The Old Fitz Presents: The Female Of The Species

The Female of the Species

The Female of the Species Rating

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Arriving at the Old Fitz for the play, your night is already off to a great start. As the only surviving pub theatre in Australia, this atmospheric venue is a perfect setting for a play loosely inspired by a true Australian story of a feminist writer held hostage at gunpoint by a disgruntled student.

Upon entering the theatre space, the audience is immediately enveloped in the sounds of the Australian bush—chirping birds and buzzing cicadas—creating a vivid backdrop for the intimate setting of writer Margot Mason’s home. The stage is adorned with an eclectic array of books, hinting at the intellectual battles to unfold.

 

Lucy Miller delivers a standout performance as Margot, a revered feminist writer grappling with debilitating writer’s block. Her character embodies the struggle to stay relevant in a rapidly changing landscape of female representation and sexuality. Her latest book needs a new hook, but what new angle is there to explore on female sexuality?

Enter Jade Fuda as Molly Rivers, the fervent student whose admiration for Margot quickly reveals a darker undercurrent. Initially praising and fanatical, Molly’s obsession morphs into a chilling mission: to kill the woman whose work she holds responsible for her mother’s abandonment and subsequent suicide.

The dialogue shifts deftly between humour and tension as the play explores the evolving definitions of womanhood through the years. Margot and Molly’s banter serves as a comedic dissection of feminist ideals, questioning what it means to be an “ideal” woman—be it a nurturing homemaker, an ambitious careerist, or a childless self-improver. Margot is blamed for altering the “ideal” by swapping and changing the parameters in her every book, a relatable observation into the ever-shifting opinion of our own generation.

 

With the arrival of Molly’s exhausted homemaker daughter, Tess Thornton, who has disappointed Molly as she chose to dedicate herself to motherhood instead of a career, the three women represent polar opposites on the feminist scale. Who is the most “correct woman” you ask yourself as the story continues with the arrival of three men, equally as polarising and almost caricature like, leaving the audience reflecting on the complexities of female identity and the intersections of admiration and resentment.

The Female of the Species is not just a play but a thought-provoking exploration of feminism wrapped in sharp wit and dark humour.

Overall, with its strong performances, engaging script, and the Old Fitz’s charming ambience, this production is a must-see for anyone interested in the ongoing dialogue about womanhood in modern society.

The Female Of The Species season runs November 1 – 23, with session times as follows: 7pm Tuesday through Friday, 2pm and 7 pm Saturday, and 5 pm Sunday.

For tickets, please book @ https://www.oldfitztheatre.com.au/the-female-of-the-species

Photographer: Noni Carroll Photography

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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The Kingdom of Eucalypts: The Enigma of Miles Franklin

The Kingdom of Eucalypts: The Enigma of Miles Franklin

The Kingdom of Eucalypts: The Enigma of Miles Franklin Rating

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Thursday night’s rainy Halloween seemed a fitting time to see a play about the ageing, once-successful Australian writer and activist Miles Franklin, who is haunted by her past.

Moira Blumenthal directs The Kingdom of Eucalypts: The Enigma of Miles Franklin, a play by Australian-Hungarian playwright and psychologist Alice Spigelman, currently being performed at the Bondi Pavilion Theatre in Sydney. Spigelman has written an intriguing examination of a period of Miles Franklin’s life perhaps not all that well known.

While researching at the State Library of New South Wales for another project, Spigelman discovered that Franklin had curiously written some of her diaries in code. Spigelman wondered why a woman in her fifties needed to resort to such a habit, leading the playwright to find out why. The play goes some way in providing answers.

After decades spent overseas, a middle-aged Miles has returned to live in very straitened circumstances with her elderly mother, Susannah, in suburban Sydney. They are struggling so much that in one scene, Miles shamefully reveals they’re living off mouldy bread. The once-lauded writer, who had early success in her twenties with the novel My Brilliant Career, now finds herself ignored by the literary establishment.

Despite her years away from Australia, she sees that not much has changed in sexist attitudes towards female writers. In another scene, Miles rails against the fact that she still needs to adopt a male name in order to be published. Her choice of the nom de plume ‘Captain Bligh’ elicited chuckles from the audience.

 

It is through her friendship with Australian editor and publisher Percy ‘Inky’ Stephensen that Miles hopes to resurrect her flailing writing career. Miles, however, finds herself increasingly drawn into Inky’s political organising.

