The Sunshine Boys – The Rep

The Sunshine Boys

The Sunshine Boys Rating

★★★★★

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The Rep presents Peter Goers’ excellent version of Neil Simon’s The Sunshine Boys at the Arts Theatre featuring outstanding performances by Robert Cusenza, Robin Schmelzkopf and Tom Tassone with their best New York accents.

The Sunshine Boys is about the vaudevillian comedy duo Al Lewis (Robin Schmelzkopf) and Willie Clark (Robert Cusenza) who for 43 years performed the act known as The Sunshine Boys. However, 11 years prior Al retired from the act and Willie has been struggling to earn a living in show business since the split even taking work in TV commercials

Willie’s agent is his nephew Ben Silverman (Tom Tassone) who is finding it hard to get Willie any work particularly as his aged uncle battles to remember his lines and names. Ben visits Willie every Wednesday bringing him the latest edition of ‘Variety’, low salt food and cigars. The TV network CBS is planning to produce a history of American comedy and wants the duo to reform to perform one of their classic sketches.

 

 

Ben grapples to get the belligerent Willie to agree to the reunion, even with the big fee offered by CBS, but after much argument Willie agrees, and Ben arranges for them to rehearse in Willie’s hotel apartment. Al is dropped at Willie’s apartment by his daughter, who he lives with at her New Jersey house, but their reunion begins cooly then becomes argumentative and their big break reformation becomes in doubt.

First impressions of the production, which opens in Willie’s hotel apartment, sets a high bar with Goers’ first-rate set design especially with the large backdrop of seating in an old theatre, then continues with Laura Doheny’s splendid costumes. These impressions continue as Cusenza and Tassone begin Simon’s impressive script as the humour begins to hit with the audience and the play brilliantly unfolds. Simon’s script is sometimes demanding with its back-and-forth dialog, but all are skilfully handled by the cast especially Cusenza, Schmelzkopf and Tassone.

With its long history from the original Broadway production in 1972 to the 1975 feature film with Walter Matthau and George Burns, in his Oscar winning role, then a Woody Allen film in 1997 and even a version of the play on the West End starring Danny DeVito in 2012, The Sunshine Boys is a classic and well-loved play. This version does justice to the play’s long history and Peter Goers, Assistant Director/Co-stage Manager Brian Wellington, the superb cast and crew deserve high praise for this exemplary production.

Reviewed by Rob McKinnon

Rating; 5/5

The Sunshine Boys runs 10 September – 19 September 2026

Venue: Arts Theatre, 53 Angas Street, Adelaide

Tickets: https://artstheatresa.sales.ticketsearch.com/sales/salesevent/159440

To book tickets to The Sunshine Boys, please visit https://adelaiderep.com/season-2026/the-sunshine-boys.

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Dangerous When Wet: The Musical Premieres 8-18 October

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A fabulously funny, brand-new, all-Australian, all-woman, Vaudeville-styled musical comedy, DANGEROUS WHEN WET, splashes down in Sydney this October.

It celebrates the friendship and rivalry of swimmers Fanny Durack and Mina Wylie and the untold, true story of their fight to represent Australia and – ultimately – win Gold and Silver in the 100m women’s freestyle at the 1912 Stockholm Olympics.

Boasting an insanely talented all-female cast, this hilarious and touching show will have you laughing, crying, singing along to dangerously catchy tunes… and rejoicing in Sydney’s stellar swimming history.

Featured performers include burlesque legend Megan Walshe as Narrator Annette Kellerman, Hayes Theatre star Cypriana Singh as Fanny, recent NIDA graduate and rising star Grace Trainor as Mina, sweet-faced and powerful-voiced Addy Roberts as British swim champion Jennie Fletcher, drag-king extraordinaire Jacinta Gregory as journalist Cecil Healy (it’s not vaudeville if it ain’t got drag!), hilarious Annerose de Jong as sports entrepreneur Mrs Mack and opera diva Eliane Morel as misunderstood villain Rose Scott.

Developed over several years by award-winning creators Eliane Morel, Merran Hughes, Joanna Weinberg and Daryl Wallis (including a Randwick Town Hall ‘takeover’ creative development where it was described as ‘Better than Hamilton!’), this is a world-premiere you won’t want to miss.

DANGEROUS WHEN WET
WHEN: 8 to 18 October, 2026
PREVIEWS: 2pm and 7pm, Thursday 8 October
OPENING NIGHT: Friday 9 October
WHERE: Randwick Town Hall
TICKETS: $25-$100
BOOKINGS and INFORMATION: www.dangerouswhenwet.com.au
Facebook: https://www.facebook.com/DangerousWhen
Instagram: https://www.instagram.com/DangerousWhenWetMusical

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A Bold, Witty, and Unflinchingly Honest Exploration of the Human Psyche in Musical Form

Initial Consult: Taking diet culture to therapy

Initial Consult: Taking diet culture to therapy Rating

★★★★★

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Charlotte Grimmer’s Initial Consult- Taking diet culture to therapy (2026 MICF) at The MC Showroom is a bold, witty, and unflinchingly honest exploration of the human psyche. Grimmer is a graduate of NIDA Acting program, a high school dance and drama teacher. Charlotte has performed this show in Edinburgh, Sydney and the Adelaide Fringe Festival.

