Ireland The Voyage

Ireland The Voyage

Ireland The Voyage Rating

Click if you liked this article

14

From the producers of Celtic Illusion, comes a powerful new theatrical experience in Ireland: The Voyage, an epic celebration of Ireland’s history, heart, and heritage brought to life through authentic voices, live music, and world-class Irish dance. Emotional, exhilarating, and deeply immersive, Ireland: The Voyage invites audiences to feel the pulse of a nation – it’s triumphs, its tragedies, its music, and its unbreakable spirit, in a live experience you will never forget!

I was fortunate to be able to delve into this world of all things Ireland currently touring around our country.

Firstly, in my years in dancing (over five decades) I’ve only ever seen Irish dancing twice in my life before (shameful I know!). Once at a high school talent show, and once when I organised a display floorshow at one of our dance fundraisers (everyone commented afterwards how good it was).

This style of dance has sustained as entertainment for decades in theatres around the world, on cruise ships, feature festivals and more. And certainly now I can fully understand why. Whether or not you are Irish, love Irish dancing or music, or just enjoy any stage performances generally; Irish vibes are contagious and captivating!

This show however is much more than just an Irish jig to a whistling tune; it is a real journey of shared stories, history and spirit.

 

 

We learn in detail from our host Giselle about the interesting Irish instruments being played in the traditional Irish band, which remains in full view throughout the show on stage. Each band member is also introduced by name with a little of their Irish background and musical accomplishments. They are all simply brilliant musicians and together bring this show wholly to life.

Irish songs sung both in English and traditional language by Giselle O’Meara are truly unforgettable. Her superior voice carries off each and every note like a fine instrument you could easily listen to for hours. Not loud and showy, but gentle and sweet; welcoming and inviting us to just enjoy!

I closed my eyes a number of times purposefully to listen and take it all in. Not only am I learning along the way about Ireland, a place I loved visiting 25 years ago, I am growing a great appreciation for this music and sound.

Shining stars are evident in the Irish dance champions – a trio mesmerize us with unbroken unison of speed and grace, extraordinary flexibility and control in traditional Gaelic; skillful solo features of rapidly increasing intricate footwork are an honour to witness, and later in the show we will clap along to particular beats in joyful harmony encouraged.

This beautiful show was such a lovely relaxing night out, and my Mum who came with me went home to try and find the great Irish love song ‘Grace’ to add to her playlist.

Thank you so much to the cast, musicians and team at Base Entertainment for this chance to broaden my knowledge of Ireland whilst at the same time tapping my foot along to some incredible music and songs from this voyage on stage transporting us all in the lucky audience to the Emerald Isle afar.

Ticket link: https://www.irelandthevoyage.com/

INSTAGRAM: @ireland_thevoyage

Tour includes cities and towns all over Australia and New Zealand.

Cast:
Giselle O’Meara (Champion Irish dancer and former lead vocalist for Michael Flatley’s global phenomenon Lord of the Dance Arena Tour)
Sara O’Hara (World Top 20 Irish Dancing Championship)
Liam Mcweeny (former quadruple Australian National Champion Irish Dancer)
Corey White (runner-up Australian International Oireachtas)

Musicians:
Tim Gleeson (guitar and Irish drum, the bodhrán)
Cormac O’Hanlon (concertina)
Ciara McGoldrick (low and high pitch whistles)
Muireann O’Dwyer (harp)

To book tickets to Ireland The Voyage, please visit https://www.irelandthevoyage.com/australia.

Spread the word on your favourite platform!

Agatha Christie’s Spider’s Web – Murder, Drama & Hilarity

Agatha Christie's Spider's Web

Agatha Christie’s Spider’s Web Rating

Click if you liked this article

6

Murder Drama and Hilarity are spinning the stage in this thrilling ‘whodunit’ murder mystery directed by Jessica Gray at the Maitland Repertory Theatre. Agatha Christie’s Spider’s Web is a tangled web of delight with an abundance of hilarious moments and compellingly complex subplots, this intriguing production will have you on the edge of your seats.

I am astonished that this was Jessica’s directorial debut, as even on opening night the production felt flawless. The lighting and sound were both expertly executed enhancing the thrills, chills and mystery, along with the backstage crew, they worked together to ensure a seamless performance.

This is of course a reflection on both Jessica and the wealth of experience and fabulous teamwork from her incredible cast and production team.

The cast should all be commended on their skillful British accents and the individuality each cast member brought to their uniquely flavourful characters. The costuming by Kasia Dowie was perfectly applied to each character further enhancing their characters’ authenticity. A strong cast all around, with a pleasingly broad age range from 11-year-old Molly South who played the sweet and constantly ravenous Pippa through to 85-year-old Michael Smythe who earnestly portrayed Hugo the pious local GP.

Madeline Valentinis in the leading role as colourful Clarissa was captivating throughout and delighted the audience with her charming wit and fabulous style. Madeline’s melodramatic touches were superbly on point generating all the flair her character rightly deserved.

 

 

Commendable casting for Drew Pittman as the Inspector accompanied by Lauren Irwin as the sidekick Constable. The pair made a dynamic duo as they persisted in solving the puzzling murder and attempting to decipher facts from fictitious stories.

