The Secret Garden

The Secret Garden

The Secret Garden Rating

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9

A totally delightful evening was what my friend and I had going to see THE SECRET GARDEN at the cute Beaumaris Theatre. As soon as you step inside this special community venue you know you’re in for a good night. This was where I did my very first review too!

A popular novel by Frances Hodgson Burnett, published as a book in 1911, the set in front of us includes a hidden garden, which will change from barren to beautiful, and be accompanied by very clever use of a spotlight as a tiny robin bird. Add the authentic period costuming for seven characters and an even more authentic early wheelchair for one of them, the use of everything is impressive overall from the solemn lighting dimmed in the introduction to a bright and happy end.

The friend I had with me tonight is very much a supporter of theatre and sees many professional and amateur productions, but she had not been to Beaumaris Theatre before; she was equally impressed and her quote for the evening was:
“Mary was an absolute standout, captivating stage presence”

I agree, young Winne Wilson-Phillips (who has just turned 11) playing ‘Mary’, was faultless in this lead role, with a massive amount of dialogue and in a mastered Yorkshire accent. Winnie’s character was all things; sullen, sad, mad, rude, friendly, mean, caring and entertaining! A great deal of emotions for a young actress who got involved in drama by chance only three years ago when her sister won a term class at BDC Drama that Winnie took over and has been hooked on ever since – easy to see why.

Playing ‘Colin’ is talented young actor Ben Solomon. A year 7 student, Ben also had many different emotions to display and he managed to convey both serious and comic lines within very short changing emotional intervals seamlessly. We all had a good laugh when he chastised Mrs Medlock, argued with Mary, ordered elderly gardener Ben around, and learned to move again with Dickon’s exercise help.

‘Dickon’ played by year 8 student Max Turner had an obvious strong confidence throughout. Complete with an animal (not real) on his arm or shoulder, his role was full of positivity for helping others. As I read in the program that Max has already worked professionally with Jessica Mauboy in the Australian film ‘Windcatcher’, and also enjoys screenwriting and making his own movies, I am sure there will be no limits for his bright future in the Arts.

 

Both Shelley Dunlop as ‘Martha’ (housemaid) and Caroline Kinnear as ‘Mrs Medlock’ (housekeeper) right from the very start were fun to watch. Splendid surprise, worry and shock were all part of their course in these characters looking after the children. I was pleased to see that Mrs Medlock was good-at-heart in the end, as Martha had told Mary in the beginning. Caroline did such a good job of keeping her stern until then and I had forgotten many details since I saw The Secret Garden as a child at the movies and read in the book when I was in school way back when…. let’s not go there, but I knew I loved the story.

I did remember in the end that there was a reunion for father and son. Simon Coles as ‘Mr Craven’ is so well suited to this role and I especially enjoyed the scene watching him return to discover the garden and Colin in good health. Every parent in the audience felt his words.

Dan Bellis as ‘Ben Weatherstaff’ was very funny, whether he was leaning over the garden wall or discussing matters of ‘rheumatics’ with the children, he got continuous laughter bursts from the audience even in unexpected moments purely from his crusty mannerism or awkward posture adjustment.

This show is all about the joy of a garden; the magic that life can bring – all happening in a magic little place in Beaumaris.

Go see and love it!

Congratulations to Director Kristina Doucouliagos, Assistant Director Alarna Summers, Stage Manager Sarah Gow, Set Designer Fred Pezzimenti, Scenic Artist Sally Fleming, Lighting Designer Joshua Gardner, Lighting Operator Sam Johnson, Spotlight Operator Hal Foxworthy, Composer Harrison Ewart-Dart and costumes by Jenni Osburn.

Thank you to Debbie Keyt, president of Beaumaris Theatre Committee, for your invitation.

More information: https://www.beaumaristheatre.com.au/

Tickets: https://www.trybooking.com/au/event/1564158 playing until 22nd August

Instagram: @beaumaristheatre

The theatre is easy to find at 82 Wells Rd Beaumaris. Parking in the street. Canteen serves free tea and coffee with biscuits at interval and you can buy the usual popular choc-tops and other yummy stuff.

Side note recommendation: we had dinner prior at nearby ‘Creative Thai & Bar’

To book tickets to The Secret Garden, please visit https://www.beaumaristheatre.com.au/the-secret-garden.

Photographer: Pietro Giordano

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‘Aladdin’ by The Victorian State Ballet

Aladdin

Aladdin Rating

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14

What a privilege to be invited to review the ballet of ALADDIN by Victorian State Ballet company performing at The Palais in St. Kilda, a grande dame of theatres.

