A Pride-full Celebration Of Unprecedented Talent! Happy Pride!

Homo Grown

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Imagine crossing the rainbow street and walking into Qtopia on the first day of Pride month, only to be greeted by the one and only Kala Gare’s and Kala’s incredibly beautiful, smiling face! Well, I don’t have to imagine, because that’s how this year’s Homo Grown kicked off for me.

Home Grown Australia, are pioneers championing new theatre and musical theatre works in Australia. What started as a backyard pub meeting, now has the backing of MTIA and the Australian Government. Founded by Nick Hedger and Ben Nicholson, Home Grown have nurtured beloved Australian new works such as My Brilliant Career, FANGIRLS and A Trans Woman On The Internet, Crying.

Homo Grown is a Pride-full celebration of queer Aussie new works to be produced, to come and in progress. The queer celebration in the room was electric, not least of all because the multi-talented Kala Gare was guiding the ship.

Kala kicked us off with an original “Hello” that speaks to “Letting freedom flow”, which was a great set up for the night. Kala’s skillful piano along with an incredible voice and sharp, relatable lyrics had us strapped in for “a wild ride, to say the least.”

Next up was Phoebe Rodger with the title song from upcoming “Phoebs, You’re A Lesbian” on June 10th – 12th at QTopia. Described as “a letter to my younger self”, this song was earnest, clever, cute, hilarious and relatable. Much like Phoebe. The second song was from a “yet to come” musical, it took us on a humorous journey of Phoebe’s ideal career discovery through a career’s test.

Cassie Hamilton and Nic Prior then took to the stage for a snippet from Afterglow by Sheanna Parker Russon & Lillian M. Hearne which will be showing at the Belvoir and is described as a “Barbershop rom-com”. Sheanna introduced the piece and began to play, while Nic tore us into their deep, tender and sombre beginning. Cassie joined in and the duet echoed the lyrics “With you I fit”. Nic’s tender fragility of emotion is in stark contrast to the power of their voice, while Cassie’s sombre moments are only magnified by the reality of her powerhouse vocals. Cassie took to a solo called “Normal Michael” in which we got more of that voice, and what I can only describe as four seasons in one face, as we join the emotional journey of the character Cassie is embodying.

Matt Hawke then took us into their song from upcoming “Beautiful Lies” on June 11th-14th at the Substation Qtopia. Described as one of the lies unpacked in therapy, we deep dive into Matt’s 20 year old identity exploration wrapped in self-deprecating humour. None of us saw the sharp turn from this jaunty piano-pleaser into an acoustic guitar heartwrenching homage to Matt’s deceased dog. It left the majority of the room in tears, and awe at its beauty.

 

 

Robbie Alexander and Alex Gonzales had to wipe away tears and reset for their performance from “Twenty-Something”. Alex played the character, Charlie’s Mum, deadpanning that “I’m wearing a cardigan so you know I’m a mum.” and meeting a lot of laughter. Alex performed “Long Story Short” with power, emotion and a lot of talent. Robbie performed “Delightfully Gay”, showing us the tug of war between Angel and devil on the shoulder and reinforcing the lyrics “There’s no such thing as ‘a little bit much’!”

Lincoln Elliot joined forces with Kala, Natalie Abbott, Gracie Rowland, Nead Cristaudo, Alex Gonzales, and friends for a snippet from the “yet to be announced” emo-rock heist. The performance of “Creativity Is An Island showcased exceptional musicianship and a palpable musical love and collaboration between the group.

Kurt Kansley and Oli Lidert were missing in action, enjoying their time in Moulin Rouge, but Katie Staddon did them proud and then some with “More Than Words On A Page”. Katie’s vocal range is beyond comprehension, the melodies sublime. The swift shift from deep soul to angelic was out of this world.

Meg Rob took us on a solemn and sincere ride with “Step Into Infinity”, showcasing an ability to embody the characteristics of an introvert grappling with personal trauma, while knocking our socks of with some big belts. Those who saw Meg in Jagged Little Pill will be familiar with this ability to take an audience on a wonderful and surprising ride. Catch Meg’s show “Make It Queer” 25th-26th June at Loading Dock, Qtopia.

