Sweeney Todd: The Demon Barber of Fleet Street

Sweeney Todd: The Demon Barber of Fleet Street

Sweeney Todd: The Demon Barber of Fleet Street Rating

★★★★★

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Musical theatre is as strong as ever in Melbourne, and Sweeney Todd: The Demon Barber of Fleet Street is a testament to that.

This spectacular Sondheim musical is an absolute must-see, but is only on for a limited season, playing at Chapel off Chapel, through Soundworks Productions.

Based on the fictional character, Sweeney Todd, this dark thriller follows a blood-thirsty barber in 19th century London.

After his return from serving several years in Australia for a crime he was wrongfully committed for, Benjamin Barker, a talented barber, discovers his wife is deceased, and his daughter is kept as a ward from the Judge who had wrongfully accused Benjamin of his crimes (and raped his wife).

This leads Benjamin Barker to change his name to Sweeney Todd, and side-up with his downstairs pie-making neighbour, Mrs. Lovett, with a plan mutually beneficial plan to get back his daughter, Joanna with the help of a young sailor, Anthony Hope, and to turn Mrs. Lovett’s pie business around for the better.

What results is a story of revenge… and a lot of murders!

The talented cast crafted their character to perfection, leading to compelling and captivating performances across the board.

The lead actors were mesmerizing with their performances, bringing the audience right into the world of the characters in this dark and haunting story.

 

The musical is bursting with memorable songs, catchy melodies, lyrics that are both disturbing and often hilarious, and masses of energy.

The live orchestra did a fantastic job of bringing Sondheim’s music to life along with the outstanding vocal performances across the entire cast.

The set was beautifully designed and lit, providing a feast for the senses, and really enhancing the emotional rollercoaster the audience are taken on throughout this musical.

The special effects (yes, there is a fair amount of blood at times) were effective and convincing.

The pie oven scene at the end was well done; a simple set-up, but it was made to seem so real on-stage, enhanced by the knock-out cast performances.

There was a beautiful section where two ballet dancers performed as birds, which gave such a lovely reprieve from the darkness, that is, until you realised the dark undertones of that scene!

The attention to detail was evident across the board in this musical; from the acting and vocal performances to the costumes, set, and direction – this really is a thoroughly entertaining and enjoyable show.

This Tony award-winning musical is definitely a highlight for the 2026 musical theatre calendar in Melbourne, so make sure to not miss out on this high-quality production.

Sweeney Todd is running at Chapel off Chapel until September 20. At the time of this review being published, the entire season has sold out, but take any chance to get your hands on a ticket if you can!

To book tickets to Sweeney Todd: The Demon Barber of Fleet Street, please visit https://www.sweeneytodd.com.au/.

Photographer: Matthew Chen

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Sweeney Todd, Proudly Presented By The Garrick Theatre

Sweeney Todd: The Demon Barber of Fleet Street

Sweeney Todd: The Demon Barber of Fleet Street Rating

★★★★★

Click if you liked this article

1

Opening night of “Sweeney Todd: The Demon Barber of Fleet Street” burst onto the stage at the Garrick Theatre on Thursday night 5th June 2025. Well, almost. The only apparent nerves came from the bio box (aka projection box), when a fuse suddenly blew just before the opening act, plunging half the stage into darkness. “Is there an electrician in the house?” was on the minds of the crew frantically finding a temporary fix. It was a testament to the cast and crew who handled the almost disastrous situation with professional ease.

Take Two. It’s often easy to forget that you’re watching community theatre at the Garrick. And Sweeney Todd was no exception. The breadth of musical talent wouldn’t be out of place on any main stage, except I was glad that it wasn’t, as the intimate Garrick Theatre is the perfect setting for such a macabre production.

In case you’re not familiar with the story, the gripping musical thriller by Hugh Wheeler is set in 19th-century London and centres around a barber seeking retribution. He takes up residence above Mrs Lovett’s struggling pie shop, who soon becomes his accomplice, and together they embark on a grim venture. Featuring adult content, the play explores the themes of love, loss, revenge, justice and corruption.

The talented cast is led by Finley award-winning Mark Thompson (Sweeney Todd) alongside the impeccable operatic notes and wonderful characterisation from Katie Nowland as Mrs Lovett. Their bittersweet union is intertwined with desire and revenge as together they delve into the dark side of human nature.

Returning to the musical theatre stage, Jeremy Beerkens plays Anthony, who is besotted with Johanna, played by the effervescent Lily Wakeling, whose exquisite voice has featured in Les Misérables, Peter Pan and Mary Poppins.

In complete contrast to Johanna’s ethereal presence, is her creepy guardian, Judge Turpin (played by Peter ‘Pear’ Carr, who has starred in over 100 productions around Perth) and his slimy side-kick Beadle (played by Ben Anderson) will make you wonder who the true villain is.

More outstanding performances include Corban Featon (Tobias), Nera Camponovo (Adolfo), Russell Fellows (Jonas), and Grace Edwards (two-time Finley winner) as the beggar woman and Lucy, and debuting at the Garrick. The support from the ensemble further brought the story to life, including Indya Lange, Breanna Cooke, Thomas La Cava, Carly Ranger, Genevieve Del Casale, Tim Sadleir, Louise Tucker, Kieran Smith, Andrea Zencich, Nikita Nankiville, Max Leunig, and Brandon Masters. 

The tiny and minimalist stage, designed by Mark Nicholson (set design and construction/lighting designer), allowed the cast to shine against a simple backdrop, further amplifying the spookiness of the historic theatre established in Guildford in 1932, making it Perth’s longest-running community theatre. If only the walls could talk – and sometimes they do if you believe the haunting rumours.

The brilliant costumes by costumier Merri Ford enhanced the visuals while conveying the atmosphere of 19th-century London, further emphasised by the historic surroundings.

As with any community theatre production, it’s all hands-on deck with the multi-talented production crew, featuring Jason Blaine (Stage Manager), Ali Louise (Assistant Stage Manager and Assistant Props), Brody Lawrence (Stagehand) and Hamish Ford (Sound Operator) working tirelessly in the background.

Musician Ben Clapton debuts his role as musical director with “Sweeney Todd,” bringing the music and lyrics of Stephen Sondheim to life through the vocals and harmonies, creating an impactful and emotive storytelling experience. Paris Jenner also took on a debut role as a lighting operator, and was in charge of photography and props, including those suspicious pies.

Up-and-coming Director Rebekah Hannah drew out layers of light and dark from the talented cast, with plenty of humour balancing out the sinister moments from the production adaptation by Christopher Bond.

Running for almost three hours, the performance was so compelling and well-paced that it didn’t feel long; instead, it left me wondering what would happen next to the characters. Although it’s unlikely a sequel is on the cards, something tells me the Garrick Theatre’s rendition of “Sweeney Todd” will have its praises sung far and wide.

To book tickets to Sweeney Todd: The Demon Barber of Fleet Street, please visit https://garricktheatre.com.au/shows/.

Running dates: June 5, 6, 7, 8*, 12, 13**, 14, 15*, 18, 19, 20 & 21. Evening shows at 7.30pm, *matinees 2pm and a special spooky midnight performance on at 11.55pm on the 13th June.

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