Emily Granger Solo Harp Album Launch Tour – 13 June 2026 UKARIA Cultural Centre

Emily Granger Solo Harp Album Launch Tour

Emily Granger Solo Harp Album Launch Tour Rating

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Review: Emily Granger Solo Harp Album Launch Tour – 13 June 2026 UKARIA Cultural Centre

With the huge windows of the UKARIA Cultural Centre which look over the Centre’s beautifully sculptured garden onto the picturesque landscape of the Mount Barker Summit as background, Emily Granger delighted the audience with an angelic program of music from her stunning new album for ABC Classic, ‘A Thing of Beauty’.

Growing up in Kansas City she began learning to play the harp at age 12. Now Australian based, she has performed recitals in Carnegie Hall and The Kennedy Center appearing with the Chicago, Sydney, and Tasmanian Symphony Orchestras. Amongst many, many other things, in 2023 she was appointed Principal Harp with the Queensland Symphony Orchestra. She is also on the faculty at the Queensland Conservatorium of Music and a member of Ensemble Q. In 2021, she released her first solo album, “In Transit” which was a “Featured Album” on ABC Classic and 2MBS Fine Music Sydney. She followed this up with her second album, “Something Like This,” with flautist Sally Walker in 2023.

Granger explained that the new album began to come together after she commissioned a piece for harp from South Australian composer Hillary Kleining which was entitled “A Thing of Beauty”, and after hearing this piece, it became clear what the new album would be and how it would sound.

The program by all Australian women composers, included newly commissioned brilliant works from Alice Chance, South Australian Anne Cawrse, as well as Hillary Kleinig’s work. Older works from the new album were performed, including the heavenly “Karoola Seasons” by Christina Sonnermann based on four haiku by Hilary Burden. The encore was Deborah Henson Conant’s piece “The Nightingale” which appears on Granger’s album “In Transit”.

 

 

Refer below for the full program.

At UKARIA Culture Centre, Granger invited the audience to find some stillness as she gloriously performed her selection of music from her new album, it would be surprising if many did as all became engrossed in her marvellous performance.

Included in the program was the following:

Elena Kats-Chernin – Unsent Love Letters (2016)

Hillary Kleinig – A Thing of Beauty (2025)*

Alice Chance – Emily’s Suite (2025)*
1. Full of Wonder
2. Ballad
3.Chorale

Anne Cawrse – Come to me (2025)*

Ulpia Erdos – Reminiscing (1998)

Margaret Tesch-Muller – Snow and Shadow (2017)

Katy Abbott – Not Just Another Day (2001)

Nat Bartsch – Call and Response (2017)

Tara Minton – Alby’s Lullaby (2015)

Christina Sonnemann – Karoola Seasons (2006)
1. Spring
2. Summer
3. Autumn
4. Winter

Sally Greenaway – Encore di Lirico (2014) & Perhaps Tomorrow (2009)

Encore, Deborah Henson Conant – The Nightingale

*World Premieres

“A Thing of Beauty” is out on 3 July 2026 on ABC Classic.

Information, ticketing & album orders: https://emilygranger.com/a-thing-of-beauty

A Thing of Beauty Tour Schedule:

• Melbourne Tuesday 7 July 7pm at Melbourne Recital Centre, Primrose Potter Salon
• Sydney Monday 13 July 7pm at Sydney Opera House, Utzon Room
• Tyalgum Sunday 27 September 10am at Tyalgum Music Festival

To book tickets to Emily Granger Solo Harp Album Launch Tour , please visit https://emilygranger.com/a-thing-of-beauty.

Photographer: Chloe Ireland

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A Pride-full Celebration Of Unprecedented Talent! Happy Pride!

Homo Grown

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Imagine crossing the rainbow street and walking into Qtopia on the first day of Pride month, only to be greeted by the one and only Kala Gare’s and Kala’s incredibly beautiful, smiling face! Well, I don’t have to imagine, because that’s how this year’s Homo Grown kicked off for me.

Home Grown Australia, are pioneers championing new theatre and musical theatre works in Australia. What started as a backyard pub meeting, now has the backing of MTIA and the Australian Government. Founded by Nick Hedger and Ben Nicholson, Home Grown have nurtured beloved Australian new works such as My Brilliant Career, FANGIRLS and A Trans Woman On The Internet, Crying.

Homo Grown is a Pride-full celebration of queer Aussie new works to be produced, to come and in progress. The queer celebration in the room was electric, not least of all because the multi-talented Kala Gare was guiding the ship.

Kala kicked us off with an original “Hello” that speaks to “Letting freedom flow”, which was a great set up for the night. Kala’s skillful piano along with an incredible voice and sharp, relatable lyrics had us strapped in for “a wild ride, to say the least.”

