Hayes Theatre Co Unveils Its 2027 Season

Stylized retro city skyline with a heroic figure standing to the right, symbolizing urban leadership and ambition.

Hayes Theatre Co today announced its 2027 season, the company’s biggest yet, expanding beyond its Potts Point home with work presented at larger Sydney venues under the banner Hayes in New Places while continuing an expansive program at the Hayes Theatre. Artistic Directors Richard Carroll and Victoria Falconer, in their final year as ADs, will lead a season of new work, reimaginings, classics and major theatrical events.

Leading the season is Steven Kramer’s Phar Lap: The Electro-Swing Musical, starring Joel Granger, returning to Sydney for an expanded staging at Carriageworks from 8 July to 8 August ahead of a national tour culminating at Melbourne Theatre Company. Phar Lap previously received rave reviews, sold-out seasons and awards; the 2027 staging is on a larger scale.

The Foundry Theatre will be transformed into an underground bar in October for Mack The Knife, a major new work by Richard Carroll, Victoria Falconer and Jordan Shea that re-imagines The Threepenny Opera. Beginning as an immersive promenade experience, it evolves into a rock-cabaret musical shaped by the audience each night.

At the Hayes Theatre in Potts Point, the season of eight productions spans cabaret, comedy, opera, contemporary musical theatre and drama. The year opens with Peter Allen: Not the Boy Next Door, a new cabaret-concert directed by Hayden Tonazzi with arrangements and musical direction by Steven Kramer (three-week season from 13 January). February and March feature Claudia Barrie’s Lucky Stiff, followed by the return of House of Rot after its sell-out at the 2026 Winter Cabaret Festival. May presents the Australian premiere of the folk epic Swept Away (directed by Drew Livingston), followed in July by Jacinta John’s production of Pulitzer Prize-winning Next to Normal.

In August Matthew Barclay presents a technicolour reimagining of Mozart’s Così fan tutte or The School for Lovers. September brings Cameron Mitchell directing and choreographing the sci-fi satire Be More Chill, and the season closes with Flowers for Mrs Harris starring Rachael Beck and directed by Julia Robertson.

Hayes will again present two major festivals: the Festival of New Work returns for its fourth year extended to three weeks, and the Winter Cabaret Festival returns in June rebranded as Flare. Regular Hayes events include three Neglected Musicals (1776 in March, A Funny Thing Happened on the Way to the Forum in May and Dames at Sea in October), Theys at the Hayes and Victoria Falconer’s Parlour Night for Mardi Gras 2027, plus returning favourites Musical Bang Bang, Home Grown, An Evening With and Carols by Cabaret. Subscriptions are on sale from Monday 14 September, with single tickets on sale at various times in coming months. Phar Lap single tickets are available now from https://hayestheatre.com.au/event/phar-lap-2027-carriageworks/.

With its most expansive program yet, Hayes Theatre Co’s 2027 season is presented as an invitation to discover music theatre in new places, in new forms and at every scale while continuing to champion artists, audiences and Australian work.

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Japan Jazz Nights: Celebrating 50 Years Of Australia–Japan Friendship; Tour Dates Announced!

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Discover the next generation of Japan’s thriving jazz scene with Japan Jazz Nights, a large-scale touring performance series that will take place across seven Australian cities in October 2026: Adelaide, Brisbane, Canberra, Hobart, Melbourne, Perth and Sydney.

Presented by The Japan Foundation (JF) and Eight Islands Co., Japan Jazz Nights is being held in celebration of the 50th anniversary of the Basic Treaty of Friendship and Cooperation between Japan and Australia. This exciting lineup features four groundbreaking Japanese artists at the forefront of the contemporary jazz scene: BIGYUKI, STEREO CHAMP, Tenors In Chaos and Misaki UMEI.

Japanese jazz has recently enjoyed a resurgence in popularity worldwide, with growing attention being paid to its contemporary scene. Starting with BIGYUKI’s performance at Melbourne International Jazz Festival, this extensive national tour gives Australians the rare chance to experience firsthand the creativity, diversity and vitality of contemporary Japanese Jazz.

Japan Jazz Nights will also include exciting collaborations with local Australian artists at performances throughout the tour. Through the universal language of music, this initiative aims to foster meaningful connections between Japan and Australia and strengthen cultural ties between the two countries.

For both longtime jazz lovers and newcomers to the genre, Japan Jazz Nights is an unmissable opportunity to experience these musical icons, as they showcase the beauty of their craft and shape the future sound of modern jazz.

