Good Food and Wine Show

Good Food & Wine Show

Good Food & Wine Show Rating

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As the name suggests, there are endless artisanal indulgences to choose from at the 2025 Good Food & Wine Show. This year was no exception, and so much more. With over 200 stalls under the Perth Convention and Exhibition Centre’s (PCEC) vast roof from 16th to 18th July, the hardest part was deciding where to start.

You could follow your nose and join the anaconda lines at the Smelly Cheese Co for gooey raclette scraped over sourdough ($15). Or visit an old favourite with a wine tasting from the Margaret River Region. Not that there was anything wrong with any of these options.

However, I preferred stumbling upon the unexpected, like Wee Smoky, a smoke-filled whisky designed for mixing, and some elusive black garlic from Black Garlic & Co. Or a sample of Manuka Wood Smoked Olives from Kiwi Artisan, along with some black lime salt from Australian Black Limes, inspired by Middle Eastern black limes. A robust selection of wines from other Australian regions, such as the Barossa Valley and McLaren Vale Wine Region, conjured up dreams of a decadent escape to South Australia.

But if you’re indecisive, the masterclasses offered at one of the tasting rooms or the Gin Lover’s Class (at $89 per person) from Sonos Sound Bar, were a good place to loosen up before embarking on the heavy decision-making.

If you were keen to up your culinary game, there was plenty of inspiration served up in the Kleenheat Kitchen as talented chefs cooked live, including James Cole-Brown (Head Chef from South Cottesloe’s Gibney), Brian Cole from Hearth Restaurant (The Ritz-Carlton, Perth) or BBQ-master duo from CheatMeats. The ultimate showman and celebrity chef, Miguel Maestre’s appearance in the Harvey Norman Kitchen was a delightfully raucous affair during his Fiesta En La Cocina demonstration.

The $185 admission into the VIP Lounge included lunch, premium wines, a spot at the Cellar Secrets Tasting Room and plenty of treats, as you’d expect from your temporary VIP status. But if that wasn’t in the budget, you could certainly get your money’s worth at the free wine and gourmet tasting booths, not to mention the free cooking demonstrations, with the general admission price of $49.95 or $79.95 multi-day pass with a tasting glass.

I couldn’t leave without a truffle and some Truffle Honey from Great Southern Truffles in WA’s Great Southern Region, a region abundant in premium produce that I now intend to visit more often.

The Good Food & Wine Show continues to spread the tasty joy in Brisbane (24th -26th October), at the Sydney Christmas Market (21st – 23rd November) and the Melbourne Christmas Market (5th – 7th December). With the 2026 dates announced for Melbourne (29th – 31st May) and Sydney (19th – 21st June), keep an eye out for Perth’s 2026 dates.

To book tickets to Good Food & Wine Show, please visit https://goodfoodshow.com.au/.

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Terracotta Warriors: Legacy of the First Emperor

Terracotta Warriors: Legacy of the First Emperor

Terracotta Warriors: Legacy of the First Emperor Rating

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Nothing can really prepare you for coming face to face with one of the most iconic collections in the world. You might already be familiar with the history of the Terracotta Warriors, but until you’re standing in front of them, do you realise that it’s their unique expressions, powerful poses, hairstyles, weapons and uniforms that begin to tell their extraordinary story.

The Terracotta Warriors, currently on display at the WA Museum Boola Bardip, are being exhibited together globally for the first time, including some recently excavated pieces.

In one of the boldest exhibitions to ever come to Perth, over 225 Chinese artefacts include musical instruments, vessels, jade objects and animal figures, including a bronze swan. The exhibition sheds light on China’s first emperor, Qin Shihuang, exploring his life, legacy and afterlife over seven distinct areas, as well as China’s military, societal hierarchy and daily life.

In one of the greatest archaeological discoveries of the 20th century, the Terracotta Warriors depict Qin Shihuang’s army of around 8,000, created to protect him in the afterlife for all eternity. How so many warriors remained a mystery until their discovery in 1974 is a miracle. Qin Shihuang’s monumental burial chamber remains sealed and preserved in a secret underworld. The tomb took over four decades and more than 700,000 workers to build one of the largest archaeological reserves, and records depict opulent palaces and flowing rivers.

 

 

The life-size figures vary in height according to their rank, alongside chariots and horses, and are often referred to as the Eighth Wonder of the World. It’s easy to lose hours delving deeper and examining the artefacts before viewing the main event of eight life-size terracotta warriors and a horse. Although eight might seem like a modest number out of 8,000 warriors, considering they are over 2,000 years old, imagine the undertaking involved to transport the priceless exhibition, including a kneeling archer and a statuesque armoured infantryman.

