Lemons Lemons Lemons Lemons Lemons: When Silence Becomes the Story

Feature-Lemons Lemons Lemons Lemons Lemons by Sam Steiner

What happens when the simple act of speaking freely is stripped away? Rational Animals is bringing this thought-provoking work to Newcastle audiences. The production’s director shares how movement, silence and minimal staging become powerful storytelling tools in their hands.

About The Production – Lemons Lemons Lemons Lemons Lemons by Sam Steiner

What is this production about?

For me, this production is about language, freedom and control. It explores what happens when something as simple as being able to speak freely is taken away, and how that begins to affect our relationships, choices and sense of self.

What is challenging about bringing this script to life?

The biggest challenge has been making the many scene changes and shifts in time feel seamless. With each change, the characters’ intentions, tone, mood and body language shift too. There is a lot happening beneath what can appear to be very simple conversations, so finding a way to communicate those changes clearly, while keeping the pace and rhythm of the production, has been a real challenge.

What sort of person is going to love this show?

I think anyone who enjoys theatre that makes you think, question things and notice the little details will love this show. You don’t need to know anything about politics or censorship to connect with it. At its heart, it’s still a very human story about two people trying to understand each other, communicate and stay connected.

What will the audience be thinking about on the drive home after this show?

Hopefully, they’ll be thinking about how much freedom they actually have in the words they use every day. What would happen if we couldn’t say what we wanted to say? And how would that change the way we communicate, connect and understand one another?

What is going to surprise people about this production?

The movement, repetition, lighting, silence and minimal set all become part of the storytelling. What initially looks like a simple conversation between two people gradually becomes something much bigger. I think audiences will be surprised by how much can be communicated through what is not said.

A heartfelt thank you for sharing the intricate work behind bringing Steiner’s script to life, particularly the challenge of making those many shifts in time feel seamless. For those who love theatre that rewards attention to detail and lingers in the mind long after the curtain falls, tickets are available through TryBooking.

Spread the word on your favourite platform!

Bull: The Dark Comedy That Denies You Any Comfort

Feature-Bull by Mike Bartlett

Mike Bartlett’s Bull takes the familiar territory of office politics and transforms it into something far more unsettling; a razor-sharp examination of workplace bullying that somehow manages to be wickedly funny. Director Aoife Gregory brings this confronting work to life with Rational Animals, staging audiences on all sides of a triangular playing space designed to make the theatre itself feel hostile.

About The Production – Bull by Mike Bartlett

What is this production about?

On the surface, Mike Bartlett’s Bull is about three sales agents facing a performance review, where one of the three will lose their job. Behind this synopsis, Bull examines the secret systems behind workplace bullying – how social stratification and a lack of empathy can turn normal people into unrelenting beasts.

Why did you want to be involved in this production?

Reading Bull was unlike any script I had read before – I was both shocked at its unflinching look at bullying, and absolutely enamoured with how Bartlett manages to make such macabre material so funny. I would have been happy to see the show as an audience member, but getting to shape such a sharp narrative as director has been an unexpected joy.

What is challenging about bringing this script to life?

Bull is unique in that the vast majority of characters (if not all) don’t actually grow or change – it doesn’t have the same traditional arc that most plays do. Keeping the characters dynamic and dimensional without betraying their lack of development has been a fun challenge.

What sort of person is going to love this show?

I think anyone who enjoys a dark comedy will get a lot out of it – it has the problematic characters you just love to hate, like in ‘Its Always Sunny in Philadelphia.’ Fans of series like ‘The Thick of It’ or ‘Veep’ will appreciate the sheer artistry of some of the insults in this script as well! It’s divinely written.

What will the audience be thinking about on the drive home after this show?

If we’ve done our job right, they’ll feel guilty for laughing so hard at something so horrible.

What is going to surprise people about this production?

I think most theatre productions aim to give their audience a ‘complete’ experience, letting them walk away satisfied with their evening. Bull revels in denying an audience any comfort – it’s part of its twisted charm.

How is this production bringing something new to this story?

We’re doing everything we can to make the stage a hostile space – our playing space is triangular, with audiences surrounding our actors on all sides. We’re also taking some different approaches to scenarios in the script – and adding some unique flourishes of our own. You’ll just have to come and see to find out what I mean!

Call someone out by name. Who absolutely must come and see this?

If you have a HR rep at work, they need to see this.

Who has the best costume?

Matt Graham’s ‘Tony’ has the most interesting costume change, but not in a way that you could ever anticipate…

Is there anything else you would like to share?

