Turning Pain Into Power: The Radical Hope of How To Eat Rabbit

How To Eat Rabbit

How To Eat Rabbit Rating

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The world is coming to an end. Life feels inconceivably unfair and beyond your control. So how would you choose to cope?

Would you adopt ‘a survival of the fittest’ mentality? Would you suffer in silence? Or would you fall into despair in a constant state of lack?

In a bid to connect Australian audiences with human compassion and understanding, playwright Jamila Main excites us with her new production, ‘How To Eat Rabbit’, as part of La Mama’s Hope Punk Climate Festival.

In this independent dark comedy, we come upon a dystopian world suffering from climate change, where two friends, Alex and Cam, decide to bunk together in a burrow. There, they try to persist beneath a world that is literally caving in on them, inch by inch, and metre by metre.

Promising to keep one another safe and sane, they tackle their situation head-on – creating innovative ways to keep to a sound routine. The counting and recounting of tins of beans, stacking them in curious little piles all over the stage: like magical sandcastles. Handpainting pleasurable scenes on the walls of the cave. Daily training activities on repeat to keep boredom at bay. Frequent food and supply runs to keep their health intact.

 

As time rolls on, the atmosphere intensifies, for we are only human after all. A power struggle between the pair. Alex, wonderfully played by Nory Gretz, the more dominant of the pair, takes comfort in controlling the nest, while Cam, seamlessly portrayed by Jamila Main herself, is struggling to physically keep up, desperately hiding a secret about her health – internally collapsing to keep Alex comfortable.

In truth, this show is extremely spontaneous, confronting and radically shocking; depicting desperate, irrational behaviour at the hands of quiet desperation. Keeping us riveted from the get-go – even spotlighting the script onto the back wall of the stage – to not only guide the audience, but to digest and immerse us into the lived experience of these two characters.

But what is most impressive about this show? Is its revolutionary purpose beyond climate change. For Jamila Main is truly on a crusade – to make theatre a platform for greater understanding. For Main, theatre is more than a stage: it is the foundation of community. Where one can share personal struggles via inventive storytelling.

That we can still persevere despite the challenges one faces in life. That we can turn pain into power: with a courageous war cry, every single day.

To book tickets to How To Eat Rabbit, please visit https://www.lamama.com.au/whats-on/la-mama-hope-punk-climate-festival/how-to-eat-rabbit.

Photographer: Darren Gill

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A Great Way To Spend 90 Minutes

Sydney True Crime Tour – The Rocks

Sydney True Crime Tour – The Rocks Rating

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Dark Stories: Sydney’s True Crime Tour | The Rocks

Dark Stories runs true crime tours in the heart of Sydney, bringing to life exciting tales of the dastardly crimes and misdeeds of Old Sydney Town.

This reviewer attended the true crime tour of The Rocks, meeting at a designated spot near the southern pylon of the Sydney Harbour Bridge.

Our guide, Chloe, welcomed us with a lovely smile, welcoming us with a snapshot of the history of the bridge and its surrounds. We were regaled with dark tales of ill-fated lovers, the slapdash unreliability of firearms, and an urban myth that continues to percolate today.

Chloe was a terrific guide projecting her voice, at times against traffic noise. She spoke clearly, was polished and professional, and full of interesting information.

The tour meandered through the often infamous streets and laneways of Millers and Dawes Points. Starting at Parbury Lane, we wandered, at a leisurely pace, along cobblestone walkways and narrow lanes, in an area which once housed merchants, convicts and sailors. We stopped at various points of interest to catch our breath and listen to another twisted and dark tale. It’s hard to imagine a time when these quaint, winding laneways were so feral, raw sewage ran alongside houses, and rats ran amok.

 

The Rocks was Australia’s first port town and dockyard, and its streets were rough and mean, ruled over by the Rocks Push, a violent gang of larrikins (thugs) with a predilection for robbery, assault and murder. They also viciously fought other local gangs. Walking these areas now, it seems a world away from such levels of colonial brutality and violence.

The walk took us to colonial ruins in Ferry Lane, through the Argyle Cut, past the Garrison Church, and up perhaps 50 steps to the start of the bridge climb. This was the steepest part of the tour but easily manageable. At Observatory Hill, we stood in the rotunda taking in the spectacular view of Sydney Harbour, the backdrop for one of Australia’s most horrifying unsolved true crimes.

From there, we trekked through back streets where Chloe offered more intriguing tales of ill-deeds and the macabre. There were many information plaques on buildings and walls, which complemented each story and added depth and mystery.

The tour finished at Cadman’s Cottage, which housed the watermen who made deliveries on the harbour, much like today’s water taxis. Here, we heard a mortifying tale of deceit and murderous intentions. The cottage is closed to the public, which seems a shame, as it would make a great little museum.

A few tips to get the most out of the tour. The walk goes for 90 minutes, so take the offered toilet stop at the start point. Be sure to bring water and a hat. If walking from Circular Quay, allow a good 15 minutes to arrive at the meeting place.

Dark Stories also offers a tour through the underbelly of Sydney crime with its Razor Gangs Tour around Darlinghurst. True crime tours are also available in other cities across Australia, including Maitland, Newcastle, Brisbane, Fremantle, Perth, Adelaide and Melbourne.

