Viva Vicious

Viva - Vicious

Viva – Vicious Rating

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VIVA Vicious by VIVA Melbourne is the adults-only experience you need to book for your next date night.

Secretly housed in a beautiful Cabaret room at the top of a warehouse at 64 Sutton Street, North Melbourne, VIVA Vicious and its troupe of amazing singers, dancers and, acrobats, creatively and tastefully capture “The art of suggestion” or, “The art of almost.”

While Marketing ‘Mandate’ Male Revue on King Street in the 90’s, I was safe to visit friends in the adult clubs next door. I noticed the gentlemen who came to see the female strippers were much more well-behaved than the Hen’s night ladies who came to see the males. It was a fun and bawdy time, and absolutely everything was on show.

This is not that.

Viva is the kind of nightclub show couples enjoyed in the 1950’s – dinner, drinks, dancing and, a floor show – only more naughty for the naughties.

Professionally and stylishly choreographed by Karlee Porritt, with a beautifully lit stage and interesting projections, Viva Vicious is both suggestive and sensational.

The show includes aerial acrobatics, popular music, beautiful costumes and humorous skits – males dressed as Nurses and French maids – dappling in virtual reality.

True to the mid-1800’s Burlesque shows, the VIVA men were often the comic relief between the provocative female performers. In this show, they also dance, play the saxophone and, assist in the aerial acrobatics.

Just like with ‘Moulin Rouge’ or ‘Crazy Horse’ in Paris, every performer is extremely fit and stunningly beautiful. Crazy Horse boasts of their show, “an ode to feminine beauty, combining eroticism and sophistication.” Viva in Melbourne certainly lives up to this boast.

 

The female body is a beautiful thing.

While enjoying VIVA Vicious, I remembered an old life-drawing teacher once told me, “What’s suggested is often more attractive than what is obvious.”

Unlike Moulin Rouge, where you’re practically sitting on the lap of the person next to you, the Viva Cabaret room is plush and comfortable. Couples and friends are seated in pairs at club tables on different levels, so every view is intimate, stimulating and, energetic. Even the opulent rest-rooms were exquisite!

Each Cabaret table is big enough to place two side plates and two sumptuous cocktails the Viva wait staff bring to you shortly after you’ve ordered. We tried the Chicken Karaage and the Salmon Sashimi. Both were visually pleasing, fresh and delicious.

The first performer on stage set the scene in a long sequined evening dress singing a Whitney Houston ballad, with precision. Now we find we’re in for Cabaret and, Burlesque.

She was followed by a Britney Spears number with many dancers in full-body tiger print outfits, topless.

A songstress mixes things up, singing a 50’s number sporting her Marilyn Monroe style dress.

There’s a Western number backed by the classic Ennio Morricone soundtrack, and plenty of ‘Honey Birdette’ designed lingerie.

Michael Jackson’s ‘Dirty Diana’ and Annie Lennox’s Sweet dreams perfectly back a sensual bed scene.

Things are spicy but never confronting.

Throughout, there were a few aerial acrobat spots, one with a spiral from the ceiling, another with silks, always with such skill. Loved the sexy Medusa track.

During a most enjoyable two-hour show, there are two Intermissions where you can go to the bar or, partake in a caviar bump and a vodka shot with a passing sexy server, to prepare you for the next show.

The troupe encourage you to hit the dance floor after the show.

Viva means “Long Live” in Italian and Spanish. I think we’ll return.

Viva Melbourne – Level 2, 64-90 Sutton Street, North Melbourne
Booking: https://vivamelbourne.com.au/events/

To book tickets to Viva – Vicious, please visit https://vivamelbourne.com.au/.

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Funeral – King IV at Midsumma 2026

Funeral

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FUNERAL
KING IV
Thursday, 29th January, 2026

Inspired by the words; “It’s time to lay your old self to rest — and be reborn as the ultimate version of yourself, as you were always meant to be. This is your ending. This is your beginning. This is FUNERAL”, I ventured over to Howler in Brunswick on 29/1/26 to see ‘Funeral’, a “live music performance from dark, electronic, alt-pop phenomenon, KING IV.” (Pronounced I-V-Y.)