One thing that really struck me was the way the terracotta warriors were exhibited behind reflective glass, and depending on where you stood in the gallery, their eerie reflections seemed to multiply to the point that you felt as though you were being observed, not the other way around.

Complimented by an immersive multimedia experience, images of the warriors are depicted in coloured uniforms, as they were once painted in a multi-coloured spectacle.

Historians and history-lovers will no doubt take full advantage of the season passes, allowing for unlimited visits throughout the exhibition for $90. General admission is $30 for adults and $15 for kids. Special events include illuminated warriors at night, talks, performances, school holiday programs and cultural events, including the Guzheng Grand Ensemble on Sunday 19th October.

Even if you’re not into history, there’s no denying it’s marvellous that archaeologists are still making such significant discoveries.

The Terracotta Warriors: Legacy of the First Emperor exhibition is held at WA Museum Boola Bardip at the Perth Cultural Centre until Sunday, 22nd February 2026. Located in Northbridge, it seems only fitting to time your visit with dim sum in Chinatown.

To book tickets to Terracotta Warriors: Legacy of the First Emperor , please visit https://visit.museum.wa.gov.au/boolabardip/terracotta-warriors-legacy-first-emperor.

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Comic-Con: A Con for connection, and a love letter to local artists.

Oz Comic-Con: Adelaide

Oz Comic-Con: Adelaide Rating

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Oz Comic-Con is not only for comic book fans (although the con does boast a comic book lounge, equipped with bean bags and comic books to borrow), but for fans of any following. As you walk around the showground, you may spot Deadpool and Wolverine hanging out, but you could run into John Wick, the Doctor and his TARDIS, Darth Vader or Captain Rex, Freddy Fazbear, Hatsune Miku, and countless others.

There’s a consistent buzz of excitement in the air while like-minded people meet others from within their fandoms during the community space meetups; exchanging fan theories, trading cards, and keyrings at the trading post; giving tips on how to improve your cosplay game at the workshop stage; and meeting the voice actors from popular shows such as ā€œHazbin Hotelā€, ā€œGenshin Impactā€, ā€œFire Emblem Heroesā€, and more. If you ever get lost, the volunteers roaming the space are all very friendly and more than happy to help.

The big names (in alphabetical order) for Oz Comic-Con, with schedules for autographs, photo opportunities, meet and greets, and Q&A’s, consisted of: Brandon Rogers (ā€œHelluva Bossā€; ā€œHazbin Hotel), Catherine Tate (ā€œThe Catherine Tate Showā€; ā€œDoctor Whoā€), Giancarlo Esposito (ā€œBreaking Badā€; ā€œThe Mandalorianā€), Laila Berzins (ā€œGenshin Impactā€; ā€œHunterXHunterā€), and Ratana (ā€œGenshin Impactā€; ā€œFire Emblemā€). The lines to meet these talented actors and voice actors were so thick, the tables for the talent were not visible, only their official Oz Comic-Con signs on the wall above their heads. Seating for the Q&A’s filled rapidly for each new guest – if you wanted to see your favourite actor, you had to be sure to line up early!

Along the outskirts of Artists Alley, there is a Comic-Con store, for all your previous Comic-Con guests’ autograph needs; a space for tabletop gaming, where a collection of games, including ā€œCatanā€ and ā€œRummikubā€, are available to play with your friends; the Australian eSports League has a setup of PC and consoles to show off your skills; learn to play ā€œMagic: The Gatheringā€ trading card game with friends or strangers; and show off your dance moves on the Just Dance stage. The South Australian chapter of ā€œGhostbustersā€ can be found roaming, keeping everyone safe, while Daleks stand on guard next to the main stage, whether they were ready to pose with fans, or pose a threat, remained unclear.

Roaming Artists Alley, be sure to give yourself time to look at each booth, otherwise your neck may snap from trying to take in everything at once! The booths range in size, giving a marketplace, or bazaar-like, experience, with t-shirts, oversized biscuits, anime and manga collectables, Funko Pop Characters, local-made honey and mead (yes, at the same booth), handmade tankards and leather goods, framed insects, handmade jewellery, Melbourne’s Dr. Pickles tattoos, and even the ADF and Beyond Blue, talking to curious customers about how to join or volunteer with them.

The smaller booths consist of six rows of local artists showcasing their talents and merchandise on single tables – some with shelving, some with displays almost six feet high, and some with simple printouts – ranging from keychains to art posters to novels and much, much more. Artists were local, most being from Adelaide, but some hailed from interstate, excited to meet fans and introduce their work to new people. All the artists are more than excited to talk about their work, answering questions and having a casual conversation in general.