Everyone likes to dress up for the ballet! It’s so beautiful to even enter the foyer and watch lots of excitement meeting friends, buying programs before eagerly being shown to seats. A couple of young girls in front of me had their best ‘ballet’ buns in and ballet ‘pink’ clothes on, one with a picture of Princess Jasmin on the front. Their mum obviously equally looking forward to the show, smiling at her children’s joy. I remember those days!

Classical ballet is a very special form of dance. Whether or not these young girls are inspired to become advanced ballet students or simply continue to enjoy the art of ballet in an audience, they’ll never forget coming along to a full length ballet for the first time. (I asked their Mum and her reply was when she had heard it was ‘Aladdin’ she had to take them even though it was a late night because they love the Disney story so much!). After the show they were both skipping, twirling and arabesqueing up the aisle. I wonder if they went to sleep dreaming of either becoming a princess or a ballerina?

Alanna Puddy as Princess Jasmin shines as a principal. Not only is her exceptional technical training at The Queensland Ballet PPY and Australian Conservatoire of Ballet evident, she has the ability to tell this well-known storyline clearly and convincingly. There is often a lot colorfully going on around her and she is completely focused in bringing Jasmin to life within each scene exactly like those girls in the audience expect. They giggled at the cute moment of Jasmin playing cards with Aladdin.

 

 

I never look at who is in the show prior to reviewing, so I am thrilled to see a past school buddy of my daughter’s playing the title role ‘Aladdin’, Michael Scott-Kahans. Michael studied here in Melbourne at VCASS in the full-time dance stream, then went on to train at Tanz Akademie Zurich and European School of Ballet. At 18 he was accepted into a contract with Alberta Ballet in Canada. As Aladdin, from stealing apples to a memorable solo, Michael is superb and his extensive training is highly noticeable. Impressive clean grand jetés and an acrobatic aerial from this guy too!

Tristan Gross as Jafar is excellent. Jafar is an interesting character isn’t he…. scary and calculating. Though in a ballet of course Tristan, as the expert artist he is (formerly of The West Australian Ballet and Royal New Zealand Ballet), has to relay these mindful exasperations of Jafar very differently from those who get to play the role in a musical or movie; only non-verbal expressions – he does very well indeed.

Dancing since he was 5 after commencing at Melbourne Dance Theatre, Daniel Sierra as The Genie is absolutely living the dream and what a lovable role to fill. I have watched Daniel before as a much younger dancer (VSB shows regularly tour to the suburbs and regional areas in Australia). He continues to build a strong presence on stage I recognize and no doubt has an equally strong future ahead of him. It was fun to watch him as Genie.

Belle Thorneycroft (Sapphire) has exceptional poise and elegance.

New Zealander, Courtney Taylor (Ruby) shows passion and an eye for detail right to her fingertips.

Maggie de Koning (Diamond) simply oozes love for this genre she performs outstandingly.

Grace Kefford (Emerald) is graceful and gorgeous.

Felix Milewski (Magic Carpet) loves to perform since his journey began as a child dancer with the Australian Ballet. Though you cannot ‘see’ him as the Magic Carpet, the ‘dancing’ carpet is a feature especially entertaining!

Charlotte Jones (Aladdin’s mother), a very lovely dancer, having been accepted into the prestigious English National Ballet School in London, stood out to me as one upcoming young lady to watch.

There are members in the corps of Victorian State Ballet who are amazing; extensions that defy the definition of flexible and their interactions with each other are suitably staged with spot on timing to create the whole picturesque scenes in very pretty costumes. I particularly liked the castle scene. A+

I overheard many positive comments after the applause finally subsided and I’ll note one in particular:

“was interesting how they changed the lighting to show off the costumes”

I agree, the lighting was used in co-ordination with the costume colours and settings super well!

Every dancer tonight created an impactful connection with their audience to tell the narrative about a poor boy who falls in love with a girl, finds a genie in a bottle, fights off a villain and eventually gets to marry her as a princess (“wedding scene had ‘cool’ drum music” my own daughter reported on way home).

It was magical to see Aladdin as a ballet. Thank-you all!

The Victorian State Ballet is a professional ballet company all ages can go along to enjoy and appreciate the art of ballet at an affordable ticket price, but still with quality and care of remarkable artistic talent.

Congratulations Martin Sierra (Artistic Director) and Michelle Cassar de Sierra (Choreographer & Co-director) and your entire team behind-the-scenes and on/side-stage.

To find out more see www.victorianstateballet.org.au

Instagram: @victorianstateballet

To book tickets to Aladdin, please visit https://www.victorianstateballet.org.au/tickets

Photographer: Sasha Kane

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The Lightning Thief – The Percy Jackson Musical

The Lightning Thief

The Lightning Thief Rating

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26

Though we are sadly seeing multiple professional city shows close early in Melbourne in the current economic climate, Community Theatre in Cranbourne right now is absolutely thriving!

