Show Up! And Be Entertained By Surprise Acts

Show Up!

Show Up! Rating

★★★★★

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“Show Up!” is a variety-style of entertainment show, which reminded me of a nostalgic live taping which was then beamed into our living rooms via the television. The act would be filmed, with the camera now and again panning to the audience to see their reactions, and then back to the act. When that finished, an interview with the performer would happen. Then in the next episode, we would see different performers and acts, introduced by the host. “Show Up!” may have been intended to fill the live event space with their format similar to this, and had been billed as having “great performers, great stories, great surprises and a room filled with people willing to embrace the unexpected”. It is a monthly event, with different guests from across music, theatre, comedy, cabaret, circus and dance disciplines.

Created, produced, and hosted by versatile Australian entertainer Nick Hardcastle, this show offers a platform for both established and emerging artists to perform. One of its original features is the element of surprise, as the audience never knows in advance which act they will see. This format is especially appealing to those who enjoy spontaneity and discovering new talent, as well as fans who might be delighted to catch a performance by one of their favourite Australian artists or comedians. An interview with each performer after their acts adds another layer to the show.

I attended the first show at The Darling Quarter Theatre in Sydney on the 19 October. “Show Up!”featured performances from the “Dance Nikki Webster” dance studio, a burlesque act, a comedic musical act, solo songs and a strong and heartfelt 20th Anniversary tribute to one of Australia’s well known and loved musicals, “Priscilla, Queen of the Desert”. Plus of course, there were a couple of acts from iconic drag performers.

Being both a comedy and musical enthusiast, it came as no surprise that one act particularly appealed to me.The satirical boy band “Fuccbois” delivered a memorable and comedic performance that perfectly captured the essence of the archetypal “cool guys.” Dressed in oversized shirts, backward caps, and sporting penciled-in moustaches alongside shaded penciled -in stubble, these female artists presented a distinct and exaggerated image. Bursting onto the stage in coordinated track pants emblazoned with their logo, they sang pop songs in harmony while executing deliberately swaggering dance moves. Their confident, cocky demeanour was amplified by playful flirting and winks directed at the audience. Their infectious energy and original songs (most notable one named The Gaslight Shanty) made their performance thoroughly entertaining and hilarious.

Watching Tony Award nominee Tony Sheldon take the stage was a treat. Best known for his iconic role as Bernadette in “Priscilla Queen of the Desert” across Australia, Toronto, Broadway, and the West End, Sheldon delivered an impressive lip sync performance. Though he appeared without the signature drag costume and makeup of Bernadette, the vibrant presence and charisma of this character shone through. Following the performance, Sheldon engaged in an informal and insightful conversation with the host, offering the audience a rare glimpse behind the curtain.

 

Andrew Broadbent, a seasoned Australian performer with a rich history in musical theatre, captivated me with his rendition of “I’ve Grown Accustomed to Her Face” from the Broadway classic “My Fair Lady”. His flawless English accent and nuanced mannerisms vividly brought to life the character of Professor Henry Higgins, transporting me to England and perfectly conveying Higgins’ deep, sentimental longing for Eliza Doolittle after her departure.

Another standout act was from duo Rhea Robertson and James Vidigal performing a burlesque act. The sexy, sultry undertones of Robertson’s voice, combined with confident and strong exotic dancer Vidigal, melded together to create an incredible multimedia performance.

Before the intermission, Hardcastle invited audience members who felt confident to come forward and showcase their entertainment talents in a “Show Off” segment. If you would like to have ‘a minute in the sun’ go along and register! Well done to audience participants Susan, Alex, Joanne and Patrick – it takes confidence to perform onstage in front of strangers if it’s not your profession, and kudos to Hardcastle for giving them that opportunity.

The dancers from the “Dance Nikki Webster” studio looked to be students of school age. They had bright costumes and danced with high energy and even higher kicks. One dancer incorporated some backflips into their routine, to the audience’s delight. While they danced, a video of their routine played simultaneously in the background. However, the slight mismatch between the live performance and the video, created a somewhat jarring effect.

The show concluded with a tribute to “Priscilla Queen of the Desert”. A video of past performers from all over the world was played on screen, recounting their experiences during their run with the show over the years. Afterward, a few past cast and crew members, some of who were in the audience, were invited onto the stage to sing “We Belong” altogether. It was a touching finale and created an insight into the bonds that form inside the entertainment industry.

If you don’t mind not knowing who will be performing onstage, “Show Up!” at The Darling Quarter Theatre may be for you!

“Show Up!” was 2 hours, with a 20 minute interval.
Tickets: www.showuplive.com.au/tickets
Darling Quarter Theatre, Sydney

To book tickets to Show Up!, please visit https://showuplive.com.au/.

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Connecting Beyond Language: The Heart-Stopping Magic of The Fijian Flying Circus

Fijian Flying Circus

Fijian Flying Circus Rating

★★★★★

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Upon entering the Gate 7 Warehouse at the Melbourne showgrounds, I feel as though I am entering a mammoth, makeshift circus tent, in a remote area, as the buildings surrounding this enclosed marquee are all quiet.

