#Since1994

Since 1994

Since 1994 Rating

Click if you liked this article

1

As Perth Fringe opened this week I was incredibly excited to see this international contemporary circus act from Taiwan. To be honest – I was a little unsure what to expect from the description of the show but my expectations were well exceeded.

Part circus, part physical theatre, this show is definitely the best kind of off beat and for those looking for something different. All I could think of what how interesting, thought provoking and expressive this show is.

How and where did these women train? What is their background? And what made them want perform this rebellious circus act that differs so drastically from any traditional circus?

A little research about performer and creator of #since1994 Mei Chih-ling reveals that she studied at the prestigious National Taiwan College of Performing Arts which undoubtably informs her art today and maybe not for the reasons we would first think. Chih-Ling shares that “In school, female students would be punished if they gained 0.1 kilogram, so we were afraid to even drink water before weighing ourselves.” These kinds of experiences transfer to the stage and comment not only on industry expectations but what it means to be a woman today. How do we allow ourselves to be treated? How do we feel? What is our purpose? What are we capable of?

 

 

Rated PG I tentatively took my 7 year old daughter (who is a bit of an acrobat herself) along to this show not 100% sure if it would be appropriate. What I learnt was, that it was 100% the perfect show for us and we both loved it! It also lead to a great discussion point with her. Did she ever want to create her own work? While my daughter loves her calisthenics classes – would it be freeing for her to use her skills she has learnt to tell her own stories in the future rather than just be instructed what to tell? It was something I had thought about in the past but seeing these powerful women (both physically and mentally) in the flesh perform this was a real inspiration.

The show is as impressive with its thought provoking nature as it is with it’s circus acts itself. The strength, talent and cohesion of this all female troupe was outstanding. We saw human towers, table spinning on feet at speeds I’d never seen, contortion, hula hooping, aerial acts and juggling.

They didn’t miss the comedy of circus either and both my daughter and myself were giggling along to some sillier and more playful moments of the show. She especially loved the audience participation when she got to draw on the artists with lipstick.

This show has all the feels and takes you on an unexpected emotional journey. It’s beautifully poetic and spectacle to watch. By the end it had me with tears in my eyes; I wasn’t quite sure why, but it was something to do with the unity of women, our struggles, experiences and possibilities we all have combined.

#Since1994 runs Wednesday the 21st of January till Sunday the 1st of February at The Gold at The Pleasure Garden.

To book tickets to Since 1994, please visit https://fringeworld.com.au/whats-on/since1994-fw2026.

Spread the word on your favourite platform!

Briefs: The Works

Briefs: The Works

Briefs: The Works Rating

Click if you liked this article

4

Briefs: The Works

Whenever I ask for recommendations on what to see at the FRINGEWORLD Festival, Briefs is always on the list. It’s a fan favourite for good reason, and there’s a reason people return season after season to see the new show. This year is no exception — and it absolutely does not disappoint.

In 2026, Briefs celebrates its 18th birthday, with 13 of those years right here in Perth. The Works is a celebration of that journey, bringing together and reimagining some of their most loved elements to create a bold, brand-new show.

What you get is Briefs’ unmistakable blend of sparkle and sass; risky and risqué; oh my god and Oh. My. God! (IYKYK).

 

 

The show begins the moment you step into the venue. Performers roam the space, interacting with the audience and setting the tone for what’s to come — and oh my goodness, what does come. How do you sum up Briefs in 300-ish words? Think jaw-dropping strength, grace, and power from the aerialists; flawless acrobatics paired with pitch-perfect mime; the hairiest man I have ever seen (and oh my goodness did we see a lot of him!) dancing en pointe — and jumping en pointe (my toes hurt just watching). Add the grossest thing I’ve ever seen done with a balloon, fire nipple tassels, audience interaction, and, of course, the infamous splash zone and you get a bit of an idea of what Briefs – The Works has to offer.

I cannot say enough good things about this show — but a word of warning: this is not one to take your young children to, and there is a lot of swearing. If bad language or adult content offends you, this isn’t for you. But if you’re up for a wildly entertaining night out filled with aerials, acrobatics, drag, sequins, and unapologetic attitude, this show will absolutely fill your cup.

Briefs: The Works is showing for the entire FRINGEWORLD season (except Mondays). If, like me, you’ve been hearing about Briefs for the last 13 years and wondering whether you should book a ticket, take this as your sign — book now.

More information:
https://fringeworld.com.au/whats-on/briefs-the-works-fw2026

To book tickets to Briefs: The Works, please visit https://fringeworld.com.au/whats-on/briefs-the-works-fw2026.

Spread the word on your favourite platform!

GASHA: Where Tradition Collides With The Future

Gasha

Gasha Rating

Click if you liked this article

0

GASHA: Where Tradition Collides With The Future

I want to start by apologising to the performers. I was so utterly enthralled and completely absorbed that I forgot to applaud and show these incredible artists the love they deserved. My plus one—well accustomed to my enthusiastic noise-making at circus shows—eventually leaned over and whispered, “Shouldn’t we clap?” Oh my goodness.

