Balloon Dog

Balloon Dog

Balloon Dog Rating

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Indian Ink Theatre Company’s performance of ‘Balloon Dog’ has made its way across the ditch to Wollongong, with a limited run at the Illawarra Performing Arts Centre.

This show is jam packed with design choices that come together to create a playful expression of the cyclic nature of life and culture. I enjoyed the incorporation of live music, and having the musician on stage and utilised for comedic timing, 4th wall breaks and the occasional ‘The Office’-style glances at the audience.

The theatrical style felt like watching the creation of some kind of surreal or absurdist painting with the intermittent dance breaks and the mix of boxy and airy music. It felt the way I would imagine Picasso felt when he took a step back to decide if whatever painting he was working on at the time was finished. The set design added to that feeling. The overall boxy design with different levels of the stage, and the almost Minecraft-style painting of the house and backyard complemented the artistic nature of Ravi and his pursuit of a creative flow.

That’s not to say the material or the acting was absurd, in fact, the foundation of the play, ‘Would you open your door to a stranger?’, is incredibly relevant. Our desire to protect our families and loved ones from perceived threats and the seemingly never-ending horrors and dangers of the world, we miss out on opportunities to learn and expand our horizons by letting in new people. Not only new people, but different people.

 

 

I’m a big fan of modern takes on historical texts, and I agree with the creative team with their assessment of Western cultural limitations when it comes to literature. So much of what we consume is the same, and we miss out on a lot because of language and cultural barriers. I invite prospective audience members to go in with an open mind and zero expectations, and I guarantee you’ll be pleasantly surprised with how much you absorb and are absorbed into the show.

While I think this show brings audiences a healthy dose of whimsy, it’s important to not let the joy and playfulness completely overshadow the evocative script and delivery of each character. The complementing and contrasting objectives of each character form this dialogue about the lengths parents will go to in order to protect their children, even when the threat is nothing more than bias and fear of the unknown. I loved the use of shadow puppetry between Kabir and Minnie, the innocence clashed with the darkness of the stage and despite Minnie being an accumulation of each actor, and their ability to use the empty space around them, rather than being portrayed by an individual, her “presence” was such a driving force for the story’s emotion. Watching an invisible child grow up sounds a little silly, but it was done so well and set up such a casually devastating finale. I commend the creative team and the performers for all their work.

Expand your horizons and see something a little different this week. Head over to the Merrigong Theatre Company website to grab a ticket to ‘Balloon Dog’ and enjoy the performance from one of New Zealand’s most successful theatre companies, right here in Wollongong. Don’t miss out: https://merrigong.com.au/shows/balloon-dog/

To book tickets to Balloon Dog, please visit https://merrigong.com.au/shows/balloon-dog/.

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Yandha Djanbay (Go Slowly)

Yandha Djanbay (Go Slowly)

Yandha Djanbay (Go Slowly) Rating

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‘Yandha Djanbay (Go Slowly)’ returned to the Illawarra Performing Arts Centre after its 2025 MerrigongX season run. The audience was packed in with family, friends and theatregoers in a beautiful display of community. It was hard to turn any corner without someone stopping to say hello to another patron, but that’s Wollongong for you!

‘Yandha Djanbay’ is a beautifully lyrical one-woman show by Gunai woman Kirli Saunders that uses poems from her published collections in tandem with song and monologues. It was such a treat to hear a beautiful blend of each of these performance-styles with parts of the show spoken in her family’s native tongues. Saunders has a soothing and rich voice that came out of nowhere. Her regular speaking voice is calming, however when she began to sing, I thought at first it was a backing track it was so smooth. Like the ocean she spoke of so fondly, it felt like stepping into the calmest of waves and floating in the sun as she sang.

Her set was minimal. At first, it was an eclectic pile of “stuff” that was hard to make out. As the performance went on and each story unfolded, a prop was selected from the pile and left scattered around the stage. I like the symbolism of leaving parts of yourself behind rather than taking something to remind you of where you’ve been. The realisation that each item was also so deeply connected to the stories made for a beautiful moment, particularly when it came full circle and the big picture came into focus.

 

 

I adored the use of the screen and quotes from both her set and from Australian politicians and other influential characters. The humour of well-known jokes and asides to break up the abhorrent nature of each publicly said statement, broke up the performance into sections and allowed for the audience to take small moments of reprieve from the heaviness of each story. The use of visuals such as the ocean and cultural practices based on Dharawal and Wodi Wodi lands helped bring everything together and worked so well with her stories that it felt like breathing for the first time. I commend the production team for all their work.

Yandha Djanbay is a beautiful production that deserves to be seen, with deeply personal experiences and life lessons we all could learn from. The message to ‘Go Slowly’ is so versatile, especially in a world where everything seems to be happening at a million miles an hour. Each person has the space to take something unique away from the performance and its variety of themes, and that’s such a wonderful skill for a solo performer, especially when the source material is so personal.

Grab a ticket from the Merrigong Theatre Company website https://merrigong.com.au/shows/yandha-djanbay/ and make sure to check the performance warnings. The show closes Saturday 20th of June, so get in quick to secure your spot!

To book tickets to Yandha Djanbay (Go Slowly), please visit https://merrigong.com.au/shows/yandha-djanbay/.