A fantastic cast of young people have just opened “The Lightning Thief” The Percy Jackson Musical, produced by Peoples Playhouse, and it’s a massive hit!

I knew absolutely nothing about this show prior to going on the sold out opening night and only learned this is also a series of very popular books from the friend I took along, who hadn’t seen the actual show either and equally enjoyed it. As “theatre mums” we love love love to sit back and feast on a bright new energy level. This show is full of action from the get go and it never ceases to amaze me what storytellers can weave in their imaginations.

A plot of wayward demigod teenager, Percy Jackson, the son of Ancient Greek God Poseidon, finding his purpose via a quest with other children of Gods to discover his father’s reason for not being present in Percy’s life is also a journey of bravery and self discovery. This musical, loaded with both catchy dance tunes and meaningful lyric songs, has everything in it to pack a punch with a young audience especially; the cheers didn’t stop from start to finish.

Playing ‘Percy’ is Isaac Lane from Nida Open in a huge role he handled like a pro, accompanied by Olivia Woodhouse, growing up in ballet and then discovering her love for musical theatre, she is a super strong ‘Annabeth’, and Jack Thompson studying full time at Showfit, is a true champion player in his role as Percy’s best friend ‘Grover’.

 

 

The flashbacks of the three mains as their younger selves by 11year old Jasper Sage, 11year old Ayda Melody Hendricks and 12year old Matthew Theoclitou were all well played with a lot of emotion from these experienced theatre youngsters.

The use of spotlights in this show is very effective; something I constantly noticed as enhancing what was happening on stage and there’s a LOT happening! Demon teachers, cute squirrels, frozen statues and very inventive props including the funniest tractor scene, you won’t ever guess what’s coming up next.

All the cast work exceptionally well together in the little details and the choreography is fun and energetic with some cleverly rehearsed fights and battles. Great job everyone, you were so fun to watch.

It’s always interesting to observe the versatility of cast members you’ve seen before in other shows and I was pleased to see Matthew Berend step out on stage tonight as ‘Mr.Brunner’ (aka Chiron & Ares) with his usual larger than life personality and in this show, half horse body 🙂

Christine Ferra was wonderful as Percy’s mum ‘Sally’ with such warmth in one of my favourite songs ‘Strong’ sung with Percy. Parent / Child moments in any show always get me.

A confident Alex Sabljak rocked as ‘Luke’ and Lucas Battey as ‘Mr.D’ (aka Dionysus & Hades) convincing in every role, as were Tyrah Pocock-Davies as Clarisse, Michaela Fitzpatrick as Charon, Jeanne Carlos as Medusa, Lore Burns as Poseidon and Penny Norris as The Oracle was superb.

A highly talented bunch of young ensemble members completed this show perfectly and we couldn’t have enjoyed it more!

Congratulations to Sarah Jeffs (Director), Drew Lane (Musical Director) and Sarah Hayes (Choreographer), what a triple threat trio you make!

You must all be so proud, congrats to EVERYONE, including those amazing set builders, costume gurus and organising / creative teams behind the scenes with Production Managers David Krause and Heather Rose and Peoples Playhouse President Michelle Thomas. Bravo!!!

Ticket link:
https://www.trybooking.com/events/landing/1570412

More info:
https://www.peoplesplayhouse.com

To book tickets to The Lightning Thief, please visit https://www.peoplesplayhouse.com/whats-on.

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& Juliet (& A Free Lip Balm!)

& Juliet

& Juliet Rating

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11

Easy drive and easy find, we join a HUGE crowd to see ‘Romeo & Juliet’….. whoops, no, that would be ‘& Juliet’ – phew, we are in the right place! (must’ve sped-read the brief haha)

“Welcome” – handed a cute pink ‘teen style’ Booklet Program. FANTASTIC with FREE lip balm!! Great impression already – reminded me of Dolly Magazine (if you’re old enough to know what that is). Yes, a Collector Poster inside too; ideal for autographs.

Now I’m going to start this review repeating the best recommendation I heard on opening night from the lucky friend I took along. She had just seen the professional production of ‘& Juliet’ on Broadway two weeks ago. Her words straight out when we exited the theatre were “well comparing to what I saw in New York that was right up there, didn’t lack anything”. So, in other words, comparatively to what we compare is the best place in the world to see shows, the team at Windmill Theatre Company have created a show that well deserves praise and recognition.

Grab a ticket for your entire family now to have the very best time with a Shakespeare classic gone POP!