In a theatre year of feel-good productions and comfortably contained stories, Bull is the perfect shock to the system to put the danger back into your theatre experience. Come be horrible people with us!

A huge thank you to Aoife for sharing insights into this deliciously uncomfortable production. For anyone ready to laugh guiltily at something genuinely horrible, tickets for Bull are available now at trybooking.com; your HR rep might want to take notes.

 

Spread the word on your favourite platform!

Bull By Mike Bartlett Opens At The Dungeon Adamstown For Newcastle Season

Feature-Bull by Mike Bartlett

Rational Animals brings Mike Bartlett’s acclaimed play Bull to Newcastle this July, with a five-night season at The Dungeon, Adamstown Uniting Church, 228 Brunker Rd, Adamstown NSW 2289.

The play centres on three employees competing to hold onto their jobs, placing the audience squarely in the middle of a confrontation where corporate survival instincts and outright cruelty become difficult to tell apart. Bartlett’s writing examines the mechanics of workplace power, drawing a sharp line between professional rivalry and the kind of targeted behaviour more commonly associated with the schoolyard.

Press responses to the play have been strong. The New York Times called it “a modern morality, or amorality, play that keeps its adrenaline level high and, at the very end, raises it off the charts,” while The Stage described it as “short, slick and emotionally unflinching… delivers a decisive punch.”

Sessions run as follows: Wednesday 22nd July at 7:30pm, Thursday 23rd July at 7:30pm, Friday 24th July at 7:30pm, Saturday 25th July at 7:30pm, and Sunday 26th July at 5:00pm.

The production is recommended for audiences aged 14 and over. Content warnings apply for coarse language, adult themes, and themes of bullying and victimisation.

Book tickets here

 

Spread the word on your favourite platform!

Shoptalk: The Retail Musical Delivering Working Class Catharsis

Feature-Shoptalk: A New Musical

An original musical born from the trenches of retail work, Shoptalk follows a group of 20-somethings navigating the particular horrors of their service-industry lives. The writer and creator behind this Thesperanto musical production shares how the autobiographical story balances comedic dialogue with surprisingly earnest musical numbers that get to the emotional core of service-industry survival.

Shoptalk: A New Musical

What is this musical about?

SHOPTALK is an original musical following a group of 20-somethings working in retail as they navigate burnout, workplace crushes, and eccentric clientele, all the while trying to deliver service with a smile.

What does this production bring to this musical that audiences may not have seen before?

This is an entirely original and autobiographical story that delivers a relatable and poignant sense of working-class catharsis not often available in a lot of works. You’ll laugh, you’ll cringe, and you’ll empathise!

Which number in the show is the one you cannot wait for audiences to experience?

There’s something for everyone in the score, but there is a “We Are the World”-inspired anthem sung by the more ungrateful characters that will likely be a real crowd-pleaser!

What has been the most challenging scene or sequence to stage?

The more people in the song, the more elaborate the harmonies are, and the same for the busier choreography! There’s one monstrous group number towards the end that’s had an especially long teething process, but it’s going to be fantastic once it’s nailed down.

How does the music serve the story in this production?

It’s interesting because while the dialogue and scenes are more comedic, the songs are a little more earnest and get to the emotional core of each situation, usually by demonstrating what a character has to lose at that time. It’s a wonderful balance, and don’t get me wrong, the songs will still have you laughing!

What character in the show do you think will surprise people the most?

Whichever one they connect with the most, I’m sure!

What is the emotional heart of this musical, and how have you approached it?

The emotional heart is the naive new girl who still believes that the world is good and that becoming jaded isn’t necessarily a good thing to do.

Who has the best costume, and is that fair?

Anyone not in one of the unflattering polos.

What will people be humming on the way to the car park?

No spoilers!

Who in the cast is most like their character, and who is least?

The casting process was magical because everyone brought an inherent quality already featured in their character. There’s really great synergy with every member of the company and their role.

What sort of person is going to absolutely love this show?

To recycle a similar dedication from the show, it certainly won’t be “anybody who’s had to take their business elsewhere”. Karens, stay home!

A huge thank you for sharing the journey behind this refreshingly relatable new work; here is hoping that monstrous group number comes together as brilliantly as planned. For anyone who has ever had to deliver service with a smile while dying inside, tickets are available through Lake Macquarie Performing Arts.

Spread the word on your favourite platform!

Subscribe to What's The Show

Reviews, show news and what is on, straight to your inbox.