, played by Ryan Stormland (who also played the Lion), had comedic timing as quick as a whip. As the Lion, the true feeling of just wanting to be involved was spot on, and as Lysander, each insult to Hermia(played by Kim Devitt) not only rolled off the tongue so splendidly but truly hit home not just to Hermia but also to us as an audience. HELENA, played by Maddie Roberts, (who also played ensemble parts) also displayed such a captivating array of feelings, from confused to offended to deeply madly in love, I fell for it all as hard as she fell for Demetrius!

All of this was further emphasised by gorgeous costumes. I loved the concept of Nick Bottom(played by Andy Delves) having donkey ears attached to his top hat and this reveal openly made me cackle. Titania’s costume was also an absolute sight to behold and created such a stunning silhouette which Carli Jones used to full advantage.

It’s so difficult to get an audience to understand Shakespeare, especially if they know nothing beforehand, but as a part of that audience, this ensemble transported us to a frolicking forest of fairies and fickle love that made us laugh, gasp and openly cringe and I would have it no other way. So if you wish to while away a balmy afternoon, I would highly suggest checking out Ozact and their Shakespeare in the Gardens. You will not be disappointed!

To book tickets to A Midsummer Nights Dream, please visit https://www.ozact.com/home/dates-locations/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

A Very Naughty Christmas

A Very Naughty Christmas

A Very Naughty Christmas Rating

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1

‘A Very Naughty Christmas’ is back for its eighth year with a delicious new array of jaw-dropping spectacles and skits. The musical features raunchy dance showcases, brilliant Christmas parodies, and hilariously vulgar gags in what is fast becoming Australia’s best Christmas show for adults.

The star-studded cast attacks the stage with vivid confidence. The company is small yet fierce, many of whom are triple-threat performers and graduates of Performing Arts institutes from all over Australia. The show offers almost too many memorable scenes to choose a favourite, and running at just under two hours long, the spectacle is a joy to witness from beginning to end.

The most iconic of parodies include “Walking ‘Round in Women’s Underwear” and “It’s Beginning to Look a Lot Like Christmas” (with an expose of X-rated toys…in every store). The calibre of vocal strength among principal singers rivals the talent of Australia’s most well-known musical theatre performers. Grace Laing and Jarrod Moore win over the audience’s affection, particularly for their indulgent vocal qualities, memorable storylines, and natural on-stage charisma.

 

Asmara Soekotjo stuns as the cast’s most striking mover, unsurprisingly adorned as this season’s Dance Captain. Soekotjo takes center stage in a parody of The Police’s “Roxanne”, turned “Rudolph Put On The Red Light” where she displays her aerial and lyrical might.

Led by the idyllic Mr Santa Claus, played by Tim Paige, the musical sees several hysterical audience interactions during the evening of fun. The cast revels in mischievous antics all night by poking fun at and embarrassing the viewers unlucky enough to be scouted into the limelight by performers. For those particularly unfortunate, a segment of the audience on-stage performance could be involved.

The talented live band adds to the glossy exterior of the production without any significant reliance on pre-recorded material. High-quality lighting, production, live sound, and cast confidence are a testament to the production’s long-standing history of success.

The extravaganza of risque bliss is nestled in St Kilda’s Alex Theatre and is a Christmas show not to be missed. A Very Naughty Christmas is making its way through nine total shows running in Melbourne until December 21.

To book tickets to A Very Naughty Christmas, please visit https://melbourne.averynaughtychristmas.com/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

The Addams Family Serves Heart for Dinner

The Addams Family

The Addams Family Rating

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3

Rising from the crypt once more, OSMaD’s production of ‘The Addams Family’ invites us back into the world of everyone’s favourite creepy clan, reanimated with a musical twist. Directed by Joel Anderson, this fresh take finds Wednesday Addams, dark princess of the night, bringing her painfully normal boyfriend home for dinner – a decision that threatens to turn her family’s upside-down world right side up. The horror!

The stage design in this year’s OSMaD production was nothing short of spellbinding, packed with a complex set of moving parts and a graveyard’s worth of ancestors lurking in the background. With so many players, it easily could have felt overwhelming, but each ghostly relative pulled their weight as set dressing, storytellers and comedic relief, bringing a distinct personality as they went. The moving portraits framing the stage were particularly mesmerising, watching the story unfold as if from opera boxes (complete with buckets of popcorn).