We finished with the cast and creatives from Nails 25th-27th June at The Eternity Playhouse. Created by Sophie Davis and Laura McDonald, and composer Harry Collins. This netball based comedic musical has a lot of balls (see what I did there?). Nead Cristaudo had us captivated as the coach, mixing brilliant comedic timing with powerful vocals.

Then the large ensemble cast and creatives from Nails finished us off on a high with Natalie’s gorgeous voice and some epic harmonies being the highlights of this final piece. It was an incredible finish to a night of unprecedented talents and not-to-be-missed new works! Make sure you catch these and as many Pridefest shows as you can this month. More than ever, we need to join together and support each other. Happy Pride!

To book tickets to Homo Grown, please visit https://tickets.qtopiasydney.com.au/Events/Homo-Grown.

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You Would Be Mad To Miss This Show

The Mad Ones

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The Little Big Company’s production of ‘The Mad Ones’, at Loading Dock Theatre in Darlinghurst, is a must -see new musical.

As soon as this show begins, the audience sees a red car (not to be confused with The Wiggles red car) on-stage. We immediately sense we’re in for a rollercoasrer ride.

‘The Mad Ones’, centres on Samantha Brown (Meg Robinson), a teenager in turmoil. On the brink of Ivory League acceptance, Samantha has lots of voices in her head. The more-than-best-friend, Kelly Manning (Teo Vergara), is passionate, impulsive and impatient. Adam (Ethan Malacaria), the boyfriend, wants to follow in his father’s footsteps of owning a tyre business. Academia is not on his radar. Samantha’s mother, Beverly Brown (Tisha R. Kelemen), wants her daughter to go to Harvard. Beverly does not approve of Samantha’s intense feelings for the less than academically-inclined Kelly.

The red car stays on-stage for the entire show. Bronwyn Dyer’s production team have created a great knock-about vehicle for the story. Of course, the obvious connections between motor vehicles and human emotions, resonate throughout. Breakdowns, being in the driver’s seat, living life in the rear-vision mirror and the need for drive in one’s life, are symbolic not corny. Getting in a car and driving away, leads itself to ultimate freedom. Samantha fails her driver’s test several times. Freedom is not easily attained.

 

 

There are eighteen powerful songs in ‘The Mad Ones’. All of the actors belt out these tunes with the necessary exuberance needed to match the feelings of love and grief, that envelope us. Sitting in the front row, I could see the real tears of Samantha and Kelly, as they try to navigate their path. Robinson and Vergara, are so believable in their roles. Both sing their lungs out and we rejoice. Adam is a slow-burn of a character. As the drama intensifies, Adam also breaks free of the shackles. Malacaria is in fine voice here too. Kelemen dazzles as Beverly. She thoroughly enjoys prancing around and causing turbulence.

‘The Mad Ones’, is a musical by Kait Kerrigan and Bree Lowdermilk. Based on an idea by Zach Altman and Bree Lowdermilk. Director, Sarah Campbell, has ensembled a brilliant cast. All the actors are in-sync and deliver stirring performances. The songs are accompanied by a vibrant band with Nicholas Till (Conductor & Keys 1), Jonathan Zhang (Keys 2), Annabella Chen (Violin) and Felix Staas (Guitar).

The venue for this production is the Loading Dock Theatre, which is situated in the old Darlinghurst Police Station. Cells have been transformed into art gallery-like installation spaces that trace the history of queer relationships. It’s an amazing building. The theatre foyer has cell windows as a provocative backdrop.

The audience on opening night, absolutely adored ‘The Mad Ones’. So many poignant lessons to be learned. Being swept up in these magnificent songs, one realises that there’s nothing more dangerous in life, than playing it safe. The synopsis quotes that it’s truly better to have loved and lost, than never to have loved at all.

This is a musical that deserves to be heard. You would be mad to miss it!

To book tickets to The Mad Ones, please visit https://tickets.qtopiasydney.com.au/Events/The-Mad-Ones/.

Photographer: Yingying Zhang

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