Japan Jazz Nights Touring Schedule
Date: October 16, 2026 (Fri), Doors 8pm
Venue: Max Watt’s (Melbourne)
Performers: BIGYUKI
Event: Melbourne International Jazz Festival
Event Website / Tickets: BIGYUKI – Melbourne International Jazz Festival

Date: October 17, 2026 (Sat), 1pm – 5pm
Venue: Fed Square (Melbourne)
Performers: BIGYUKI
Event: Melbourne International Jazz Festival
Event Website: Free Jazz at Fed Square – Melbourne International Jazz Festival
Admission: Free

Date: October 18, 2026 (Sun), 7pm
Venue: Oddio (Adelaide)
Performers: BIGYUKI
Event: Adelaide International Jazz Festival
Event Website: TBA
Tickets: AIJF Presents: Japan Jazz Nights – BIGYUKI

Date: October 19, 2026 (Mon)
City: Sydney
Details: TBA

Date: October 22, 2026 (Thur), 7pm
Venue: Chapel Off Chapel (Melbourne)
Performers: Tenors In Chaos, STEREO CHAMP, Misaki UMEI
Event: Melbourne International Jazz Festival
Event Website / Tickets: Tenors in Chaos + Stereo Champ + Misaki Umei – Melbourne International Jazz Festival

Date: October 23, 2026 (Fri) 10pm
Venue: Liberty Theatre (Perth)
Performers: BIGYUKI
Event: Perth International Jazz Festival
Event Website: BIGYUKI (JPN) • Perth International Jazz Festival
Tickets: Megatix – BIGYUKI (JPN)

Date: October 23, 2026 (Fri)
City: Brisbane
Details: TBA

Date: October 23, 2026 (Fri)
Venue: Molly (Canberra)
Performers: STEREO CHAMP
Details: TBA

Date: October 24, 2026 (Sat)
Venue: Canberra Nara Peace Park (Canberra)
Performers: STEREO CHAMP
Event: Canberra Nara Candle Festival
Event Website: Canberra Nara Candle Festival | Canberra Nara Candle Festival
Admission: Free

Date: October 25, 2026 (Sun), 7pm
Venue: Liberty Theatre (Perth)
Performers: Tenors In Chaos, UMEI Misaki
Event: Perth International Jazz Festival
Event Website: Japan Jazz Nights • Perth International Jazz Festival
Tickets: Megatix – Japan Jazz Nights

Date: October 25, 2026 (Sun), 7pm – 8:30pm
Venue: The Barn (Hobart)
Performers: BIGYUKI
Event: CJF Presents
Event Website: BIGYUKI (JPN/USA) – Rosny Farm
Tickets: Tickets for CJF Presents 2026

Date: October 29, 2026 (Thur) 7pm – 10pm
Venue: Heaps Normal Health Club (Sydney)
Performers: UMEI Misaki, Cracked Suzies
Event: Sydney International Women’s Jazz Festival
Event Website: Misaki Umei x Cracked Suzies | SIMA
Tickets: Tickets for Misaki Umei & Cracked Suzies + Dorka

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ÁRRU

Hurtigruten Nordic Film Festival Opening Night Reception And Premiere Screening of ÁRRU

Hurtigruten Nordic Film Festival Opening Night Reception And Premiere Screening of ÁRRU Rating

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What happens when the person you rely on to save almost everything you know and love also turns out to be a monster? Can you walk away? How do you negotiate the constant challenges to life and culture? Do the young want to carry on the flame? These are some of the core questions in Árru, Elle Sofe Sara’s striking debut feature focusing on the lives and culture of the Sami people that inhabit the Sápmi region of Norway, Sweden, and Finland. What better film to represent the unified yet separate cultures showcased at the 2026 Nordic Film Festival.

Using a mixture of genre styles, from surreal cinema, family drama, to musical, Árru starts in white snows of winter covering a vast, almost empty landscape. After the bloody miscarriage of a reindeer, traditional herder Maia (Sara Mariell Gaup Beaska) buries the tiny body in the snow. Together with her brother Danel (Simon Issát Marainen) and daughter Ailin (Ayla Garen Nutti), they continue the rustic life of the Sami, tending to their reindeer, killing and butchering them for meat and clothing. After the snow retreats for summer, the vast grasslands of summer form the backdrop of the narrative drama. We learn that a mining conglomerate is planning to build a large copper mine, reducing the grazing land available. This will force a mass culling of the reindeer and with it the destruction of Maia’s livelihood and her way of life.

