From Page to Stage: Percy Jackson Delivers

The Lightning Thief

The Lightning Thief Rating

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6

Art in Motion Theatre Company are back at the Don Russell Performing Arts Centre with The Lightning Thief: The Percy Jackson Musical—and as a family who love musical theatre and have devoured everything written by Rick Riordan, we were counting down the days until the show.

We arrived dressed in our finest orange and blue (as you do, IYKYK), and loved seeing so many audience members leaning into the fun—camp colours, hand-painted bead necklaces, the lot. This was an audience coming in with high expectations. Thankfully, this talented cast more than delivered.

The story follows Percy Jackson (Joshua Hollander), who discovers he’s a half-blood—his father is none other than Poseidon. After his life takes a sharp and unexpected turn, Percy finds himself at a camp for children of gods and mortals before heading off on a quest filled with monsters, riddles, and a race against time. Alongside Annabeth Chase (Una Minello) and Grover Underwood (Cosimo Trichelo), Percy must try to prevent a war among the gods.

No pressure.

 

 

The show runs for around two hours (plus intermission) and is fantastic value for a community theatre production. A huge congratulations to the cast—these performers can sing. As well as the 3 lead characters, hats off to the other performers who seamlessly transitioned between so many characters. The live band was incredible (and honestly, live music just lifts a show in a way nothing else can), their enthusiasm was contagious. This is Liam Tickner’s directorial debut, and what a strong one it is. The set design by Craig Delbridge is clever and effective, using simple elements to bring scenes to life (the statue garden was a standout). Costume designer Kylie Martin has also done a great job capturing the essence of each character.

I was asked before going, “Isn’t that for kids?”
And look… not no…

The recommendation is 13+, but if your younger kids are okay with some fight scenes, they’ll likely love it. The books are aimed at around 9+, and I’d happily take an 8 or 9-year-old. That said, this absolutely holds its own for adults—I’d have enjoyed it just as much without the kids (although I suspect I would never have been forgiven) and there were lots of adults there of all ages without children.

If you love Percy Jackson, mythology, urban fantasy, or just a good musical, this one is well worth your time. The show is still running from 16–18 April (with two performances on the 18th). You can find more information here: https://www.gosnells.wa.gov.au/news-events/events/lightning-thief

To book tickets to The Lightning Thief, please visit https://drpac.sales.ticketsearch.com/sales/salesevent/160626.

Photographer: Perfectly Picturesque Photography

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MARVELous: A Risqué Parody

MARVELous: A Risqué Parody

MARVELous: A Risqué Parody Rating

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MARVELous: A Risqué Parody delivers exactly what its title promises — a cheeky, adults-only romp through the superhero universe, wrapped in humour, spectacle, and more than a little irreverence. With Deadpool at the helm, reading the audience a decidedly grown-up bedtime story, the stage is set for a night that doesn’t take itself too seriously.

I’ll admit, I arrived expecting a stronger overarching storyline. Instead, the show leans into a series of standalone character acts. It felt less storyline and more a burlesque/boylesque show. While this structure sacrifices narrative cohesion, it does allow each performer their moment to shine — and shine they do.

One of the most inventive elements is the rolling cube set design. These clever structures act as mini studios for each act while doubling as elevated platforms, giving the staging a dynamic, ever-changing feel. Add in bursts of aerial work and impressive physicality, and the visual interest rarely dips. Yes, plenty of skin is bared, but it reads less as overt sexualisation and more as a celebration of strength, athleticism, and control.

 

 

The undisputed highlight of the evening was Captain America and Bucky attempting — somewhat unsuccessfully, thanks to a rogue shield — to preserve their modesty while dancing to (I’ve Had) The Time of My Life. It was chaotic, playful, and had the audience roaring.

I desperately wanted to love the Spider-Man song-and-dance number, but persistent audio issues and unreliable microphones dulled what should have been a standout moment. Unfortunately, sound proved to be a recurring villain throughout the night.

Still, with nearly every beloved Marvel hero making an appearance, the show remains accessible even for those without encyclopedic MCU knowledge. MARVELous is bold, creative, and packed with personality — a fun night out.

To book tickets to MARVELous: A Risqué Parody, please visit https://fringeworld.com.au/whats-on/marvelous-a-risque-parody-fw2026.

Photographer: Ben Dingley

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One Call You Definitely Want To Answer

London Calling

London Calling Rating

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London Calling: Absolutely Brilliant

Host and MC Paul Dabek takes the audience on a nostalgic stroll through the London of his memories — and honestly, who doesn’t love a wander down memory lane? When that journey is punctuated by performers of this calibre, it becomes something truly special.

Framed around stories of a childhood train trip to visit his grandad and wide-eyed visits to London’s iconic landmarks, each anecdote is cleverly paired with a complementary act. The result is a show that feels cohesive rather than just a string of variety performances. And what performances they are! We’re treated to dizzying suitcase spinning, a breath-taking aerialist, juggling (with his mouth!), mesmerising hoop work — human slinky, anyone? — magic, illusion, and shadow puppetry that has absolutely no right to be that exciting. Seriously, highlight of the night.

 

 

The show is completely family-friendly… but learn from my mistake and maybe don’t bring your kids. Mine mocked me relentlessly while I cringed through audience participation and then finished me off by asking about the “old” references and music. Nothing like your children to humble you after an epic night out.

Having seen more than a few Fringe shows this season, London’s Calling is a genuine standout (thank you to the friend who told me to do myself a favour and book tickets — excellent life advice). The performers are immensely skilled, Dabek keeps the energy soaring, and the staging elevates the entire experience. The projected backdrop transforms ‘plastic chairs in a disused tennis court’ into faraway streets, effortlessly transporting the audience across the globe.

In short: clever, polished, and wildly entertaining — this is one call you definitely want to answer.

To book tickets to London Calling, please visit https://fringeworld.com.au/whats-on/london-calling-fw2026.

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Club D’Amour: Encore

Club D'Amour: Encore

Club D’Amour: Encore Rating

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Club D’Amour is not a show that eases you in — from the very first beat, you’re swept up in a delicious whirlwind of sound, sparkle, and joyous excess. This is Fringe at its most indulgent: part party, part performance, and entirely committed to giving the audience a night they won’t forget.

First up, the choreography —it’s bold, precise, and bursting with attitude. Add staging, music, and sound design, and you’ve got a magnificent space where circus, drag, burlesque, and knockout live vocals collide in the best possible way.

And then there’s hostess Fay Rocious — quite simply, the most mostess. Commanding, charismatic, and wickedly funny, she steers the evening with effortless confidence, making the audience feel both welcome and just a little bit mischievous.

 

 

The cast? Ridiculously good. Matthew Pope, Melina Mall, Nat Oakes, Wade Ryder, Tom McKinnon, and Antonia Sassine deliver a feast of swinging, flying, spinning, and contorting that borders on hypnotic. The physicality alone is mesmerising, but Club D’Amour refuses to settle for just one flavour of spectacle. Instead, it launches headfirst into themed performances that blend silliness with cheekiness, comedy with spectacle, and more than a few surprises.

Bubbles, flames, cowboys — the show is gloriously full-throttle from the get-go. It’s bold, playful, and just the right amount of outrageous. Club D’Amour doesn’t just invite you to watch; it dares you to surrender to the fun. Resistance, frankly, is futile.

To book tickets to Club D’Amour: Encore, please visit https://fringeworld.com.au/whats-on/club-d-amour-encore-fw2026.

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