Viva Vicious

Viva - Vicious

Viva – Vicious Rating

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VIVA Vicious by VIVA Melbourne is the adults-only experience you need to book for your next date night.

Secretly housed in a beautiful Cabaret room at the top of a warehouse at 64 Sutton Street, North Melbourne, VIVA Vicious and its troupe of amazing singers, dancers and, acrobats, creatively and tastefully capture “The art of suggestion” or, “The art of almost.”

While Marketing ‘Mandate’ Male Revue on King Street in the 90’s, I was safe to visit friends in the adult clubs next door. I noticed the gentlemen who came to see the female strippers were much more well-behaved than the Hen’s night ladies who came to see the males. It was a fun and bawdy time, and absolutely everything was on show.

This is not that.

Viva is the kind of nightclub show couples enjoyed in the 1950’s – dinner, drinks, dancing and, a floor show – only more naughty for the naughties.

Professionally and stylishly choreographed by Karlee Porritt, with a beautifully lit stage and interesting projections, Viva Vicious is both suggestive and sensational.

The show includes aerial acrobatics, popular music, beautiful costumes and humorous skits – males dressed as Nurses and French maids – dappling in virtual reality.

True to the mid-1800’s Burlesque shows, the VIVA men were often the comic relief between the provocative female performers. In this show, they also dance, play the saxophone and, assist in the aerial acrobatics.

Just like with ‘Moulin Rouge’ or ‘Crazy Horse’ in Paris, every performer is extremely fit and stunningly beautiful. Crazy Horse boasts of their show, “an ode to feminine beauty, combining eroticism and sophistication.” Viva in Melbourne certainly lives up to this boast.

 

The female body is a beautiful thing.

While enjoying VIVA Vicious, I remembered an old life-drawing teacher once told me, “What’s suggested is often more attractive than what is obvious.”

Unlike Moulin Rouge, where you’re practically sitting on the lap of the person next to you, the Viva Cabaret room is plush and comfortable. Couples and friends are seated in pairs at club tables on different levels, so every view is intimate, stimulating and, energetic. Even the opulent rest-rooms were exquisite!

Each Cabaret table is big enough to place two side plates and two sumptuous cocktails the Viva wait staff bring to you shortly after you’ve ordered. We tried the Chicken Karaage and the Salmon Sashimi. Both were visually pleasing, fresh and delicious.

The first performer on stage set the scene in a long sequined evening dress singing a Whitney Houston ballad, with precision. Now we find we’re in for Cabaret and, Burlesque.

She was followed by a Britney Spears number with many dancers in full-body tiger print outfits, topless.

A songstress mixes things up, singing a 50’s number sporting her Marilyn Monroe style dress.

There’s a Western number backed by the classic Ennio Morricone soundtrack, and plenty of ‘Honey Birdette’ designed lingerie.

Michael Jackson’s ‘Dirty Diana’ and Annie Lennox’s Sweet dreams perfectly back a sensual bed scene.

Things are spicy but never confronting.

Throughout, there were a few aerial acrobat spots, one with a spiral from the ceiling, another with silks, always with such skill. Loved the sexy Medusa track.

During a most enjoyable two-hour show, there are two Intermissions where you can go to the bar or, partake in a caviar bump and a vodka shot with a passing sexy server, to prepare you for the next show.

The troupe encourage you to hit the dance floor after the show.

Viva means “Long Live” in Italian and Spanish. I think we’ll return.

Viva Melbourne – Level 2, 64-90 Sutton Street, North Melbourne
Booking: https://vivamelbourne.com.au/events/

To book tickets to Viva – Vicious, please visit https://vivamelbourne.com.au/.

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Piper’s Playhouse

Piper’s Playhouse

Piper’s Playhouse Rating

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From the moment guests step inside Piper’s Playhouse, it is clear this is not simply a show. It is a fully realised world.

Greeted warmly by the irrepressible Jimi the Kween and the razor-sharp Valerie Hex, audiences are ushered through an immersive maze, complete with bubble artist, hilarious peep shows and confession booths. From the start, you can tell that whimsy and risqué will walk hand in hand for the evening. The space itself is a triumph of design. Deep red velvets, glowing table lamps, light haze and a central podium create a Parisian cabaret atmosphere that feels both transportive and inviting rather than themed or contrived.

A full house on the night I attended generated a buzzy energy, with a broad mix of ages (strictly over 18) proving the experience is as accessible as it is sophisticated. Gorgeous tables, attentive costumed hosts and slick service reinforce the sense that every detail has been carefully considered. Even the delivery of the first glass of champagne becomes theatre in a moment of surprise that perfectly captures the spirit of the night.

On stage, a stunning jazz band provides the heartbeat of the room. Their playing is effortlessly virtuosic, loud enough to shape the atmosphere yet perfectly balanced so conversation can flow. It is cabaret accompaniment at its finest: tight, relaxed and deeply stylish.

 

 

Valerie Hex proves a brilliant MC, working the room with effortless comedy and razor wit that never comes at the expense of the audience. Meanwhile, Jimi the Kween commands attention with a spectacular voice that moves seamlessly from power to nuance, all delivered with uproarious humour.

Headliner Diesel Darling demonstrates exactly why she sits in the Burlesque Hall of Fame. Titillating and playful, her connection with the audience is magnetic.