Next up was Phoebe Rodger with the title song from upcoming “Phoebs, You’re A Lesbian” on June 10th – 12th at QTopia. Described as “a letter to my younger self”, this song was earnest, clever, cute, hilarious and relatable. Much like Phoebe. The second song was from a “yet to come” musical, it took us on a humorous journey of Phoebe’s ideal career discovery through a career’s test.

Cassie Hamilton and Nic Prior then took to the stage for a snippet from Afterglow by Sheanna Parker Russon & Lillian M. Hearne which will be showing at the Belvoir and is described as a “Barbershop rom-com”. Lillian introduced the piece and began to play, while Nic tore us into their deep, tender and sombre beginning. Cassie joined in and the duet echoed the lyrics “With you I fit”. Nic’s tender fragility of emotion is in stark contrast to the power of their voice, while Cassie’s sombre moments are only magnified by the reality of her powerhouse vocals. Cassie took to a solo called “Normal Michael” in which we got more of that voice, and what I can only describe as four seasons in one face, as we join the emotional journey of the character Cassie is embodying.

Matt Hawke then took us into their song from upcoming “Beautiful Lies” on June 11th-14th at the Substation Qtopia. Described as one of the lies unpacked in therapy, we deep dive into Matt’s 20 year old identity exploration wrapped in self-deprecating humour. None of us saw the sharp turn from this jaunty piano-pleaser into an acoustic guitar heartwrenching homage to Matt’s deceased dog. It left the majority of the room in tears, and awe at its beauty.

 

 

Robbie Alexander and Alex Gonzales had to wipe away tears and reset for their performance from “Twenty-Something”. Alex played the character, Charlie’s Mum, deadpanning that “I’m wearing a cardigan so you know I’m a mum.” and meeting a lot of laughter. Alex performed “Long Story Short” with power, emotion and a lot of talent. Robbie performed “Delightfully Gay”, showing us the tug of war between Angel and devil on the shoulder and reinforcing the lyrics “There’s no such thing as ‘a little bit much’!”

Lincoln Elliot joined forces with Kala, Natalie Abbott, Gracie Rowland, Nead Cristaudo, Alex Gonzales, and friends for a snippet from the “yet to be announced” emo-rock heist. The performance of “Creativity Is An Island showcased exceptional musicianship and a palpable musical love and collaboration between the group.

Kurt Kansley and Oli Lidert were missing in action, enjoying their time in Moulin Rouge, but Katie Staddon did them proud and then some with “More Than Words On A Page”. Katie’s vocal range is beyond comprehension, the melodies sublime. The swift shift from deep soul to angelic was out of this world.

Meg Rob took us on a solemn and sincere ride with “Step Into Infinity”, showcasing an ability to embody the characteristics of an introvert grappling with personal trauma, while knocking our socks of with some big belts. Those who saw Meg in Jagged Little Pill will be familiar with this ability to take an audience on a wonderful and surprising ride. Catch Meg’s show “Make It Queer” 25th-26th June at Loading Dock, Qtopia.

We finished with the cast and creatives from Nails 25th-27th June at The Eternity Playhouse. Created by Sophie Davis and Laura McDonald, and composer Harry Collins. This netball based comedic musical has a lot of balls (see what I did there?). Nead Cristaudo had us captivated as the coach, mixing brilliant comedic timing with powerful vocals.

Then the large ensemble cast and creatives from Nails finished us off on a high with Natalie’s gorgeous voice and some epic harmonies being the highlights of this final piece. It was an incredible finish to a night of unprecedented talents and not-to-be-missed new works! Make sure you catch these and as many Pridefest shows as you can this month. More than ever, we need to join together and support each other. Happy Pride!

To book tickets to Homo Grown, please visit https://tickets.qtopiasydney.com.au/Events/Homo-Grown.

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Duruflé’s Requiem And Poulenc’s Gloria

Duruflé's Requiem And Poulenc's Gloria

Duruflé’s Requiem And Poulenc’s Gloria Rating

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Today, on a glorious Saturday, the audience at the Sydney Opera House was treated to a magnificent concert featuring Maurice Duruflé’s ‘Requiem’ — first performed in Paris in 1947 — alongside Francis Poulenc’s ‘Gloria’. Representing a bridge across time, the concert offered extraordinary choral performances filled with beauty, spirituality, and emotional depth.

Completing the program was the world premiere of ‘Time’s Fell Hand’ by Carl Vine choral piece, which injected a distinctly Australian flavour into the French compositions of Duruflé and Poulenc. Together, the works took the audience on a remarkable journey of colour and harmony, calm reflection, and contemplation.

