Calvin Berger: A Musical Comedy

Calvin Berger: A Musical Comedy

Calvin Berger: A Musical Comedy Rating

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I can’t believe that prior to last night I had never heard of CALVIN BERGER: A MUSICAL COMEDY, because boy have I been missing out on something really special!

The fantastic musical is a modernised adaptation of CYRANO DE BERGERAC, a classic play written by Edmond Rostand, and is being proudly showcased at the Civic Playhouse, presented by UpStage and Hyde Entertainment and directed by Amber Curby and Seb Smee.

The story centres around four teenagers struggling through the tumultuous years of High School. They are each grappling with their own insecurities, bringing light to the truth that even those we perceive as being; the prettiest, the smartest, the coolest, all still doubt their self worth at times.

It’s a heartfelt message to all teens to be mindful of others’ feelings and to note that you never really know what inner demons your peers may be battling. Although there are some underlying subtle messages, the musical is incredibly lighthearted and hilarious, reminiscent of a 90s romcom.

All four leads were an absolute standout! Both the acting and vocals of each were nothing short of brilliant. The Vocal Director – Gabrielle Connett has delivered commendable vocal instruction to the talented young cast, who all portrayed great skill in their solos and ensemble harmonies.

Seb Smee, an up and coming superstar of Newcastle and certainly beyond, is the assistant director and producer and also plays the lead character Calvin Berger. His comedic delivery, tiny nuances and vocals are flawless. Seb, you are a young genius and I will be thrilled to attend your future productions. 

The ever-witty and delightfully nerdy best friend of Calvin, Bret, was performed superbly by Zoe Chan. Zoe’s characterisation and comedic dramatic skills were indeed A+ and I really enjoyed her convincing character delivery.

Finlay Page delivered a superb portrayal of the gorgeous and highly sought after Rosanna. Finlay gave great depth to her complex character and also delivered wonderful vocal performances throughout the show. Jude Schiller absolutely nailed the ‘handsome jock’ character, Matt. He displayed superb natural acting and an impressive vocal timbre, range and skill. A highly commendable and impressive performance all round.

The set design was very creative and I was impressed with how effective it was in creating depth and dimension to the small space they had to work with. A special shout out to the fantastic work from the sound and lighting technicians, I appreciated the pleasant sound balance and the ‘wetness’ in the microphone settings.

The Calvin Berger musical has ‘scores’ of laugh out loud hilarious moments (yes, pun intended), and I think the entire audience, myself included, were shocked by the talent and professionalism of these young performers. Calvin Berger is an immensely enjoyable and relatable production particularly appealing to ages 13+ and I urge you to support these incredibly talented young artists and help keep local theatre thriving.

To book tickets to Calvin Berger: A Musical Comedy, please visit http://civictheatrenewcastle.com.au/what-s-on/all-shows/calvin-berger.

Photographer: Jo Roberts

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The Goat, Or Who Is Sylvia: Chookas Entertainment

The Goat, Or Who Is Sylvia

The Goat, Or Who Is Sylvia Rating

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Presented by Chookas Entertainment & Insight Acting is undoubtedly a ‘one of a kind’ dark comedy performance. The production was expertly directed by Tim Kemp and produced by Jodie Miller. “The Goat, or Who is Sylvia?” was written by Edward Albee and was the Winner of the 2002 Tony Award for Best Play.

The performance was held at the Civic Playhouse which naturally lends itself to an intimate environment for audience participation and tonight’s performance definitely had the audience engaged, receptive and most definitely gobsmacked.

The cast of four actors displayed utmost skill and seasoned professionalism. They all shone in their own right portraying great conviction and dedication to their characters.

Tony Jozef played the lead role of Martin who has unquestionably become deranged in his newfound sexual desires. Martin is at the peak of an existential crisis as he endeavours to explain his unimaginable love affair between himself and his lover Sylvia – a goat! His unfathomable lust for Sylvia is definitely very unsettling. Tony’s ability to create empathy for his character’s grave misgivings is indeed commendable.

Joel Stibbard gave a solid performance as Ross, the long time best friend of Martin. He portrayed great comradery between himself and Martin and delivered the perfect amount of flair for a TV presenter.

Seventeen year old Billy is played by Clio Vellis who gave a wonderful rendition of a hormonal, confused teenager. Billy is struggling to comprehend newly learnt tragic information regarding his father which leaves him utterly perturbed.

Angela Robertson delivered first class acting in her role as Stevie, the loyal and dutiful wife of Martin. Angela showed unwavering commitment to her role and achieved great audience connection and sympathy to her character.

The lighting by Riordan Munnoch was simple, effective and poignant. The blackouts at the end of each scene were powerful and equally notable was the utilisation of subtle coloured lighting techniques to enhance and mirror the dramatic moments being portrayed on stage.

“The Goat, or Who is Sylvia?” is recommended for mature audiences and for theatre goers who have an appreciation for morbid humour.