The supporting acts are equally compelling. Becky Bubble is captivatingly inventive, elevating the medium of bubble art into something quietly magical. Soliana Ersie leaves the crowd audibly gasping with contortion work that borders on the impossible, while hand balancer Naz Alexander delivers feats of strength with undeniable flair. Magician Sebastian Rideaux impresses both onstage and during close-up performances between sets, his charming patter guiding audiences from laughter to cheers of delight in seconds.

Importantly, the troupe feels like exactly that, a troupe. Performers weave through the audience, support one another’s moments and contribute to an atmosphere that is welcoming, inclusive and joyfully celebratory.

Add excellent food, fast and friendly table service and a late-night, post-show piano bar led by the high-energy Trevor Jones, and the result is an evening that refuses to let the party end quietly.

The attention to detail is immaculate. The care for the audience experience is unmistakable. Piper’s Playhouse is an immersive feast for the senses, a masterclass in modern cabaret and the kind of night you can’t wait to tell your friends about.

To book tickets to Piper’s Playhouse , please visit https://www.crownmelbourne.com.au/bars/pipers-playhouse.

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MARVELous: A Risqué Parody

MARVELous: A Risqué Parody

MARVELous: A Risqué Parody Rating

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MARVELous: A Risqué Parody delivers exactly what its title promises — a cheeky, adults-only romp through the superhero universe, wrapped in humour, spectacle, and more than a little irreverence. With Deadpool at the helm, reading the audience a decidedly grown-up bedtime story, the stage is set for a night that doesn’t take itself too seriously.

I’ll admit, I arrived expecting a stronger overarching storyline. Instead, the show leans into a series of standalone character acts. It felt less storyline and more a burlesque/boylesque show. While this structure sacrifices narrative cohesion, it does allow each performer their moment to shine — and shine they do.

One of the most inventive elements is the rolling cube set design. These clever structures act as mini studios for each act while doubling as elevated platforms, giving the staging a dynamic, ever-changing feel. Add in bursts of aerial work and impressive physicality, and the visual interest rarely dips. Yes, plenty of skin is bared, but it reads less as overt sexualisation and more as a celebration of strength, athleticism, and control.

 

 

The undisputed highlight of the evening was Captain America and Bucky attempting — somewhat unsuccessfully, thanks to a rogue shield — to preserve their modesty while dancing to (I’ve Had) The Time of My Life. It was chaotic, playful, and had the audience roaring.

I desperately wanted to love the Spider-Man song-and-dance number, but persistent audio issues and unreliable microphones dulled what should have been a standout moment. Unfortunately, sound proved to be a recurring villain throughout the night.

Still, with nearly every beloved Marvel hero making an appearance, the show remains accessible even for those without encyclopedic MCU knowledge. MARVELous is bold, creative, and packed with personality — a fun night out.

To book tickets to MARVELous: A Risqué Parody, please visit https://fringeworld.com.au/whats-on/marvelous-a-risque-parody-fw2026.

Photographer: Ben Dingley

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Ro Dahl’s Drag Race

Ro Dahl's Drag Race

Ro Dahl’s Drag Race Rating

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Ever since I lived a stone’s throw away from Sydney’s infamous Stonewall Hotel on Oxford Street in Darlinghurst, I’ve had a fascination with drag queens. Their makeup, their costumes, and the way they move has always mesmerised me.

So when I got the opportunity to review Ro Dahl’s Drag Show, I was curious to see if Perth’s drag scene could bring it like their Sydney sisters—and bring it they did.

As I sat down in Perth’s iconic Connection Nightclub, I was whisked back to some blurry memories of visiting here as a younger woman. The audience was a diverse mix of ages, sexes, and ethnicities—everyone was welcome.

The show opened with our host for the night, the beautiful and elegant Moxie Heart as the glamorous Fantastic Mr Fox, instantly creating a warm and fun atmosphere. I must commend her impeccable drag queen voice—sweet, smooth, and polished. She treated us to an introductory dance flanked by the fantastic Peach Pit Crew; I felt like I was watching a Backstreet Boys music video from the ’90s—so much fun!

From that moment on, the smile was pasted on my face and didn’t leave for the entirety of this fabulous show. The joy the performers clearly exuded was contagious, with the audience clapping along throughout.

 

 

This group of showgirls is incredibly talented and endlessly entertaining. From watching Charlie Bucket (Jaxon Coke) twirl across the stage, flipping with outstanding acrobatics, to Veruca Salt (Veruca Sour) gracing us with her award-winning burlesque moves, the entertainment never stopped rolling.

The standout performance had to go to Sassie Cassie as the Witch. Her commitment to character is paramount, and she was definitely the performer who made me smile the most—nearly falling off my chair as she waltzed down the aisle during her act. Her makeup and costume were phenomenal. Knowing it can take her up to five hours to paint that beautiful face, I am in total awe of the dedication involved.

Special mention must also go to Beau Pash as Roly Poly Bird, a clearly seasoned drag queen who had the audience in fits of laughter. Brenda Wee as Matilda was absolutely adorable with clever costume reveals, and Bush Rat as Willy Wonka proved to be a highly talented dancer.

There is so much to love about this show—the energy, the extraordinary lip-syncing, the humour. It will leave you wanting more.

My 60-year-old mother, whom I took along, summed it up perfectly with her first comment: “When can we go again?” She truly enjoyed it immensely.

I implore you to get out of the house and see this Fringe show before you miss it. The art of drag is completely underrated, and I can guarantee you won’t go home disappointed—you’ll go home buzzing and wanting more.

To book tickets to Ro Dahl’s Drag Race, please visit https://fringeworld.com.au/whats-on/ro-dahl-s-drag-race-fw2026.

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