The Butler Did It!

The Butler Did It!

The Butler Did It! Rating

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The Butler Did It!

Or did he?

The Covington family are expecting their long-time friend and famous mystery novelist, Edwina Corry, over for dinner. What they didn’t expect was their neighbour and the local priest inviting themselves over … and becoming mixed up in a classic whodunnit. With a full house, everyone is a suspect, and everyone knows the classic trope – the butler always does it.

The mystery unfolds in the lush living room of the Covington’s mansion; the beautifully crafted and well-considered set provides ample room for the characters to dramatically point fingers at one another without stabbing (too many) backs. Even the exits through the doorways leading offstage have their own backdrop, which is a wonderful and thoughtful addition from the designer. The set has been well-considered, with no space left unused, and the fireplace the only space that is covered by furniture (but that’s not a drawback since anyone who stands near it during the investigation is certainly tall enough to be seen).

With lighting that plays with the space of the set and timing of the investigation it is consistent, doesn’t overwhelm the stage or performers, and is perfectly apt for the mood of the play. The only comment would be that seeing more of the red spotlight would’ve been a welcome addition to the dialogue.

 

 

As the curtain rises, and through the opening scene, a rain track plays in the background; this masks some of the performers’ lines until the rain subsides. Beyond this scene, the performers’ voices are clear, projecting their lines through the audience brilliantly, and interacting with one another very naturally. Accents are a tricky thing to maintain, and the cast showcases their skills – there are some inconsistencies, but a whole lot of work and obvious passion. The music expertly blends with the rest of the scenes, and adds to a fun layer of emphasis at key moments in the investigation.

Director Brian Godfrey and the production team show their clear passion for the theatre with every detail, from the chandelier on the set ceiling to each character’s aptly-chosen shoes; joy seeps from every pore of this production, even from Gram – the surprise performer who is sure to add some amusement to every scene she is in.

With well-timed Dad jokes, amusing miscommunication moments, a cast that clearly gets along on and off the stage, The Butler Did It! is a fun whodunnit which may not have such a predictable ending as the title suggests … bring along your deerstalker hat, watch and listen closely for clues, and see if you can figure out who the killer is!

To book tickets to The Butler Did It!, please visit https://teatreeplayers.com/production/the-butler-did-it/.

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Dial M for Murder

Dial M for Murder

Dial M for Murder Rating

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The telephone rings, trilling through the darkened living room three, four, five times. The bedroom light flicks on, illuminating the telephone and the desk it rests upon. A woman appears, yawning, in her dressing gown.

She answers the phone, but no one responds. “Hello?” she says again, looking at the handset in confusion. It’s in that moment she feels fabric tightening around her neck as she is shoved onto the desk, fighting for air …

“Dial M for Murder”, presented by Galleon Theatre Group, is not only a beautiful demonstration of inner turmoil, but simplicity on stage. Everything from the set design to the costumes is simple, elegant, and beautifully complementary. The set has been expertly crafted to enhance the impact the lighting has on key moments within the story. Key moments which have also been carefully paired with a spine-tingling score to set your nerves jangling.

Not only will your nerves be frayed, but you can expect to find yourself holding your breath in anticipation more than once, wondering “how on earth will they will get away with this?”

 

 

With a small cast of five you expect the chemistry to be high-quality, and the cast from Galleon Theatre do not let down their audience for a moment. With heartfelt confessions, scheming, dastardly deeds, and inquisitive inspectors, no interaction felt unhurried or unconsidered. Each moment was carefully plotted from the facial expressions to the smooth, natural use of the entire stage.

The stage, which has a distinct air of being its own character, is deceptively simple at first glance, but after some observation has clearly been well curated, not just for the performance but also for the actors. The set feels cohesive and lived in, just like the flat of a married couple should.

Be sure to keep your eye on this married couple, for their body language and voice control are expertly maintained … until they’re not. Dressed impeccably, and with barely a hair out place, Mr. and Mrs. Wendice navigate the new twist their marriage has undertaken, while a desperate Mr. Halliday and the calculating Inspector Hubbard do their utmost to make sense of how the slimy Captain Lesgate fits into the story. Be sure to watch the costumes carefully, each one perfectly suited for their character, and even being used as a plot point … The audience will find themselves on the edge of their seat to see if the good guys will prevail and the bad guys will get what’s coming to them, with laughs, gasps, and sinking feelings along the way.

To book tickets to Dial M for Murder, please visit https://www.galleon.org.au/html/dialMForMurder.html.

