Lots of Pop – Just Not Enough Snap or Crackle

The Breakup Variety Hour

The Breakup Variety Hour Rating

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Ariana & the Rose arrives at the Melbourne International Comedy Festival with The Breakup Variety Hour – a wry cabaret-style journey through the six stages of romantic recovery and she brings with her genuine charm, vocal talent and the kind of infectious energy that makes you root for her from the moment she walks on stage. The Trades Hall, with its intimate rooms and slightly scuffed historic charm, is a fitting venue for a show about the unglamorous business of losing love.

The show’s structure is clever: six stages, neatly framed, moving from the wreckage of a relationship toward something that resembles wisdom. Ariana guides us through each with a mix of comedy banter, personal anecdotes and occasional audience participation, the familiar toolkit of the solo festival show. But it’s in the final stage – a philosophical, even quietly spiritual, reflection on what breakups really reveal about us – that the show finds its most resonant ground. It was a genuinely satisfying way to close, offering unexpected psychological depth after the performance and pizzazz, leaving the audience with something to carry home beyond the glitter.

Where The Breakup struggles is in finding its identity. The original songs, (written by Ariana herself and available to buy on CD), are genuinely good and surprisingly moving but they are almost at odds with the rest of the show. They don’t quite gel with the comedy banter surrounding them and the collision between the two never quite resolves. We found ourselves watching what felt like two shows running in parallel – a moderately entertaining comedy set and a mini pop concert – each quietly undermining the other’s momentum. The songs, which we expected to be more snippy, funny comedic offerings instead spoke of genuine feeling and heartache; the comedy parts were too brief and held the audience at too much of a distance. Holding these two different styles at once is a difficult ask of any audience and on the night we attended, it created a sense of awkwardness that the show never fully settled.

 

 

Comedy, as anyone in the industry will tell you, is brutally hard work. The hours behind a single hour of stage time are extraordinary – the writing, the refining, the killing of darlings, the courage required to simply show up and do your thing in front of strangers and hope it lands. The fact that The Breakup has sold out in Ariana’s native New York and toured major international festivals, including our own Melbourne Comedy Festival, speaks to a genuine audience connection that is clearly working somewhere. On the night we attended, the crowd was small and a little cool and she handled it with professionalism and grace, working the room with warmth even when it didn’t quite warm back.

But for those of us who came hungry for laughs, the show could lean further into personal storytelling – the messy, specific, mortifying anecdotes of dating life that make comedy truly land. What we got felt, at times, more like a vehicle for the music than a cabaret style comedy show. The personal glimpses Ariana did share were genuinely engaging, we simply wanted more of them. More of that rawness, more of those stories – the ones that make an audience wince in recognition and laugh in relief and then the balance would tip in a way that could make this genuinely special. It probably didn’t help that in our audience most people were happily coupled, so for a comedy that’s all about break-ups and needs to bounce of the singletons in the room, it wasn’t quite able to find its mark. Nonetheless, the bones of something very funny are here. They just need more flesh on them.

As it stands The Breakup is an enjoyable, well-intentioned romp through familiar romantic territory, performed by someone with good stage presence, a strong voice and a lot to offer. Ariana & the Rose is a performer still shaping her show into its fullest form – and if the philosophical heart of that final act is any indication of where she’s heading, the best may well be yet to come.

To book tickets to The Breakup Variety Hour, please visit https://www.comedyfestival.com.au/browse-shows/the-breakup-variety-hour/.

Photographer: Sidewalk Killa

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Checked Out: The Musical

Checked Out: The Musical

Checked Out: The Musical Rating

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Checked Out: The Musical – A musical comedy about the mundane lives of supermarket workers in a cost of living crisis.