Bursting straight through the waiting room, Charlotte Grimmer’s initial court-mandated therapy session begins-and we, the audience find ourselves cast as the therapist. This fresh and fearless musical invites us into a hilariously triggering session filled with tap, rap, dance, and masterful keyboards. Grimmer’s performance showcases her diverse vocals, sharp wit and impressive comedic skillset.

The shows engaging narrative grapples with mental health, diet culture, perfectionism and the messy nuances of how we cope. Charlotte works the packed audience brilliantly- making pointed uncomfortable and knowing eye contact with every “therapist” in the room in moments that are at once awkward, hilarious, and deeply relatable. One moment the audience squirms, triggered and defensive: the next, they erupt with applause and laughter.

 

 

The stage is set with minimalist flair: a chair, a keyboard, and a side table adorned with tissues, a plant, and a pot. By the end of the performance, it resembles the floor of a teenager’s bedroom. Each prop is purposefully placed and thoughtfully used. Grimmer’s inventive excellence is evident in every detail—every movement, and exaggerated facial expression, and lyric is meticulously placed—creating a remarkably clever and cohesive piece highlighting Grimmer’s inventive flair and keen attention to detail.

Sadly, Melbourne, Charlotte Grimmer has wrapped up her season and is heading back to Queensland. The MC Showroom is conveniently located near plenty of pubs and dining options and has a licensed bar for enjoying a drink during the performance —ideal for steadying one’s nerves before this funny therapeutic ride. Patrons should note that accessibility is limited, with 25 stairs and no all-access bathroom.

In a thoughtful touch, Grimmer acknowledges the show’s potentially triggering themes, directing audience members towards support organisations such as The Butterfly Foundation. This thought-provoking and playfully disarming performance will follow you home.

Deliciously daring, Initial Consult- Taking diet culture to therapy (2026 MICF) is the kind of performance that makes you laugh, wince, and reflect—sometimes all in the same breath. Side effects may include sore cheeks from smiling and the sudden urge to book a therapy session… or a tap class.

Love Aunty Kylie xo

To book tickets to Initial Consult: Taking diet culture to therapy, please visit https://www.themcshowroom.com/whatson/melbourne-international-comedy-festival-2026-initial-consult.

Photographer: Joel Devereux

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The Chairs

The Chairs

The Chairs Rating

★★★★★

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The Chairs is a creative vaudeville, circus style play about an elderly couple, simply known as the Old Man and the Old Woman presented by The Melville Theatre Company and directed by Virginia Moore Price.

Written by Eugene Ionesco in the 1950s, it is quite an absurd tale in which the elderly couple reflect on their life over the 70 years they’ve been married. This indicated that they would be in their 90s. At the beginning I struggled to understand what was happening and their conversations seemed nonsensical. A sign of the deterioration of their memories and their minds.

The couple prepare to receive guests for a lecture of some sort which never eventuates and their guest of honour, the Orator. They frantically gather chairs for the guests and dump them onto the rotating floor in a comedic fashion. The guests, however, are invisible to the audience. Whether the old couple are imagining them or whether they are actually real to the couple, left me unsure.

The couple’s fragmented recollections and contradictory chronologies evoke signs of dementia. This is particularly evident when the Old Woman recalls having a son who died when he was a child and reflecting on the grief of losing a child but the Old Man recalls the couple not being able to have any children and instead reflecting on the grief of his mother’s death.

 

 

Although it is clear they both deeply care for each other, there are moments of regret and a sense now that their lives are very soon coming to an end. Throughout the play the Old Woman continuously reminds the Old Man how he could’ve been a head general or a head comedian much to both of their despair. The Orator Raven who whilst is visible to the audience throughout the entire play as he sits on the rotating floor, is only visible to the couple towards the end perhaps signifying death.

Ionesco gives plays into the delusional state of mind of the elderly couple by having them set in a circus ring with both dressed as clowns and the Old Man performing as a mime artist.

Zane Alexander and Solanje Burns deliver a phenomenal performance as the Old Man and Old Woman holding the attention of audience for the entire play without an interval. There were moments of interaction with the audience when they both tumble off the stage and weave themselves into the audience while they continue their nonsensical dialogue.

At the heart of The Chairs is two people longing to be seen and heard, trying to make sense of the lives they have lived.

To book tickets to The Chairs, please visit https://melvilletheatrecompany.au/current-production.

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