Kylie Chan, Queensland author of the ā€œDark Heavensā€ series, said she found herself excited to be meeting the next generation of fans. Owen Heitmann, Adelaide comic creator, explained that people come to cons to see and buy what they know, so the con provides an opportunity for local artists to expand their network, without having to rely on social media – a statement that both Keelan Ash of killustrate_illustrations and Lushie from Lushie’s Art both agreed with.

Oz Comic-Con is more than a home base for fans to emerge and converge, it’s an opportunity for local artists to show themselves to a wider audience, and it’s a fun, safe space for exhibitors, attendees, guests, and volunteers alike. Service pets are allowed, the spaces are wide enough for electric wheelchairs and scooters to roam freely (the throngs of people may be the largest obstacle), and the Code of Conduct means Oz Comic-Con protects those of all ages and dis/abilities.

Popular culture is alive, thriving, and … popular! Don’t miss out on a chance for those collectables, and a chance to meet like-minded fans.

To book tickets to Oz Comic-Con in your city, please check for dates and times @ https://ozcomiccon.com/.

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Gold, Gods, and Glory: Discovering the Inca Empire at the Australian

MachuPicchu

MachuPicchu Rating

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Stepping into the Australian Museum’s Machu Picchu and the Golden Empires of Peru exhibition feels like crossing a threshold into another time—one brimming with gold-laden rituals, powerful gods, and a civilisation both mystical and masterful. More than just a collection of artefacts, this exhibition weaves storytelling and sensory experiences, immersing visitors in the grandeur and mystery of the Inca Empire and Andean cultures.

Machu Picchu, the ancient Inca city perched high in the Andes, has fascinated history enthusiasts and travellers alike for centuries. The ruins of this once-thriving civilisation provide a window into a world that feels both distant and timeless, offering an intriguing blend of the known and the mysterious. This exhibition provides a unique opportunity to explore the history and culture of the Inca Empire, allowing visitors to gain a deeper understanding of its enigmatic world.

Rather than a traditional exhibition, this experience unfolds like a theatrical production, with each room revealing a new act in the story of the Inca civilisation. One of its strongest elements is the narrative structure, which, like a well-directed play, uses light, sound, and pacing to draw visitors into the story. Moody lighting, atmospheric soundscapes, and interactive displays combine to create a powerful sensory journey. This approach makes each artefact feel integral to the grand drama. Visitors don’t just observe—they step into the heart of ancient Inca culture, moving through curated displays that highlight both the grandeur of Inca society and the deep spirituality woven into its everyday life.

 

Gold, symbolising the sun, and silver, representing the moon, were central to Inca culture and both were seen as divine. The exhibition’s stunning jewellery and ceremonial garb beautifully illustrate the Inca’s reverence for these precious metals, which were believed to guide the deceased into the afterlife. Among the highlights is a gold necklace featuring tiny frogs, each intricately created to showcase the beauty and precision of Inca craftsmanship.

A standout moment is the sacrificial ceremony display, handled with care and respect. Through evocative art, narration, lighting, and artefacts, it delves into this often-misunderstood aspect of Inca spirituality, while also drawing connections to modern-day rituals that echo these ancient practices. The warrior section further enriches this narrative, using video art and historical artefacts to bring the myths of the Inca to life.

The interactive journey of Ai Apaec offers a visual feast, with finely crafted drinking spouts symbolising the Inca’s spiritual connection to the divine and their understanding of life, nature, and the cosmos. In contrast, a section on Inca erotic artefacts provides a straightforward exploration of this aspect of their society, presented with historical integrity.

The Machu Picchu room offers a concise yet informative look at the iconic site through photographs and text. While it focuses more on historical context than on artefacts from the location, it serves as a thoughtful conclusion to the exhibition’s broader significance. Given the immersive storytelling and rich cultural displays, this section complements the experience rather than defining it.

 

Throughout this journey, visitors can use an audio guide, which enhances the experience with additional insights. Given the level of detail in the displays, this is highly recommended for those wanting to delve deeper into Inca history. For an add-on fee, you can experience a cutting-edge virtual reality visit to Machu Picchu, where you’ll see, hear, and feel the mysterious city in the sky.

The Australian Museum consistently excels at curating exhibitions that are immersive and educational, bringing history to life in ways that captivate audiences of all ages. Machu Picchu and the Golden Empires of Peru is a shining example of this, demonstrating the power of storytelling through historical displays that seamlessly blend education, emotion, and artistry into an unforgettable experience.

With ticket prices covering entry to the rest of the museum, this exhibition is more than worth the visit. Whether you’re drawn to the mystery of lost civilisations or simply appreciate exquisite craftsmanship, it brings the legacy of the Inca Empire and Andean cultures to life in an immersive and profoundly meaningful way.

To book tickets to MachuPicchu, please visit https://australian.museum/exhibition/machu-picchu/

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