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An Enemy of the People

An Enemy of the People

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Scene 1, Sunday afternoon. We meet the main players, namely Dr. Katherine Stockman and her family, friends, and local community members, as they gather for a casual BBQ lunch. Pay close attention to the interactions between each of the characters – they will evolve and change as the story progresses but it’s important to remember this immediate sense of community and family between them. The stage is set, the tongs being test snapped, beers cracked, and banter flowing freely. Upstage, nice and close to the audience, the cast are immediately under close scrutiny, but they react and interact with and around each other with practiced ease. Dr. Katherine shares the discovery that the local baths at the spa resort – which was her idea, and have become an important part of the towns economy – are poisoned with heavy metals.

Scenes 2 and 3 reveal Dr. Katherine’s tumultuous relationship with her brother, the mayor, and her father-in-law, as well as her warmer friendships with other members of the community. The community friendships Dr. Katherine has obviously cultivated work in her favour to help her get the word out about the poisoned bath house. But the Mayor has other plans. We are swiftly transported from Dr. Katherine’s living room to the entrance of the spa report, where we witness the Mayor marshalling the community members to oppose Dr. Katherine. The Mayor is persuasive and captivating in his speech, striking in his suit and confident in his decision. If you watch closely you can see the moment Dr. Katherine feels the rug is ripped out from underneath her.

And the lights lift for interval. The volunteers serving the refreshments on offer are so friendly, if you aren’t paying attention you may not notice when the cast make their way to the auditorium and begin mingling with the audience…

 

 

Scene 4, Dr. Katherine is addressing the town in an informal meeting. She wants the town to understand the concerns and risks at the resort spa. In this case, the town is the audience. The rest of the cast wander around and through the auditorium, not only interacting with the audience, but throwing snarky comments to Dr. Katherine. Be prepared to be exceptionally frustrated at the outstanding performance from the male cast members of shouting down a female colleague, and keep your ears open for their amusing commentary in response to Dr. Katherine’s statements.

With a simple, but elegant stage decoration and furniture, each scene is clearly set. At no point was it unclear where the characters were, and their interactions with the props outstanding. Every prop, piece of furniture, and piece of set was used to its fullest, being moved, manipulated, acted with and around naturally, nothing stood out as out of place. The lighting, and the timing of, were never out of place, the same for which can be said about the sound. The costumes and makeup were perfect for the small town aesthetic – the men all looked very striking in their suits, and the women suitably dressed for their work and station.

One thing I did notice was the first and final scenes between Dr. Katherine and the Mayor felt shakier, and less in line with their characters than the rest of their performance. But every cast member brought their characters to life with very natural interactions, amusing expressions in the background, and a compelling presence on stage. This cast melded together spectacularly, even when their characters were at odds. “An Enemy of the People” by St. Jude’s players is thoroughly enjoyable, professional, and not to be missed.

To book tickets to An Enemy of the People, please visit https://stjudesplayers.asn.au/bookings/.

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The Infinity Mirror

The Infinity Mirror

The Infinity Mirror Rating

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Have you Googled your own name recently? Have you ever Googled your own name to find yourself the main subject of hundreds of deepfakes? Hundreds upon hundreds of adult movies you definitely didn’t make, or consent to.

This is what happened to Lily.

We follow along as Lily takes us on a journey starting on the day her friend called to tell her Google yourself. Now. Lily guides us through her story, elegantly weaving together moments from her past until they culminate at the turning point of her monologue. It’s at this moment in the show that you may find yourself simultaneously offended and intrigued by the efficiency of AI.

With a monologue that feels akin to having a coffee with your best friend and swapping embarrassing stories of your younger self, The Infinity Mirror is a thought-provoking performance where you won’t be able to look away. Lily is engaging and funny as she regales her audience with her misadventures in handling (or not handling) not only the explosion of AI, but the internet as a tool for unsavoury actions.

 

 

Lily uses the space of the Gallery to her full advantage, masterfully guiding her audience by placing herself at either end to represent where she is in the story. If you find yourself a little confused by the players in Lily’s story don’t worry, she will bring the story back around and connect the dots as the story nears its finale. Lily is an excellent storyteller, not only ensuring that her audience is paying attention but reacting positively when anyone from the crowd reacts to the story – particularly to the admission of the embarrassing YouTube channel which hasn’t been updated in over a decade.

For any Fringe goers concerned about sound levels, there is some music and sound effects, but they are in short bursts and used with care to enhance the performance. Lily also uses a microphone on occasion, but with her controlled voice skills, the sound is not overwhelming. The use of technology within a story about AI is appropriately used and serves as a visual aid to add depth to the story.

No matter your stance on AI The Infinity Mirror tells a cautionary tale about using AI, in a format that doesn’t feel as though you’re being shoved towards one opinion or another. Be prepared to laugh, groan, reminisce on your multiple awkward teenage phases, and walk away feeling both impressed and a little scared of AI.

To book tickets to The Infinity Mirror, please visit https://adelaidefringe.com.au/fringetix/the-infinity-mirror-af2026.

Photographer: Clare Hawley

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