42nd Street

42nd Street

42nd Street Rating

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Shuffle off to Nunawading in Melbourne to see 42nd Street PLAYING NOW at The Round. By far my favourite luxury theatre in the suburbs with one of my favourite community theatre companies, you will be toe tapping from start to finish.

This is a tap dancing show so it’s definitely my kind of show and if you’ve ever tapped, wanted to tap or just love the golden age of tapping on Broadway, this is also your show!

Produced by Babirra Music Theatre I already know it’s going to be stupendous not only because their productions are always of the highest quality, but also because they are celebrating their 70th year this year and that deserves very special shows indeed. Note here they do Disney’s ‘Frozen’ The Broadway Musical next. You can receive a discount for booking at the same time this show of ‘42nd Street’ (on now ‘til 7 June) AND ‘Frozen’ (on October 1-11).

Ticket link: https://www.theround.com.au/42ndStreet

The curtains open and a silly but clever voice reminder tells us to turn our phones off, that’s the first laugh and it’s followed by many more.

This is an old-fashioned musical set in 1933 but it never gets old. With ‘42nd STREET’ up in lights on the backdrop we’re “doing a show” with a cast said to be the “best in town”, and they are.

Chelsea Hyde takes the lead as naïve ‘Peggy Sawyer’, shy and cute with advanced tap skills and all-round talent. No wonder she got discovered for this role similar to her character seeking stardom.

Killer vocals are astonishing from the incredible Nicole Kapiniaris-Anson suitably playing the accomplished ‘Dorothy Brock’.

Richard Thomas as ‘Julian Marsh’ is exceptional in his acting and tops every sung note.

‘Billy Lawlor’ is played by Oliver Pinkett and I really felt he was a constant standout. When I see in the program he has dance trained for over 15 years, that’s no surprise.

 

 

Comical moments where Dorothy jetés off stage is so funny after she’s purposely portrayed a lack in dance ability, the multiple kisses between Peggy and Julian are well done in fun and ‘Maggie Jones’ (played by Suzie Ryrie) convincing ‘Abner Dillon’ (played by Tim Maloney) to let Dorothy go, is just one part when these two add their own touch of humour. ‘Bert Barry’ (played by Jeremy Russo) was another and the favourite character of my husband who continued to laugh at basically anything he did or said.

I loved the scene using light behind a giant white curtain creating shadows big and small and I also loved the lunch with Maggie and Peggy. Five stars here to Jordan French, Hayley Wootten, Annabelle Windsor and Madeleine Magetti for making this extra engaging with great interaction on stage.

The rest of the girls tapping their hearts out and stepping up in ‘bit’ parts performed every tiny morsel of their role with the biggest personalities and SMILES! Abby James, Alivia Stewart, Ella Moeller, Jade Phillips, Chelsea Fensom, Nina Goeghegan, Holly Bromley, Sheona Gregg and Erin Jankelowitz, were all an absolute JOY to watch every second. The umbrella dancers were gorgeous, and particularly on the fab costuming I note those very unique giant flowers!

Rob Blowers, Joshua Houston, Bradley West, Sean Wharley, Simon Evans, Jack Moeller, Alex Anderson, Caleb Waterworth, Andrew Steen, James Kaiser, Jacob McKenna and Chris Anderson – all AMAZING!! So fantastic to see so many guys up there tapping on those steps (especially in the top hats) and being the extra dancers, singers, actors throughout, or as in Rob’s case expertly playing ‘Pat Denning’. Smaller roles are not lesser roles, they are the lifeblood beneath.

I imagine the excellent set construction took some effort with use of many different projected digital backdrops working so seamlessly that sometimes it was hard to see where the digital imagery started and the tangible set pieces began. Loved the massive dimes too, but the folding train was a showstopper!

Above all, you are going to hear extraordinary music by the live Orchestra and see some extraordinary dancing throughout the entirety of this show; certainly more tapping than you’ll see at anything else.

Yes, if you love tap dancing you simply can’t miss 42nd Street; if you love musicals you simply can’t miss 42nd Street; and finally, if you love supporting local community theatre whatever it be, you simply cannot miss 42nd Street.

Do yourself a favour, grab your old time musical loving friends and make it the best night (or matinee) out. I thank the wonderful Babirra Music Theatre team for giving me that chance today.

