The smash hit Irish musical Once, opening in Melbourne this week at Chapel Off Chapel, has announced an extension to its strictly limited season until June 6th, following phenomenal demand at the box office. This highly anticipated production is helmed by the critically acclaimed new Melbourne theatre company, AG Theatre, and renowned Melbourne director Pip Mushin. AG Theatre has quickly established itself in the Melbourne theatre scene, enjoying a stellar 18 months of sell-out successes, including Avenue Q 2025 and Mamma Mia 2026. Dedicated to nurturing and promoting new Melbourne talent both on and off stage, AG Theatre is known for its innovative approach to classic and contemporary works, promising to captivate audiences again with a fresh, intimate, deeply moving, and cleverly reimagined take on this eight-time Tony Award-winning musical.
The show evolved from Irish filmmaker John Carney’s low budget indie film in 2007, into a critically acclaimed global stage production that has captivated theatregoers worldwide – solidifying its distinguished position within the history of Western musical theatre. Its popularity is deeply rooted in its refreshingly grounded approach, focusing on two ordinary people – a busker and an immigrant who connect through music in the grimy streets of Northside Dublin.
The production also showcases the spell-binding score composed by Glen Hansard and Markéta Irglová, which notably features the Oscar-winning song, “Falling Slowly.” Once possesses the unique distinction of being the sole Broadway production whose musical composition has garnered the Academy Award, Grammy Award, Olivier Award, and Tony Award.
The production boasts a stellar cast, featuring Green Room Award-nominated creative Mark Taylor in the lead role of Guy. Sharing the stage with him in the role of Girl is the phenomenally talented Sian Fuller, a semi finalist from the 2021 season of The Voice. Playing alongside Mark and Sian is the highly respected performer, Donald Bridges as Da. The production also stars Frazer Shephardson as Billy; Rose Chambers as Reza; James Frampton as Andrej; John Yanko as Svec; William Lopez as the Bank Manager; Misha Gordon as Ex-Girlfriend; Bridget a’Beckett as Baruska; Felix Star as Eamon; Lila Colombi, Imogen Young and Emersyn Orchard as Ivonka. The rest of this cast includes Kaiyeesha Kim Tambakau (Kye Tamm) as Emcee; and Jackson Cross and Belinda Jenkin as swings.
WHEN: Previews Thursday May 8 Official red carpet opening May 13 Extension to June 6th Chapel Off Chapel – The Chapel, 12 Little Chapel St, Prahran, 3181 Once The Musical will play at Chapel Off Chapel from Wednesday to Sunday from May 8th, 2026 until May 30th, 2026. Tickets are available for purchase now at https://booktickets.com.au/
The Little Big Company’s production of ‘The Mad Ones’, at Loading Dock Theatre in Darlinghurst, is a must -see new musical.
As soon as this show begins, the audience sees a red car (not to be confused with The Wiggles red car) on-stage. We immediately sense we’re in for a rollercoasrer ride.
‘The Mad Ones’, centres on Samantha Brown (Meg Robinson), a teenager in turmoil. On the brink of Ivory League acceptance, Samantha has lots of voices in her head. The more-than-best-friend, Kelly Manning (Teo Vergara), is passionate, impulsive and impatient. Adam (Ethan Malacaria), the boyfriend, wants to follow in his father’s footsteps of owning a tyre business. Academia is not on his radar. Samantha’s mother, Beverly Brown (Tisha R. Kelemen), wants her daughter to go to Harvard. Beverly does not approve of Samantha’s intense feelings for the less than academically-inclined Kelly.
The red car stays on-stage for the entire show. Bronwyn Dyer’s production team have created a great knock-about vehicle for the story. Of course, the obvious connections between motor vehicles and human emotions, resonate throughout. Breakdowns, being in the driver’s seat, living life in the rear-vision mirror and the need for drive in one’s life, are symbolic not corny. Getting in a car and driving away, leads itself to ultimate freedom. Samantha fails her driver’s test several times. Freedom is not easily attained.
