If You’re Hearing This

If You're Hearing This

If You’re Hearing This Rating

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Ally Morgan is a new kind of supernova performer. In her 2026, Melbourne Comedy Festival show, If You’re Hearing This, she swoops us up and takes us on a whirlwind tour for the ages.

Morgan starts her show with a burst of optimism and the idea that things out there can be really, really good, even when they are clearly not that good at all on home soil. She’s fashion forward in a suit that is halfway between a NASA 1950’s one and something that the babes from Wet Leg might wear, showing her preparedness to get down and rock her world with some serious songwriting and lyrical talent. Morgan’s departure from earth is on a fast paced countdown. She’s on a do it yourself mission to save herself from Armageddon. Planet Earth is in a right pickle so the logical thing to do is eject herself into the atmosphere and take a chance — interplanetary Survivor style.

There, in the outer limits of space Morgan finds she has a lot of time on her hands so what better way to keep her sanity and her cool zeitgeist narrative alive than by doing an up to the minute broadcast over the space airwaves — even if no one’s listening. Her set is simple but effective. She knows how to transform a space. Musical instruments, a keyboard, a DIY screen, a squishy gold helmet and she’s away.

 

The brilliant songs allow Morgan to address all sorts of crisis points and her talent and skill in nailing where we all are right now lies in leaving no stone unturned. She pans manosphere podcasters, references the lost innocence of the early 2000’s, and employs visual gags from major film makers to billionaire asshats, as well as giving us a running commentary on news and politics. Morgan sings folk tinged songs that Joan Baez would be proud of. Her songs are at once poignant, hilarious, urgent and ironic. Her transitions from mother earth guardian, to digital information purveyor includes themes on life and death; the point of relationships and human connection; the vagaries of big C, Capitalism; tales from her youth and neurodivergent ways of being.

She calls out the force with which man tries to destroy everything good and calls out her own ambivalence when called to action as well. If anything the themes are so wide reaching and profound that maybe a slight edit would serve the overall project? But Morgan sings, moves and delivers ballads as sweet as The Sundays juxtaposed with political fight-the-power style black and white documentary narration that nevertheless ignites us all. She asks us to think deeper about how we got to a time when a girl who just wanted to have fun lost all that in the Black Mirror-esque way we live our lives now.

Morgan shows us that even though innocence has been washed away by a zillion screen time hours and the “encyclopaedia” of ChatGPT use, that in fact, love is still what humans want. It’s a very savvy well written show filled with modern day ennui. But is anybody really listening? Is Morgan just screaming into the void? Will she ever be saved? Her teabags and fuel are running low and she’s scared and utterly alone…well, for a while at least.

To book tickets to If You’re Hearing This, please visit https://www.comedyfestival.com.au/browse-shows/if-you-re-hearing-this/.

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The Old Fitz Presents: The Female Of The Species

The Female of the Species

The Female of the Species Rating

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7

Arriving at the Old Fitz for the play, your night is already off to a great start. As the only surviving pub theatre in Australia, this atmospheric venue is a perfect setting for a play loosely inspired by a true Australian story of a feminist writer held hostage at gunpoint by a disgruntled student.

Upon entering the theatre space, the audience is immediately enveloped in the sounds of the Australian bush—chirping birds and buzzing cicadas—creating a vivid backdrop for the intimate setting of writer Margot Mason’s home. The stage is adorned with an eclectic array of books, hinting at the intellectual battles to unfold.

 

Lucy Miller delivers a standout performance as Margot, a revered feminist writer grappling with debilitating writer’s block. Her character embodies the struggle to stay relevant in a rapidly changing landscape of female representation and sexuality. Her latest book needs a new hook, but what new angle is there to explore on female sexuality?

Enter Jade Fuda as Molly Rivers, the fervent student whose admiration for Margot quickly reveals a darker undercurrent. Initially praising and fanatical, Molly’s obsession morphs into a chilling mission: to kill the woman whose work she holds responsible for her mother’s abandonment and subsequent suicide.

The dialogue shifts deftly between humour and tension as the play explores the evolving definitions of womanhood through the years. Margot and Molly’s banter serves as a comedic dissection of feminist ideals, questioning what it means to be an “ideal” woman—be it a nurturing homemaker, an ambitious careerist, or a childless self-improver. Margot is blamed for altering the “ideal” by swapping and changing the parameters in her every book, a relatable observation into the ever-shifting opinion of our own generation.

 

With the arrival of Molly’s exhausted homemaker daughter, Tess Thornton, who has disappointed Molly as she chose to dedicate herself to motherhood instead of a career, the three women represent polar opposites on the feminist scale. Who is the most “correct woman” you ask yourself as the story continues with the arrival of three men, equally as polarising and almost caricature like, leaving the audience reflecting on the complexities of female identity and the intersections of admiration and resentment.

The Female of the Species is not just a play but a thought-provoking exploration of feminism wrapped in sharp wit and dark humour.

Overall, with its strong performances, engaging script, and the Old Fitz’s charming ambience, this production is a must-see for anyone interested in the ongoing dialogue about womanhood in modern society.

The Female Of The Species season runs November 1 – 23, with session times as follows: 7pm Tuesday through Friday, 2pm and 7 pm Saturday, and 5 pm Sunday.

For tickets, please book @ https://www.oldfitztheatre.com.au/the-female-of-the-species

Photographer: Noni Carroll Photography

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