Umm…What Else? Mitch Dale Entertains Everyone at The Comedy Store Too

Umm...What Else?

Umm…What Else? Rating

Click if you liked this article

4

I imagine that being a comedian would be quite a challenging job. Some people are naturally funny, but that doesn’t necessarily make them a “born comedian”, as one may think. To do this for a living, comedians need to be multitalented – they are both specialty writers and actors (cue the timing and the delivery of a joke) with a certain amount of bravery to be up onstage with a microphone. They need to have a quick wit and response time when interacting with an unpredictable audience. I watched Mitch Dale at The Comedy Store Too at Moore Park in Sydney, and he had all of these talents! His one hour set for Umm…What Else? was a hilarious!

Mitch’s comedy style for this show varied from quick quips/ play on words/ short funny interactions with the audience, to delivering longer amusing tales about growing up in Australia. He is a talented storyteller who captured my attention from the beginning. For example, when he talked about casseroles and how after being slow cooked by the end of day, everything has turned to mush, yet the potatoes still have some crunch! And rugby. The interesting thing about Mitch’s delivery of his material was that he did it in a very understated manner where he cleverly picked a point and wove it into his story. It was like a dropped hot chip surrounded by seagulls – there’s a small beat as the audience listened to his words, and then once we realised his point, we jumped on the joke, laughing! “I played rugby, because I’m from Queensland, and I have a dad.”

 

 

The topics of the night were ones that were aimed to amuse all ages in the room. Mitch talked about personalised number plates, uber drivers and his trip to Japan – all of which was relatable to most of the audience, going by their enthusiastic responses. Mitch also catered for the older generation. It was interesting that he mentioned his childhood and how his parents had him answer the home phone as if he were in an office. It’s amusing because it’s true – back when families had landline phones, some parents made sure everyone answered in a formal manner. I remember calling my friend on their landline, and the younger five year old sibling of my friend answered the phone like this, it was very cute. I suppose there is a generation now who wouldn’t have had the experience of this, or of waiting a few weeks for a computer to be built so that it could go into it’s own special room in the house lovingly nicknamed “The Computer Room”.

Mitch also talked about how he got his name and shared some experiences with his health, and amazingly, he managed to turn even these more serious subjects into something funny. He had the knack of telling a life situation with honesty and humour.

During this set, Mitch was quick to respond to the audience. Instead of picking on that person and teasing them mercilessly, he interacted in a respectful and humorous manner. He clearly has a talent in quick thinking and response situations. In the lead up to Christmas last year, when he was working for a company, his entire job that weekend was to get busy people out of any social commitment they were trying to dodge. The company set the challenge for people to head into a particular store and Mitch will deliver an excuse for them. “He’ll make the hard call – you get the clean break and a guilt-free afternoon back.” From watching Mitch in Umm…What Else?, I am sure that he would have risen to this challenge.

Keep a lookout for this comedian Mitch Dale. Although this was a one-night show in the lead up to Sydney’s Comedy Festival, it won’t be the last you’ll hear about him. It was a sold out event at The Comedy Store Too tonight, so next time be sure to buy your tickets quickly so you don’t miss out.

To book tickets to Umm…What Else?, please visit https://www.neuralle.com/talent/mitch-dale.

Spread the word on your favourite platform!

The Sound of Music

The Sound of Music

The Sound of Music Rating

Click if you liked this article

26

Saturday and I’ve already seen two shows, both same but with different child casts.

NOVA Music Theatre’s latest production of The Sound of Music is unforgettable, accompanied by an astounding orchestra (Peter Grant OAM).

Opening night I see with my piano teacher friend who long ago auditioned for ‘Louisa’ in a professional production. She did well she said but didn’t secure the role, however she has extensive knowledge of all things music, so I look forward to her feedback (LOVED!!!).

Second visit was matinee with mum-in-law; special to sit with someone who saw the legendary original movie in a theatre and this is her next experience – seeing that movie as a stage show for first time! (like me, LAUGHED and CRIED).

A large chorus of Nuns walk solemnly through a full-house to stage. Harmonious opening and in every scene they feature, a wonderful group of singers of all ages.

Playing the coveted role of ‘Maria’ is Lauren McCormack. I’ve seen and appreciated her talents before. Easy breezy beautiful voice on a mountain backdrop instantly recognisable she sings the title song with thankful eyes and true heart for both her character and this huge role honoured to her. Every note, step and expression from first meeting the children as kind and caring, to when she scolds the Captain with fierce protectiveness, is genuine from start to finish.

Playing ‘Captain von Trapp’ is Tristan Everett. He must bring strength in many emotions; controlling, stern, sadness, love, care, anger, worry, and leadership in taking his family out of Austria to safety away from the Anschluss. Tristan is just the right fit, no wonder he has done 30+ musicals.

‘Mother Abbess’ played by Meagan Gaffney – what can I say to even do her justice? Meagan has a vocal career in part as Principal Artist for Opera Australia and her ‘Climb Ev’ry Mountain’ is breathtaking. I can add even the little girl with pigtails sitting in front of me was absolutely still. When this song closes there’s not a person in this room who hasn’t felt it to their core. It was indeed a privilege to hear Meagan sing a song that was an integral part of her musical family upbringing. Thank you!