There are eighteen powerful songs in ‘The Mad Ones’. All of the actors belt out these tunes with the necessary exuberance needed to match the feelings of love and grief, that envelope us. Sitting in the front row, I could see the real tears of Samantha and Kelly, as they try to navigate their path. Robinson and Vergara, are so believable in their roles. Both sing their lungs out and we rejoice. Adam is a slow-burn of a character. As the drama intensifies, Adam also breaks free of the shackles. Malacaria is in fine voice here too. Kelemen dazzles as Beverly. She thoroughly enjoys prancing around and causing turbulence.
‘The Mad Ones’, is a musical by Kait Kerrigan and Bree Lowdermilk. Based on an idea by Zach Altman and Bree Lowdermilk. Director, Sarah Campbell, has ensembled a brilliant cast. All the actors are in-sync and deliver stirring performances. The songs are accompanied by a vibrant band with Nicholas Till (Conductor & Keys 1), Jonathan Zhang (Keys 2), Annabella Chen (Violin) and Felix Staas (Guitar).
The venue for this production is the Loading Dock Theatre, which is situated in the old Darlinghurst Police Station. Cells have been transformed into art gallery-like installation spaces that trace the history of queer relationships. It’s an amazing building. The theatre foyer has cell windows as a provocative backdrop.
The audience on opening night, absolutely adored ‘The Mad Ones’. So many poignant lessons to be learned. Being swept up in these magnificent songs, one realises that there’s nothing more dangerous in life, than playing it safe. The synopsis quotes that it’s truly better to have loved and lost, than never to have loved at all.
This is a musical that deserves to be heard. You would be mad to miss it!
Oxford Falls Grammar’s Charlie and the Chocolate Factory was a grand glossy, decadently drizzled, deliciously complex and rich in flavour musical… oh yes, it was a sensational WhippleScrumptious Fudgemallow Delight of a production!
Based on the novel by Roald Dahl, the story of Charlie and the Chocolate Factory has delighted children and adults alike for 62 years, since its publication in 1964. It’s no wonder that the eccentric (some may call him ‘crazy’) purple coated, top hat signature style, whimsical Willy Wonka found himself and his fellow characters in a musical, featuring an original score by Marc Shaiman, lyrics by Marc Shaiman and Scott Wittman and a book by David Greig. The musical also featured songs from the movie by Leslie Bricusse and Anthony Newley.
This was a huge cast, with 21 main characters, 20 dancers and an immense 31 person ensemble sometimes having to be onstage all at the same time, notably for when the spoilt children meet their fates and the little Oompa Loompas appear to “help clear out” (I don’t think this review would contain any spoilers but if you have not read this novel or seen the musical, you wouldn’t know what an Oompa Loompa is, right?) Artistic Director Odessa R and Assistant Artistic Director & Stage Manager Megan G were tremendously talented in managing the large scope in putting this production on the stage.
The musical kicked off with the upbeat song, The Candy Man, as we are introduced to Willy Wonka played by Toby. After I had seen Toby perform this first song, I knew that the audience was in for a treat because of the way he introduced his character with quiet confidence and a little zany charm!
Charlie Bucket, played with pure sunshine-hearted goodness perfection by Grace, lives with her mum, played by Sierra and her four bedridden grandparents squeezed into bed, played by Christian, Zoe, Grace and Jack. Mrs Bucket works hard and is struggling to earn enough money to feed everyone. Sierra’s voice was showcased beautifully in a song, If Your Father Were Here, which she sings when Charlie is asleep, and when she dances with the memory of Charlie’s father, this added a quietly touching scene.
Soon we discover that Willy Wonka, after being mysteriously unseen for many years and his branded chocolate currently in the same way – unseen/ unsold – is now selling Wonka chocolate bars at a candy store near Charlie’s house. There is a new and exciting competition. Five Golden Tickets are hidden inside Wonka’s chocolate bar wrappers, and each Golden Ticket ensures the winner a tour into Willy Wonka’s factory and an opportunity to have a lifetime supply of chocolate! In quite a genius stroke of marketing, chocolate sales all over the world skyrocket with people scrambling to acquire a Golden Ticket, until all Wonka bars are sold out worldwide.
The announcements of the four winners are televised as the Candy Man shopkeeper (Toby) invites Charlie to watch each winner gloat over how they won their tickets. Jerry, played by Charlie and Cherry, played by Isabella, were the news announcers and carried the enthusiasm of the winners to the audience with pizazz.