Aimee Cavanagh delivered a tremendous rendition of Miss Peake, the home’s resident gardener. Aimee’s seemingly dimwitted character provided the audience with continuous rounds of hysterics as did the ditzy housekeeper Elgin played by Dimity Eveleens.

The ingenious set design was almost as impressive as the fabulous cast The entire performance took place in the drawing-room of Copplestone Court, a country home in Kent England. The clever design allowed four entries/exits which in turn credited depth and dimension to the scenes and story as a whole. Particularly notable was the doorway with a staircase for the cast to travel upstairs in the ‘house’ complete with an hallway illusion in the background. I was also fascinated by the hidden bookcase door that beheld a tangled web of secrets.

Spider’s Web encompasses all the wonderful elements an audience can expect and more from a classic Agatha Christie murder mystery. Written in 1954 and still performed and loved the world over is a testament to the fantastic best selling novelist of all time. Melodrama, comedy and a tangled web of deception are boldly displayed in this highly entertaining production. Offering a strong and seasoned cast accompanied by fabulous staging, you are bound to be thoroughly impressed by this thrilling Agatha Christie classic.

To book tickets to Agatha Christie’s Spider’s Web, please visit https://www.mrt.org.au/2025-plays/agatha-christies-spiders-web/.

Spread the word on your favourite platform!

The Goat, Or Who Is Sylvia: Chookas Entertainment

The Goat, Or Who Is Sylvia

The Goat, Or Who Is Sylvia Rating

Click if you liked this article

1

Presented by Chookas Entertainment & Insight Acting is undoubtedly a ‘one of a kind’ dark comedy performance. The production was expertly directed by Tim Kemp and produced by Jodie Miller. “The Goat, or Who is Sylvia?” was written by Edward Albee and was the Winner of the 2002 Tony Award for Best Play.

The performance was held at the Civic Playhouse which naturally lends itself to an intimate environment for audience participation and tonight’s performance definitely had the audience engaged, receptive and most definitely gobsmacked.

The cast of four actors displayed utmost skill and seasoned professionalism. They all shone in their own right portraying great conviction and dedication to their characters.

Tony Jozef played the lead role of Martin who has unquestionably become deranged in his newfound sexual desires. Martin is at the peak of an existential crisis as he endeavours to explain his unimaginable love affair between himself and his lover Sylvia – a goat! His unfathomable lust for Sylvia is definitely very unsettling. Tony’s ability to create empathy for his character’s grave misgivings is indeed commendable.

Joel Stibbard gave a solid performance as Ross, the long time best friend of Martin. He portrayed great comradery between himself and Martin and delivered the perfect amount of flair for a TV presenter.

Seventeen year old Billy is played by Clio Vellis who gave a wonderful rendition of a hormonal, confused teenager. Billy is struggling to comprehend newly learnt tragic information regarding his father which leaves him utterly perturbed.

Angela Robertson delivered first class acting in her role as Stevie, the loyal and dutiful wife of Martin. Angela showed unwavering commitment to her role and achieved great audience connection and sympathy to her character.

The lighting by Riordan Munnoch was simple, effective and poignant. The blackouts at the end of each scene were powerful and equally notable was the utilisation of subtle coloured lighting techniques to enhance and mirror the dramatic moments being portrayed on stage.

“The Goat, or Who is Sylvia?” is recommended for mature audiences and for theatre goers who have an appreciation for morbid humour.

It is a deeply disturbing, highly unconventional and controversial play. It explores taboo topics and themes of bestiality and incest that will definitely leave the audiences shocked, perhaps disgusted and definitely talking about it for some time.

Spread the word on your favourite platform!

The Hanging: Maitland Repertory Theatre

The Hanging

The Hanging Rating

Click if you liked this article

4

The Australian backdrop, twisted characters, and a gothic tone. The Hanging, written by Angela Betzien and directed by Aimée Cavanagh is one that all thriller-lovers would hate to miss.

Discover the secrets that surround teenage Iris, her boarding school English teacher, and the detective in charge of finding Iris’ two missing friends. Watch as the characters evolve before your eyes, listen to the dynamic changes in cadence, and experience the horror of the devolving mystery.

With unique stage design, simple lighting cues, and basic sound changes, the actors use little aside from their voices and realistic characterisation to immerse you in their world, leaving you no choice but to focus on the very parts of the play that you may not wish to see.

If forced, I would be hard pressed to choose a star of the show, with all actors giving their very best to the roles given to them, and working together to surprise the audience as they examine the human condition and all that is ugly to witness, yet captivating to see.

With an homage to the classic Australian text ‘Picnic at Hanging Rock’, The Hanging is a play that, while short, is one I can see becoming one for the ages, and the cast and crew at Maitland Repertory Theatre Company did a spectacular job bringing it to life.

Warnings: contains references to drug use, child abuse, suicide, pregnancy, termination, descriptions of gore, and coarse language.

Performance times:

Evenings at 8:00pm:
May: Wednesday 7, Friday 9, Saturday 10, Friday 16, Saturday 17, Friday 23

Matinees at 2:00pm:
May: Sunday 18, Saturday 24, Sunday 25

To book tickets to The Hanging, please visit https://www.mrt.org.au/2025-plays/the-hanging/.

Spread the word on your favourite platform!