Duel & Dual: Martial Arts Meets Magic

Duel & Dual

Duel & Dual Rating

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Setting the stage for competition, a bare black stage holds a red and green digital counting clock, and two chairs with identical trophies upon them. As each of the two magic champions seek to out-do the other, a playful battle for the ultimate title commences. Exploring the nuances between rivalry and camaraderie, Duel and Dual showcases the different yet complementary talents of both performers through illusionary magic, martial arts, and mime.

Close-up Magician, Tu Strange, and Stage Magician, Mu-Syuan Chang, take turns to impress the audience with their different skills and occasionally attempt to sabotage the other. Strange’s comedic and showman-like personality certainly allows him to engage up close with the audience, even including them directly in his tricks and inviting them to copy his movements to demonstrate their authenticity. He has no qualms exuberantly inviting people to join him onstage, including helping with a 52 card pick up, and often all but demanding a hug at the end of tricks without saying a word.

Chang is much quieter in demeanour yet no less talented, as he gracefully moves around the stage seemingly conjuring playing cards and coloured confetti from nothing. Accompanied by music, he almost dances as he displays incredible dexterity with various items which almost defy gravity.

Both dressed in black, the magicians almost seemed to blend into the background at times, allowing the magic of the moment to take precedence. While this wasn’t completely mimed, with a word or two uttered quietly to amusing effect, the lack of dialogue allowed all aspects of the visual spectacle to take centre stage. The alternating of acts between the performers gave the impression of gentlemen taking turns to attack rather than everything happening at once.

However, it would’ve been very exciting to have seen more of a fast-paced physical battle that utilised more of the martial arts, mime, and magic illusions together. The newfound friendliness at the end, while almost heartwarming, was a bit of an abrupt finish to the performance. There wasn’t much time allocated to working together, and there was certainly a missed opportunity of having them complimenting and helping one other’s acts in a friendly capacity rather than only as rivals.

The alternating red and blue lighting is cleverly employed in the opening few minutes of the show, highlighting the two very different competitors as dramatic foreshadowing to a serious showdown. To complement this, basic spotlighting and stage washes were utilised to great effect, as long as both performers were within in that light. The soundscape, alternating from dramatic instrumental to bursts of popular music, also felt appropriate given the contrasting personas of the performers and often allowed the music to speak for them.

Each magician commanded the small performing space in their own way, often making it feel bigger than it was – unless there was a call for audience participation; some of which could be difficult to see around the flat seating. There are also moments when it is unclear whether to applaud or to simply enjoy the spectacle in silence, particularly if you have never been to a magic show before.

Marketed as riveting tale of rivalry between champions, it operates more as a magic show in alternating styles that is loosely linked with friendly competition. A rigorously rehearsed show that encourages flexibility in audience involvement, this is a great night out for families looking for something different that’s away from the busyness of the popular Fringe gardens.

To book tickets to Duel & Dual, please visit https://adelaidefringe.com.au/fringetix/duel-dual-af2025

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Robin Hood: A New Family Musical

Robin Hood

Robin Hood Rating

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If you turn the corner in Malvern’s Central Park in the late morning, you’re greeted by winding ropes cordoning off islands to seat picnic blankets or chairs. You’ll also see set pieces straight from a primary school play: a tiny wooden island and cajón drum, green and brown paint-spattered cloths tied to trees, and details like fake rocks and a shelf of plastic food with the sign SHERIFFS PANTRY.

The team behind Melbourne Shakespeare Company’s Robin Hood uses this sequestered woody space to its fullest to craft a whimsical, ramshackle and original take on a classic story.

Robin (Billy Thomas), Dame Tuck (Jackson Cross) and Little Joan (Lucy May Knight) are going about their usual business of robbing the rich to feed the poor. But when they are caught stealing from the Sheriff of Nottingham (Kaia Reyes), he devises a new punishment: shipping them off to Australia.

There, the merry men, with the help of Bushranger Bruce (Daniel Hillman), must acclimatize to a strange new world and find their way back home. The beginning feels slow and the different scenes are somewhat disconnected and potentially difficult for a child audience to follow, but it was a pleasant surprise to see a slightly different narrative in a panto show.

 

The ensemble is charming and navigates their stage perfectly. Every line is audible, every slapstick gag is visible and tight, and every spectator gets close-up moments with the characters. Lucy May Knight as Little Joan stands out with a bubbly yet sharp physicality that’s perfect for panto.

