Agatha Christie’s Spider’s Web – Murder, Drama & Hilarity

Agatha Christie's Spider's Web

Agatha Christie’s Spider’s Web Rating

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6

Murder Drama and Hilarity are spinning the stage in this thrilling ‘whodunit’ murder mystery directed by Jessica Gray at the Maitland Repertory Theatre. Agatha Christie’s Spider’s Web is a tangled web of delight with an abundance of hilarious moments and compellingly complex subplots, this intriguing production will have you on the edge of your seats.

I am astonished that this was Jessica’s directorial debut, as even on opening night the production felt flawless. The lighting and sound were both expertly executed enhancing the thrills, chills and mystery, along with the backstage crew, they worked together to ensure a seamless performance.

This is of course a reflection on both Jessica and the wealth of experience and fabulous teamwork from her incredible cast and production team.

The cast should all be commended on their skillful British accents and the individuality each cast member brought to their uniquely flavourful characters. The costuming by Kasia Dowie was perfectly applied to each character further enhancing their characters’ authenticity. A strong cast all around, with a pleasingly broad age range from 11-year-old Molly South who played the sweet and constantly ravenous Pippa through to 85-year-old Michael Smythe who earnestly portrayed Hugo the pious local GP.

Madeline Valentinis in the leading role as colourful Clarissa was captivating throughout and delighted the audience with her charming wit and fabulous style. Madeline’s melodramatic touches were superbly on point generating all the flair her character rightly deserved.

 

 

Commendable casting for Drew Pittman as the Inspector accompanied by Lauren Irwin as the sidekick Constable. The pair made a dynamic duo as they persisted in solving the puzzling murder and attempting to decipher facts from fictitious stories.

Aimee Cavanagh delivered a tremendous rendition of Miss Peake, the home’s resident gardener. Aimee’s seemingly dimwitted character provided the audience with continuous rounds of hysterics as did the ditzy housekeeper Elgin played by Dimity Eveleens.

The ingenious set design was almost as impressive as the fabulous cast The entire performance took place in the drawing-room of Copplestone Court, a country home in Kent England. The clever design allowed four entries/exits which in turn credited depth and dimension to the scenes and story as a whole. Particularly notable was the doorway with a staircase for the cast to travel upstairs in the ‘house’ complete with an hallway illusion in the background. I was also fascinated by the hidden bookcase door that beheld a tangled web of secrets.

Spider’s Web encompasses all the wonderful elements an audience can expect and more from a classic Agatha Christie murder mystery. Written in 1954 and still performed and loved the world over is a testament to the fantastic best selling novelist of all time. Melodrama, comedy and a tangled web of deception are boldly displayed in this highly entertaining production. Offering a strong and seasoned cast accompanied by fabulous staging, you are bound to be thoroughly impressed by this thrilling Agatha Christie classic.

To book tickets to Agatha Christie’s Spider’s Web, please visit https://www.mrt.org.au/2025-plays/agatha-christies-spiders-web/.

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The Hanging: Maitland Repertory Theatre

The Hanging

The Hanging Rating

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4

The Australian backdrop, twisted characters, and a gothic tone. The Hanging, written by Angela Betzien and directed by Aimée Cavanagh is one that all thriller-lovers would hate to miss.

Discover the secrets that surround teenage Iris, her boarding school English teacher, and the detective in charge of finding Iris’ two missing friends. Watch as the characters evolve before your eyes, listen to the dynamic changes in cadence, and experience the horror of the devolving mystery.

With unique stage design, simple lighting cues, and basic sound changes, the actors use little aside from their voices and realistic characterisation to immerse you in their world, leaving you no choice but to focus on the very parts of the play that you may not wish to see.

If forced, I would be hard pressed to choose a star of the show, with all actors giving their very best to the roles given to them, and working together to surprise the audience as they examine the human condition and all that is ugly to witness, yet captivating to see.

With an homage to the classic Australian text ‘Picnic at Hanging Rock’, The Hanging is a play that, while short, is one I can see becoming one for the ages, and the cast and crew at Maitland Repertory Theatre Company did a spectacular job bringing it to life.

Warnings: contains references to drug use, child abuse, suicide, pregnancy, termination, descriptions of gore, and coarse language.

Performance times:

Evenings at 8:00pm:
May: Wednesday 7, Friday 9, Saturday 10, Friday 16, Saturday 17, Friday 23

Matinees at 2:00pm:
May: Sunday 18, Saturday 24, Sunday 25

To book tickets to The Hanging, please visit https://www.mrt.org.au/2025-plays/the-hanging/.