I highly recommend Dark Stories: The Rocks True Crime Tour. It was fun, informative, and a spookily forensic foray into Old Sydney Town.

To book tickets to Sydney True Crime Tour – The Rocks, please visit https://darkstories.com.au/sydney-true-crime-tour/.

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Adelaide’s True Crime Tour

Review: Adelaide’s True Crime Tour

Adelaide’s True Crime Tour Rating

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Meeting outside the Adelaide Railway Station, our very engaging and knowledgeable tour guide, Sarah, led us on a 90-minute tour around the CBD walking to the actual scenes of nine notorious local crimes.

The tour begins at the Railway Station with a fascinating crime dating back to the building’s construction in the 1920s, before moving along North Terrace to Government House for one of the oldest stories featured on the tour.

From there, we made our way through familiar Adelaide landmarks including Rundle Mall, Hindmarsh Square and Grenfell Street. It is fascinating to discover the darker history hidden behind places that thousands of people pass every day, often without any idea of the dramatic events that once occurred there.

At the Mall’s Balls, officially called The Spheres as Sarah pointed out, we heard the tragic story of a crime that occurred in the area in the early twentieth century, including an eerie detail about the victim that is best left for Sarah to reveal.

The tour also moves into more recent history, including a shocking murder connected with Hindmarsh Square, before continuing through the city for several other stories involving Adelaide characters and crimes from different periods.

 

One of the strengths of the tour is the variety of cases covered. Some are relatively well known, while others reveal extraordinary episodes from Adelaide’s past that many locals may never have encountered.

The tour culminates around Gouger Street with the engrossing story of John Balaban, one of Adelaide’s most notorious murderers, and the dramatic circumstances surrounding his eventual arrest.

The tour is a gentle walk suitable for most fitness levels, with plenty of opportunities for resting on public seats if needed. It takes place mostly over flat ground that is readily traversable by wheelchairs. As the tour operates through public areas of the CBD, there is naturally also some variability in public interaction along the way.

Adelaide’s True Crime Tour provides a very interesting insight into the notorious historic happenings hidden behind what are often considered the quiet streets of Adelaide. Sarah was an engaging and knowledgeable guide, and the tour is highly recommended for visitors to Adelaide and locals alike.

Venue: Starts at the Adelaide Railway Station

To book tickets to Adelaide’s True Crime Tour, please visit https://darkstories.com.au/adelaide-true-crime-tour/.

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Ibsen Award-winning Forced Entertainment Bring Their Take On Shakespeare To The Opera House

Feature-Table Top Shakespeare: Selected Works

ONE MONTH TO GO
Shakespeare’s greatest plays retold with a Dettol bottle, a jar of marmalade and a set of salt and pepper shakers at Sydney Opera House

World-renowned, Ibsen award-winning UK company Forced Entertainment brings its acclaimed production, Table Top Shakespeare, to Sydney for the first time this September – a genuinely accessible, laugh-out-loud way into the Bard for anyone who finds his works intimidating or a slog at school. Suitable for ages 14 and up.

With exactly one month until opening, the Sydney Opera House is counting down to the Sydney premiere of Table Top Shakespeare, presented by internationally acclaimed ensemble Forced Entertainment – the company The Guardian has called “Britain’s most brilliant experimental theatre company” and The Times says is “confounding conventions and exploding audience expectations.”

Six performers take on the whole of Shakespeare’s canon using nothing but everyday household objects – a vase becomes a prince, a jar becomes Juliet, a Dettol bottle plays her nurse, and salt and pepper shakers rule an entire kingdom. Narrated live and entirely from memory, with no fixed script, each retelling strips Shakespeare’s comedies, tragedies and histories back to their essential drama, wit and plot – no prior knowledge of the plays required.

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It’s a genuinely different way in for audiences who find Shakespeare’s language intimidating or who haven’t engaged with his work since school, as well as a fresh, funny lens for seasoned theatre-lovers. Forty years into a career built on pulling apart theatrical convention, this marks Forced Entertainment’s first-time tackling Shakespeare – and their first time performing them in Sydney.

Table Top Shakespeare: Selected Works is presented as double bills across the season – two plays per evening over one week, covering comedies, tragedies and histories including Hamlet, Macbeth, Romeo and Juliet, Othello and A Midsummer Night’s Dream.

SHOW INFORMATION:
WHAT: Table Top Shakespeare
WHEN: 22 – 27 September 2026 (one week only)
WHERE: Studio, Sydney Opera House
FOR: Ages 14 and up
PRICES: Tickets from $75 + booking fee.

ABOUT FORCED ENTERTAINMENT
Forced Entertainment is an ensemble of artists founded in 1984, recognised as one of the world’s most influential experimental theatre companies. Winners of the International Ibsen Award, the company has spent over 40 years pulling apart the conventions of narrative, genre and theatre itself, touring their work across the UK, Europe, North America and Japan. Led by Artistic Director Tim Etchells, with performers Robin Arthur, Jerry Killick, Richard Lowdon, Claire Marshall, Cathy Naden and Terry O’Connor.

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