 

 

Leading the fight is Maia’s charismatic lawyer brother Lemme (Mikkel Gaup), who successfully campaigned against a similar situation in Canada. As he rallies the community through protest and song, Maia and Danel remain wary around Lemme. This reluctance to embrace their possibly saviour and Lemme’s grip of power over his family and the town threatens Maia’s relationship with Ailin, one of his strongest advocates. The film then slowly reveals Lemme’s real character. First, Ailin discovers that Lemme is not as trustworthy as she first believed, and then a drunken confession by Danel at a celebration of culture reveals a dark past that shatters the community. They need Lemme to save their way of life, but can they still allow him to live amongst them.

Sara uses music and song throughout to connect Maia with her ancestors and home, and is clearly an important life of Sami culture. Musical numbers sometimes break the dramatic flow of the film, but remaining beautiful and interesting. During one of the protests, however, traditional song turns into a music video style dance number that seemed like an odd stylistic choice and a bold contrast to the grounded realism of the drama. But that wasn’t enough to pull me out. The performances were authentic and powerful, especially Simon Issát Marainen, who at first seemed brooding and surly but then when we discover why, draws from us empathy and understanding. And while the dramatic narrative forms the core structure of the film and provides plenty of intrigue and conflict, the most appealing part of the film for me was just spending time with the last remaining indigenous group in Europe.

Árru can be seen as part of the Nordic film festival playing nation wide at Palace Cinemas.

To book tickets to Hurtigruten Nordic Film Festival Opening Night Reception And Premiere Screening of ÁRRU, please visit https://nordicfilmfestival.com.au/films/nor26-arru.

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The Good Food and Wine Show

Good Food and Wine Show

Good Food and Wine Show Rating

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The Good Food and Wine show returned to the Perth Convention and Exhibition Centre (PCEC) for another fabulous year of tastings, cooking demos and a chance to experience the best our beautiful state, and others, have to offer.

Western Australia is known for its wine regions, with the Swan Valley just a hop, skip and a jump for most of us to reach and of course the stunning Margaret River and surrounds where you will find most of Perth as soon as a long weekend pops up on the calendar. While several WA wineries were on display this year, those who can’t quite justify the exorbitant flight prices east were in for a treat, with tastings from South Australia’s best across the Barossa, McLaren Vale and Clare Valley.

My taste in wine has usually leaned towards whites and the occasional rosé, but in recent years I’ve become partial to a lightweight red to complement a meal. The Barossa is known for its Shiraz, so it was the perfect chance to sample a few. Wine not your thing? Never fear. The growing number of distilleries was exciting to see, with my unofficial award for prettiest display (and best name) going to Billy Stitch Distillery. The most unexpected pop-up had curious customers sipping peanut butter whisky, which I’m still not quite sure about.

There’s something for everyone, with general admission from $49.95 and the option to add a tasting glass. Serious foodies and winos could upgrade to one (or several) of a large selection of masterclasses, or the cooking school. The ultimate experience on offer, though, would have to be the VIP Lounge presented by Singapore Airlines. At $185 it includes a three course lunch inspired by their First and Business Class menus, five glasses of wine plus a bottle to take home. For those of us who dream of sitting at the pointy end of the plane, this might be the closest we get.

 

 

Just making the most of the included offerings? The cooking stage, aka The Good Food Kitchen, was the place to be, with standing room only for Miguel Maestre. You never know what you’re going to get from Miguel, and he did not disappoint. From wielding a samurai sword as part of his food prep to a musical interlude on a toy saxophone backed by a drummer, you didn’t want to look away. And don’t get me started on the mouthwatering katsu sandwiches he was making… yum!

The SmoothFM Drinks Lab was a popular, calmer option, with complimentary 30-minute tasting sessions showcasing different regions and a Spirit Lovers Masterclass to end the day. Sessions were walk-in only, so you had to be quick. We sadly weren’t, but still enjoyed listening in.

You can spot the seasoned attendees a mile off, wheely trolleys at the ready. Those without the boot space, or who came in on the train, could wander over to Australia Post’s Pick and Pack to have their wine home delivered. Spotting this early on felt seriously dangerous, removing any excuse of “we can’t carry all this”.

Those just there for the food could graze between stalls offering tastings of cheese, nuts and even water drops (which I had no idea was a thing).

The Good Food and Wine Show may be over for another year, but I’m sure most attendees headed home with more than a couple of bottles of a new favourite wine, or like me, a dish they’re determined to recreate. Although I think I’ll leave the samurai sword to Miguel.

To book tickets to Good Food and Wine Show, please visit https://goodfoodshow.com.au/perth-show-26/.

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