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First Things First

First Things First

First Things First Rating

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2

First Things First…. I loved the play. Maitland Repertory Theatre has brought to the stage an enthralling comedic performance with a group of very talented actors.

The stage was set as a comfortable living room, practical and well dispersed for audience interaction. The audience is immersed into the crazy antics of the night’s unfolding drama, which all takes place in the living room of Pete and Sarah’s home.

The idiom “Oh, What a tangled web we weave, when first we practice to deceive“ rings loud, clear and undeniably true as the predominant theme in “First Things First.” We witness the very anxious, escalating to frantic main character, Pete, played by Matt Scoles, squirming his way through lie after lie in a very sticky delicate dilemma. How does one handle their supposedly dead wife spontaneously returning when you have recently remarried a new wife, who knows nothing of the previous marriage?

Well…our main character Pete handles it deplorably! Matt Scoles gave a fabulous expressive character portrayal with top notch comedic timing. He had the audience in his hands the entire night willing him to confess and put an end to the spiraling chaos. Louise Cowan gave a splendid portrayal of Sarah, Pete’s ‘new wife,’ She was ‘on key’ for the role of a timid, attention-seeking, needy wife.

 

The gorgeous long lost wife of Pete, Jessica, who is responsible for creating all the mayhem and chaos was performed tremendously by Jessica Gray. Jessica brings her own unfolding drama, mystery and surprises to the stage.

Devoted and loyal to Pete’s side and to his ludicrous spinning web of lies, is his best friend George played by Tez Tywal. This is the second time I’ve had the pleasure of watching Tez Tywal perform and I love the natural humorous energy and vibrance he brings to the stage.

A solid and perfectly composed professional performance by Jane Johns who played Margot, the doting and ever inquisitive mother of Sarah. Her skepticism towards her son in law is unwavering and rightly so.

And then there was Alan… who entered in the 2nd half at a time when we thought things couldn’t possibly get any more complicated. But they certainly did! A very enjoyable performance by Matt Robinson who plays the hilarious role of Jessica’s secret French lover. Matt skillfully had the audience in hysterics.

First Things First was a highly engaging and very enjoyable performance from a group of impressive skilled actors. Thoroughly recommended for couples and friends who are after a night full of laughter and great entertainment.

First Things First is running at the Maitland Repertory Theatre from November 20 to December 8, 2024.

To book tickets to First Things First, please visit https://www.mrt.org.au/2024-plays/first-things-first/

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Romanoff and Juliet Presented by Reamus Theatre

Romanoff and Juliet

Romanoff and Juliet Rating

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You’ve heard the story before, two star-crossed lovers forced to choose between love and family, only to meet a tragic end… Well, Romanoff and Juliet is not that story!

Romanoff & Juliet takes the premise from the original Shakespearean play and makes it its own concept. It is set in a mythical micronation somewhere in the northern hemisphere, with quirky characters and conversations that leave you halfway between chuckling and questioning the meaning of our world.

As always, my absolute favourite part of this production was the actors and actresses who pulled it into reality. With an obvious passion for the show and its characters, the cast gave their all to the performance and successfully brought us, as the audience, into their realm.

The only thing this wonderful cast really needed was more confidence and pride for their show, with minor teething issues like forgotten lines, shaky accents, and occasional projection and blocking issues to clue us into how nervous they were for their opening performance.

Alongside the cast, the stage crew did an outstanding job, with an impressive set design that perfectly captured the two sides of the story without becoming cluttered or overwhelming. The actors’ stage presence combined with the care shown for the performance from all sides made me love this show, even if I could not understand what was going on during every scene.

Romanoff and Juliet is a unique, short-run production by MRT’s Reamus Theatre concept, separate from their 2024 Season program. Reamus Theatre brings together community members aged 18 to 30, helping them cultivate various theatre skills. These passionate and talented young performers consistently deliver exceptional entertainment to the public.

Reamus meets weekly to enhance their theatre abilities through workshops, rehearsals, and shared enjoyment. Since 2002, they’ve regularly staged annual Shakespeare productions, as well as short play nights and one-day play events. You can discover more about Reamus Theatre’s initiatives at Maitland Repertory Theatre here: https://www.mrt.org.au/reamus-theatre/.

For Tickets to Romanoff and Juliet:-
https://www.mrt.org.au/2024-plays/romanoff-and-juliet/

Performance Dates/Times:
Evenings at 8:00 pm:
August: Wednesday 21, Friday 23, Saturday 24, Friday 30, Saturday 31

Matinees at 2:00 pm:
August: Sunday 25
September: Sunday 1
Doors open 30 minutes before performances

Running time
Approximately 2 hours, including a 20-minute interval.

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