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Two Weeks

Two Weeks

Two Weeks Rating

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‘Two Weeks’ by Siobhan Doran-Chaston made its Wollongong debut at the Illawarra Performing Arts Centre last night. As part of the MerrigongX Program, where artists and creatives are encouraged and supported to develop their craft for the stage, ‘Two Weeks’ is a deeply intimate and inviting experience for everyone trying to figure out how to live and grow in this world.

Set across a period of two weeks, the audience is invited into the home of a young couple as they live out the good, the bad, the mundane and everything else in between. It took me a moment to place what the countdown was for in the background, which I feel a little silly admitting in public, but I was so focused on the actors that I couldn’t tell at first whether it was counting up or down. There were so many different elements collaborating to bring this story to life. The countdown across the back, the frame over the fridge dictating when a different day was starting or ending, as well as portraying medical charts and tests, and the seemingly never-ending amount of props kept out of view until they pierced what could’ve been overwhelmingly heavy moments. The audience was in stitches over the intermittent Facebook doomscrolling projected onto the big screen, and the use of both characters phone screens and messages was so incredibly clever. It had us believing one thing and drawing conclusions all the way until the end.

If you’ve read some of my work, you’d know that I’m very big on staging and sets, as I am a firm believer that a set can make or break a performance. This set was so well done. It was messy in all the right places and homey in all the others. The duality of it being a living room, a kitchen, a doctor’s office and an airport all without moving any furniture and yet being so believably immersive is just outstanding.

 

 

I have to commend both Jess Spies and Nathan Langworthy for delivering such authentic performances. I was sitting close enough that I could see every expression and little glance, which was so odd to see in the theatre as it’s typically an over-exaggerated setting to ensure that even the people the furthest away are still able to follow along. I don’t know whether those moments were conscious decisions or just how it happened in the moment, but it made me feel like I was watching a movie that was clawing out of the screen and coming close enough to for me to touch, which is so rare in the theatre, especially when there’s only two people on the stage. It was so authentic and it really did feel like we were just watching two people trying to figure out how to live life in amongst all the outside pressures and the garbage that comes with chronic illness and capitalism.

Grief is never easy to portray as it looks and feels different to everyone, but I adored the conversations and the theories around where people go after they die. It was so sweet and light-hearted whilst still projecting the undercurrent of sadness and loss. I just love the dynamics of this show, and I truly believe this will go on to tour and be well-loved and well-received all over the country and the world if they wanted it to.

Well done guys. I am utterly unravelled by you.

‘Two Weeks’ is only at the IPAC for two more shows and is part of MerrigongX’s Pay What You Feel experiences, so make sure to reserve your seat ASAP at https://merrigong.com.au/shows/two-weeks/

To book tickets to Two Weeks, please visit https://merrigong.com.au/shows/two-weeks/.

Photographer: Tracey Leigh Images

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My Brilliant Career

My Brilliant Career

My Brilliant Career Rating

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‘My Brilliant Career’ is now playing at the Illawarra Performing Arts Centre, and it is a must-see for all. It’s always a treat to have original cast members come back to a production, and the passion for this story is overwhelmingly clear from this incredible ensemble cast.

From the moment you walk into the theatre, you’re met with upbeat live music from the cast on a simple yet stunning stage set-up. I love a simple set, and this set up made the stage look like a vast expanse of country with a beautiful piano raised in the centre, surrounded by what we would quickly discover to be some of the most talented musicians I’ve ever seen. I lost count of how many instruments each cast member played throughout the two and a half hour run, and I was at awe every time a different guitar was picked up or instruments came together to not only support the vocal talent, but be ambient sounds of being out on a boat in the middle of nowhere. The obvious musical talent from the entire cast cannot be understated. Dancing while playing an instrument is difficult enough, high kicks while playing a cello that is strapped to your body is honestly insane and I am going to be thinking about that for a long time.

 

 

Sybylla Melvyn is the kind of character that you can’t help but root for, and the pure energy and authenticity brought to her by Kala Gare also made her impossible not to love. Her embodiment and growth throughout the show as Sybylla aged was perfection. From the first song, with punk rock attitude and mannerisms, I knew we were in for a treat. Having been a 15-year-old girl not too long ago, it was the perfect display of the amount of ‘hate’ a 15-year-old can muster at the world. Gare is an absolute powerhouse. Her tenacity and playfulness were so engaging, and my goodness she did not stop the entire time and there was not one hint of exhaustion or vocal deterioration. I cannot applaud her enough, that is indeed, one brilliant performer.

The simplicity of sets and costumes rounded out the explosiveness of the arcs in ‘My Brilliant Career’. It easily could have played out as just another story we’ve heard many times about a young woman in the 1800’s who had to follow a pre-determined path rather than having the opportunity to do whatever she wanted in life. However, the wholistic approach and balance of big songs and simple effects was excellent. Single spotlights and a slow violin drew everyone in and a simple joke or facial expression diffused any notions of this being a show about romance. Every step of the way felt exactly like the journey of finding yourself for yourself, and not giving in to what everyone else is telling you to do and to be.

‘My Brilliant Career’ is a must-see for musical lovers, dreamers, and anyone looking to have some fun. Get yourself a ticket to go and sit amongst your “Fellow Australians” and enjoy a night at the theatre. Head over to the Merrigong Theatre Company website and don’t miss the powerhouse that is this incredible cast and show.

To book tickets to My Brilliant Career, please visit https://merrigong.com.au/shows/my-brilliant-career/.

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