The Eternally Hopeful is an uplifting and beautifully sad song cycle. Containing several vignettes, four actors tell small stories with big emotions across the span of 50 minutes. The show was a genuine delight to witness, with heart and soul, delicious harmonies, and a thoughtful cast with clear direction. Isabelle Davis (Writer, Director, and Producer) created a dynamic and well considered show, where the thematic narrative of the stories remained poignant over different plots, artful done given the distinct and episodic story telling techniques utilised in the show.
Each vignette had a distinct narrative, but the emotional impacts of the individual song cut through the entire show. There was distinct emotion maxxing, where actors were clear in exhibiting the thoughts and feelings of the characters. Themes of the life and death cycle were broached, and tenderly managed with warm harmonies and vocal finesse. The beginning of life and its uncertainties were explored in some of the scenes, with other scenes grappling with early and painful deaths. Davis expertly weaved bold thoughts and ideas with gentle and uplifting melodies. Warm optimism permeated each song, even songs that were mournful and sad retained an eternal sense of hopefulness that sparked something ineffable within me.
The Eternally Hopeful had a relatively stripped back set, which allowed the actors to utilise the stage for the different narrative needs that arouse throughout the varied vignettes. There were plants and books on stage, establishing a homely warmth at the top of the show, that continued to develop and build. The four actors moved around the space creating new locations with each new catchy song. The lighting (designed by Cale Dennis) intensified as the characters emotions deepened, effectively expressing and communicating how the story was evolving.
The harmonies of the four actors were beautifully accompanied by John Mondelo (also musical director) on piano. There was a cheeky sweetness that extruded from Mondelo, adding to the playfulness that appropriately swept through the entire show. The polished vocals allowed the melodies and humour of the lyrics to shine. The music was gritty as needed, and polished when required. The audience chuckled at some sweet and silly moments within the song cycle.
The Eternally Hopeful was lovely, and it is distinctly apparent to me that this show deserves a large audience and great commercial success. Throughout the show I was delighted and entertained, I was asked to consider mortality while being comforted by excellent vocals. It was such an enjoyable overall experience, with each creative element working well together.
To book tickets to The Eternally Hopeful, please visit https://www.theatreworks.org.au/2026/the-eternally-hopeful.
Photographer: Alec Farrow