Saucy Jack and The Space Vixens

Saucy Jack and The Space Vixens

Saucy Jack and The Space Vixens Rating

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7

SAUCY, SEXY AND SPACY

“Saucy Jack and The Space Vixens” production by Sun Street Studios was instantly engaging from the point of arrival. Mitch Maypole, played by Stuart Ussher, was casually chilling out the front of the Repertory Theatre greeting and directing people to the theatre’s entrance.

The production was held in the back section of the 160-year-old historical building. Ambient mellow lighting and casually dispersed armchairs immediately felt comfortable, relaxed and inviting.

The setting was cleverly laid out and utilised wonderfully by the performers to create an immersive atmosphere of actually being present in Saucy Jack’s Club. It included an effective wall projected neon sign reading “Saucy Jack’s”, a quaint stage for Saucy Jack’s Club performers and a ‘staged’ bar with seated and ready Dr Von Whackoff (David Smith). A dancing pole with a mini stage round was also engagingly fitted amongst the audience chairs.

“Saucy Jack And The Space Vixens” musical was completely unknown to me before this viewing and so I entered open hearted and open minded. The show was fruitful in witty word plays and comedic lines and fabulously delivered infectious laughter, which indeed had the audience, including myself, rolling in hysterics several times. The pinnacle moment was when Dr Von Whackoff revealed what he’d been hiding inconspicuously under his trench coat.

 

Chesty Prospects, played by Angie Hutchinson-Ussher, tragically falls victim to the killer at loose at the end of the first act. To the audience’s delight she remains ‘dead’ on the stage throughout the intermission allowing audience members great amusement to lay beside her and take selfies. Her commitment to her ‘death’ was highly commendable.

The Space Vixens sparkled and shimmered into the second act to investigate the ongoing murders occurring at Saucy Jack’s. Their metallic silver costumes along with their vibrant hair and makeup artistry brought all the fabulous, sexy, razzle dazzle their characters deserved.

Saucy Jack and The Space Vixens is a mature audience show in the adult sense only – not maturity. If you’re in need of a crazy, whacky intergalactic night full of laughs then grab your partner or a group of friends and I guarantee you’ll have a great time.

Top notch restaurants are also conveniently located nearby to make your night out complete.

For tickets, book @ https://www.mrt.org.au/2024-plays/saucy-jack-and-the-space-vixens/

The show is running until the 21st of September, and tickets are a steal at;
$35 adult
$30 concession
Group of 10- $30 each
Also, the drinks at the Repertory Theatre are really well-priced if you fancy one, two, or a few. Enjoy!

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Romanoff and Juliet Presented by Reamus Theatre

Romanoff and Juliet

Romanoff and Juliet Rating

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You’ve heard the story before, two star-crossed lovers forced to choose between love and family, only to meet a tragic end… Well, Romanoff and Juliet is not that story!

Romanoff & Juliet takes the premise from the original Shakespearean play and makes it its own concept. It is set in a mythical micronation somewhere in the northern hemisphere, with quirky characters and conversations that leave you halfway between chuckling and questioning the meaning of our world.

As always, my absolute favourite part of this production was the actors and actresses who pulled it into reality. With an obvious passion for the show and its characters, the cast gave their all to the performance and successfully brought us, as the audience, into their realm.

The only thing this wonderful cast really needed was more confidence and pride for their show, with minor teething issues like forgotten lines, shaky accents, and occasional projection and blocking issues to clue us into how nervous they were for their opening performance.

Alongside the cast, the stage crew did an outstanding job, with an impressive set design that perfectly captured the two sides of the story without becoming cluttered or overwhelming. The actors’ stage presence combined with the care shown for the performance from all sides made me love this show, even if I could not understand what was going on during every scene.

Romanoff and Juliet is a unique, short-run production by MRT’s Reamus Theatre concept, separate from their 2024 Season program. Reamus Theatre brings together community members aged 18 to 30, helping them cultivate various theatre skills. These passionate and talented young performers consistently deliver exceptional entertainment to the public.

Reamus meets weekly to enhance their theatre abilities through workshops, rehearsals, and shared enjoyment. Since 2002, they’ve regularly staged annual Shakespeare productions, as well as short play nights and one-day play events. You can discover more about Reamus Theatre’s initiatives at Maitland Repertory Theatre here: https://www.mrt.org.au/reamus-theatre/.

For Tickets to Romanoff and Juliet:-
https://www.mrt.org.au/2024-plays/romanoff-and-juliet/

Performance Dates/Times:
Evenings at 8:00 pm:
August: Wednesday 21, Friday 23, Saturday 24, Friday 30, Saturday 31

Matinees at 2:00 pm:
August: Sunday 25
September: Sunday 1
Doors open 30 minutes before performances

Running time
Approximately 2 hours, including a 20-minute interval.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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All My Sons

Maitland Repertory Theatre’s production of Arthur Miller’s All My Sons dives deep into its dark themes, leaving the audience feeling for every flawed and human character. What starts as a leisurely look at a suburban family accelerates into a philosophical examination of duty, trauma and grief, and we are invited into the family backyard to watch in awe as the play’s events transpire before us.