 

The production leaned into practical effects and creative staging, a choice that brought the Addamses to life far more effectively than contemporary elements could. This old-school theatrical approach was so compelling that any digital elements in the production felt unnecessary – the show clearly thrives best on campy, cartoonish charm.

Costuming was another standout feature, working to identify different factions, both dead and alive. The Addams Family, velvet and venomous from head to toe, stood in stark contrast to the sweater-wearing, fatally repressed all-American Beinekes. Head of costuming, Joshua Saunders, had a clear artistic direction, a solid grasp of visual storytelling, and a talent for capturing hearts as the moon-eyed Uncle Fester! His teeny-weeny little astronaut costume was so absurdly endearing it had the audience howling with laughter.

The cast was chock-full of big personalities, led by Demetrius Kiriakidis’s dashing, kooky and fiendishly unforgettable Gomez Addams. Melanie Ott’s Morticia sent hearts (and perhaps a few souls) aflutter with her hypnotic elegance, while Marchella Rusciano-Barrow’s powerhouse vocals brought Wednesday’s rebellious spirit to life. Liz O’Hanlon’s Alice Beineke took the audience completely by surprise with her wild, wine-fueled confession scene, as did Jordan French’s deeply deadpan Lurch. And the dancing – wow! Dylan Henry’s choreography was ambitious, but the ensemble cast tackled it all with boundless energy.

 

A live band led by Ashton Turner delivered thrills and chills in equal measure. The masterful mix of instruments and vocals struck a perfect balance between spooky, whimsical and comedic beats that kept me utterly hooked the entire show. And those iconic finger snaps are impossible to resist!

OSMaD’s ‘The Addams Family’ is the kind of production that thrives in community theatre – bursting with creativity, heart, and playful spirit. From its brilliant staging to its standout cast, it perfectly captures the quirky charm that makes the Addams family so beloved. ‘The Addams Family’ will be haunting the Geoffrey McComas Theatre until December 14 – catch it if you can.

To book tickets to The Addams Family, please visit https://osmad.com.au/

Photographer: Ken Spence

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

The Christmas Spectacular

The Christmas Spectacular

The Christmas Spectacular Rating

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0

The Christmas Spectacular tour has officially begun with its season debut at Crown’s Palms Theatre in Melbourne. The glitzy extravaganza features magic, circus art, showgirl acts, and performances of universally adored Christmas songs.

The shining star of the night was host and principal singer Prinnie Stevens. Gracing the stage after rising to fame on Season One of The Voice Australia, Stevens radiated confidence and charm all evening long. Highlights of her vocal showcase included Mariah Carey’s hits ‘All I Want For Christmas Is You” and “Joy to the World”.

Illusionist Michael Boyd performed spectacular shows of magic that proved mind-blowing for viewers of all ages. The former Australia’s Got Talent Finalist showcased brilliance as a magician and semi-host of the night with his captivating stage personality and interactive stunts.

Circus artist Aleisha Manion showcased gravity-defying stunts without fault. Her executions were polished, smooth, and perfectly timed between showcases of dance and song to maintain audience excitement.

Glamorous costuming took full effect and enhanced the performances of Showgirls and male dancers. The vast array of dance styles and stage-wear complimented the talent and sharp work of all performers.

The momentum of the show, however, was interrupted by the incorporation of several slow ballad songs, which halted the ‘extravaganza’ theme of the night. Similarly, the frequent use of backing tracks with automated singing flattened the polish of the evening, and a pre-recorded speech during Santa’s appearance gave the finale an awkward feel.

Overall, the debut of the 2024 Christmas Spectacular was a success, with the cast and crew delivering a dazzling evening as intended. The spectacle held the attention of even the youngest crowd members from start to finish by showcasing short bursts of entertainment. At 90 minutes long, it makes for a perfect snapshot of Christmas-themed excitement for all ages. The show is now on the road heading for Canberra, followed by stops in Brisbane and Adelaide before concluding in Sydney.

To book tickets to The Christmas Spectacular, please visit https://thechristmasspectacular.com.au/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.