Check in, deal with angry customers. Check out, repeat again tomorrow. Connell and Lee, the team behind GRAA-nominated musical ‘A Zoom Group Project’ have joined forces again to create this brand-new supermarket musical comedy premiering at Melbourne Fringe 2025. This time they are using their years of retail experience as creative fuel because nothing makes a story sing like hating your job does. In ‘Checked Out: The Musical’ a group of employees are sick of their mundane lives working for big supermarket chain Woles, who still pay them minimum wage despite its recent record profits. What’s the manager’s solution to staff complaints? Throwing a party to celebrate the company’s profits and making attendance mandatory of course!

As I watched this cast of comrades band together to unite against the epitome of capitalism: their workplace, I laughed, laughed and laughed again.

This show deserves the highest accolades and surely it is set to win some of the current Melbourne Fringe Festival awards. The entire audience would agree going by their laughter and cheering. I don’t think there was ever someone not laughing throughout 90% of the show – there are a few serious moments (not!).

 

 

It is simply put together on stage with boxes coloured in like supermarket aisles, something a little like an advanced kinder project so you’re wondering what’s going to go on here… then one by one starting their day in the store enter 5 very different staff members … mops with eyes as fierce customers, register and clock on-off beeps, announcement microphones and the big ‘boss’ guy up the top over the loud speaker of course (we don’t get to see him, but he’s equally as talented as the rest of the cast).

‘Price gouging’ clap along was the best! Finger puppets not dissimilar to ones we all frequently recognise instantly, the team of ‘Woles’ in their blue aprons, Bridget, Jasmine, Taylor, Seb and Jack hit every silly, funny but scarily true to life topic we experience in shopping today and working in retail spot on!

I am personally constantly complaining of how much milk and bread and a few fruit and veg will set me back. These guys take it to the next level, but when I thought about it, it’s not next level, these prices are reality!

Their 10cent per hour pay rise is also reality, and they have to fight for it!

Swapping out ‘Clean Up’ for ‘Love in Aisle 9’ may be the only highlight of a day otherwise full of being scolded by customers, bossy bosses and trying to keep to an impossible down-to-the second time schedule. Of course, don’t take your break early and certainly don’t be 17 seconds over returning to your duties!

Will Jack be able to play his songs at the MCG? Will Jasmine continue to be excited as the newest employee? Will Seb get to take his long service leave in Vietnam? Will Taylor ever do up her apron and will supervisor Bridget finally get to head up the company, or will she decide to band with her team?

The beaming smiles and genuine love for what they do on stage giving it their all, these talented bright bubby actors and actresses totally nailed this plot and I can’t wait to see what they do next!

Hopefully major media will go along and see this show, I could see it tour!

Enjoy!!

Ticket Link: https://www.melbournefringe.com.au/whats-on/events/checked-out-the-musical

Playing 8 – 12 October 2025

Well organised ticketing and access, lots of volunteers helping to get you into the right area – the Fringe Festival is fantastic with so much to choose from, but definitely DON’T MISS this one ‘CHECKED OUT – THE MUSCAL!’

WRITTEN BY
Josh Connell and Steph Lee
LIGHTING DESIGN
Tom Vulcan
DIRECTED BY
Steph Lee
CAST
Anita Mei La Terra
Oscar O’Brien
Jackson Cross
An Dang
Shanu Sobti

Venue: Solidarity Hall at Festival Hub: Trades Hall, Cnr Lygon & Victoria Sts, Carlton

EVENT WARNING
Contains strobe lighting, Mild coarse language
CONTENT WARNING
Misogyny, Sexual References

To book tickets to Checked Out: The Musical, please visit https://www.melbournefringe.com.au/whats-on/events/checked-out-the-musical.

Photographer: Leo Cherry

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I Promise This Isn’t About You (Even If It Feels Like It Is)

I Promise This Isn't About You (Even If It Feels Like It Is)

I Promise This Isn’t About You (Even If It Feels Like It Is) Rating

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I Promise This Isn’t About You (Even If It Feels Like It Is) is an adventure even before the drama starts. Ticket holders meet in the Trades Hall courtyard and find themselves led down a side alley into a space that is a functional carpark by day, an open air theatre by night, naturally decorated by concrete beams and colourful street art.

