A Place in the Sultan’s Kitchen

A Place in the Sultan's Kitchen

A Place in the Sultan’s Kitchen Rating

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The charming production of ‘A Place in the Sultan’s Kitchen’ (or ‘How to Make the Perfect One-Pot Chicken Curry’) has made its way to its mainstage premier at the Illawarra Performing Arts Centre.

At the core of this production, is the theme of self-discovery and belonging. Joshua Hinton, with his brother Dominic at the technical helm, tell stories of their grandparents’ formative experiences throughout not just their family history, but major historical events as well. Josh interweaves monologues and recordings to tell decades of stories, all the while cooking his grandmother’s one-pot chicken curry.

The technical elements of this production and the use of the cooking utensils and pots as props to tell stories was incredibly well thought out. Dominic’s sporadic interjections and his use of physical theatre at key moments really heightened the storytelling, and moments of humour that displayed their sibling relationship. I absolutely adored the imagery and the use of the world map throughout the show. Using spices as they are and as tools to showcase different people within the stories being told was a genius move. The mix of lighting and sounds with spices as fires and bowls as buses was next level. It can be really difficult to keep an audience engaged for an hour or so when it’s just one person on stage, but with all the technical elements like the use of the audio, video and photos were really well utilised that it didn’t feel like a one man show.

 

 

It was really cool to see a whole meal be cooked on stage whilst being invited into a family’s history. It was an intimate experience pieced together with a grandmother’s love for her grandchildren and an equally beautiful reciprocation of the adoration and respect of a grandchild for their grandparents. I love the idea of breathing new life into old stories, as well as keeping a loved one’s legacy alive even after death. Hinton used a really powerful analogy, likening grief to that of the process of cooking the curry, and I just found that so beautifully poignant.

Finally, sharing the spotlight to close out the show with an original song, the Hinton brothers gave their all in a soft goodbye and see you later to their Pop. Thank you for sharing that beautiful tribute with us and for following it up with some delicious curry! Dinner and a show? Sign me up!

‘A Place in the Sultan’s Kitchen’ is in Wollongong for a few more shows, finishing on Saturday August 23 at 7:30pm, before moving on to the Shoalhaven Entertainment Centre and Brisbane Festival. Grab a ticket at the Merrigong website or stay tuned for its next stops!

To book tickets to A Place in the Sultan’s Kitchen, please visit https://merrigong.com.au/shows/a-place-in-the-sultans-kitchen-2025/.

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Frozen Jr

Review: Frozen Jr

Review: Frozen Jr Rating

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Based on the Academy Award winning Disney animated feature film, Frozen, the Adelaide Theatre Academy’s limited season of Frozen Jr at the Goodwood Institute, is a first-class vehicle to highlight the outstanding flourishing talents of the young cast in this highly entertaining production that brings Anna, Elsa and the crew alive on stage.

The plot develops in the Kingdom of Arendelle as Young Anna and Young Elsa play as summer is celebrated by the Townspeople. Young Anna pesters Young Elsa to use her magical powers to create snow and ice. Queen Iduna and King Agnarr prompt them that Young Elsa’s powers must be kept a secret. That night they build a toy snowman called Olaf, and Young Elsa inadvertently uses her powers resulting in Young Anna becoming unconscious. The King and Queen enlist the help of the Hidden Folk and their leaders Pabbie and Bulda revive Young Anna and remove the memory of Young Elsa’s powers from Young Anna’s head. Fearful of her potentially harmful magic, Young Elsa vows to hide her powers and removes herself from everyone including her sister.

The King and Queen travel away from the kingdom but are lost at sea and the sisters are isolated from the outside world and each other. Later Elsa is to be crowned Queen and for the Coronation the castle gates are opened after being shut for many years. Anna becomes excited with the prospect of having people back in the castle. Anna falls in love with Prince Hans and Elsa again loses control of her powers and flees, Anna tries to find her sister leaving Prince Hans in charge of Arendelle. In her search she encounters Kristoff and his reindeer Sven, then Olaf the talking snowman who all join her in her quest to find Elsa.

The show includes the favourite songs from the original film, “Let It Go” and “Do You Want to Build a Snowman?” as well as new songs for the stage.

 

 

With the limited confines of the Goodwood Institute and the large size of the cast, the set design is minimal, relying on a series of ladders that are moved throughout the show. While practical considerations are obviously in play in relation to the minimal set design, the minimalism may lead to confusion with the story amongst younger audience members of which there was a large number in the session reviewed. There were also minor sound issues but not enough to mar the show. Costumes are very good, however the stylised Olaf costume may again lead to confusion for younger audience members.

Two casts alternate between sessions, a “Winter Cast” and a ” Summer Cast”. The session reviewed was performed by the “Winter Cast”. The whole cast has impressive developing talent. They all performed to a remarkably excellent level considering their age and would all seem to have bright futures. Given the excellent performance of all the cast it seems unfair to single out individual members, but the leads Claire Wilkes as Anna and Lucy Parkes as Elsa, deserve special mention for outstanding achievements. Lucy’s singing voice is already at an accomplished level. Special scene stealing mention also to Olive Kennedy as Olaf.

The Adelaide Theatre Academy should be proud of their production of Frozen Jr as it highlights the brilliant developing talents of the cast in this charming take on Disney’s Frozen characters.

Frozen Jr runs to 19 July 2025; remaining session dates and times are as follows:

– Friday July 18th – 10:15am & 6:30pm
– Saturday July 19th – 11:00am & 6:30pm

To book tickets to Frozen Jr, please visit https://theatrebugs.com.au/theatre-bugs-shows-and-events/.