‘Funeral’ is the live performance of KING IV’s dance-pop album, ‘Psychopomp: the other side.’ Melbourne artist, Cheyenne Harper, is professionally known as King IV, who imagines herself as a conduit between two worlds, which provides her – and in turn, us – with a feeling of freedom and power.

The MIDSUMMA festival program is made up of diverse art forms and genres, so I knew ‘Funeral’ by King IV would be far from vanilla. I certainly got more than I expected – as I’m sure crowds discovered from King IV’s past gigs at Beyond the Valley, Melbourne Music Week and previous live and large events.

All songs are originals, written and composed by Harper and backed by a visual feast of cinematic projections and dark choreography, to live and synth-ed music. Don’t fear or judge the synthesizer. These songs are truthful and from the soul. There is a rawness and honesty thrown artistically and boldly in-your-face, and each track leaves you wanting more.

Beginning with a video wall as wide as the stage and evocative words conveying her “red being” crossing to the other side, we meet a sensual King IV with her 2023 single, ‘See you later’, a song about seeking pleasure and letting the light of passion free one from darkness.

King IV told Australian Music Scene in 2022 the song “…poured out of her after a night out clubbing and being love-bombed by the person she was out with.” When writing ‘See you later’, she was also influenced by psychotherapist, Carl Jung, and his quotes on passion, including, “…they must be on fire even if they make a fool of themselves…”

 

 

‘See you later’, is both erotic and clubby so, everyone at Howler moved towards the stage where we could be closer to even more surreal imagery from this extraordinary artist and her voice-over, asking;

“Did you become the forest? Or the space between the stars?
The wind crossed through the valley, or the harsh and ancient jars?
I reach for you in the wind…. in earth, in flame, in sea.
Whatever form you’ve taken, please leave a space for me.
Tell me if you’re alright, even if you’re not.
Even if you’re gone now. Is your soul forever lost?
Welcome to the cosmos and floating on the stars.
A break inside the universe. You’re always in my heart.”

She has taken us to the Afterlife. It’s something we’ve all considered, especially after profound loss.

King IV, as her “red being”, then returns with a plethora of pumping poetry.

A funky kick-beat of a song, ‘Wicked’, was one of my favourites.
“We can cross the seasons. We can reach the stars.”
I resonated with her “wicked witchy woman” story.

Next, ‘Night and Day’ with IV singing inside a red-lit coffin, standing centre stage. Loved the electric guitar riff on this one.
“I like it when you taste it. I do. I do. I like it when we’re naked. I do. I do.”

‘Murder’ mixed ethereal vocals and electronic layers.

‘Psychopomp’ was a stand-out.
“I’m a fire-breathing dragon. Always ready for some action.”

Ultra-talented Pat Gabriel, composer and musical director – @pattyboomba – plays the keyboard, the strings and other recorded pieces throughout the whole show and, it’s obvious to everyone he loves what he’s doing. Heavy on the bass, he interprets his talents within King IV’s compositions.

The Funeral dancers are fit and fast with dynamic and demonic moves, framing King IV fabulously along this unique journey she’s created for us.

‘Psychopomp; the other side’ is an excellent electronic, dance compilation, moody and theatrical, exploring hedonistic lifestyle, personal transformation and pushing each of us to claim our own unique identity.
“To truly transform, you must let the old self die – and trust that something greater is waiting to be born.”

Words of wisdom to live by as we venture into 2026.

Purchase King IV’s ‘Psychopomp: the other side’ album from Bandcamp, an online site that directly support the artists who make music.

@kingivsound

To book tickets to Funeral, please visit https://www.midsumma.org.au/whats-on/events/funeral-king-iv/.

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A One-Man Cabaret by Mario Acosta-Cevallos

Caminare - The Echo Of My Steps

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Caminaré, The echo of my steps.