The winners come from all over the world. The first winner is German child Augustus Gloop, played with cheerful hungriness by Xavier. His mum Mrs Gloop, lovingly played by Xenia, indulges her son in whatever he wishes. The ensemble’s German costumes added authenticity to the introduction of this initial lucky winner, with the song, More of Him to Love.
Veruca Salt, played by Caitlin is another winner from Russia. Alongside her father Mr Salt, played with a desperate-to-please-his-daughter stress by Nico, we see Veruca’s spoilt personality clearly with Caitlin’s performance of Veruca’s sharp demands, especially with the song When Veruca Says. I’m sure, not only me but many parents in the audience were cringing at her “I want!!” statements and feeling sorry for Veruca’s father. This wouldn’t be the first time that the audience would begin to appreciate our own wonderful children, as we meet the next 2 subsequent child winners and their outrageous personalities.
Pop diva wannabe American child Violet Beauregard, introduced with the song The Queen of Pop, is played by Poppy. She is the next winner and her father, the wealthy Mr Beauregard, played by Luka, panders to his spoilt daughter. Poppy held the stage as her character would, with her spoilt demands and her impressive dance moves.
The next winner, American Mike Teavee, played perfectly with the coolness of a teenager addicted to screens by Hilary, shook off all of Mrs Teavee’s attempts at affection with derisive looks and a swipe of the hand. I almost felt sorry for Mrs Teavee, played by Riley. Riley’s song That Little Man of Mine added to this feeling, although we do see hints of how Mrs Teavee has other addictions and how perhaps being addicted to something could run in the family.
After being blown away by the visual elements of this first act so far, and the dancing and energy of the spoilt children and pandering parents, it was an absolute contrast and joy to watch Charlie quietly unwrap a Wonka bar and be the final winner as she discovers the golden ticket. The audience was invested as we cheered Charlie’s discovery. I know I was beaming as Grace sang, “I’ve Got a Golden Ticket”. What a wonderful turn of the story to see Charlie run home and announce this exciting news to her family. It is here that Grandpa Joe gets the motivation to step out of bed (after 40 or so years!). Christian had the audience laughing as his wobbly knees slowly begin to work and he dances with Charlie and Mrs Bucket in celebration, even kicking his leg into the air – followed by him grasping his back!
The cast built up so much excitement and towards the end of the first act, there was genuine wonder for me as to how OFG was going to present the second act. I was looking forward to seeing inside Willy Wonka’s chocolate factory, so much so that during the intermission I went out and bought a chocolate bar in anticipation! (Spoiler – it wasn’t a Wonka Bar, it was a Picnic, but I assumed it was because all Wonka bars had sold out).
The second act of Charlie and the Chocolate Factory didn’t slow down. It was filled with electric energy, stacks of humour and sometimes a little bit of kid-friendly horror as things begin to move forward and some elimination of candidates occur. I don’t want to say what happened in the second act. I will say that there was not one moment, which didn’t capture my attention. The dance sequences were phenomenal, with the cast moving in time together and showcasing their skills as a team. The three talented divas, Arrabella, Monah and Emma demonstrated their skills throughout the musical. Well done to choreographers Lauren T and Chelsea M for putting this together, to be so visually beautiful.
All the costumes, by co-producer Roxy M, were eye catching and clever in their design. As each winner was introduced, with the exception of Charlie, the ensemble appeared in complementary costumes that added to the character’s presence. Two standout costumes were Violet Beauregard’s suit after she snatched the three-course meal gum and popped it in her mouth against Willy Wonka’s wishes. I loved how Poppy cartwheeled across the stage in her purple puffed suit as though she was a rolling blueberry! The Oompa Loompa’s outfits were perfect, and the duo colour and stripes somehow made them look small.
The ever changing and colourful digital screens behind and either side of the stage, as well as the 3D print of the props, communicated to the audience exactly where the current scene was set. It was an impressive achievement by Dale D as every visual had so much to look at. The scene leading to Willy Wonka’s factory made me wonder what was inside there.