But this warehouse is where all the action is.

Through a casual entrance, I come upon a semi-circle seated area, with chairs on the ground and behind it. Up a sequence of stairs, one can sit higher at a benched area to gain a wider scope of the circus action that will soon be displayed onstage.

The show? The Australian premiere of The Fijian Flying Circus, by internationally renowned Fijian contemporary dance troupe ‘VOU Dance Fiji’. Presented by Fijian Airways, this high-octane circus-infused show celebrates the joyous, cultural storytelling of traditional Fijian heritage, but with a modern edge.

There are drum-filled African beats. Tumbling and twirling through the air. Masterful ring tosses and jugglers giving things a spin. Hair-hanging trapeze artistry. Tightrope walking. Smiles for miles lighting up the stage. And on top of that? A cute Pacific-themed storyline, featuring mischievous mythical creatures, playful tribesmen, and an ongoing to-and-fro tryst between friends Loma and Tui – about a pair of magical shoes.

A clever, simple storyline that weaves in well with the mythical story Loma embarks and stumbles upon. A descent into a mystical book – to a wondrous world filled with acrobatic forest spirits. Beautiful island singing. Stilted female giants. Dancing fabled creatures. All springing forth from a harmonious, rhythmic world of Fiji’s Pacific flora and fauna.

 

And the cast are all in on the joy and laughter too.

There are funny whistling antics to get the audience laughing and clapping along. There are high-energy drummers wishing to continue their energetic stomping, much to the dismay of female cast members doubling over with mock-exhaustion. There is even a few bars of Neil Diamond’s iconic song, ’Sweet Caroline’ thrown in at the end of the show for good measure – to the delight of the audience to sing and clap along to.

In all, this show was bold, daring, and willing to go beyond its limits. In particular, the Emcee of the show, was so full of passion for his and his company’s artistry. As a troupe, they are deeply dedicated to connecting with audiences and telling their unique brand of storytelling in a modern, heart-stopping way.

The Fijian Flying Circus? Is simply a spectacle of joy. Driving home the idea that the human emotions of happiness, silliness and clowning around can indeed transcend language, culture and even heritage.

That as long we can connect as humans in curiosity, in hope and in wonder; then is that not simply enough for our spirits to thrive in this ever changing world?

I think so.

With high-flying aerial stunts, modern dance lifts, and bouncy beats of twerking thrown in, Fijian Flying Circus is literally an otherworldly experience, and is worth the trip to the Showgrounds to enjoy this lucky ride.

To book tickets to Fijian Flying Circus, please visit https://feverup.com/m/673760?thm=16238&thm_=.

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Fiji Untold: A Captivating, Contemporary Journey Through Pacific Folklore

Fiji Untold

Fiji Untold Rating

★★★★★

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When a young girl is banished from her village under the order from the village chief – who happens to be her father, what is a girl to do?

Does she sit in submission, staying stagnant and stuck? Or does she long to fly, fly away, to discover her own adventures beyond the tight fortress of her village home?

The exploration of this story arc is quite common in nursery rhymes and fairy tales. Beauty and the Beast, Alice In Wonderland and even The Little Mermaid come to mind. For this is the journey of self-discovery. When a young girl longs to break free from the confines of her protective home.

In ‘Fiji Untold’, this arc is told via the beauty of Fijian contemporary dance, under a sea of misty blue and yellow light. Where a bright and cheery dance troupe of villagers sing and chant within a dreamy forest landscape. Through sharp, co-ordinated movements, they begin telling the tale of a local village girl Lagi, the chief’s daughter, who resembles an innocent young village princess dressed fanciful In a white and blue printed costume.

But things are not always so stagnant as they seem.

When Lagi dares to break the rules of the traditional Meke dance, and not follow vital instructions, things get complicated.

In repeatedly leaping and pirouetting like a ballerina; even as the villagers try to settle her energy down by lifting her on a giant mat, as if to contain her, she cannot be stopped. As free as a flying bird – her disapproving father and community are at a loss of what to do with her.

So, their choice is simple.

 

Her tribal clothing is removed. Her head bows down in shame. They banish Lagi to the bamboo forest and she runs straight into the unknown. A adventure all her own, where she meets a plethora of creatures great and small.

An old witch. A menacing, female snake. Mythical sticks held by creatures lure her over a makeshift ladder, straight into the realms of the underworld, where she falls to the floor in a spotlight of white.

But in order to learn her lessons, she must face some challenging scenarios. Namely, facing mythical creatures from Pacific folklore.

Firstly, in the spiritual form, she meets five majestically tall women on stilts, looking like giants overhead. Their beautiful costumes shimmer under red lights. A bit demonic and larger-than-life, keen to teach her their ways. Suddenly, mythical creatures appear and circle her, trying to put a spell on her. Another giant whispers in her ear. Slowly, she also transforms into a giant woman.