A ONE-MAN CABARET BY MARIO ACOSTA CEVALLOS

(MELBOURNE FRINGE FESTIVAL, 2025)

For anyone passionate about life’s unique narratives, expressed through human movement or dance, this new Latin cabaret show at Gasworks is for you.

Venezuelan-born Director and Dramaturg, Clary Riven, used, “The fire of Latin dance blended with the soul of cabaret to form a tale of culture, rhythm, pride and pain” to shape this new piece, her motivation being “inclusive stories that connect deeply with audiences.”

Starring World Salsa Champ, Mario Acosta-Cevallos, who created this cabaret, we watch as Mario bares his soul, via his life’s memories, confronting personal revelations and dancing his way through the complicated discovery of ones’ identity, self-doubt, and finally, healing.

Through music and movement, Caminaré reveals episodes of Mario’s past, from his introduction to Latin music growing up in a migrant household, to the glitter of the stage, to embracing his truth as a queer Latino performer, each episode disrupted by one of Mario’s energetic, professional, technically perfect Salsa routines – a joy to watch – some which defined him as Number One, others which didn’t. This drew a clever analogy to the way our lives ebb and flow.

Mario Acosta-Cevallos’ choreographed the show with Laura Anderson, who also produced the show. Laura has worked with some of the industries’ leading artists and companies, across musicals, live music, television and, theatre, her motivation to “push the boundaries of dance as a powerful form of expression.”

 

 

The audience sees Mario’s amazing routines that defined him as a winner but more interestingly, we see Mario’s sense of humour, his vulnerability, his competitiveness and ambition, most of all, we see his heart.

Stage manager, Seamus Allan, set the stage like a dressing room or backstage area, including some of Mario’s past glittering costumes and accolades.

Lighting Designer, Tom Vulcan, warmed the stage rosy at times, but mostly in bright red lights, that gave off an intensity when required.

Handsome and physically gifted, looking every bit the leading man, while this star is an openly gay artist, I noticed Mario had as much admiration from multiple ladies in the audience as gentlemen. Many were holding flowers to present to him after the show. After all, Mario is a 10+ time World Salsa Champion, touring internationally and performing on some of the world’s biggest stages, including the acclaimed, ‘In the Heights’.

Mario shows us he has learned life is not always about coming first, rather, it’s a moving feast, a constant buffet of lessons and of growing wiser. He is obviously a giver, a teacher, and a friend to many.

I liked his lines, “Hurt people hurt people” and “Who are you dancing for?”

Also, another dance analogy to life and relationships with, “….the push and the pull.”

The brochure offers, “This show is for everyone who’s ever questioned where they belong – and for those who found the courage to keep moving forward anyway.”

Many of us could learn from that.

• Caminaré – the Echo of my Steps, is playing at Gasworks until 11th October.

To book tickets to Caminare – The Echo Of My Steps, please visit https://www.melbournefringe.com.au/whats-on/events/caminare-the-echo-of-my-steps.

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Soul Divas, Sung by Sarah C.

Soul Divas

Soul Divas Rating

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FRIDAY, 3RD OCTOBER – ‘SOUL DIVAS’ AT MEMO MUSIC HALL, ST KILDA

There’s Soul…and then there are Soul Divas.

On a balmy Friday night in Spring, it was time to head to the live music institution that is MEMO Music Hall, for “a celebration of one the greatest female voices of all time, sung by Sarah C” and backed by her very tight and talented band.

On entry to the venue, I met some energetic characters working the door and behind the bar, each of them obviously proud in playing their parts in vibing with members of the audience at one of Melbourne’s finest live music jewels, Memo, a space that offers an intimate room with rich and clear sound supporting a plethora of performers.

Waiting excitedly at my cabaret table, I knew I would be listening to some timeless soulful hits once sung by famous divas, but I had no idea how close Sarah C’s voice, and her talented band would come to the authenticity of those favourites.

Sarah C is known for her powerhouse voice and dynamic and glamourous stage presence. She’s done lead vocals on TV’s Dancing with the Stars and backing vocals on ‘X Factor’ as well as backing for big names like Kylie Minogue, Jessica Mauboy, Paulini, Tania Doko and Ross Wilson – but this lady belongs front and centre.