President – Jaison Hoernel
Director – Alan Burrows
Musical Director – Marty Macaulay
Choreographer – Susan Lewis
Costume Designer – Ely Tapp
Set Designer – Chris Anderson
Production Manager – Jo Brincat
Production and Props – Steve Cavell
Stage Manager – Arlene Miller
Lighting Designer – Deryk Hartwick
Sound Designer – Marcello Lo Ricco

Orchestra – Shirley White, Brad Slater, James Bradley, Catherine Buxton, Michelle Brown, Joel Dullard, Matthew Holzinger, Jenter Zilm, Sam Fitzgerald, Sean Lambert, Sienna Couzens, Jonty Smith, Ryan Parks, Bryn Bowen, Darryl Barron, Cody Legett, Sean McBride.

To find out more see: https://babirra.org.au/

To book tickets to 42nd Street, please visit https://www.theround.com.au/42ndStreet.

Photographer: Matthew Chen

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MY FAIR LADY – Closing Week!

My Fair Lady Rating

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18

See it by Sunday!

One of the greatest musicals of all time, now playing June 6 – June 15 at The Round: My Fair Lady (based on George Bernard Shaw’s play Pygmalion) tells the story of Cockney flower-girl Eliza Doolittle and Professor Henry Higgins who takes a bet that he can pass her off as a lady within 6 months. Made famous by Julie Andrews & Rex Harrison, My Fair Lady won many awards and broke many records since its Broadway debut in 1956. The music is universally known and loved and includes timeless songs such as: Wouldn’t It Be Loverly, With A Little Bit Of Luck, The Rain In Spain, I Could Have Danced All Night, On The Street Where You Live and Get Me To The Church On Time.

The write-up on Babirra Musical Theatre’s website sums it up; this is an all-time favourite, but not one you see being produced often anymore. Suitable for all ages, Babirra have gratefully given the script, set and costuming their expertise and it’s especially a no-brainer for your grandparents to go see. Tickets would make a great gift for them too: https://babirra.org.au/

Having followed the journey of leading lady, Siobhan Judge, playing ‘Eliza Doolittle’, and with my own daughter having taken singing lessons with Siobhan for a while, I predicted she’d probably be fantastic! Exactly that she is; in every scene and every song! Siobhan grew up in the Australian Girls’ Choir and later graduated from Monash University; taking the role of ‘performing arts teacher’ at Melbourne Girls College. Apparently the students love her and I bet she will have carloads from the school grabbing group bookings to be WOWed by seeing both her extraordinary vocal talents in fine tune and acting skills up close in this demanding role. The show is also Siobhan’s debut with Babirra and that’s saying something about how well she plays Eliza – she was made for it and I’m sure she gave this impression in auditions from the start.

So, after being awe-struck by Siobhan’s ability, equally another star performer in the show is Tim Maloney playing her on-stage father ‘Alfred Doolittle’. The belly-laughs from him and from us were non-stop as he commanded our attention from the very first words he spoke and I knew straight away he was going to be a stand out in this production. I learn from the program that Tim has done over 80 musicals, yes 80! No stranger at all to getting full attention from the audience, he shows off that he wholeheartedly loves performing and we loved watching him. In fact, by the end of the show, we were smiling as soon as he stepped out of the wings before he even did anything at all and we were cheering out loud when he took his bow, yet we did not know him prior. Bravo!

‘Henry Higgins’ is a masterful character and masterfully played by Mark Monroe. This character is a bit of a mix up and he’s interesting fun, but mostly (given the dialogue in today’s era) you might want to tell him to be ‘more like a woman’ rather than vote for his desire to have women behave more like men! Mark is excellent though, I laughed at how he paced up and down puzzled by Eliza and her outbursts or trying to control her and teach her to speak properly like a ‘lady’. His colleague on set is of course ‘Colonel Pickering’ played by Tim Murphy, another gem on stage as the kinder of the two gentlemen for the most part. Both are eager to see however if Eliza, with 24/7 linguistic education from Henry, can go from being a ‘common flower girl’ on the street where they met her, to fool those in high society that she might be a ‘duchess’ or maybe even ‘royalty’.

‘Mrs Pearce’ (Henry Higgins’ housekeeper), played by Fiona Carter, isn’t certain she agrees or not with such an idea, but she convincingly helps to care for and look out for Eliza, and Fiona was wonderful in her genuinity.

