The Lark

The Lark

The Lark Rating

Click if you liked this article

Noni Hazlehurst stars in a one woman show called ‘The Lark’ which has made its way to Wollongong, opening at the Illawarra Performing Arts Centre last night.

‘The Lark’ is an outstanding display of growth, love, and loss. It was despicably poignant and my vision got a little blurry about halfway through as I was just so invested in this story. Her nuanced facial expressions and body language were just so authentic and it felt very Australian. Despite sitting a packed theatre, it felt so intimate. It was just like listening to your own grandmother telling a story about how she grew up and getting distracted by stories about characters from the past with her little quips and side notes that are quintessential to the story even if you’re not really sure why. There were some well-placed laughs to break up the heavy feelings of moving on.

The premise of the story is so simple and yet, so beautiful. An old pub is about to be torn down as the suburb gentrifies and when it does, all these memories will be gone alongside it. People in 5, 10, 20 years will walk past and have no idea about the people who lived, worked, drank, laughed and cried in that building. From the first moment the lights went down and the sound effects of people chatting away in that very distinctive white noise only a pub can provide, I was leaning forward in anticipation. Hearing and seeing the love a daughter has for her father and the heartache of watching your parent grow old and fade away in front of you had me emotional.

 

Not only was the delivery astounding, but the writing was also well done. A script can make such an impact on the performance, as an actor can only do so much with the material in front of them, but ‘The Lark’ proved what can happen when a dynamic and well-curated script is brought to life by the right person. It was an hour and 15 minutes of just her on stage talking and it was like time warped and we had nowhere else to be. This story could’ve gone on forever and I would’ve been sat all the same. I could’ve grown old staring at that bar and listening to Noni Hazlehurst talk about anything at all.

The staging was elegant. Alongside her description of the interior, the actual set of just three bar stools, a single table and chair, the most beautiful wooden bar with a single beer tap with the empty shelves behind brought you straight into the little hole in the wall. Once the light came streaming in as the sun came down, I found myself holding my breath a little as we finally got to see just how lovely and peaceful that view was after she had talked about it throughout the show.

I feel like I could go on and on about each tiny moment of this production until I’m blue in the face or I too begin to sound like rain. I felt like a totally different person coming out of that theatre and I genuinely feel like it’s the kind of story that everyone should hear, as we all have some kind of story that deserves to be listened to.

Buy a ticket from the Merrigong website https://merrigong.com.au/shows/the-lark/ and call your parents or grandparents to tell them you love them. (Or take them with you to let Noni Hazlehurst say it for you).

To book tickets to The Lark, please visit https://merrigong.com.au/shows/the-lark/.

Photographer: Cameron Grant, Parenthesy

Spread the word on your favourite platform!

Kindling

Kindling

Kindling Rating

Click if you liked this article

2

The Phoenix Theatre hosted ‘Kindling’ by the Glasshouse Dance Collective on Saturday 11th July, with a group of four dancers performing a variety of contemporary pieces over an hour.

It’s been a while since I’ve been in the audience for a performance of just dance, and this was such an engaging re-introduction to the craft. It was an intimate experience with the four dancers and a small, but enthusiastic audience. The location being the Phoenix Theatre in Coniston added to that homely feeling, with the theatre having seen decades of all kinds of performances and proudly displaying its history to all who come through its doors.

Dance can be and mean anything, and these particular pieces were a mix of timeless and timely, having been restaged since their original performances over the last few years.

I enjoyed the use of props throughout the show, with the first dance ‘My Battery is Low’ using a variety of random inanimate objects with faces drawn or stuck on to help drive the emotion of the piece.

 

 

My favourite piece was ‘Sloprot 2.0’ – the final section of the evening. Not only was it dynamic in terms of movement, sound design, lighting design and the way each dancer interacted with the others and the elements, but it also created humour through absurdity while delivering an important message. I found that piece to be particularly captivating as the dancers “taught” the generative AI about dance and themselves, and the glitchy imitation from the technology that responded. It was so interesting to see their portrayal of a large language learning model and how it learnt in real time. It takes a lot of control to be so erratically out of control when moving, especially as a collective and when performing tricks and other calisthenics-based movements. It was funny watching an inflatable pool be brought onstage, when all the audience could see were a pair of legs from the calves down performing moves typically seen in ballet, only for Mara Glass to turn around in a snorkel mask and unceremoniously dump the pool onto the stage before climbing into it. This was in such stark contrast to the seriousness of the previous dances and their themes. It gave the audience a moment of reprieve before diving back in (excuse the pun) to the dangers of relying on ChatGPT and other AI tools for the most mundane of tasks or outlandish things like asking it to be your friend, or to find ways to sneak around and do immoral things to the people you love, and more.

This was an interesting collaboration of contemporary dance by some very impressive artists, and each of them should be very proud of their work. I would encourage people to keep an eye out for more performances from Glasshouse Dance Collective, as well as other dance companies in general as it is such a rich field of art and a nice change of pace from daily life.

To book tickets to Kindling, please visit https://glasshousedance.org/events/shows/kindling/.

Spread the word on your favourite platform!

Balloon Dog

Balloon Dog

Balloon Dog Rating

Click if you liked this article

0

Indian Ink Theatre Company’s performance of ‘Balloon Dog’ has made its way across the ditch to Wollongong, with a limited run at the Illawarra Performing Arts Centre.