It is a personal love of mine when actors perform pre-show or during intermission. As you walk into the playhouse for MRT’s production of All My Sons, all the characters are already on the stage. The idealised American Dream is set by actors sitting on green, green grass in front of bright blue walls, staring off into the horizon while a sepia-coloured home video plays in the background.

This production uses a bare-slanted stage, which does several clever things. First, it allows the actors to be seated on the ground in a way that is still very visible to the audience. Second, the audience feels like they are in the space with the characters, as if the backyard’s grassy knoll is extended to us. And third, it helps to create the illusion of the horizon as the actors stare over us and into the distance.

Despite the bare stage, the costumes and accents help to set the play in the right time and place. There is no confusion that we are in America in the aftermath of WWI.

Many of the characters in All My Sons give heartfelt and emotional monologues that reveal the depths of their trauma. Aimee Cavanagh, Richard Rae, and especially Carl Caulfield did a fantastic job with their pieces. Real sweat, tears, and authentic connection to the words and themes resulted in the audience feeling for and with the characters of Kate, Chris, and Joe (respectively).

Although it was hard to look away from Carl Caulfield’s powerful presence, the standout performance in this production was Richard Rae’s portrayal of Chris Keller. Rae’s connection with every cast member was clear, and he was the weaving that threaded the production together.

An absolute treat for the audience was the scene between Chris Keller and Joe Keller, where truths are revealed and philosophies grappled with. This was the only scene that mainly used music or lighting, creating a warped sense of reality. Their world was collapsing right before our eyes, and the audience could only watch with awe.

Maitland Repertory Theatre’s All My Sons remarkably brings Miller’s play and its characters to life. Although this review emphasises the darker elements of the play, it should be noted that the performance includes some light-hearted moments and witty interactions, which were an absolute joy to watch as well.

The production runs for Friday, Saturday and Sunday performances from 14th July through to the 23rd July.

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Lord of the Flies Rules Maitland

You want gore? You got it. You want action packed fight scenes? You got it. You want monologues that will move you to tears? Right here.

Reamus Theatre’s Lord of the Flies is a gripping rendition of William Golding’s classic tale. Set on a deserted island during the 1950s, a group of school children find themselves stranded after their plane goes down during an evacuation attempt. It is a cautionary tale of what mankind can become if modern democracy, rationality, and compassion are abandoned.

It was clear that a lot of consideration went into the staging of this production. There was a need to create at least six different locations within the small stage, often with all twelve cast members on stage at the same time. Thoughtful planning of levels and ramps, as well as creative stage entrances/exits, allowed multiple locations to be on stage at the one time (an aesthetically fitting bonus was that the ramp between the levels was made by creating an aeroplane wing!).

The audience was made to feel the drama quite intensely too thanks to the thrust stage, with some of the more physical fight scenes being done right in front of the first-row audience.

The success of the staging was aided greatly by thoughtful lighting choices, with spotlights helping to clearly define different locations on the stage. Red and blue lights were used symbolically throughout the performances, and lighting was also employed to shift the scene between day and night. Sound design was also used to help transition from day to night, and all sound cues in this performance were executed with perfect timing.

Furthermore a lot can be said about the costumes in this production. As the characters stayed on the island, their clothes became more and more raggedy and discolored. The costume degradation was subtle yet severe and created a very convincing illusion of time passing. The props and fake blood were also incredibly realistic leaving the audience disgustingly impressed by the actors comfort with the gore of it all.

The cast of twelve performed this play adaptation with passion, zeal and – some more than others – with an almost crazed look in their eye. The energy of the entire cast was felt by the audience, as well as their joy from performing the play.

Although each performer stood out in their own right, I do want to make a few specific mentions of great performances. Robert Joey McKinnon presented a delightfully physical Henry, who’s actions made the audience laugh even during the darker moments of the play. Jace Pickard provided a crazed determination and strong vocal projection for this production’s Jack. Likewise, Hannah Richens’ Roger was a force to be reckoned with, and Bronte Fegan delivered Piggy’s final monologues heartbreakingly. 

But the most intense and moving scene was the final.  Lead actor and co-director Thomas Henry showcased his talent through Ralph’s final moments of the play. Although I am tempted to say more about Thomas Henry’s performance during the latter half of act two, words would not do justice and I will instead encourage – no, URGE – you to experience it yourself.

This production of Lord of the Flies was an absolute pleasure to watch. Kill the pig, spill it’s blood, catch this show! With only two more sessions remaining please get buzzing and book your tickets now.

  • Friday 16 June 2023 – 8:00 PM
  • Saturday 17 June 2023 – 8:00 PM

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