Here you will be treated to a theatre in the round experience, set entirely in a share-house bathroom during an end-of-lease house party. Five young people explore the nuances of adulthood, from crushes, relationships, sexuality crises and mental illness to learning how to fix a toilet and desperately trying to keep your agapanthus alive.

I Promise This Isn’t About You has set itself high standards, being the first Fringe show this year to sell out (don’t worry, they have since added extra capacity!) and it doesn’t fall short. The set alone is a treat for theatregoers, with functional plumbing and drawers stuffed full of secret props. It’s also worth noting the incredible tech work of Georgie Wolfe and Ryan Hamilton who have managed to stage fully developed light and soundscapes in a carpark.

 

 

It would be remiss to review this play without noting the incredible work of the five actors. Mads Lou, Jo Jabalde, Eliza Carlin, Rueby Chippek, and Ally Long work perfectly together as an ensemble, creating deep complicated relationships and refusing to let the energy on stage drop for even a moment.

From quotable one liners, immaculate comic timing and amusing costume to emotional breakdowns, romantic connections and desperation, this show cycles through every emotion in a thoughtful, developed way that shows off the writing talents of author Sarah Matthews and is a must watch for anyone who’s ever attended a messy house party (or anyone who’s ever wanted to).

To book tickets to I Promise This Isn’t About You (Even If It Feels Like It Is), please visit https://www.melbournefringe.com.au/whats-on/events/i-promise-this-isn-t-about-you-even-if-it-feels-like-it-is.

Photographer: Jaimi Houston

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Meet The Performer – Tomas Clifford

Tomas Clifford

Hold onto your hats, folks! Today, we had the distinct pleasure of sitting down with the inimitable Tomas Clifford to chat about his latest musical-cabaret extravaganza, “Tomas Clifford Got Stood Up.” Fresh off successful runs in Perth, Tomas is ready to make his mark at the Melbourne Fringe Festival and beyond. Get ready for a unique blend of humour, music, and heartfelt storytelling.

About Tomas Clifford

What do you enjoy most about acting?

I love connecting to a live audience just like you have a gossip session with your friend over a coffee (or wine) – making everyone in the room feel like they’re the only person being told the story is the aim for me, because it’s that personal connection with the performer than I as an audience member love about cabaret and live performance.

What productions have you acted in before?

Tomas Clifford Got Stood Up has already had two festival runs in Perth, and we’re very excited to announce that this upcoming Melbourne Fringe Season marks the beginning of a national tour of the show (with more dates to be announced for 2026).

Do you want to work in film, live theatre or both?

As a composer, I would love to work on projects across all different media formats – movies, tv, you name it. My heart, however, will always lie in theatre/live entertainment composition, be in the form of a musical or an original cabaret. As a performer, I’m super open to opportunities that may come my way. I’ve never fully imagined myself as a screen actor, but I certainly wouldn’t say “no” – and stranger things have happened.

What strategies do you use to overcome stage fright or nerves before a performance?

I honestly believe that the best strategy to overcome nerves are 1) extreme preparation building up to the performance and having the fullest of confidence that you know what you’re doing; and 2) being ready to throw all that preparation away and respond to what you’re being given by the audience in the moment. It’s that balance of type-a organisation and type-b carelessness that make me more excited than nervous for a performance.

How do you maintain your physical and emotional health while working on demanding projects?

The three s’s: sleep, steam, and silence.

Is there anything else you’d like to add?

My original musical-cabaret Tomas Clifford Got Stood Up will be playing in Melbourne from the 1/10 – 5/10 as a part of this years Melbourne Fringe Festival!

Where can patrons purchase tickets to this production?

To book tickets to Tomas Clifford Got Stood Up, please visit https://www.melbournefringe.com.au/whats-on/events/tomas-clifford-got-stood-up.

Thank you for sharing your insights and experiences with us. Best of luck with Tomas Clifford Got Stood Up at the Melbourne Fringe Festival and beyond. We’re certain audiences everywhere are in for a treat!

Other interviews can be viewed in our Meet The Performer Series.

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