When her costume disappears, a male creature tries to attack her. She knocks him out, and the other creatures drop their weapons.

Lastly, we meet a colourful, pink-haired, shape-shifting iguana. But he is peaceful, handing Lagi two magical sticks that, culturally speaking, are embodied with mana—spiritual energy. The kind of Chi, a positive universal life force, that helps her realise she must correct her wrongs, discover her power and come back home with forgiveness in her heart.

Fiji Untold is a vibrant show to watch, blending traditional Fijian folklore with bold, contemporary dance and spiritual, mana-driven storytelling. With beautiful costumes featuring tribal touches of spiky-straw detailing, handwoven straw spear-shaped fans, ornate hairstyles and tribal bone necklaces.

These dancers are so skilled at create mystical shapes so effortlessly. Using ornately-made props and hand movements in synch, they can transform any scene into one of legendary beauty, featuring mythical animals and folkloric beasts.

Combining high-octane theatrics and moving scenes, Fiji Untold by globally-acclaimed VOU Dance Fiji is a beautiful, cultural extravaganza that would no doubt be enjoyed by many.

To book tickets to Fiji Untold, please visit https://voufiji.com/fiji-untold-show#fiji-untold-australia.

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Melancholia: When Tap Meets the Human Mind

Melancholia

Melancholia Rating

★★★★★

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Tap dancing, as a whole, would usually bring to mind a nostalgic air of old 1940’s Hollywood, featuring singers and dancers hoofing to high-energy numbers.

Other than Australian Dein Perry’s West End hit ‘Hot Show Shuffle’, and his hit film and show ‘Tap Dogs’ a few years later; I had not seen a contemporary tap show in a while.

So when I excitedly entered the black box theatre at Chapel Off Chapel to see ‘Melancholia’, by Studio Stocks, I knew I was in for a night of absolute, mesmerising entertainment. Mainly, because I knew that Garry Stocks’ contemporary tap production was not only going to deliver a night of high octane, high-energy tap, but is also known to have turned the art of tap on-its-head and inside-out. Taking this specialised dance form to a whole new realm: of thought-provoking entertainment for the modern age.

From the moment this show began, I was immersed by eight dancers slumbering onstage, dressed in beiges, whites, blacks and navy: embodying me in an immediate state of desolation. Encasing the audience in a chasm of moody music, while turbulent sounds strum. Having dancers moving in slow motion, as if locked under a stormy ocean’s currents. Where the mind of an audience can lay still, at least for a while, save for the steady rhythm of the music, and the mercurial lighting matching it.

As the show progressed, it weaved my thoughts in and through: an artstorm of emotional exploration. For each dance number explored the various ways mental health affects our mind. How sometimes, we must face challenging times in our lives, and work out ways to come out the other side.

 

In each tap dance sequence, Stocks successfully expresses these innovative concepts, by taking us on his own profound journey – through the eyes of a restless mind seeking solace. Scenes of dancers tumbling in tormented dreams. A mate-ship scene with Stocks trying to get through the physicality of work through his struggles. Even a show-stopping, heart-wrenching ballet sequence where Stocks exemplifies relationship grief, as he dances a dreamy pas-de-deux – yet the one he loves walks off stage, leaving him alone once again. Yet, straight after, he shows resilience by bonding with his group of friends. With them rallying around him – giving him hope and support. The support of community, that helps us all heal and find resilience when life gives us lemons.

Each of the company’s dancers are deserving of their own accolades, bringing their individual set of energies to this electrifying experience.

Bill Simpson brings a rough-ish, larrikin-style charm to his tap dancing, complete with brown rugged boots and high-octane shuffling, making him a joy to watch.

Claire Stubs brings an air of elegance to her dancing with fluid, graceful movements that pair beautifully with her unique tap style of sleek prowess.

Lucas Thompson, along with his excellent tapping, is certainly a performer to keep watch of, particularly as he has the fluidity and capacity to express the moods of every single dance sequence he appears in; with an air of extreme professionalism.

And finally, former ballerina Jane Wood, who, together with Garry Stocks, performed such touching choreography that it was simply breathtaking to witness. The fluidity of movement in and away from each other, the intertwining of two people so close yet so broken apart from one another, as if in different worlds. This sequence alone, exemplified the emotional toll of grief and how it weaves in and out of our lives. This moment elevated this production to another level completely, leaving the audience spellbound.

Simply said, Melancholia, conceived and directed by Garry Stocks, combined with the mesmerising lighting design by Sidney Younger, and a string of music makers, truly set the heart of the show ablaze – getting the audience to rise to their feet in rapturous applause. Making Melancholia’s opening night a resounding success.

If you are looking for a highly-energetic, rhythmic and forward-thinking tap experience that reaches emotional levels beyond the expected, then Melancholia is the show for you to see right now.

To book tickets to Melancholia, please visit https://www.garrystocks.com/melancholia-studio-stocks.

Photographer: Brodie James, Bill Simpson

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