In many moments with Mother Abbess and Maria are ‘Sister Margaretta’ (Julie Wright), ‘Sister Berthe’ (Bec Muratore) and ‘Sister Sophia’ (Samantha Mason); all fun and I loved watching eye movements and facials communicating often without speaking.

‘Baroness Schraeder’ played by Lauren King (once amongst lucky kids in the Qantas Australia advert), she is fantastic in this posh role and dressed appropriately rich.

‘Max Detweiler’ is played by John Leahy brilliantly! In theatre for over twenty years his lines are delivered with gut experience and comedic interaction. NOVA could not have cast better.

Max Geddes who plays ‘Rolf’ is exceptional; never falters from full commitment every time I see him in a production, showing off his training from graduating at Victorian College of the Arts Secondary School. Samara Trimble playing opposite him is on par as eldest child ‘Liesl von Trapp’, stepping up in this much sought after role to dance beside him and with a gorgeous voice – Samara currently a VCASS student. Their ‘Sixteen going on Seventeen’ is to be commended also in cute choreography (Wayne Robinson) well suited to limits of doing this loved scene on stage. When Rolf jumps on his bike after he lands that famous kiss from Liesl (in moving arabesque) and Liesel squeals with delight, it’s Woo-Hoo for these two!

There are of course some very foreboding moments over and above the love stories. Thunder! Stormtroopers! Swastika flags loom frightening reality. Insightful and scary to when the real von Trapp family survived. Credit due to sound tech, lighting and set construction.

One lighter and more lovely stunning scenery change is when the kids are teaching themselves to dance; a pictured backdrop suddenly goes up revealing a ballroom of exquisitely costumed guests waltzing in the von Trapp mansion. Hats off to costume designer Stephanie Lumb and Director/Set Designer Noel Browne/Brenton van Vliet.

Pamela Braithwaite as ‘Housekeeper’ great accent, along with Ben Geddes as ‘Butler’, Hannah Brodribb as ‘Maid’, David Sly as ‘Gauleiter’, Richard Budge as ‘Baron’ and Michael Capon as ‘Admiral’, they all superbly act their parts.

Finally, the adorable children; those fabulous roles of the other six von Trapps; Gretl played by Harriet Staples/Ivy Hall (both super cute, loved sleeping on stairs), Marta played by Anthea Ellis/Scout Kwong (both super young actresses, loved pink parasol line), Brigitta played by Ella Wursthorn/Arabella Brockhurst (both super expressive, loved you telling Maria your father loved her), Kurt played by Aiden Cooper/Charlie Rainey (both super star actors, loved antics in The Lonely Goatherd), Louisa played by Prudence Rosel/Olivia Simos-Garner (both super convincing, loved advice to Maria) and Friedrich played by Daniel Spillane (outstanding stage skills no doubt on cast-call for many shows to come).

Ensemble applause: Tamsin Ashdown, Amber Gedge, Marina Batikha, Pavlo Bittikha, Lusia Kho, Lauren Bolzonello, Neave McGeehan, Stephen Brennan, Ben Milkins, Madeleine Brown, Davied Nicholls, Stephen Burton, Robyn Parker, Felicity Byrnes, Hannah Powell, Ewan Charlton, Vini Ramesh, Carrie Chiu, Fional Rosel, Miranda Choo, Brian Sweetman, Nicole Cooper, Phoebe Whitehead, Oscar Geddes, Cindy Yan and Kate Judge – extra clap for Kate’s ‘bowing woman’ – played well through to finale, very funny!

‘So Long, Farewell’ this musical will always be one of ‘My Favourite Things’.

To book tickets to The Sound of Music, please visit https://www.theround.com.au/soundofmusic.

Photographer: Gavin D Andrew Photography

Spread the word on your favourite platform!

Ireland The Voyage

Ireland The Voyage

Ireland The Voyage Rating

Click if you liked this article

15

From the producers of Celtic Illusion, comes a powerful new theatrical experience in Ireland: The Voyage, an epic celebration of Ireland’s history, heart, and heritage brought to life through authentic voices, live music, and world-class Irish dance. Emotional, exhilarating, and deeply immersive, Ireland: The Voyage invites audiences to feel the pulse of a nation – it’s triumphs, its tragedies, its music, and its unbreakable spirit, in a live experience you will never forget!

I was fortunate to be able to delve into this world of all things Ireland currently touring around our country.

Firstly, in my years in dancing (over five decades) I’ve only ever seen Irish dancing twice in my life before (shameful I know!). Once at a high school talent show, and once when I organised a display floorshow at one of our dance fundraisers (everyone commented afterwards how good it was).

This style of dance has sustained as entertainment for decades in theatres around the world, on cruise ships, feature festivals and more. And certainly now I can fully understand why. Whether or not you are Irish, love Irish dancing or music, or just enjoy any stage performances generally; Irish vibes are contagious and captivating!