Sarah’s ‘Forever Whitney’ show tours nationally and has sold-out venues across Melbourne, including The Palms at Crown. Now an international recording artist, her recent credits include singing for Oscar winners, Goldie Hawn and Susan Sarandon.

That’s not surprising. Her voice is both powerful and emotive, technically excellent and, by taking us on a journey through every song, inspiring of human connection.

Sarah has also created original music – a debut EP, ‘Fearless’; working with Mobin Master (as her alias, ‘Carerra’) on the track ‘Werk’, gaining two million streams on Spotify; and has collaborations with dance/house gurus including Ian Carey, Jolyon Petch and Ron Carroll, with releases on Ministry of Sound, Hed Kandi, Vicious, One Love, Safari and Shock records.
So, Sarah C is clearly versatile as well as vivacious, but it was her tribute to the soul divas of the world we were there to hear that Friday night and her incredible ‘Soul Divas’ show not only took on some of the most iconic voices of all time, she’s totally conquered some of the most iconic songs of all time.

While many singers take a whole show to lead up to a couple of these hard-hitting soul classics, Sarah gifted the audience with her unique talent and power straight up over two hours and with hit after hit.

 

 

Singing ‘Love is a Losing Game’ and ‘Back to Black’ from Amy Winehouse’s second and final studio album of the same name, Sarah and the band exquisitely captured the mournful mood in ‘Back to Black’, contrasted against its’ retro/60’s Pop girl sound.

I was delighted to hear Renee Geyer’s inclusion in the mix of Soul Divas, Renee’s powerhouse voice irreplaceable since 1975. I was so “Ready to Deal” with Sarah’s rendition of ‘Heading in the right direction’ and she nailed it. After that, Sarah slipped an original into the mix, ‘My World Was you’, her own soulful invention, that fit comfortably, smoothly and stylishly amongst this nights’ repertoire, just as slick as any of the classics we were here to love:

– Tina Arena’s power ballad, ‘I’m in Chains’;
– Adele’s ‘Set fire to the rain’;
– Aretha Franklin’s ‘Natural Woman’;
– Tina Turner’s ‘Rollin’ on the river’ …and so many more great songs were mastered.

Closing my eyes during some of these songs, I could’ve sworn I was sitting right there in the room with Amy or Adele.
The show was already amazing and then we got to the finale with Whitney Houston’s songs from The Bodyguard film.
It’s unusual to hear anyone sing ‘I have nothing’ or ‘I will always love you’ with the emotion and skill the originals deserve but once more, we were in for a rare treat.

It’s always a pleasure to watch a slick band and while Sarah conducted hers, the band showed us as much heart as they had talent. Multi- instrumentalist, Hayden Baird killed it on the Saxophone and also played keys in the show. His sax solo during ‘I will always love you’ was perfection.

Damien Thomas mastered his guitar riffs.

Drummer, Jay Bruno, a steady strength with every song, syncopated with Billy Cooper on bass.

Billy’s popping slap bass kept us in the pocket all night, Billy also adding some funk to Sarah’s soul – his swag was shades of Larry Grahame from Sly and the Family Stone.

Jade Talbot played the keyboard and contrasted backing vocals, also singing a duet or two with Sarah C, Jade’s dulcet notes of angelic clarity matched against Sarah’s sonorous and smoky vocals.

The band played as one, their camaraderie warm and tangible. The audience could see the respect they had for Sarah and the gentle authority she had with her “family” of musicians.

People of all ages and styles were up to dance before the interval and were also fully focused in fandom towards Sarah and the band on stage.

Like a true diva, Sarah had the audience eating out of the palm of her hand and kept them wanting more.

There’s soul and then there are soul divas. And Sarah Capodicasa is truly one of them.

To book tickets to Soul Divas, please visit https://www.memomusichall.com.au/memo-gig/sarah-c-presents-soul-divas/.

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