Spigelman has taken a clever approach to representing the bifurcated self that we see in the character of Miles. Two actors, Beth Daly and Sarah Greenwood, play the old and young Miles, respectively. This device allows us to see the impact of time on the writer’s psyche. Daly does an admirable job in portraying the now frustrated Miles, who at once seems world-weary but also still harbours hopes for a different future.

Greenwood plays the young Miles with a youthful energy, heightening our pity for her older self. Lloyd Allison-Young is excellent as the bombastic and eventually bitter Inky Stephensen, and James Coetzee very competently plays Edwin, Miles’ suitor in her youth. A highlight is Alice Livingstone’s portrayal of Susannah Franklin. Livingstone beautifully captures the elderly woman’s fussiness and also her deep love for her daughter.

The Kingdom of Eucalypts season runs from 30 Oct to 17 Nov. To book your tickets please go to https://www.moirablumenthalproductions.com.au/thekingdomofeucalypts

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Shark Island Presents: The Pool

The Pool

The Pool Rating

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After making waves at the Sydney Film Festival, Ian Darling’s The Pool will be released this November. The film presents Bondi Icebergs as we know them and as we have never seen them. Darling offers a portrait of an icon of Sydney’s most famous beach and the community that surrounds it, one that is both intimate and far-reaching.

We are treated to long, smooth shots of sparkling water in sunshine, the bright turquoise of the pool and surrounding churning waves, and the slow grace of the swimmers moving through the water.

The Pool lulls you into a dream-like world with its beauty of composition, the long drone shots, the fury and destructive power of the storms, and the soft lights on the shore as the first swimmers arrive on a bracing winter morning. Yet here and again, the film changes tack, and we also see the swimmers’ activity and brightness, the flurry of movement down the pool, and the organised chaos of the Sunday races.

 

Yet it is through the people, the community of the Bondi Icebergs Swimming Club, that we reach the heart of the film. The club has been going for almost a hundred years, bringing people together from many and varied backgrounds over their shared love of swimming. As the film says, we are all equal when we have our swimmers on.

The Pool has a beautiful and otherworldly quality. From the very first frame, we dive into a hushed world of light, water, and colour. We see dark silhouettes stretching before a Bondi sunrise, drops of water gilded by sunlight that slowly explode against a brilliant blue sky. Yet these images would have remained almost disconnected without seeing the love and dedication of the people through the stories shared.

For screenings, please check venue and session times here:- https://www.madman.com.au/the-pool/#session-times-panel

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Falling into Place: British Film Festival

Falling into Place

Falling into Place Rating

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Set against the stark backdrop of a bleak Scottish winter, “Falling into Place” invites viewers into a world where two lost souls briefly collide in a bar, igniting a day filled with fleeting joy and profound connection. Directed and written by Aylin Tenzel, who also stars as the film’s emotionally troubled protagonist, the narrative explores the depths of despair and the search for solace in unexpected places.

Tenzel’s character is an artist grappling with the aftermath of a painful breakup, her self-worth at an all-time low. She isolates herself from her family, terrified that revealing her struggles will expose her vulnerabilities. Tenzel embodies this emotional turmoil with a raw honesty that resonates deeply, showcasing her talent as an actress and storyteller.

Opposite her is Chris Fulton, known for his roles in “Outlander” and “Bridgerton,” who plays a man equally enshrouded in grief. His character battles the aftermath of his sister’s suicide attempts and a relationship that has long since soured. Together, Tenzel and Fulton create an intense chemistry that pulses through the film, offering a glimpse of hope amidst their mutual pain. Their connection is not one of idealized romance but rather a bond forged in shared suffering—a recognition of their own self-destructive tendencies.

What sets “Falling into Place” apart is its unflinching portrayal of mental health issues. The film does not shy away from presenting its protagonists in an unflattering light; rather, it embraces their flaws and struggles, allowing audiences to empathize with their journeys. This authenticity is refreshing in a genre often dominated by idealized relationships.

While the film’s pacing may feel slow at times, the emotional weight it carries makes the eventual payoff worthwhile. Tenzel’s directorial debut is a powerful commentary on the healing power of shared experiences, making it a must-watch for those who appreciate intimate, character-driven storytelling.

The British Film Festival 2024 runs from Nov – Dec 8.

To book tickets to this or other films click https://britishfilmfestival.com.au/ for session and venue details.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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