If You’re Hearing This

If You're Hearing This

If You’re Hearing This Rating

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Ally Morgan is a new kind of supernova performer. In her 2026, Melbourne Comedy Festival show, If You’re Hearing This, she swoops us up and takes us on a whirlwind tour for the ages.

Morgan starts her show with a burst of optimism and the idea that things out there can be really, really good, even when they are clearly not that good at all on home soil. She’s fashion forward in a suit that is halfway between a NASA 1950’s one and something that the babes from Wet Leg might wear, showing her preparedness to get down and rock her world with some serious songwriting and lyrical talent. Morgan’s departure from earth is on a fast paced countdown. She’s on a do it yourself mission to save herself from Armageddon. Planet Earth is in a right pickle so the logical thing to do is eject herself into the atmosphere and take a chance — interplanetary Survivor style.

There, in the outer limits of space Morgan finds she has a lot of time on her hands so what better way to keep her sanity and her cool zeitgeist narrative alive than by doing an up to the minute broadcast over the space airwaves — even if no one’s listening. Her set is simple but effective. She knows how to transform a space. Musical instruments, a keyboard, a DIY screen, a squishy gold helmet and she’s away.

 

The brilliant songs allow Morgan to address all sorts of crisis points and her talent and skill in nailing where we all are right now lies in leaving no stone unturned. She pans manosphere podcasters, references the lost innocence of the early 2000’s, and employs visual gags from major film makers to billionaire asshats, as well as giving us a running commentary on news and politics. Morgan sings folk tinged songs that Joan Baez would be proud of. Her songs are at once poignant, hilarious, urgent and ironic. Her transitions from mother earth guardian, to digital information purveyor includes themes on life and death; the point of relationships and human connection; the vagaries of big C, Capitalism; tales from her youth and neurodivergent ways of being.

She calls out the force with which man tries to destroy everything good and calls out her own ambivalence when called to action as well. If anything the themes are so wide reaching and profound that maybe a slight edit would serve the overall project? But Morgan sings, moves and delivers ballads as sweet as The Sundays juxtaposed with political fight-the-power style black and white documentary narration that nevertheless ignites us all. She asks us to think deeper about how we got to a time when a girl who just wanted to have fun lost all that in the Black Mirror-esque way we live our lives now.

Morgan shows us that even though innocence has been washed away by a zillion screen time hours and the “encyclopaedia” of ChatGPT use, that in fact, love is still what humans want. It’s a very savvy well written show filled with modern day ennui. But is anybody really listening? Is Morgan just screaming into the void? Will she ever be saved? Her teabags and fuel are running low and she’s scared and utterly alone…well, for a while at least.

To book tickets to If You’re Hearing This, please visit https://www.comedyfestival.com.au/browse-shows/if-you-re-hearing-this/.

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Ireland The Voyage

Ireland The Voyage

Ireland The Voyage Rating

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From the producers of Celtic Illusion, comes a powerful new theatrical experience in Ireland: The Voyage, an epic celebration of Ireland’s history, heart, and heritage brought to life through authentic voices, live music, and world-class Irish dance. Emotional, exhilarating, and deeply immersive, Ireland: The Voyage invites audiences to feel the pulse of a nation – it’s triumphs, its tragedies, its music, and its unbreakable spirit, in a live experience you will never forget!

I was fortunate to be able to delve into this world of all things Ireland currently touring around our country.

Firstly, in my years in dancing (over five decades) I’ve only ever seen Irish dancing twice in my life before (shameful I know!). Once at a high school talent show, and once when I organised a display floorshow at one of our dance fundraisers (everyone commented afterwards how good it was).

This style of dance has sustained as entertainment for decades in theatres around the world, on cruise ships, feature festivals and more. And certainly now I can fully understand why. Whether or not you are Irish, love Irish dancing or music, or just enjoy any stage performances generally; Irish vibes are contagious and captivating!

This show however is much more than just an Irish jig to a whistling tune; it is a real journey of shared stories, history and spirit.

 

 

We learn in detail from our host Giselle about the interesting Irish instruments being played in the traditional Irish band, which remains in full view throughout the show on stage. Each band member is also introduced by name with a little of their Irish background and musical accomplishments. They are all simply brilliant musicians and together bring this show wholly to life.

Irish songs sung both in English and traditional language by Giselle O’Meara are truly unforgettable. Her superior voice carries off each and every note like a fine instrument you could easily listen to for hours. Not loud and showy, but gentle and sweet; welcoming and inviting us to just enjoy!

I closed my eyes a number of times purposefully to listen and take it all in. Not only am I learning along the way about Ireland, a place I loved visiting 25 years ago, I am growing a great appreciation for this music and sound.

Shining stars are evident in the Irish dance champions – a trio mesmerize us with unbroken unison of speed and grace, extraordinary flexibility and control in traditional Gaelic; skillful solo features of rapidly increasing intricate footwork are an honour to witness, and later in the show we will clap along to particular beats in joyful harmony encouraged.

This beautiful show was such a lovely relaxing night out, and my Mum who came with me went home to try and find the great Irish love song ‘Grace’ to add to her playlist.

Thank you so much to the cast, musicians and team at Base Entertainment for this chance to broaden my knowledge of Ireland whilst at the same time tapping my foot along to some incredible music and songs from this voyage on stage transporting us all in the lucky audience to the Emerald Isle afar.

Ticket link: https://www.irelandthevoyage.com/

INSTAGRAM: @ireland_thevoyage

Tour includes cities and towns all over Australia and New Zealand.

