Musical

Villanova Players’ rendition of “My Fair Lady,” directed by Jaqueline Kerr, was a show that I looked forward to writing about. With such a diverse cast and creative set design, it was, for the most part, a pleasure to watch.

The stage was a rather limited but well-utilised space. Because of the large dancing numbers, including almost the entirety of the Chorus, opening the back curtains and allowing for slightly more space could have been to their benefit. There were also some issues regarding the security of the backdrops, as they were often seen swinging out of place, with parts of the props falling off or down on occasion. This was resolved quickly some of the time. The set design was cleverly planned, however, and involved three fold-able pillars on wheels. This assisted in the scene changes, creating a cleaner and more efficient method.

The choreography was simple but well thought out. Their use of space and shapes was reminiscent of old-school Broadway choreography, which was a joy to see. There were a few occasions when it seemed as though the Chorus required more practice or was overly nervous. Despite this, their vocals were almost always on point. Seeing how those in the Chorus were having a good time engaged the audience and allowed them to feel part of the revelry.

While the lighting and the timing of which was fairly polished, there were a few moments when the audio used throughout the show did not play at the correct moments. Or, possibly, the actors moved through the dialogue quickly enough to have a small amount of space between conversations and the beginning of the song. The cast played this off well, repeating lines and continuing on. It was good to see the actors attempting to work with the tech team. Having natural transitions and well-timed lighting and audio can make all the difference.

The casting of the lead roles brought the show together. Amelia Burton’s depiction of Eliza Dolittle was seamless and absolutely stunning. Her rendition of “I Could Have Danced All Night” can only be described as angelic and captivating. She captured the audience’s hearts from the very first note, perfectly portraying Eliza’s wit and tenacity. Andrew Alley played a highly convincing Professor Higgins, expertly portraying the emotional layers and theatricality that this role requires – and then some. His performance of “Let a Woman in Your Life” was thoroughly enjoyable and impressive.

Other notable mentions include Barry Hawarth (Col. Pickering), John Evans (Alfred Dolittle), Karen Marrinan (Mrs Pearce), Nicholas Sayers (Freddie/Chorus), and Jill Cross (Mrs Higgins). These are all admirable and charming depictions. The audience especially enjoyed Freddie’s “On the Street Where You Live” and Alfred Dolittle’s comedic stylings during the much-loved “I’m Getting Married in the Morning.” The male vocalists accompanying Dolittle’s songs were also praiseworthy and a joy to watch.

All in all, this production has a lot of potential, and I feel that with some polishing, it could be a triumph. Either way, it’s wholesome, fun, and a great evening out for all the family. I look forward to seeing where the Villanova Players go next.

The final show of the calendar year this season runs from 29 Nov – 8 Dec 2024. To book tickets to My Fair Lady, please visit https://www.villanovaplayers.com

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.