We were dazzled by the unexpectedly large choir — close to 500 performers — whose extraordinary vocal blend created an astonishing combination of tones and textures. The sheer scale of the ensemble was breathtaking, yet its sound remained balanced, nuanced, and deeply moving.

The opening carried an elegant stillness, overlaid with worshipful and spiritual sounds. It evoked a beautiful mix of church-like hymns and reverent chants, immediately creating an atmosphere of reflection. Duruflé’s Requiem, supported by orchestral textures within the sound design, felt both intimate and expansive. The entry of the Opera House organ added further depth, creating a rich soundscape of extraordinary resonance.

 

 

The five vocal sections — bass, baritone, alto, mezzo-soprano, and soprano — worked collaboratively, creating a beautifully unified and layered performance. A particular delight was the harp, played exquisitely, its sound like delicate stitches woven into an intricate musical tapestry.

The soloists, each brought distinctive voices, perfectly matched to the score. Samuel Dale Johnson opened a new door to musical expression with his beautifully delivered performance. Already recognized as one of today’s leading young baritones, with extensive performances across Europe, he brought depth and refinement to the role.

Award-winning mezzo-soprano Helen Sherman infused the music with richly textured mid-range warmth, delivering a performance of rare beauty and sensitivity.

Puerto Rican-born, Sydney-based soprano Meechot Marrero dazzled the audience with finely controlled tonality, never overpowering the composition but always enhancing both choir and orchestra. Her international career has taken her across Europe, the United States, the United Kingdom, and South America, performing in productions including ‘The Magic Flute’, ‘Turandot’, and ‘Candide’. Her final delivery of “Amen” was utterly mesmerizing.

Conductor Elizabeth Scott demonstrated remarkable skill in leading the orchestra, organ, choir, and soloists with precision, grace, and sensitivity.

The finale of Poulenc’s ‘Gloria’ left the audience with a profound sense of spiritual inspiration and emotional uplift.
An unforgettable performance indeed.

To book tickets to Duruflé’s Requiem And Poulenc’s Gloria, please visit https://www.sydneyphilharmonia.com.au/events/durufles-requiem-poulencs-gloria/.

Photographer: Keith Saunders

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My Brilliant Career

My Brilliant Career

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‘My Brilliant Career’ is now playing at the Illawarra Performing Arts Centre, and it is a must-see for all. It’s always a treat to have original cast members come back to a production, and the passion for this story is overwhelmingly clear from this incredible ensemble cast.

From the moment you walk into the theatre, you’re met with upbeat live music from the cast on a simple yet stunning stage set-up. I love a simple set, and this set up made the stage look like a vast expanse of country with a beautiful piano raised in the centre, surrounded by what we would quickly discover to be some of the most talented musicians I’ve ever seen. I lost count of how many instruments each cast member played throughout the two and a half hour run, and I was at awe every time a different guitar was picked up or instruments came together to not only support the vocal talent, but be ambient sounds of being out on a boat in the middle of nowhere. The obvious musical talent from the entire cast cannot be understated. Dancing while playing an instrument is difficult enough, high kicks while playing a cello that is strapped to your body is honestly insane and I am going to be thinking about that for a long time.

 

 

Sybylla Melvyn is the kind of character that you can’t help but root for, and the pure energy and authenticity brought to her by Kala Gare also made her impossible not to love. Her embodiment and growth throughout the show as Sybylla aged was perfection. From the first song, with punk rock attitude and mannerisms, I knew we were in for a treat. Having been a 15-year-old girl not too long ago, it was the perfect display of the amount of ‘hate’ a 15-year-old can muster at the world. Gare is an absolute powerhouse. Her tenacity and playfulness were so engaging, and my goodness she did not stop the entire time and there was not one hint of exhaustion or vocal deterioration. I cannot applaud her enough, that is indeed, one brilliant performer.

The simplicity of sets and costumes rounded out the explosiveness of the arcs in ‘My Brilliant Career’. It easily could have played out as just another story we’ve heard many times about a young woman in the 1800’s who had to follow a pre-determined path rather than having the opportunity to do whatever she wanted in life. However, the wholistic approach and balance of big songs and simple effects was excellent. Single spotlights and a slow violin drew everyone in and a simple joke or facial expression diffused any notions of this being a show about romance. Every step of the way felt exactly like the journey of finding yourself for yourself, and not giving in to what everyone else is telling you to do and to be.

‘My Brilliant Career’ is a must-see for musical lovers, dreamers, and anyone looking to have some fun. Get yourself a ticket to go and sit amongst your “Fellow Australians” and enjoy a night at the theatre. Head over to the Merrigong Theatre Company website and don’t miss the powerhouse that is this incredible cast and show.

To book tickets to My Brilliant Career, please visit https://merrigong.com.au/shows/my-brilliant-career/.

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