Cast:
Giselle O’Meara (Champion Irish dancer and former lead vocalist for Michael Flatley’s global phenomenon Lord of the Dance Arena Tour)
Sara O’Hara (World Top 20 Irish Dancing Championship)
Liam Mcweeny (former quadruple Australian National Champion Irish Dancer)
Corey White (runner-up Australian International Oireachtas)

Musicians:
Tim Gleeson (guitar and Irish drum, the bodhrán)
Cormac O’Hanlon (concertina)
Ciara McGoldrick (low and high pitch whistles)
Muireann O’Dwyer (harp)

To book tickets to Ireland The Voyage, please visit https://www.irelandthevoyage.com/australia.

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Unforgettable Passion: A Review of No Regrets: The Edith Piaf Story

No Regrets: The Edith Piaf StoryNo Regrets: The Edith Piaf Story

No Regrets: The Edith Piaf StoryNo Regrets: The Edith Piaf Story Rating

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The Home of the Arts is a remarkable venue, most famously regarded for its shows, exhibitions, and live events. With a variety of performance spaces, HOTA hosts a diverse collection of performances year-round, catering to all audiences, interests, and passions.

Located in the intimate setting of the basement, with an exclusive show on April the 4th only… talented Australian artist Nikki Nouveau presents ‘No Regrets: The Edith Piaf Story’. Nikki has many years of experience as an entertainer, which is evident in her most recent cabaret performance.

In No Regrets: The Edith Piaf Story, Nikki Nouveau offers a captivating and heartfelt journey of the legendary French singer, Edith Piaf. The audience is immersed in the essence of Piaf’s life and music within the first five minutes of the performance, through emotional delivery. Nikki transports the audience to the heart of Paris, with her deep connection to Piaf’s legacy.

The emotional resonance of Piaf’s story is enhanced by Nikki’s ability to speak both French and English seamlessly. Angelic vocals evoke the profound emotional connection between Nikki, Piaf, and the audience. The show begins slow, as Piaf’s life begins quite sad but ends with joy and passion – taking the audience on an emotional rollercoaster.

Nikki incorporated costume changes and accessories into her show, as a visual element of character development. The show began with Nikki wearing a black dress, to represent her femininity. In the second act Nikki wears a suit to portray the dominance and strength that Edith Piaf has adopted by this point in her life. A top hat was worn for a small sequence of songs as a character change – singing about Edith Piaf’s close friend Marlene Dietrich.

Each of these costumes were black, so they were timeless, sophisticated, and dark to represent the somewhat depressing story she was telling. The room was in relative darkness, and the stage was framed by red curtains and a stark white spotlight. Throughout the performance, Nikki performed flowy, elegant arm movements to match the music.

A standout was one of Piaf’s most notorious songs, La Vie en Rose, which coveys the bittersweet emotions that come with love. Nikki’s exceptional delivery aroused strong feelings of nostalgia and romance. Along with Nikki’s impressive vocals, there are moments where the music takes centre stage, with creative yet dramatic instrumental scores.

The changing dynamics in the music enhanced the atmosphere and highlighted the raw emotions tied to Piaf’s iconic and timeless songs. The music is an integral part of the storytelling, and Nikki moves to the side so the instruments are featured. John Reeves is an exceptional pianist and accordion player who deserves much recognition for his talent and musical ability.

Although the show started off deliberately slow to match Edith’s early years, it gathers pace, leading to the whole audience clapping along towards the end. Overall, this was a wonderful performance from Nikki and her musicians, full of passion, soul and music.

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Javeenbah Theatre Presents: The Man Who Doesn’t Like Musicals

The Man Who Doesnt Like Musicals

The Man Who Doesnt Like Musicals Rating

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The Woman who loves musicals found herself kicking off 2025 with Javeerbah’s production of “The Man Who Doesn’t Like Musicals.” I didn’t know what to expect with this one but I was not disappointed.

Directed by Fiona Mumford, with choreography by Charlotte Carozo and musical direction by Alex Angus “The Man Who Doesn’t Like Musicals” is set in Hatchetfield, where everything seemed normal until people began singing… Then, they began dancing… And now, a musical pandemic is sweeping the entire city. Whilst this doesn’t seem like a huge problem to me, Paul (A man who doesn’t like musicals) is determined to stop this musical apocalypse and fight for humanity’s future.

The cast and crew of Javeenbah never cease to impress me with the level of professionalism that they put into their productions. From the acting and choreography to the set design everything was of the highest quality for a community theatre production.

Whilst the title of the production might sound whimsical just be aware that this one does come with a content warning: This production contains strong language, depictions of guns & gunshot sound effects, mature themes, audience participation, and the use of slime. It is also set to music (if you hate musicals) so viewer discretion is advised.

Having said that though, if you are a fan of Schmigadoon or are just looking for an exciting night out then I would highly recommend heading down to Javeenbah, support local community theatre by checking out “The Man Who Doesn’t Like Musicals.”

Javeenbah Theatre is nestled on the corner of Steven and Ferry Street in Nerang, overlooking the Gold Coast skyline. There is ample parking onsite or on the street, and the theatre serves drinks and a small selection of snacks for patrons to enjoy before or during the show.

The theatre is on ground level, surrounded by grass and gravel, but there are no stairs to negotiate for theatre access if you use a mobility aid. The theatre is quite intimate, with excellent views of the stage from any seat in the house, comfortable chairs and ample legroom.

If you are looking for a fun evening on the Gold Coast, I highly recommend attending this show.

To book tickets to The Man Who Doesnt Like Musicals, please visit https://javeenbah.org.au/product/the-guy-who-didnt-like-musicals/

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