Playing until June 21, 2026
Ticket link: https://www.bunjilplace.com.au/events/juliet-windmill-theatre-company

There have been so many adaptations of William Shakespeare’s ROMEO & JULIET, into plays, into ballets, into movies, you name it, but no-one would have ever thought that songs we’ve all danced away to at every wedding since they hit the charts for Britney Spears, Katy Perry, Justin Timberlake, Bon Jovi and Backstreet Boys, amongst others, would be used to re-write the ending (and journey of self-discovery) of probably the most famous romance of all time.

 

 

Adding to the electric pop music is a set that doesn’t stop with the action. Each piece of the story has props, towers, beds, balconies, small, big, whatever is needed and often combined with giant geometrical shapes in ever-changing patterns of light. Movement and use of strobes, spots, softness and subtleties make it probably the best high visual lighting I’ve seen create this sort of impact in an amateur production ever. It’s good!!!!

Tudor style is entranced into the crazy colourful costuming where sequins glitter, puffed sleeves expand, armour is polished, roller shoes are on and popularized hairstyles of space buns and bubble braids fly around the stage in demanding jazz and hiphop choreography (with a partner flip or two) that makes total sense of chaos! This musical is contagious FUN. You’ll wish you’d worn your medieval velour dress hiding in the back of your costume cupboard (at least that’s what I thought I should’ve pulled out LOL).

To bring this new story to life in boastful expression you need a new type of ‘Juliet’. Rachel Dwyer has grabbed this lead role with all she has and doesn’t let go. She’s every bit the fierce determined strong young woman and sings with those same qualities like a popstar. This is a very different ‘Juliet’ and she’s amazing!!

Alongside Juliet is her friend ‘April’ being controlled by ‘Anne’ narrating (Shakespeare’s wife with her preferred version of the story her husband is writing for Juliet). A virtuoso voice, Samantha Hammersley definitely suits her name as she hammers out both these roles with the utmost skill and precise timing 100% plus some.

‘William Shakespeare’ himself is played by David Torr and pulled off with ease bickering with his wife about changing his star-crossed lovers’ story, and particularly Romeo’s death (or not, with ‘take that’ attitude)

Inclusivity is paramount in any show and here it was in ‘I Kissed a Girl’ flawlessly performed by Addie Casamento playing ‘May’ and Sean Rentero playing ‘Francois’.

That one goddess showstopper vocal queen; hmmm… a few here, but my jaw dropped with the power of Katelyn Anitema playing ‘Angelique’

Goofy funster at the heart of the show; well done in acting it up to Tom Liszukiewicz playing ‘Romeo’.

The Boy Band comeback – as this is my era I can’t not mention the laughter from everyone where I was sitting on “am I sexual?” – Adam Kirk obviously enjoying his role as Lance Do Bois – brave line, BRAVO!

Sam Lyons and Finley Oldmeadow playing ‘Lord and Lady Capulet’ were very in with their characters and Finley’s bit role (giving opinion to ‘Shakespeare’) showed they can switch up any lines.

Ensemble stars – Afua Adjei, Benjamin Lee, Caitlin Furlong, David Vien, Gabbi Watson, Imogen Galbraith, Liam Canavan, Mack Williams, Michael Zinner, Nabs Adnan, Olivia Exposito, Olivia Fletcher, Shanae Thomas-Williams, Tineque Law, Sujanthan Satkunarajah, Alice Cooper, Breanne Ashwood, Colin Hartly, Kyan Esler, Merryn Purdy, Sean McBride, Sienna Levy, Sophie Cashin and Tom Fitzgerald.

Congratulations to this dynamic team. I am really looking forward to seeing more from Windmill Theatre Company.

Director: Sienna Iscaro
Music Director: Rachel Gorman
Choreographer: Guada Banez
Assistant Director: Mathew Arter
Assistant Choreographer: Joel Richardson
Producer: Peter Verhagen
Production Designer: Danny Ginsberg
Sound Designer: Tom Conroy
Lighting Designer: David Brown
Costume Designer: Amy Planner
Set Design: Ed Giling, Sean van Geyzel
Props Manager: Alison Robbie
Stage Manager: Karen Bates
Intimacy Coordinator: Josh Richardson
Program Designer: Luke Martin

More info: https://www.windmilltheatre.com.au/

Theatre Venue: Bunjil Place 2 Patrick NE Dr, Narre Warren is a magnificent theatre in outer Melbourne south east, lots of parking, next to a major shopping centre Fountain Gate. Exceptional canteen/cafe and tons of restaurants nearby.

To book tickets to & Juliet, please visit https://www.bunjilplace.com.au/events/juliet-windmill-theatre-company.

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