It is a deeply disturbing, highly unconventional and controversial play. It explores taboo topics and themes of bestiality and incest that will definitely leave the audiences shocked, perhaps disgusted and definitely talking about it for some time.

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The Drowsy Chaperone: Presented by UON Musos

The Drowsy Chaperone

The Drowsy Chaperone Rating

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The Drowsy Chaperone presented by UON MUSOS at the Civic Theatre Playhouse Newcastle “does what it’s supposed to do and takes you to another world.” The entertaining musical satire was Directed by Louise Barcan and the Production Manager/Music Director was Dean Selem.

The Drowsy Chaperone is set in 1928 and is a parody of 1920s musical theatre. It has a completely nonsensical plot filled with oodles of drama and slapstick comedy. The opening night audience lapped up every comedic line and gave accolades of warm appreciation.

The Choreography by Lilly Grant was perfectly on theme, with great inclusion of famous 1920s dance moves, including the energetic Charleston and plenty of jazzy hands.

To my great delight there was 1920s inspired tap dancing choreography for the musical number “Cold Feets”, which starred Joshua Davies who played ‘the groom to hopefully be,’ Robert Martin. He delighted the audience with his enthusiastic and vivacious tap dancing, as well as his highly entertaining blindfolded roller-blading.

The lighting throughout the performance was timed meticulously and showed great creativity by Michael Conry. It was melodramatic in itself mirroring elements in the musical. The lighting provided cohesion to the plot utilising simple effective techniques for full and elaborate lighting on the ‘imagined musical parts’ and then centring spotlights on Eamon Mahon who performed marvellously as ‘The Man In The Chair.’

Eamon’s acting was absolutely astounding and unwavering throughout, he performed with the greatest of sincerity and pure honesty to his character. His steadfast natural presence and dry comedic responses elevated and unified the entire show.

Vocal director (Rachael Sebastian) produced wonderful harmonies with the ensemble and gave great direction to the lead vocalists as well. A particularly commendable job on the final number “I Do I Do In The Sky,” with a special mention to Trinity Young for her strong melodic vocals.

The leading lady character Janet Van De Graff was delightfully portrayed by Shanaya Budden who rocked the stage with her sultry tunes and dance performances throughout the entire show. I especially loved her vocal performance in “Bride’s Lament.”

 

Olivia Leathley danced and sang with great finesse as the “Laissez faire” Drowsy Chaperone character. She gave a very enjoyable and admirable performance and portrayed great comedic acting skills. Olivia’s romantic scenes with Aldolpho were definitely some of the highlights of the production. Raphael Teixeira displayed an absolutely hilarious rendition of his zany, romantic character Aldolpho. Raphael showed wonderful comedic acting skills and vocal delivery in his solo number “I Am Aldolpho.”

The quote from the musical “I just want to be entertained, and that’s the point, isn’t it?” is perfectly fitting for The Drowsy Chaperone musical. The abundance of adult humour and witty one-liners, combined with all the flair of the 1920s, ensure an enjoyable evening for all theatre goers.

To book tickets to The Drowsy Chaperone , please visit https://tickets.civictheatrenewcastle.com.au/WEBPAGES/EntaWebShow/ShowPerformance.aspx.

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The Hanging: Maitland Repertory Theatre

The Hanging

The Hanging Rating

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The Australian backdrop, twisted characters, and a gothic tone. The Hanging, written by Angela Betzien and directed by Aimée Cavanagh is one that all thriller-lovers would hate to miss.

Discover the secrets that surround teenage Iris, her boarding school English teacher, and the detective in charge of finding Iris’ two missing friends. Watch as the characters evolve before your eyes, listen to the dynamic changes in cadence, and experience the horror of the devolving mystery.

With unique stage design, simple lighting cues, and basic sound changes, the actors use little aside from their voices and realistic characterisation to immerse you in their world, leaving you no choice but to focus on the very parts of the play that you may not wish to see.

If forced, I would be hard pressed to choose a star of the show, with all actors giving their very best to the roles given to them, and working together to surprise the audience as they examine the human condition and all that is ugly to witness, yet captivating to see.

With an homage to the classic Australian text ‘Picnic at Hanging Rock’, The Hanging is a play that, while short, is one I can see becoming one for the ages, and the cast and crew at Maitland Repertory Theatre Company did a spectacular job bringing it to life.

Warnings: contains references to drug use, child abuse, suicide, pregnancy, termination, descriptions of gore, and coarse language.

Performance times:

Evenings at 8:00pm:
May: Wednesday 7, Friday 9, Saturday 10, Friday 16, Saturday 17, Friday 23

Matinees at 2:00pm:
May: Sunday 18, Saturday 24, Sunday 25

To book tickets to The Hanging, please visit https://www.mrt.org.au/2025-plays/the-hanging/.

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