This show however is much more than just an Irish jig to a whistling tune; it is a real journey of shared stories, history and spirit.

 

 

We learn in detail from our host Giselle about the interesting Irish instruments being played in the traditional Irish band, which remains in full view throughout the show on stage. Each band member is also introduced by name with a little of their Irish background and musical accomplishments. They are all simply brilliant musicians and together bring this show wholly to life.

Irish songs sung both in English and traditional language by Giselle O’Meara are truly unforgettable. Her superior voice carries off each and every note like a fine instrument you could easily listen to for hours. Not loud and showy, but gentle and sweet; welcoming and inviting us to just enjoy!

I closed my eyes a number of times purposefully to listen and take it all in. Not only am I learning along the way about Ireland, a place I loved visiting 25 years ago, I am growing a great appreciation for this music and sound.

Shining stars are evident in the Irish dance champions – a trio mesmerize us with unbroken unison of speed and grace, extraordinary flexibility and control in traditional Gaelic; skillful solo features of rapidly increasing intricate footwork are an honour to witness, and later in the show we will clap along to particular beats in joyful harmony encouraged.

This beautiful show was such a lovely relaxing night out, and my Mum who came with me went home to try and find the great Irish love song ‘Grace’ to add to her playlist.

Thank you so much to the cast, musicians and team at Base Entertainment for this chance to broaden my knowledge of Ireland whilst at the same time tapping my foot along to some incredible music and songs from this voyage on stage transporting us all in the lucky audience to the Emerald Isle afar.

Ticket link: https://www.irelandthevoyage.com/

INSTAGRAM: @ireland_thevoyage

Tour includes cities and towns all over Australia and New Zealand.

Cast:
Giselle O’Meara (Champion Irish dancer and former lead vocalist for Michael Flatley’s global phenomenon Lord of the Dance Arena Tour)
Sara O’Hara (World Top 20 Irish Dancing Championship)
Liam Mcweeny (former quadruple Australian National Champion Irish Dancer)
Corey White (runner-up Australian International Oireachtas)

Musicians:
Tim Gleeson (guitar and Irish drum, the bodhrán)
Cormac O’Hanlon (concertina)
Ciara McGoldrick (low and high pitch whistles)
Muireann O’Dwyer (harp)

To book tickets to Ireland The Voyage, please visit https://www.irelandthevoyage.com/australia.

Spread the word on your favourite platform!

The Many Faces Of Sherlock Holmes

A Night Of Sherlock Holmes

A Night Of Sherlock Holmes Rating

Click if you liked this article

4

Nestled in the burbs of New Farm is a church and in that church is the very vibrant Nash Theatre. Each year they produce a radio play – well, extremely well.

A simple set with actors dressed appropriately for the era (1930’s), mircrophone stands at the front of stage and the ‘On Air’ sign glowing with the “Applause” sign lighting up to remind you that you are part of a studio audience – it is marvelous.

But best of all is the live action foley – set up along the back of the stage were three foley artists and I have to say, the horses and carriage sounds – spot on. Congratulations to Mark Corben, Lara and Emma Latham who entertained us with their enthusiasm, facial expressions and creative techniques – yes, I am still giggling at the Baboon.

I often listen to the Sherlock plays on Spotify and I was pleasantly surprised to hear a new one among the mix; ‘ The case of the Blue Carbuncle ” – hilarious. With the actors playing a range of characters from the vagabond thief to the well educated Sherlock and Watson.

Presenting old time radio shows is a great way to entertain an audience without elaborate sets. The stories rely on the actors ability to react appropriately without props, and once again, director Jason Nash has produced excellent work. The American and English accents on the whole were consistent and added to the believability you truly had stepped back in time to the 1930’s.

 

 

The roles of Sherlock and Watson were shared amongst the cast which took each story to a different era and there were some interesting accents. Caleb Hocking’s Watson accent for “A Scandal in Bohemia” was definitely unexpected but very humourous and Bruce Edgerton has definitely found his niche with the different characters you find in radio plays. King of Bohemia suits you Bruce.

Radio plays have advertisements and the cast brought these to life very much reminiscent of an era where entertaining folks was simple and mixed with a good dose of humour.

The actresses on stage, Sandy Adsett, Jenny Bonney-Millett and Kiah Latham were immaculately dressed and authentic with their characters, it definitely was a more glamourous era. Bright red lips, pearls, diamonds, heels and furs, they each delivered applause worthy performances and it is a joy to go to a play where you can hear what people are saying – great diction, accents and expression.

The first story, ‘The Adventure of the Speckled Band,” was delivered with the emotion and mystery that set the actors up for a great show run, drawing in the audience and giving us all the shivers at the end. The stories were broken up by the jingles, which also offered great entertainment.

So if you are looking for good quality well priced entertainment here it is, take along a friend and enjoy the show.

Show runs until the 14 March, at Nash Theatre 52 Merthyr Road, New Farm

Tickets via Trybooking – https://www.trybooking.com/events/landing/1490448

To book tickets to A Night Of Sherlock Holmes, please visit https://nashtheatre.com/.

Spread the word on your favourite platform!