This show is jam packed with design choices that come together to create a playful expression of the cyclic nature of life and culture. I enjoyed the incorporation of live music, and having the musician on stage and utilised for comedic timing, 4th wall breaks and the occasional ‘The Office’-style glances at the audience.

The theatrical style felt like watching the creation of some kind of surreal or absurdist painting with the intermittent dance breaks and the mix of boxy and airy music. It felt the way I would imagine Picasso felt when he took a step back to decide if whatever painting he was working on at the time was finished. The set design added to that feeling. The overall boxy design with different levels of the stage, and the almost Minecraft-style painting of the house and backyard complemented the artistic nature of Ravi and his pursuit of a creative flow.

That’s not to say the material or the acting was absurd, in fact, the foundation of the play, ‘Would you open your door to a stranger?’, is incredibly relevant. Our desire to protect our families and loved ones from perceived threats and the seemingly never-ending horrors and dangers of the world, we miss out on opportunities to learn and expand our horizons by letting in new people. Not only new people, but different people.

 

 

I’m a big fan of modern takes on historical texts, and I agree with the creative team with their assessment of Western cultural limitations when it comes to literature. So much of what we consume is the same, and we miss out on a lot because of language and cultural barriers. I invite prospective audience members to go in with an open mind and zero expectations, and I guarantee you’ll be pleasantly surprised with how much you absorb and are absorbed into the show.

While I think this show brings audiences a healthy dose of whimsy, it’s important to not let the joy and playfulness completely overshadow the evocative script and delivery of each character. The complementing and contrasting objectives of each character form this dialogue about the lengths parents will go to in order to protect their children, even when the threat is nothing more than bias and fear of the unknown. I loved the use of shadow puppetry between Kabir and Minnie, the innocence clashed with the darkness of the stage and despite Minnie being an accumulation of each actor, and their ability to use the empty space around them, rather than being portrayed by an individual, her “presence” was such a driving force for the story’s emotion. Watching an invisible child grow up sounds a little silly, but it was done so well and set up such a casually devastating finale. I commend the creative team and the performers for all their work.

Expand your horizons and see something a little different this week. Head over to the Merrigong Theatre Company website to grab a ticket to ‘Balloon Dog’ and enjoy the performance from one of New Zealand’s most successful theatre companies, right here in Wollongong. Don’t miss out: https://merrigong.com.au/shows/balloon-dog/

To book tickets to Balloon Dog, please visit https://merrigong.com.au/shows/balloon-dog/.

Spread the word on your favourite platform!

Yandha Djanbay (Go Slowly)

Yandha Djanbay (Go Slowly)

Yandha Djanbay (Go Slowly) Rating

Click if you liked this article

‘Yandha Djanbay (Go Slowly)’ returned to the Illawarra Performing Arts Centre after its 2025 MerrigongX season run. The audience was packed in with family, friends and theatregoers in a beautiful display of community. It was hard to turn any corner without someone stopping to say hello to another patron, but that’s Wollongong for you!

‘Yandha Djanbay’ is a beautifully lyrical one-woman show by Gunai woman Kirli Saunders that uses poems from her published collections in tandem with song and monologues. It was such a treat to hear a beautiful blend of each of these performance-styles with parts of the show spoken in her family’s native tongues. Saunders has a soothing and rich voice that came out of nowhere. Her regular speaking voice is calming, however when she began to sing, I thought at first it was a backing track it was so smooth. Like the ocean she spoke of so fondly, it felt like stepping into the calmest of waves and floating in the sun as she sang.

Her set was minimal. At first, it was an eclectic pile of “stuff” that was hard to make out. As the performance went on and each story unfolded, a prop was selected from the pile and left scattered around the stage. I like the symbolism of leaving parts of yourself behind rather than taking something to remind you of where you’ve been. The realisation that each item was also so deeply connected to the stories made for a beautiful moment, particularly when it came full circle and the big picture came into focus.

 

 

I adored the use of the screen and quotes from both her set and from Australian politicians and other influential characters. The humour of well-known jokes and asides to break up the abhorrent nature of each publicly said statement, broke up the performance into sections and allowed for the audience to take small moments of reprieve from the heaviness of each story. The use of visuals such as the ocean and cultural practices based on Dharawal and Wodi Wodi lands helped bring everything together and worked so well with her stories that it felt like breathing for the first time. I commend the production team for all their work.

Yandha Djanbay is a beautiful production that deserves to be seen, with deeply personal experiences and life lessons we all could learn from. The message to ‘Go Slowly’ is so versatile, especially in a world where everything seems to be happening at a million miles an hour. Each person has the space to take something unique away from the performance and its variety of themes, and that’s such a wonderful skill for a solo performer, especially when the source material is so personal.

Grab a ticket from the Merrigong Theatre Company website https://merrigong.com.au/shows/yandha-djanbay/ and make sure to check the performance warnings. The show closes Saturday 20th of June, so get in quick to secure your spot!

To book tickets to Yandha Djanbay (Go Slowly), please visit https://merrigong.com.au/shows/yandha-djanbay/.

Spread the word on your favourite platform!

Subscribe to What's The Show

Reviews, show news and what is on, straight to your inbox.