Oh My God! A Comedy of Biblical Proportions

Oh My God! A Comedy of Biblical Proportions

Oh My God! A Comedy of Biblical Proportions Rating

★★★★★

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In the beginning… there was darkness. And behold… God popped out from behind the scenery and said, ‘Let there be light!’ And lo. The stage lights did come up and we were treated to Popular Playhouse’s ‘Oh My God! A Comedy of Biblical Proportions.’

The earth did shake, rattle and roll, Lucifer did shimmy in the Garden of Eden, Sarah did do a pregnancy test on the toilet, a plague of rubber toads did descend upon Pharaoh, and, as it was foretold, the audience were thoroughly entertained, while the occasional Boeing 747 flew overhead.

‘Oh My God! A Comedy of Biblical Proportions’ is the prequel to Popular Playhouse’s riotous hit ‘Christ Almighty.’ If you were lucky enough to bear witness to their romp through the life and death and life again of Jesus, then you know what the Bible’s Old Testament is in for.

No stone tablet is left un-overturned in their pursuit of laughs and the jokes come quickly and without warning, not unlike The Great Flood.

James Hartley commands the stage (and the Universe) as God, channelling Charlton Heston and Heston Blumenthal with a pinch of Sir Lawrence Olivier in Clash of the Titans.

His on again / off again partner for the evening (and eternity), is Lucifer, played with devilish relish by the remarkable Joseph Rotondella.

Sparks fly whenever these two are on stage together. It’s a beautiful thing. God may be wrathful, petty and frankly murderous at times, Lucifer is diabolical, cunning and spiteful, but ultimately, they’re two soft hearts struggling with the complexities of love.

Jesus makes a recurring guest appearance in the form of Oscar Wills, a humble chippy and sandal-clad stoner who helps hammer together a highlights reel from across the Old Testament.

 

We meet Eve and Adam, Emma Flynn and Max Dÿkstra, facing endless days playing rock and stick. Sarah and Abraham, Natasha Cheng and Oscar Baird, praying for a child and rapidly repenting when Isaac is delivered unto them in form of Roslyn Hicks.

Noah and Mrs Noah, Jamie Sturgess and Erin Pacholke, are joined on their Ark by a fabulous menagerie of animals (and a bird) including a panda and a delicious looking koala.

Rounding out the cast is the mountainous Daniel Moxham as Goliath. Most of the cast take on multiple roles and all throw themselves into the play headfirst.

There’s a noble tradition of popping religions’ self-important bubbles with comedy. Monty Python’s ‘The Life of Brian’ was banned outright in Ireland, Norway and parts of the UK when it was first released in 1979. Critics accused the movie of blasphemy and sacrilege.

‘Oh My God! A Comedy of Biblical Proportions’ owes something to the fabulous Mel Brooks and his irreverent hits ‘History of the World, Part I’ and the ingeniously titled ‘History of the World, Part II.’

Especial manna must be bestowed on Tommy James Green as Writer, Director and Producer. The Pythons and Mel Brooks are most excellent company to keep.

If you’re worried that you might be offended… you probably will be, so you should buy two tickets and take a friend so you can be offended in company.

‘Oh My God! A Comedy of Biblical Proportions’ is now on at Flight Path Theatre, running from 15 to 31 October.

You can follow Popular Playhouse at:
https://www.instagram.com/popularplayhouse

Tickets are now available at: https://www.flightpaththeatre.org/whats-on/oh-my-god-another-comedy-of-biblical-proportions

To book tickets to Oh My God! A Comedy of Biblical Proportions, please visit https://www.flightpaththeatre.org/whats-on/oh-my-god-another-comedy-of-biblical-proportions.

Photography: Othniel Mani/TreeOak Media

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A Modern, Fun And Silly Take On A Familiar Story With A Lively And Joyful Cast!

Christ Almighty: A Comedy of Biblical Proportions Rating

★★★★★

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We had a little hiccup getting to this show, arriving at the wrong theatre. It took a little bit of asking around for the penny to drop. Luckily Flight Path theatre was not too far from the Seymour Centre (where this show has previously appeared).

We did a questionable car park and then raced over to find the door slightly ajar. We weren’t sure what to do until God himself warmly beckoned us in. We found a spot to discreetly watch the beginning until it was safe to make our way to our seats.

This was my first time at Flight Path theatre and I am a big fan of intimate theatres with effective use of staging and immersive engagement with the audience such as this. The set was bright and pretty with the nostalgic warmth of a childhood television show.

The performance opens with Jesus (played by the well-cast Giuseppe Rotondella) discovering that God (played by the hilarious Brenton Amies) is his real father and that it’s time for him to flee the nest and go on a quest. Mary and Joseph concede to his departure after an hilarious music number.

Along the way, Jesus shares his “magical gifts” with devoted followers such as best mate Peter (Isaac Broadbent) and sceptics such as Doubting Thomas (Babette Shaw). His first big cultural immersion is a stoning in Sodom, where we meet activist Mary Magdelene (Emma Flynn), and my favourite song of the show “Homophobes Are Gay” sets the tone and lens for the approach to this otherwise well-known story.

Each actor commits to the many layers of their characterisation while also allowing the comedy to shine. They rolled with a few punches including loud planes overhead, the clear namesake of the theatre. There was also a painful-looking prop issue that was seamlessly woven into the narrative by Isaac Broadbent.

It was the familiar story of Christ headed to the Cross with a modern take, current references, and commentary. The audience was in fits of laughter for most of it and the cast fed off this beautifully.

The musical numbers were fun and spanned a number of genres. Another highlight being King Herod’s “Vogue” and Pontius’ rap. I’m not sure if the singers were tentative or there was a mic issue, as the last bits of a lot of phrases seemed to trail off. However, I thoroughly enjoyed “The Introspective Song” where Giuseppe and Emma were able to go all in. It was clear the two of them are established musical theatre talents.

It felt slightly too long a piece that lost a bit of momentum towards the end, this was likely the complication of staying true to the Biblical narrative’s timeline. I was grateful for the lift in energy brought by the final musical number/curtain call. Overall, I really enjoyed the cast and their commitment to character, as well as their ensemble work and I found the show to be good, silly, fun!

To book tickets to Christ Almighty: A Comedy of Biblical Proportions, please visit https://www.flightpaththeatre.org/whats-on/christ-almighty-a-comedy-of-biblical-proportions.

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