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Allons-y! Comic-Con Returns To Melbourne

Melbourne Comic-Con 2025

Melbourne Comic-Con 2025 Rating

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Fans made the hero’s journey to Melbourne’s Convention and Exhibition Centre this weekend to meet their favourite celebrities, buy their weight in merch and revel in two days of pop culture chaos at Oz Comic-Con. For a nerd, it’s paradise. For anyone else, stay out of the way because this is my Super Bowl.

Oz Comic-Con is huge. MCEC was absolutely buzzing with activity by the time I arrived–at 9AM! Inside, the hall was wall-to-wall full, from panels to cosplay competitions, interactive challenges, tabletop games, retail vendors and workshops. Travellers, take heed: it’s not for the faint of heart. I had to join the Vaders posted outside for more than one (suspiciously wheezy) breather…

Celebrity panels featured Breaking Bad’s Giancarlo Esposito, voice actor and comedian Brandon Rogers, The Boys’ Moff Gideon and–my personal OZCC highlight–Catherine Tate, Doctor Who’s Donna Noble. Other guests included voice actors, cosplayers, costume designers–I could go on. I quite literally did not have enough time in the day to check every event out, so a comprehensive schedule (or a time machine, ha ha) is a must-have for those looking to see anything in particular.

For theatre fans, OZCC hosted a Q&A with the Beetlejuice cast, who are currently completing a fantastic run at Melbourne’s Regent Theatre. In their panel, cast members Eddie Perfect, Karis Oka and Elise McCann touched on some behind-the-scenes insights that you rarely get to hear elsewhere, so I considered myself very fortunate for catching that.

Oz Comic-Con had a massive lineup in the artist alley this year. From movies, TV shows and anime to books and even music, artists showcased fan art and plenty of amazing indie work too. Authors were also in attendance, promoting their books, chatting with fans and signing copies all weekend. Artist alleys embody what OZCC is all about: connecting not only fans with the authors and artists they love, but fellow creatives with one another, supporting the ecosystem of our thriving local art scene. Crucial, creative, and so fun.

I only wish that all of these incredible events could have taken place in separate halls, or with a more thoughtful configuration of booths. MCEC has a wonderful plenary for use, which would have given the guests the undivided attention they deserved; I could barely hear myself think, packed into one room like sardines. With a bit of breathing space, perhaps each element would have had the chance to connect with con-goers on a more personal level.

Still, a large-scale event completely dedicated to a love of art will always leave you walking away inspired to create. Oz Comic-Con brings together people across all walks of life with a common thread: celebrating the hard work of creatives and shaping the future of pop culture and entertainment.

Oz Comic-Con will be travelling to the rest of Australia throughout the year, but will be back in Melbourne from the 6th-7th of December for a special ‘Xmas edition’.

For more information on Comic-Con 2025, please visit https://ozcomiccon.com/.

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Mario The Maker Magician

Mario The Maker Magician

Mario The Maker Magician Rating

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Mario “the Maker Magician” Marchese is a New York-based performer, author, and maker. He tours worldwide with his wife, producer, and children. He incorporates DIY electronics and robotics into his projects, using magic to inspire limitless creativity in children and families.

This is a fun and amazing show for the whole family. Mario is a dynamic performer. Larger than life, he commands the stage. Even on one of the hottest days in Adelaide, he still put on a stunning show. But I feel we are grateful as he sprays water about the venue, cooling and more sleight of hand.

The audience was totally engaged with Mario’s every move. The hand-made props add a gorgeous charm to the show. They remind you of the toys that children would make themselves with cardboard, paint, and sticky tape. It took me back to my childhood, and I imagine that a lot of the parents were remembering their childhood.

It was also relatable to the younger audience members, the arts and crafts they like to do on a rainy day. Magician David Blaine, whom he has toured with, has labelled Mario “the best kids’ magician in the world”. He has appeared on the “Sesame Street’ show and with Jimmy Fallon on the Tonight Show. Even David Copperfield has heaped praise on Mario.

The show revolved around robots that Mario had hand-built. There was a lot of audience participation in the show, and the kids loved it. The kids loved the magic, and so did the adults.

Mario touches on his favourite teachers and what they mean to him, reminding the audience that teachers have had a pivotal role in our lives. This is part of the misdirection. In fact, the show starts with some simple, sleight of hand tricks. They immediately draw the audience in. Mario has us all hooked. The pace accelerates, and more tricks are revealed. We are introduced to the simple but fun robots.

The pace of the production helps with the sleight of hand and misdirection, which are important in this show. Mario makes positive statements about children and how the simple act of getting up on stage as a volunteer is a brave moment in their lives. We should applaud this.

The audience’s reaction throughout the show is something to behold. I have never seen an audience so captivated, engaged, and incredibly noisy. He owns the venue, and he takes along his magic journey, meeting those who have influenced him, like Andy Warhol.

As the show progresses to the finale the strings of the story come together. And with an ending we did expect it comes to a close. We are left wanting more. Which is how all shows should end.

The takeaway from this fun, glorious production is “Follow your dreams”.

Performed by Mario “the Maker Magician” Marchese
Written by Mario and Katie Marchese
Produced by Katie Rosa Marchese and Chris Cox

To book tickets to Mario The Maker Magician, please visit https://adelaidefringe.com.au/fringetix/mario-the-maker-magician-af2025.

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