I waited with anticipation for where Henry says ‘I think she’s got it’ and ‘The Rain in Spain’ from Eliza’s new found pronunciation consumes the auditorium with her operatic flair. I asked Siobhan after the show if going from a tricky ‘Cockney’ accent to a most ‘posh’ English one was hard to perfect. She smiled and said being ‘posh’ was easy, but the Cockney took some practice – she readily had to let go of any embarrassment in rehearsals with extended ‘ahhhhs’ and many an elongated e. I daresay much of the cast had to spend quite a bit of time running lines similarly with the accents required and it’s paid off well as this show wouldn’t be what it is without the vocabulary detail.

 

A ‘test’ outing at the races is one of the most entertaining scenes (complete with loud galloping sound effects), and brings to the stage a loveable enthusiastic ‘Freddy’ played irresistibly by Charles Conway and a not so enthusiastic character in Henry’s very proper mother, played beautifully and engagingly by Patricia McCracken. I always ask someone at interval how they are enjoying the show and two appreciating ladies answered ‘yes, they are all very strong aren’t they and we love the mother, she’s our age’ haha, Patricia had deservingly won their hearts. I think this a special part of live theatre; connecting with certain actors, not just within the show but for you personally.

Exceptional work from the whole cast, ensemble was energetic and polished; enjoyed so much the dancers in the imaginary scene and watching the ballroom. Congratulations to all!

Finally, I note I don’t usually review shows where I know lead cast members, but it was indeed a pleasure to see Siobhan pull off ‘Eliza’ knowing this role was a dream come true for her. A group of theatre-lovers, such as BABIRRA, provide individuals the chance to do something they are passionate about, but who may not necessarily want (or choose) to pursue a professional career in that tough industry. A big thank you to the committee and volunteers of ‘amateur theatre’ whose efforts make this happen, and, in the process, give us (the audience) the chance to see more shows.

Babirra Music Theatre is a long well-established musical production company and has always encouraged involvement and participation from the local community, both in performing and behind-the-scenes. Don’t miss this show MY FAIR LADY, or their next: GREASE!

Ticket link and details to be involved via https://babirra.org.au/

Instagram: babirra_music_theatre

Venue: The Round, 379 Whitehorse Rd, Nunawading, is, I think, the very best suburban theatre in Melbourne and likely the biggest newer one – opening in 2023. Easy to get to, park at and with arguably the most comfortable seats and extensive (vegan inclusive) canteen you’ll enjoy in a theatre venue anywhere, plus great coffee before, during and after interval with tables and chairs to wait and chat with the cast afterwards. Very easy access for wheelchairs and assisted-walkers – ‘retirement village’ buses were lined up at the matinee we went to and cars can pull up in a drop-off zone straight outside the door. Enjoy!

CAST:

Eliza Doolittle played by Siobhan Judge
Prof. Henry Higgins played by Mark Monroe
Colonel Pickering played by Tim Murphy
Alfred Doolittle played by Tim Maloney
Mrs Higgins played by Patricia McCracken
Mrs Pearce played by Fiona Carter
Freddy played by Charley Conway
Zolton Karpathy played by Matthew Davies

FEATURED ENSEMBLE
Jamie, friend of Alfred, Lord Boxington – Steven Keane
Harry, friend of Alfred – Brent Denison
Higgins’ butler – Mark Curran
Higgins’ footman – Paul Ash
Mrs Hopkins & Mrs Eynsford-Hill – Ann Hubbard
Queen of Transylvania & Lady Boxington – Catherine Bolzonello
George, Bartender – Garry Barcham

ENSEMBLE:
Esther Bruerton
Owen Davies
Isobel Edmondson
Michael Fang
Emma Gilding
Mia Grasso
Beth Hanlon
Steph Herbert
Abby James
Christine James
Alysa Kimpton
Yvette Lipovetsky
Aaron McBride
Tommy Murphy
Lotte Papson
Liam Rosewarne
Avalon Waterfall

Director – Alan Burrows
Musical Director – Marty Macaulay
Choreographer – James Kaiser
Assistant Director – Mark Cluning
Set Design – Barry Pearce
Costume Designer – Ely Tapp
Co-Production Managers – Jo Brincat, Steve Cavell
Hair/Make-up, Wigs – Louise Reeder, Maren Holm
Set Construction – Garry Barcham and Team

PHOTOGRAPHY CREDIT: Gavin D. Andrew
Design: @luke.jay.designs

To book tickets to My Fair Lady, please visit https://www.theround.com.au/whats-on/my-fair-lady-babirra.

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