The world-building was also fantastic at blending a familiar and fun Aussie context into a classic story. The adorable Australian animal puppets were a highlight, while all the pop culture references and self-referential jokes landed well with the adult audience.

Maxwell Simon’s (Muriel’s Wedding) original score is fun and full of laugh-out-loud lines, but there was only one song where the children were directly encouraged to play along. It felt like the whole show missed out on many opportunities for audience participation, and this led to some clear confusion and lost attention among the kids at some points.

While Robin Hood has its moments of missed potential, it’s definitely a worthwhile and unique experience for the theatre-loving family. It’s a scrappy, feel-good show that keeps the much-loved traditions of panto alive in a timeless yet modern story for an audience of all ages.

To book tickets to Robin Hood, please visit https://www.melbourneshakespeare.com/robinhood

Photography: Sare Clarke Photography

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Maori Mini Film Festival: Walking Between Worlds

Tuia Ngā Here

Tuia Ngā Here Rating

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It was a real pleasure to review this soulful short film by Ngā Aho Whakaari as part of the Maori Short Film Festival and not just because it’s so impressive to see filmmakers who can create something so beautiful, with such incredible production values, on a small budget.

Exploring important themes of land and belonging – environmental protection, the preservation of cultural identity and intergenerational familial relationships – we are introduced to 16-year-old Hiwa who returns home from boarding school to discover her beloved grandfather, the local ‘land legend’, is seriously ill and unable to tend to the forest he has spent his life protecting.

Whilst her younger brother Pōtiki, who has clearly inherited his grandfather’s deep affinity for the ‘whenua’ (land), is determined to follow in his Korua’s footsteps, Hiwa struggles to integrate her simple, traditional values with the ‘modern’ world she inhabits at school.

Both children wrestle with the shifting dynamics in their family, and the darkly green and lush scenery is a beautiful but ominous metaphor, reflecting both Hiwa and Pōtiki’s realisations of the importance of their new roles as the next generation of guardians for the land and their family.

This film was part warning, part love letter to land and culture. As someone who has a deep connection to land myself, it was an invitation to recognise the ways in which we are called to stand as protectors for that to which we ‘belong. ‘ It’s definitely one to watch.

To book tickets to the Maori Mini Film Festival, please visit https://www.bunjilplace.com.au/events/maoriland-film-festival

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The Christmas Spectacular

The Christmas Spectacular

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The Christmas Spectacular tour has officially begun with its season debut at Crown’s Palms Theatre in Melbourne. The glitzy extravaganza features magic, circus art, showgirl acts, and performances of universally adored Christmas songs.

The shining star of the night was host and principal singer Prinnie Stevens. Gracing the stage after rising to fame on Season One of The Voice Australia, Stevens radiated confidence and charm all evening long. Highlights of her vocal showcase included Mariah Carey’s hits ‘All I Want For Christmas Is You” and “Joy to the World”.

Illusionist Michael Boyd performed spectacular shows of magic that proved mind-blowing for viewers of all ages. The former Australia’s Got Talent Finalist showcased brilliance as a magician and semi-host of the night with his captivating stage personality and interactive stunts.

Circus artist Aleisha Manion showcased gravity-defying stunts without fault. Her executions were polished, smooth, and perfectly timed between showcases of dance and song to maintain audience excitement.

Glamorous costuming took full effect and enhanced the performances of Showgirls and male dancers. The vast array of dance styles and stage-wear complimented the talent and sharp work of all performers.

The momentum of the show, however, was interrupted by the incorporation of several slow ballad songs, which halted the ‘extravaganza’ theme of the night. Similarly, the frequent use of backing tracks with automated singing flattened the polish of the evening, and a pre-recorded speech during Santa’s appearance gave the finale an awkward feel.

Overall, the debut of the 2024 Christmas Spectacular was a success, with the cast and crew delivering a dazzling evening as intended. The spectacle held the attention of even the youngest crowd members from start to finish by showcasing short bursts of entertainment. At 90 minutes long, it makes for a perfect snapshot of Christmas-themed excitement for all ages. The show is now on the road heading for Canberra, followed by stops in Brisbane and Adelaide before concluding in Sydney.

To book tickets to The Christmas Spectacular, please visit https://thechristmasspectacular.com.au/

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