An integral part of a musical is the band and backing vocals. Oxford Falls Grammar had 22 extremely talented musicians and singers who carried the accompaniment and added sound effects throughout the whole performance. Situated at the base of the stage, the music was clear and beautifully executed, well done to all. Congratulations to Jimmy H, not only the conductor but also the co-producer and musical director of Charlie and the Chocolate Factory. He has succeeded in creating a dynamic and rich heartfelt musical that appeals to people of all ages.
There is wonderment, a little touch of magic, many belly laughs and of course, a world of pure imagination in Oxford Falls Grammar’s production of Roald Dahl’s Charlie and the Chocolate Factory. It was difficult to believe that this was “only” a high school performance, as it reminded me of plays and musicals that I have reviewed, and given five stars to, in theatres around Sydney in the past. Given the remarkable effort that resulted in just three evening performances, I suggest considering a reprise at the end of the year. This could be advertised more widely and opened to the general public for ticket sales. I believe many people would be eager to attend and would greatly appreciate the incredible talent this school is contributing to the Northern Beaches community.
Bravo OFG, Bravo!
Roald Dahl’s Charlie and the Chocolate Factory Approximately 3 hours, with a 20 minute intermission C3 Auditorium, Dreadnought Road, Oxford Falls 23 April 2026 – 25 April 2026
For all those Hollywood buffs out there, you may struggle to restrain any uncontrollable toe tapping and humming during the Garrick Theatre’s latest production, the ‘Musical Melody’. Anyone would understand if you burst into song during ‘I’m Gonna Wash That Man Right Outta My Hair’ (South Pacific), ‘Le Jazz Hot’ (Victor/Victoria) or ‘We Go Together’ (Grease).
However, there would be plenty of complaints if anyone interrupted Katie Nowland’s operatic performance of ‘Can’t Help Lovin’ Dat Man’, in a spellbinding rendition of the Show Boat tune. Other highlights include energetic performances of ‘The Tapioca’ (Thoroughly Modern Millie) and ‘Carrying The Banner’ (Newsies).
It was wonderful to see some familiar faces return to the stage, including Carly Ranger and Lily Wakeling from the Garrick’s Sweeney Todd 2025 production, as well as Kody Fellows (Narnia). From ‘Cursed’ returned Steph Hickey, Erin Shay Horrigan, Ethan Dal Molin and Ben Vaughan-Sanders (who will also be performing in the upcoming ‘The Playboy of the Western World’ production).
To debut on the Garrick’s seasoned stage are Kyla Retirado and Priom Bhattacharjee in their first forays into community theatre, alongside Fringe Festival regular James Carduff.
Who can forget to mention host Ian Staunton’s British banter in between acts? No doubt I’m not the only one who hopes to see him return to the Garrick’s well-trodden stage, in a blaze of theatrical glory.
Musical director Juliette Basini and director Tamar Basini also joined the cast with song and dance performances. Under their direction and choreography, the mother-daughter duo brought their love of Hollywood classics to the stage with ‘Kiss Me, Kate’, ‘Meet Me In St. Louis’, ‘My Fair Lady’, ‘The Pajama Game’, ‘Singing in the Rain’ and ‘The Boy Friend’.
Community theatre would never have the opportunity to sparkle without the creativity of those working behind the scenes. So, let’s shine some light on Astro Stewart (Stage Manager), Nera Camponovo (Production Liaison), Mark Nicholson (Lighting), Joe Hoedemaker (Lighting), Declan O’Brien (Sound), Paris Romano Jenner (Props & Photography), Kieran Smith (Photography), Roisin O’Neill (Choreography), Katie Nowland (Vocal warmups), Tamar Basini (Costumes) and Juliette Basini (Photography and Graphic Design). A special mention goes to theatre President Ali McNamara’s help with direction, and Yvonne Star and her front-of-house team.
The Musical Melody takes you on a chang-chang, changity, chang, shoo, bop journey through the ages. With only four shows, it’s no wonder it’s already sold out, featuring an incredibly talented cast whose delightful routines left the audience grinning from ear to ear.
Established in 1932, the Garrick Theatre is Perth’s longest-running community theatre group. Annual memberships are available, and if you’re a cherished member, then you would already know that next on the agenda is The Playboy of the Western World, with performances starting on 4th June 2026.
