Cherelle

Griffin Theatre, in association with Sydney Theatre Company, bares all in the debut production of Naturism. Naturism presents a fabulously entertaining script written by Ang Collins, and expertly directed by Declan Greene and Lily Hayman. Naturism is packed with witty dialogue and hilarious one-liners and the show is guaranteed to leave you in stitches. Although the play has serious undertones regarding climate emissions, phone addiction and Australia’s brutal relationship with devastating bushfires, Ang Collins has successfully raised awareness and discussions in a comedic lighthearted manner. It seems nudity can surprisingly be an engaging way of raising important issues- who would have guessed!

The set creatively represented the Australian rainforest with leaves strewn about in a semicircle fashion, mirroring the arched backdrop of three dimensional trees. A rainforest boardwalk doubled effectively as a small stage and its demise in the fire scene was spectacularly executed. The props were effectively utilised, in particular, the outrageous fugly hats, which when placed on top of a naked body, amplified their absurdity and hilarity. As previously indicated, the costumes were mostly very…minimal. However the whip bird and the honey bee costumes were absolutely dazzling.

A cosy cast of five delivered a highly polished performance, showcasing their professional standards throughout. The story begins with three GenX naturists, Sid, (Nicholas Brown), Ray (Glen Hazeldine) and Helen (Hannah Waterman) who are living communally in the Australian rainforest abiding by their golden rule book comedically known as ‘The Thingy.’ Life for these three society castaways had been smooth sailing for decades until phone-obsessed, Tiktok influencer, Evangeline, played by Camila Ponte Alvarez, intrudes upon their serenity and upheaves their simple lives. Just as the naturist group begins to accept Evangeline, in strolls highly indulged Adam (Fraser Morrison) who brings further chaos to the peaceful group.

The vulnerability the actors display is commendable and pays off exceptionally as it not only solidifies the content but it is cohesive to the script’s elements at large. This dynamic cast all showcased exceptional comedic skill and rightfully deserved the standing ovation and accolades of applause and cheers. I have not witnessed such abundance of laughter during any other performance I have seen. This is credited to the actor’s creative delivery and expertise in conjunction with fabulously humorous dialogue. Hannah Waterman’s portrayal of intoxicated Helen and her journey of enlightenment is side-splitting comedy at its finest.

The lighting was meticulously timed to emphasise hilarious sudden spotlights on the characters. The dramatic opening spotlight poses meticulously timed with blackouts, had the audience hooked from the beginning. The articulation of the lighting during the fire scene was also spectacularly effective, burning bright red accompanied by thick smouldering dry ice. The sound effects of burning and cracking trees which accompanied this impactful scene were compelling and impactful.

Naturism is a solid five-star performance in every aspect. It is a one of a kind production that will indeed reveal more to the audience than any other performance they have likely encountered. There is nothing flaccid about this impactful, poignant, script which the sensationally talented cast gets to the naked truth of.

To book tickets to Naturism , please visit https://griffintheatre.com.au/whats-on/naturism/.

Photographer: Brett Boardman

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