It turns out the rest of the audience was just as mesmerised. We all sat in silence until when my plus one and I finally clapped and cheered, suddenly it felt like everyone had been given permission to applaud, but moments later we were back to mesmerised and the audience was silent again. Performers if you are reading this, you were STUNNING! The silence was a reflection of our awe and not a suggestion you weren’t all amazing.

 

 

GASHA is the latest masterpiece from Cirquework, and last night marked its dazzling global debut—right here in little old Perth. Remember when “no one comes to Perth”? Those days are well and truly gone. I don’t use the word dazzling lightly. The performers were stunning, powerful, and exquisitely skilled, complimented by the lighting design—strobe effects and an LED backdrop—elevated the show to another level not often seen at a Fringe show.

This production is an exquisite tapestry of art. Kimono-inspired costumes seamlessly merge with modern aerial attire. Live-mixed music weaves alongside the haunting sounds of the shamisen (a traditional Japanese banjo). Talented musicians meet gifted aerialists, acrobats, a mesmerising Cyr wheel artist and I don’t know what kind of artist name you use for someone who spins fabric and balances umbrellas, but what ever that is called, that was beautiful too. Every element blends together in a vivid celebration and tribute to Japanese culture.

GASHA is showing for the full FRINGEWORLD Festival season (except Mondays), plays at the very civilised time of 6:15pm, and is performed in a blissfully air-conditioned venue. It truly ticks all the boxes.

More information https://fringeworld.com.au/whats-on/gasha-fw2026

To book tickets to Gasha, please visit https://fringeworld.com.au/whats-on/gasha-fw2026.

Spread the word on your favourite platform!

The Wizard of Oz – A Traditional Christmas Pantomime

The Wizard of Oz - A Traditional Christmas Pantomime

The Wizard of Oz – A Traditional Christmas Pantomime Rating

Click if you liked this article

7

Zealous Productions yearly pantomime must be Perth’s best kept secret and this year’s The Wizard of Oz is no exception. Housed at Subiaco’s Regal Theatre and in their fifth year – I’m surprised that this show is not getting more press!

I can’t sing high enough praises for this team who are all West Australians; seeing a show like this makes my job easy as a theatre reviewer. It made me proud to be a West Australian and see the home grown, grass roots creativity they are bringing to our stages. What I also loved while reading the 16 strong casts biographies was that many themselves are also creating their own work, which I believe is a must as a performer. They are not merely pawns who are part of an industry but passionate performers who are creating with their heart and soul.

As the curtains raised, I knew that the show was going to be good when I heard the claps and shouts from their loyal and yearly returning audience. It was clear that the audience knew what was coming and they were just as excited as the performers to be part of this year’s pantomime. We were encouraged to cheer for goodies and boo for the baddies and oh was it fun!

Audience involvement in a pantomime is such a necessity and Zealous Productions nailed this. There was a point in the production that they had literally everyone (yes everyone!) in the audience on their feet dancing to the Time Warp. It felt like I was at a family party yet I was really in a theatre with over 500 other strangers. There is nothing like the energy and connectivity cultivated by artisan performers and it leaves you so invigorated and buzzing.

Their cast was truly a strong cohesive team not to mentioned incredibly professional and talented. With most graduates of NIDA, WAAPA, VCA or with substantial experience, it was unsurprising how perfect this production was. Director Brendan Hanson had a talented team to work with but there was no doubt he is just as talented with a spectacular final product.

 

 

Special mentions go to Maree Cole as the awful Wicked Witch. I know Maree’s work and as someone who has been around for years – she is like a fine wine – she keeps getting better with age!

In her professional theatre debut Jayda D’Agostino was impeccable as Dorothy. Vocally beautiful to listen to, she was equally mesmerising to watch with her bright and sunny characterisation.

My seven year old daughter’s favourite character was the Scarecrow played by Noah Connelly. I can see why – with his amazing physicality; cartwheeling, jumping and flopping across the stage he was a spectacle to be watched.

Of course a favourite of all pantomimes is when we have a cross dressing character. Aunty Em/Glinda played by Chris Gerrish did not let us down. Incredibly quick witted and sharp with his jokes, I loved his hilarious vocalisation and overall big stage presence.

Another highlight was the tap dancing ensemble – how wonderful to see this on stage. Something you rarely see these days – especially not in Perth! It made me want to take up tap lessons again and maybe I just will!

Overall this production exceeded my expectation again and again. They really were at such a high and professional level with everything from the sets (the use of projection was really clever and visually very pleasing), use of a live band (this always tops a production for me) and the bright and fun costuming.

Zealous’ pantomime really should be apart of your yearly Christmas tradition, because if it’s not your missing out!

The Wizard of Oz runs from December 12 – 24th 2025 at the Regal Theatre in Subiaco.

To book tickets to The Wizard of Oz – A Traditional Christmas Pantomime, please visit https://premier.ticketek.com.au/shows/show.aspx?sh=OZXMAS25.

Photographer: Stephen Heath Photography

Spread the word on your favourite platform!